ABSTRACTHow accurate are insights compared to analytical solutions? In four experiments, we investigated how participants' solving strategies influenced their solution accuracies across different types of problems, including one that was linguistic, one that was visual and two that were mixed visual-linguistic. In each experiment, participants' self-judged insight solutions were, on average, more accurate than their analytic ones. We hypothesised that insight solutions have superior accuracy because they emerge into consciousness in an all-or-nothing fashion when the unconscious solving process is complete, (...) whereas analytic solutions can be guesses based on conscious, prematurely terminated, processing. This hypothesis is supported by the finding that participants' analytic solutions included relatively more incorrect responses than timeouts compared to their insight responses. (shrink)

In response to the IABS conference theme to “advise practitioners,” this paper is framed in terms of two questions that have been found to be critical to practitioners. These are “what is Corporate Responsibility and how to do it” and “what is the value of Corporate Responsibility.” The paper uses theories from within the academic literature to develop a model to answer these two practitioner-based questions. An empirical framework based upon the model is developed and tested with a study of (...) customers of a financial service organisation in the UK. (shrink)

People with aphasia use gestures not only to communicate relevant content but also to compensate for their verbal limitations. The Sketch Model (De Ruiter, 2000) assumes a flexible relationship between gesture and speech with the possibility of a compensatory use of the two modalities. In the successor of the Sketch Model, the AR‐Sketch Model (De Ruiter, 2017), the relationship between iconic gestures and speech is no longer assumed to be flexible and compensatory, but instead iconic gestures are assumed to express (...) information that is redundant to speech. In this study, we evaluated the contradictory predictions of the Sketch Model and the AR‐Sketch Model using data collected from people with aphasia as well as a group of people without language impairment. We only found compensatory use of gesture in the people with aphasia, whereas the people without language impairments made very little compensatory use of gestures. Hence, the people with aphasia gestured according to the prediction of the Sketch Model, whereas the people without language impairment did not. We conclude that aphasia fundamentally changes the relationship of gesture and speech. (shrink)

Motivated by the ongoing controversy surrounding corporate tax, this article presents a study that explores stakeholder expectations of corporate tax in the context of UK business. We conduct a qualitative analysis of in-depth interviews with representatives of community groups, as well as interviews with those representing business groups. We then identify eight themes that together describe “what” companies need to do, “how” they need to do it, and “why” they need to do it, if they wish to appeal to a (...) wide group of interested parties. We discuss our findings based on the corporate social responsibility literature and propose novel ways for community groups and business groups to connect on the topic of corporate tax, suggesting opportunities and themes for dialogue and potential steps to co-create solutions in a stakeholder society. (shrink)

“Naturalismo” è una parola che si dice in molti modi, almeno tanti quanti nella storia della filosofia e nel sentire comune sono i modi in cui si è parlato di “natura” e di espressioni simili. Oggi, il tema del naturalismo in filosofia e della cosiddetta naturalizzazione che una filosofia dovrebbe eventualmente attrezzare determinate nozioni e teorie è tornato prepotentemente alla ribalta della riflessione filosofica, sulla scia dei successi provenienti dalle scienze cognitive (linguistica, n...

La inmunización en adultos es una estrategia de salud pública que se ha desarrollado e impulsado en los últimos años como consecuencia del envejecimiento poblacional. El aumento de la proporción de personas adultas en la población y la manifiesta preocupación por promover un envejecimiento saludable de la población plantean la premura de aportar evidencia científica sobre los factores que se asocian a la vacunación de adultos. La prevalencia de inmunizaciones en adultos está por debajo de las metas planteadas por el (...) Ministerio de Salud, por ello se propone como objetivo explorar e identificar los factores asociados a la vacunación de adultos en Argentina, teniendo en cuenta las recomendaciones del calendario nacional de inmunizaciones. Se trata de un estudio cuantitativo, exploratorio y correlacional, cuya fuente de datos es la Encuesta Nacional de Factores de Riesgo de 2013. En la metodología se desarrollan modelos logísticos individuales usando como variables explicativas sexo, nivel de instrucción, cobertura de salud, situación conyugal y si accedió a información sobre vacunas de adultos en algún medio masivo de comunicación. La unidad de análisis son las personas mayores de 18 años y se analizan las subpoblaciones objetivo de las siguientes vacunas: doble bacteriana o triple acelular del adulto, influenza y neumococo. Como contribución puede mencionarse que los resultados indican que haber visto o escuchado información sobre vacunas de adultos resultó el factor que más aumenta las probabilidades de estar inmunizados de los adultos argentinos. (shrink)

A collection of papers presented at the First International Summer Institute in Cognitive Science, University at Buffalo, July 1994, including the following papers: ** Topological Foundations of Cognitive Science, Barry Smith ** The Bounds of Axiomatisation, Graham White ** Rethinking Boundaries, Wojciech Zelaniec ** Sheaf Mereology and Space Cognition, Jean Petitot ** A Mereotopological Definition of 'Point', Carola Eschenbach ** Discreteness, Finiteness, and the Structure of Topological Spaces, Christopher Habel ** Mass Reference and the Geometry of Solids, Almerindo E. (...) Ojeda ** Defining a 'Doughnut' Made Difficult, N .M. Gotts ** A Theory of Spatial Regions with Indeterminate Boundaries, A.G. Cohn and N.M. Gotts ** Mereotopological Construction of Time from Events, Fabio Pianesi and Achille C. Varzi ** Computational Mereology: A Study of Part-of Relations for Multi-media Indexing, Wlodek Zadrozny and Michelle Kim. (shrink)

Mathematics is often defined as a “universal” or “conventional” language. Yet, things may be not as simple as that. The theoretical lens of the semiosphere, with the related notions of context and spatial dynamics, within which the concept of cultural conflict is defined, provides a new framework for research in mathematics education to consider the cultural aspects of mathematical discourses. It is under this framework that learning awareness occurs, and teaching challenges are no longer conceived as independent of the content (...) taught (or to be taught). It is not a question of nullifying the cultural conflict, but exploiting the concept of asymmetry to make sense of mathematical discourse. Meeting foreign cultures leads to looking at one’s own practices. An example drawn from Danish numerals, juxtaposed with a mathematical discourse occurring in a sixth-grade classroom in Italy, delves into the practical application of the framework. (shrink)

The purpose of this article is to discuss narration of ethical themes in nursing care. The text represents part of the findings of an ethnographic study aimed at description of everyday work on an oncology ward. Nurses on this ward are constantly involved in ethical care issues and narratives are told to share experiences. Of vital importance in ethical decision making is the perpetual creation of a mediating moral world constituted by daily experience. The need for making space in nursing (...) for a continual learning conversation is expressed and in this I include writings of nursing theorists. (shrink)

This essay deals with some philosophical problems concerning the understanding of ethical conceptions in an alien culture. Its aim is to show that in investigating such conceptions we cannot proceed on purely empirical grounds; our own ethical concepts will, in a conceptual sense, determine what it is conceivable that we find.

Drawing on corpora from West Africa and Iceland, the article presents a fieldwork-based comparative exploration of ‘things that place names do’. Treating toponyms as performative elements of culture, we have observed striking parallels as well as differences in the uses of place names in both regions. Place names communicate spatial orientation; play an important role in the commemoration of people and events; mark claims of possession; support the construction of identity; sacralize landscapes; and voice moral reprimands. They can provide entertainment, (...) by, for instance, inscribing ridicule into the land. They subvert as well as affirm hierarchies and power structures, and even play a role in interethnic conflict. Equally, they can become nuclei of storytelling, providing starting points for the invention of narratives. Showing the range of functions that place names can assume in two very different geographical contexts, the article presents a heuristic illustration of the potential of fieldwork-based approaches for toponomastic research. (shrink)

This book is the most comprehensive study to date of the development of the three suffixes -hood, -dom and -ship in the history of English. Based on data from annotated corpora it provides an in depth investigation from Old English to Modern English and shows that structurally the three suffixes developed from syntactic heads via morphological heads in compounds to morphological heads in derivations. Being an instance of morphologisation the rise of suffixes clearly shows that word formation is not part (...) of the syntactic module. This development is triggered by semantic change, more pre. (shrink)

El problema del valor cognitivo de las obras literarias ha recibido fundamentalmente dos tipos de respuesta, la cognitivista y la anti-cognitivista, la primera sostiene que la literatura es vehículo de verdades universales y la segunda mantiene que no transmite nada salvo falsedades y trivialidades. Entre estas posiciones opuestas, este ensayo defiende una forma de cognitivismo débil afirmando por una parte, con los cognitivistas, la idea de que aprendemos de la literatura, y por otra parte, con los anti-cognitivistas, la intuición de (...) que la literatura no nos transmite verdades sobre nosotros mismos o sobre el mundo. La idea es que una solución basada en dos niveles, de acuerdo con lo que aprendemos de la literatura, se deriva de una combinación de knowing that y knowing what. En primer lugar, para aprender algo de la literatura necesitamos comprender, y por tanto saber, de qué hablan los textos literarios, tenemos que ser capaces de aferrar el estado de cosas descrito. Este es el primer nivel, relativo a la verdad literaria y al knowing that. En un segundo nivel, nuestro aprendizaje a partir de los textos literarios tiene que ver con imaginar cómo es ser esos personajes involucrados en esos eventos, por lo tanto, knowing what es como vivir una vida diferente de la propia. En este nivel aprendemos de la literatura del mismo modo en que aprendemos de los experimentos mentales, ejemplos o contraejemplos. Esto es lo que Hilary Putnam ha llamado “conocimiento conceptual de vidas posibles. (shrink)

What happens us emotionally when we read a work of fiction? According to some philosophers our emotional engagement with fiction gives rise to a paradox and involves either irrationality or participation in a game of make believe. I argue that an Object Theory in a meinongian style, by supporting a realistic perspective on fictional emotions, is able to dissolve the paradox of fiction by providing a positive ontological account of fictional entities (and the properties characterizing them).

Zusammenfassung Patientinnen und Patienten steht das Recht auf Behandlung nach ihren eigenen Vorstellungen auch dann zu, wenn sie aktuell keinen eigenen Willen bilden können. Advance Care Planning (ACP), als ein spezielles Verfahren der gesundheitlichen Vorsorgeplanung, zielt darauf ab, dieses Dilemma durch eine Willensbestimmung im Voraus aufzulösen. Besonders ausgebildete Gesprächsbegleiter*innen bieten an, bei der Ermittlung, Formulierung und Dokumentation eines solchen, die individuelle gesundheitliche Situation berücksichtigenden Willens zu helfen. Das Umfeld der Betroffenen soll in den Gesprächsprozess einbezogen und es soll organisatorisch gesichert (...) werden, dass deren Willensbestimmung den aktuell Behandelnden im Bedarfsfall faktisch zugänglich ist. Das Verfahren kombiniert also ein kommunikatives mit einem institutionellen Element. Aus ethischer Sicht stellen sich dabei zwei wesentliche Herausforderungen. Erstens erfordert Gesprächsbegleitung mit einem so komplexen Ziel Kompetenzen und setzt bestimmte Haltungen voraus, wie sie für Professionen im strengen Sinne typisch sind. Daher wäre es wichtig, entsprechende professionelle Normen explizit zu machen, beispielsweise in Form eines Berufs-Kodex. Zweitens muss das Verfahren trotz seiner institutionellen Form für die Betroffenen freiwillig sein. Dies ist entscheidend für die Validität des Prozesses, aber auch für dessen Ergebnis. Denn wenn Letzteres rechtlich bindend sein soll, müssen die Betroffenen freiverantwortlich, d. h. ohne sog. Willensmängel handeln können. Es ist deshalb ethische Pflicht, beim Eintritt in und im Verlauf der Beratung auf die Freiwilligkeit zu achten. (shrink)

Carola Barbero | : Je m’intéresse dans cet article aux émotions que nous ressentons lorsque nous lisons une oeuvre de fiction. Certains philosophes pensent que notre implication émotionnelle dans la fiction constitue un paradoxe, et implique soit une forme d’irrationalité, soit la participation à un jeu de « faire semblant ». Ici, je soutiendrai qu’une Théorie de l’Objet à la Meinong, en défendant une approche réaliste des émotions liées la fiction, permet de résoudre adéquatement ce paradoxe de la fiction. (...) | : This essay concerns the emotions that we feel when reading a work of fiction. Some philosophers think that our emotional engagement with fiction gives rise to a paradox and involves either irrationality or participation in a game of make believe. The aim of this work is to show how the paradox of fiction can be dissolved by making use of an Object Theory in a Meinongian style. (shrink)

According to Alexius Meinong, in order to give a philosophical explanation of the world we need to consider both existent and nonexistent objects, lest we fall into the "prejudice in favour of the real". The paper starts by examining some basic concepts of object theory seen as an existence-free science (modes of being, principle of independence of so-being from being, "Aussersein" and Meinong's paradox). There follows an exposition of Bertrand Russell's position, characterized by a "robust sense of reality", and afterwards (...) an analysis of differences and similarities between the two philosophers. The paper ends with a short account of Meinongian semantics and a comparison between object theory and metaphysics. (shrink)

What makes Nespolo’s Madama Butterfly so distinct? Not the fact that it is its unique exemplar, in fact artworks as grand operas are essentially repeatable. What does that mean? How could we then explain why Nespolo’s stage costumes and scenery perfecty fit? By clarifying the kind of object Madama Butterfly is.

It is the aim of this piece of research to provide a conceptualisation of Corporate Responsibility from a stakeholder perspective and to investigate if and how Corporate Responsibility can be expressed in terms of beliefs of stakeholders. The paper reports on a qualitative research study into customer and employee understanding of Corporate Responsibility in the context of a financial service organisation.

The following presentation has for object raise the problem of the human action and the technology. The human and instrumental. The human effort for trying to control (to (limit) the technology, is the Hybris against which the word of Apollo gets up in Delphi. The knowledge of the limits of the man, it is what claims the man and not to the claimed responsibility, with which he believes, there has been delivered him the mission to direct his own destination. The (...) Nosce te ipsum, of the temple of Apollo, is the philosophy, the wisdom that is in the recognition of the limits that mark the essence of the man and that it consists of thinking never trying to exceed them. What will be postulated here, is that the concept of precaution and his Principle, it continues being a determination of the technology, not only a consummation of the instrumental and anthropologic action, but a consummation of the ‘technical’ of the thought. (shrink)

According to some, there is a problem concerning the emotions we feel toward fictional entities such as Anna Karenina, Werther and the like. We feel pity, fear, and sadness toward them, but how is that possible? “We are saddened, but how can we be? What are we sad about? How can we feel genuinely and involuntarily sad, and weep, as we do know that no one has suffered or died?” (Radford, in: Proceedings of the Aristotelian Society, 1975). This is the (...) paradox of fiction which is based on the assumption that emotions, to be genuine and rational, should be directed toward existent beings. But if beliefs about existence are necessary for us to be rationally moved by something, and such beliefs are lacking when we are moved by fiction (because we do not believe fictional characters and events to be real), then our capacity for an emotional response to fiction is irrational. Consequently, our emotional attitude toward future generations should be considered as irrational as well. But is this really the case? Are there good arguments to consider future and fictional entities as similar from this point of view? Or would it be better to distinguish the two? Is there such a thing as a paradox of the future? If so, how does it relate to the more famous paradox of fiction? (shrink)

This essay is a critical discussion of Dipesh Chakrabarty’s book Provincializing Europe as well as a first sketch of a History on Equal Terms. After giving a short summary of Provincializing Europe, I first argue, against Chakrabarty, that there is no necessary connection between the discipline of history and the metanarratives of modernity. To the contrary: the founding idea of the discipline of history was a turn against such grand narratives. With his attempt to deconstruct the narratives of the European (...) Enlightenment and of modernity, Chakrabarty therefore has to be regarded as a thinker of radical historicism rather than as a critic of the discipline of history. Second, I criticize the use of the term “modernity” in Provincializing Europe and the concept of modernity in general. Instead of a deconstruction of the discipline of history, I propose a deconstruction of the concept of modernity. This could open up the way for a History on Equal Terms situated within the discipline of history, that is, a historiography that would—just as Chakrabarty rightly demands—in principle pay the same attention to and expect relevant results from any region in the world, depending only on the focus of research. (shrink)

Reading starts with the act of perception and rapidly moves into an area concerning the recognition of written words. Word recognition consists of two aspects (functioning simultaneously and working in parallel): the phonological—converting groups of letters into sounds—and the lexical— giving access to a mental dictionary of the meaning of words. But what does the act of reading consist of? According to Peter Kivy, there is a parallel between reading texts and reading scores. And what about the reasons for reading? (...) When we read, we are not just interested in understanding what the signs stand for, but we also activate memory, perception, problem-solving, and reasoning, and our attention is also devoted to identifying those characteristics of texts which help categorize them as works of a specific genre. Readers play a central role: without them and their activity, there would be nothing but a page of black spots. As they read and understand, readers propositionally imagine what is written and, at a further level, they may also imagine objectually and simulatively. These objects come into being thanks to the words that we imagine are similar to what Roman Ingarden sees as a skeleton, needing the experience of reading to be appropriately concretized. (shrink)

Nel giardino floreale dell’Isola Che Non C’è si scontrano Lafcadio e Termidoro, due strani tipi sempre preoccupati di farsi riconoscere e di fare accettare gli oggetti delle loro ricerche. Non sono come gli studiosi d’un tempo, impegnati a costruire grandi sistemi e a inventare nuovi modi di pensare e di parlare, loro fanno piccole ricerche su oggetti particolari, si chiedono se esistono o se non esistono, come sono costruiti, di quali elementi sono composti, di che cosa hanno bisogno per con...

Nonostante Don Chisciotte e Madame Bovary si siano rovinati (letteralmente) la vita a forza di leggere romanzi, è opinione condivisa che le opere letterarie possano essere molto importanti, se non addirittura fondamentali, quale fonte di conoscenza. Non è quindi per caso che si comincino a leggere le storie ai bambini piccoli, che se ne richieda la lettura ai ragazzi a scuola e si cerchi di sensibilizzare il più possibile al mondo dei libri, perché, come diceva Umberto Eco, «[…] la nostra (...) ric... (shrink)

L’estetica, intesa come scienza della conoscenza sensibile e del bello naturale e artistico, ha indubbiamente a che fare con il giudizio di gusto. In base a che cosa infatti diciamo che un quadro è bello o che una rappresentazione teatrale ci ha colpito? In base al gusto, appunto: al richiamarsi a quel je ne sais quoi che fa sì che apprezziamo le opere d’arte, per esempio. Sarebbe tuttavia legittimo domandarsi che cosa siamo disposti a includere sotto la categoria di “opera (...) d’arte”. Sicuramen... (shrink)