We like to rate each other. We rate restaurants on Yelp, drivers on Lyft, and movies on Rotten Tomatoes. And these ratings can help us make decisions. With all of this rating going on, wouldn’t it be helpful if we rated how ethical other people are? Knowing the moral scruples of others could help us make friends, choose who to date, and avoid getting ripped off. But even though lots of ratings are useful, I don’t think that giving each other (...) a moral score is a good idea. In fact, I think it might make us even more unethical. (shrink)

Is goodness without god good enough? A debate on faith, secularism, and ethics Content Type Journal Article DOI 10.1007/s11153-010-9243-8 Authors Wes Morriston, University of Colorado, Boulder Department of Philosophy Boulder CO 80309-0232 USA Journal International Journal for Philosophy of Religion Online ISSN 1572-8684 Print ISSN 0020-7047.

BackgroundThe concept of ‘successful ageing’ has been a prominent focus within the field of gerontology for several decades. However, despite the widespread attention paid to this concept, its intersectional implications have not been fully explored yet. This paper aims to address this gap by analyzing the potential ageist and ableist biases in the discourse of successful ageing through an intersectional lens.MethodA critical feminist perspective is taken to examine the sensitivity of the discourse of successful ageing to diversity in societies. The (...) paper analyzes how ageist and ableist biases can manifest in the ways we conceptualize ageing, drawing on examples in the context of mental health.ResultsWe argue that the conventional approach to successful ageing is limited in its ability to account for the experiences of people who have faced intersectional discrimination throughout their lives. Drawing on examples in the context of mental health, we explore among others the link between depression and disabilities. Furthermore, we shed light on the negative impact of ageist and ableist attitudes concerning the diagnosis and treatment of dementia.DiscussionWe demonstrate how diversity is often overlooked in discussions of ageing well, and how ageist and ableist biases can manifest in the ways we conceptualize ageing. We argue that focusing solely on the health status as a means of achieving success fails to adequately counter ageism for all people. We further emphasize the role of structural factors, such as ageist attitudes, in shaping the experience of ageing and exacerbating health inequalities.ConclusionOverall, our findings emphasize the need for a more nuanced and inclusive understanding of ageing and therefore an intersectional approach to conceptions of ageing well that recognizes and addresses the biases and limitations of current discourses. Thereby, this paper offers valuable insights into the complex intersections between age and disabilities from a bioethical perspective, highlighting the need for a more inclusive and intersectional approach to ageing. (shrink)

Suppose that a majority of jurors decide that a defendant is guilty (or not), and we want to know the likelihood that they reached the correct verdict. The French philosopher Marquis de Condorcet (1743-1794) showed that we can get a mathematically precise answer, a result known as the “Condorcet Jury Theorem.” Condorcet’s theorem isn’t just about juries, though; it’s about collective decision-making in general. As a result, some philosophers have used his theorem to argue for democratic forms of government. This (...) essay explains Condorcet’s theorem and how philosophers have used it as an argument for democracy. (shrink)

Sober develops an account of adaptations on which they must have been positive causal factors for reproductive success. Glymour defends an account of a proper subset of adaptations—adaptations to particular environmental conditions—on which traits must interact in a special way with adapting conditions to cause reproductive success. These theories render conflicting judgments about which traits count as adaptations in some interesting cases. In this article I explore one such case and argue that we ought to replace the notion of adaptation (...) qua positive causal factor with a novel notion of adaptation. (shrink)

If God commanded something that was obviously evil, would we have a moral obligation to do it? I critically examine three radically different approaches divine-command theorists may take to the problem posed by this question: (1) reject the possibility of such a command by appealing to God's essential goodness; (2) avoid the implication that we should obey such a command by modifying the divine-command theory; and (3) accept the implication that we should obey such a command by appealing to divine (...) transcendence and mystery. I show that each approach faces significant challenges, and that none is completely satisfying. (shrink)

This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire's flan̂eur to the contemporary 'creative' borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long (...) held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the 'foot soldiers of capitalism', the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platform--a forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art."--Publisher's website. (shrink)

Wes Furlotte critically evaluates Hegel's philosophy of human freedom in terms of his often-disregarded conception of nature. In doing so, he gives us a new portrait of Hegel's final system that is surprisingly relevant for our contemporary world, connecting it with recent work in speculative realism and new materialism.

A one-credit seminar devoted to theological issues. Can be taken three times for credit. This semester, we'll be discussing Thomas Morris's highly readable book on Pascal and the meaning of life. To give you a quick sense of what this book is about, here are the chapter titles, followed by a few paragraphs from the first chapter.

Plantinga claims to give a person who is agnostic about the ultimate source of his cognitive faculties an undefeatable defeater for all his beliefs. This argument of Plantinga’s bears a family resemblance to his much better known argument for saying that naturalism is self-defeating, but it has a much more ambitious conclusion. In the present paper, I try to show both that Plantinga’s argument for this conclusion fails, and that even if an “origins agnostic” were to succumb to it, a (...) cure for his skepticism is ready at hand—one that does not involve believing in anything like God. (shrink)

Selected by graduating philosophy majors for a $1000 departmental teaching award, 2005 Boulder Faculty Assembly Teaching Excellence Award, University of Colorado, 2001 resident’s eaching cholar, niversity of olorado, 1992-94 Boulder Faculty Assembly Teaching Excellence Award, University of Colorado, 1981..

A mixture of facts and philosophy. Jean-Paul Sartre, William Blake, lao Tzu, Groucho Marx, Albert Einstein - hold forth on poetry religion, quantum physics.

El ensayo es una mirada revisionista del famoso artículo de James Agee “La época más grande de la comedia” –centrándose en Buster Keaton y Charlie Chaplin, “los autores de la comedia cinematográfica” de la década de 1920–. Por más que Chaplin fuese considerado el gigante de la época, la literatura del momento mostraba que Keaton no solo era considerado una figura popular, sino también más culta (cf. mi próximo libro: Buster Keaton en su propio tiempo, McFarland Press). En cambio, en (...) los estudios actuales Keaton es considerado ya en la misma categoría que Chaplin. Mientras que la comedia inspirada por Chaplin se considera por siempre intemporal, Keaton nos parece ahora que habla para el día de hoy. Al menos durante esta década, Chaplin abraza el corazón humanista emocional de un pasado al estilo de Dickens, mientras que Keaton reflexiona sobre el existencialismo cerebral de un Camus o de un Beckett. La vida es confusa, pero para Chaplin, el arte es lo que consigue enderezarla, al menos durante noventa minutos. El mensaje o el recordatorio de Keaton es que la vida es un caos… una áspera “película” que finalmente termina. O, como Kafka observó, “el significado de la vida es que termina”. Verdaderamente dos perspectivas para reflexionar. (shrink)