Les recherches ayant permis de sortir de l’invisibilité l’histoire de la migration antillaise mettent généralement l’accent sur sa place parmi les « migrations de travail » dans la France des années 1950-1970, sur le rôle de l’État dans l’expatriation des migrants, puis des discriminations subies. Relativement absente de la littérature est une vision des stratégies des individus, stratégies façonnées par les motifs du départ des Antilles puis par les attentes et les projets de vie à plus long terme. S’appuyant sur (...) des sources d’archives, cet article entend contribuer à une littérature qui par sa perspective genrée, révèle comment les normes et représentations des rapports sociaux de sexe agissent sur les choix des individus ainsi que sur l’orientation des politiques migratoires. En articulant les échelles individuelle et institutionnelle, il questionne aussi la dichotomie construite entre autonomie et passivité en migration. (shrink)

Les deux documents présentés sont issus respectivement du dossier de carrière d’une institutrice guadeloupéenne (1957-1962) et de la correspondance privée de celle-ci avec son mari (1961-1962). Tous deux éclairent le racisme auquel ont pu faire face les femmes qui ont migré des DOM-TOM vers la métropole dans les années 1950-1960 au sein de deux espaces sociaux différents : le travail en contact avec un public et les relations familiales au sein des couples mixtes. Notre commentaire met en lumière la complexité (...) des processus de racialisation à l’œuvre dans ce cas et plaide pour un renouveau des recherches sur l’immigration des personnes originaires d’Outre-mer en métropole qui s’intéresseraient spécifiquement à leur intégration au monde de travail. (shrink)

Within the Caribbean literature, the imaginary—a very often defined notion—is presented in a new light by the fictional and theoretic thought of Patrick Chamoiseau. The imaginary dimension can’t remain something abstract and essential full of invariants. Chamoiseau is mistrustful of the mythical imaginary, however he doesn’t put an end to it but he opens a literary space where everything has to be created. In Chamoiseau’s works, the imaginary dimension is of the highest importance in an ideological battle-field where the (...) main character is the Warrior of the imaginary. His ambition is to switch from monolingualism to multilingualism, therefore the French and the Creole languages—we can read in his writing—crystallize the new and always changing definitions of the imaginary. (shrink)

Malgré la paucité des sources, les historiographies sur les femmes et le genre dans les sociétés avec esclavage des Caraïbes anglaise et française ne cessent de prendre de l’importance depuis les années 1970, même si les recherches sur les Antilles françaises sont beaucoup moins prolifiques que celles sur les British West Indies. Après avoir présenté le champ des études caribéanistes, l’article analyse les travaux relatifs aux femmes esclaves, qui ont longtemps prédominé, puis ceux concernant les femmes libres de couleur et (...) blanches, ainsi que les masculinités. (shrink)

In this essay, I connect my work on Archipelago studies with Édouard Glissant’s notions of relationality and Caribbean confederations to formulate what I denominate as the erotics of archipelagic thinking. My main goal is to share my process of thinking with and through Glissant’s work to focus on a series of theoretical gestures that have allowed me to propose modes of reading literary depictions of Caribbean con/federations that go beyond the binary opposition between colonialism and nationalism. I am (...) performing an exercise that I assign to my students when I teach the “Introduction to Critical Theory” course at the University of Miami. Instead of writing an essay with a short theoretical introduction followed by a detailed close reading of literary and cultural texts that illustrate a keyword or a theoretical insight, I conduct a methodological meditation in which I theorize the archipelagic as a form of relationality that configures an erotic imaginary beyond the nuclear family and towards affective networks. To think about the Caribbean as an archipelagic formation, I use my comparative work on the Antillean Confederation in the Hispanic Caribbean (1860-1898) and the West Indies Federation in the English Caribbean (1958-1962) as a historical context in which the region congealed as a network of locations “act[ing] in concert.". (shrink)

The era from the late fifties to the early seventies was marked in Africa and the Caribbean by a rush of newly articulated anticolonial sentiment that was associated with the burgeoning of both international back consciousness and more localized nationalist movements. Between 1957 and 1973 the vast majority of African and the larger Caribbean colonies won their independence; the same period witnessed the Cuban and Algerian revolutions, the latter phase of the Kenyan “Mau Mau” revolt, the Katanga crisis (...) in the Cong, the Trinidadian Black Power uprising and, equally important for the atmosphere of militant defiance, the civil rights movement in the United States, the student revolts of 1968, and the humbling of the United States during the Vietnam War. This period was distinguished, among Caribbean and African intellectuals, by a pervasive mood of optimistic outrage. Frequently graduates of British or French universities, they were the first generation from their regions self-assured and numerous enough to call collectively for a renunciation of Western standards as the political revolts found their cultural counterparts in insurrections against the bequeathed values of the colonial powers.In the context of such challenges to an increasingly discredited European colonialism, a series of dissenting intellectual chose to utilize a European text as a strategy for getting “out from under this ancient mausoleum of [Western] historic achievement.”1 They seized upon The Tempest as a way of amplifying their class for decolonization within the bounds of the dominant cultures. But at the same time these Caribbeans and Africans adopted the play as a founding text in an oppositional lineage which issued from a geopolitically and historically specific set of cultural ambitions. They perceived that the play could contribute to their self-definition during a period of great flux. So, through repeated, reinforcing, transgressive appropriations of The Tempest, a once silenced group generated its own tradition of “error” which in turn served as one component of the grander counterhegemonic nationalist and black internationalist endeavors of the period. Because that era of Caribbean and African history was marked by such extensive, open contestation of cultural values, the destiny of The Tempest at that time throws into uncommonly stark relief the status of value as an unstable social process rather than a static and, in literary terms, merely textual attribute. Rob Nixon is a Ph.D. candidate in English at Columbia University. He is working on the topics of exile and Third World-metropolitan relations in the writing of V. S. and Shiva Naipaul. His previous contribution to Critical Inquiry is “No Names Apart: The Separation of Word and History in Derrida’s ‘Le Dernier Mot du Racisme’ ”. (shrink)

In this paper, I argue that macro-theorizing in the field of Caribbean sociology is going through a crisis of transition from the third to the fourth major period in its 100-year-old process of historical development. It is a transition from a period in which the houses of earlier Caribbean macro-theorizing in the social sciences, such as creole theory, cultural pluralism and dependency theory, were blown from the center and displaced by the simultaneous arrival of two re-colonizing intellectual hurricanes (...) from the temperate north: American neoliberalism and French poststructuralism. Battered by these two imperial storms, macro-theorizing in Caribbean sociology was caught in what the paper calls a neocolonial squeeze. After unleashing their destructive and seductive winds, Neo and Post, these two intellectual hurricanes, have been receding for some time. Their departing has been creating what the paper calls a post-neoliberal/post-poststructuralist opening. It then takes up the issue of what we should be doing in this opening to repair fallen intellectual houses and revive our tradition of macro-theorizing in Caribbean sociology. (shrink)

Etymologies are often entertaining, but it is not always obvious what they mean. Take the case of Old Frankish *sal, meaning a single-roomed dwelling. The word was taken over by speakers of Vulgar Latin as sala, and by 1100 CE it had become a word of Anglo-Norman French, since in The Song of Roland it crops up as sale, meaning the living area of a castle. Some time later, it wandered into Italian. Renaissance architects wanted to make a new (...) word for the increasingly grandiose spaces they were designing, so they added an augmentative suffix, producing salone. In the seventeenth century, French translations of Italian works on architecture reproduced the new term, only dropping the final e so as to keep the masculine gender of the Italian. French salon came into English in the early eighteenth century, initially as a word for a large and lofty room; but as French speakers applied it more and more to social functions occurring in such spaces, English speakers did so too. Then came a fork: a phonological adaptation produced saloon, which drifted off as a fully naturalized word of English toward hotels, carriages, bars, and cars; but salon persisted nonetheless. By retaining the stress pattern and marginally nasal final vowel of its source language, the doublet has remained in use as a xenism—a word of English understood to be not English, but understood in English all the same.How many such words are there? Hundreds, maybe thousands. Coupé, du jour, fuselage, pizza, paparazzi, sauerkraut, Zeitgeist—all signal their foreignness either by nonstandard pronunciation of written consonants (s, g, j, z), the presence of foreign diacritics, or irregular tonic stress. These are the kinds of loanwords that Scholar calls “émigrés,” but he gives us not thousands or hundreds or even a dozen of them: his chapters deal only with four: à la mode, ennui, naïveté, and caprice. The histories of these words do not really teach us any more about the cultural, social, and political relations between England and France than do saloon and salon, which is not much at all, or any other set of loanwords that retain phonetic or orthographic signs of foreignness. Scholar nonetheless does his level best to put his favored four at the heart of early modern English culture. Lengthy accounts of a play by Dryden, a famous work of Schiller's, an essay by Raymond Williams, Caribbean notions of creolization, and a John le Carré novel, learned though they all may be, do not really make the argument more persuasive, or even clear. By the end of this beautifully produced and floridly written book, the reader (or at least this reader) is not quite sure what it was really about. The very title of Émigrés repurposes a xenism which in regular usage is associated with high social status (we never talk of émigré workers, for example), thus exhibiting what I suppose the whole field ought to demonstrate: the ways in which new, hard, or nonnative words are always used to establish pecking orders between speakers, between their interlocutors and between their worlds. In Bourdieusian terms: not to make distinctions, but to create distinction. (shrink)

In 1677, France took the slave trading island of Gorée located off the coast of Senegal from the Dutch and, less than a decade later, drafted Le Code Noir to formally provide regulations for slave owning practices. This document—created in response to the rapid expansion of the slave economy in French Caribbean possessions made possible by France's position in West Africa—marked the beginning of French involvement in the slave trade. The comparison of French travel narratives written (...) before and after Le Code Noir, shows that, although the descriptions of Sub-Saharan Africa tended to be universally derogatory and Eurocentric, it was not until France became deeply involved in the slave trade that the specific characterization of Africans as lazy emerged. By correlating published descriptions of African laziness with France's growing participation in the slave trade, this paper argues that these portrayals were used to justify slavery to a French public far removed from Africa, Africans, and the ugly realities of the slave trade. (shrink)

A comparison of African grammars written in French, and bilingual Franco-African or Franco-Caribbean dictionaries, allows us to discern a common myth concerning “family” ties between French and African Languages.Missionaries consider two means of conversion: by the introduction of the God-Word to his children, which predetermines the foreign society to be encountered; the other demands an ethno- graphic study (to discover the meaning of language) in oral societies (African, Caribbean) to whom an alphabetical language is superimposed (with (...) Latin characters). This effort of transcription presupposes the harmonious compatibility of all oral languages with French. Thus the missionaries breathe the Word and transcendence into the colonies in order to recover in “Word incarnate”, instrument and symbol for the conversion process. (The theologian would speak here of the “verticality of transcendence”.) But the missionary enterprise meets with the resistances of written language and of foreign societies endowed with complex structures and syntaxes. Thus, the so-called “verticality” crumbles along with missionary hopes, resulting in a trite approximate translation which could be characterized as “horizontal”. (shrink)

The French botanist Michel Adanson spent five years in precolonial Senegal in the 1750s, under the auspices of the Compagnie des Indes. This essay follows the archival traces of Adanson’s engagement with African indigo, including experiments conducted in an ad hoc “laboratory” near the French fort of Saint Louis. A reconstruction of these experiments exposes the multifarious connections to and from the island garden-laboratory, mediated by materials and different kinds of indigo knowledge, including that of local Wolof informants. (...) A microhistory of encounters in and around a tiny island off the West African coast merges with a transatlantic story connecting Senegal to Paris and to French colonies in the Caribbean (Saint-Domingue and Guyana). The essay explores geographies of knowledge and French imperial ambitions through close attention to the material properties of indigo, the practices associated with its cultivation and transformation from plant to dye, and the material remnants of Adanson’s engagement with it in Africa. These remnants—herbarium sheets, experimental notes, color samples on paper strips, dyed fabric swatches, sketched maps, correspondence, collection catalogues, and plant taxonomies—put various kinds of African knowledge and Caribbean plantation experience into dialogue with European botany and dye chemistry. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The French Atlantic Triangle: Literature and Culture of the Slave TradeStephen Auerbach (bio)Christopher L. Miller. The French Atlantic Triangle: Literature and Culture of the Slave Trade. Durham, NC: Duke UP, 2008. xvi + 571 pp.Over the last decade scholars have shown a new interest in reconstructing the history of the French slave trade and slaveholding Atlantic. A scholarly consensus is slowly emerging around the notion (...) that the history of French slavery and colonialism is central to any understanding of the larger themes in French and Francophone history from the seventeenth century to the present. Christopher Miller’s The French Atlantic Triangle is a welcome contribution to this important subject. Miller rightly argues that France, Africa, and the Caribbean are tied together in a shared history of colonialism, slavery, and the slave trade. His goal in The French Atlantic Triangle is to reconstruct this history and illuminate its impact on modern French and Francophone cultural life.The French Atlantic Triangle is a fascinating example of research that combines methods employed in history and Francophone literary studies in order to discuss the triangular slave trade that condemned 2 million Africans to slavery on France’s Caribbean sugar islands and an untold number to their deaths during the Middle Passage. Miller’s central interest here is exploring the ways in which the slave trade and its afterlife were represented in literature and in film from the eighteenth to the twentieth century in France, Africa, and the Caribbean. In the absence of any extant Francophone slave narratives, Miller persuasively argues that fiction and later film allowed writers and filmmakers to pour their “speculations and reflections” (92) into that void. French and Francophone writers separated by thousands of miles and hundreds of years were united by the desire to construct slave narratives and stories that played on the reader’s sense of pity and shame, or desire for adventure, or to convey a powerful longing for home. The result is an ambitious and substantive work. Miller clearly succeeds in demonstrating a legacy of slavery and the slave trade in France and Francophone literature, yet the picture that emerges is a muddled one; the reader is left to make sense of competing, diverse, and sometimes divergent claims. In the end, The French Atlantic Triangle is more suggestive than persuasive.The book is organized into fourteen chapters, divided into four sections, arranged chronologically and geographically. Part 1 (chaps. 1–4) is largely synthesis. Drawing heavily on the work of historians of slavery and the slave trade, Miller outlines the details of the triangular trade from its inception in the mid-seventeenth century to its first abolition in 1794, and final suppression in 1848. Chapters 1 and 2 will be a review for anyone familiar with the history of this period. Chapter 3 focuses on the Enlightenment and the slave trade. Miller rightly notes that the Enlightenment coincided with the height of French slaving activity. Examining works by Montesquieu, Rousseau, and [End Page 59] Voltaire, Miller argues that the philosophes were never much interested in the plight of African slaves, and when they did speak out on the issue it was with heavy irony or wit that only diluted their message. Miller’s analysis is convincing, though he seems unjustified in suggesting that Voltaire remained mostly quiet on the issue because he was heavily invested in the slave trade. There is no evidence for that assertion.Part 2 (chaps. 5–8) covers the period from the French Revolution to the Bourbon Restoration during which time France experienced complete upheaval from the slave rebellions in Martinique in 1789 and Saint Domingue in 1791, to the abolition of slavery in 1794 and its reimposition under Napoleon. Focusing on the writings of Olympe de Gouges, Germaine de Staël, and Claire de Duras, Miller labels the three as abolitionists because in their works they created sympathetic black characters, critiqued racial prejudice, and instilled pity in their readers. Miller brings a fresh analytical eye to well-known texts like Duras’ Ourika, and shines new light on little-known (or unknown) works like Gouge’s play Zamore et Mirza.Miller’s task here is not only to demonstrate the... (shrink)

This paper is an attempt to introduce the thought of the Martinican philosopher, René Ménil to the English-speaking world. It suggests that his philosophy can best be characterized as an aesthetic Marxism, which moved through three crucial phases: (1) a surrealist/French communist phase; (2) a Black poeticist/French communist phase; and (3) a critical poeticist/Martinican communist phase. The passage through these three phases was marked by an increasing and more fixed centering of the aesthetic that created very real tensions (...) with its politico-economic base. The paper explores these tensions through a comparative analysis with other Caribbean aesthetic Marxists or aesthetic historicists such as CLR James, Nicolás Guillén, and Kamau Brathwaite. (shrink)

The dynamic of social struggle in the French Caribbean What are the dynamics and the context, who are the agents of the major social movements which marked the spring of 2009 in the French Caribbean ? What is the link between the struggle against exploitation and the struggle against the permanence of the region’s colonial structures ? What differences are to be identified, in this respect, between Guadeloupe, Martinique and Guyana ?. These are the principal questions (...) addressed in this interview. (shrink)

This article develops Celia Britton's insights into community in French Caribbean writing in two ways. First, it considers Jacques Roumain's Gouverneurs de la rosée and its image of community in the broader context of modern and contemporary Haitian fiction; and second it discusses representations of community in two Haitian works written after the earthquake of 2010, an event that literally destroyed many communities and has forced Haitian authors to rethink relationships between different groups in Haiti and between human (...) life, the cities, nature and the land. (shrink)

Inspired by Jane Gordon's book, Creolizing Political Theory: Reading Rousseau through Fanon, this article examines the paradoxes of Creolization within the French context. How do post-colonial French identities of Maghrebi, Sub-Saharan African or Caribbean descent Creolize French society? Instead of being an opportunity that must be seized by the Nation, why is creolization perceived as an imminent threat to the Republic? How can one think of Creolizing politics in the former colonial power? How does Creolization compel (...) us to rethink how we live together? And how does it require us to rethink freedom and equality for all? These are the questions at the heart of this article. (shrink)

Eric Prieto is a professor of French and Comparative Literature at the University of California, Santa Barbara. He is the author of Listening In: Music, Mind, and the Modernist Narrative, and numerous essays on music-and-literature, literary spatiality, Caribbean literature, and literary theory.

Roots are good to think with indeed most of us use them as a metaphor every day. A root can signify the hiddenness of our beginnings, or, in its bifurcating structure, the various possibilities in the life of an individual or a collective. This book looks at rootedness as a metaphor for the genealogical origins of people and their attachment to place and how this metaphor transformed so rapidly in twentieth-century Europe. Christy Wampole s case study is France, with its (...) contradictory legacies of Enlightenment universalism, anti-Semitism, and colonialism. At one time, French nationalist rhetoric portrayed the Jews as unrooted and thus unrighteous people. After the two world wars, the root metaphor figured in the new French philosophy (notably Deleuze and Guattari). And recently, Caribbean thinkers in Haiti, Guadeloupe, and Martinique have debated whether their roots were in Africa, France, the Caribbean, or in some pan-national network that could not be identified on a map. Walpole argues that while the metaphor was perhaps once useful in the establishment of communities and identities, that usefulness has expired. The longer we remain attached to the figure of rootedness, the more discord it sows. Giving up on the metaphor of rootedness, Wampole urges, allows us to see at last that we are in fact unbound by the land we inhabit.". (shrink)

At the turn of the fifteenth and sixteenth centuries, change was fast and furious: the exploration of coastal Africa by the Portuguese, the exploration of the West Indies by the Spanish, the extermination of the island Indians, the importation of black slaves to the Iberian peninsula, then the expansion of the slave trade to the American colonies - in short, the much-heralded inauguration of European colonization overseas, with all of its attendant horrors. All of this is adequately known, it seems; (...) the purpose of the present article is not to rehearse this history, even in summary. But if chronology has any value here, it is in making clear that, while the massacre of the Arawaks and the Caribbean Indians quickly attracted attention, eliciting protests that were to be renewed in the following centuries, the black slave trade and black slavery began somewhat discreetly, as if it took quite some time for the esprits libres in Europe to take notice of it. Over the three centuries leading up to the French revolution, blacks were transferred from their native countries to the American colonies. In Europe, these three centuries saw the development of Enlightenment thought, the revolt against domination by the Church, the call for human rights, and the will to democracy. The parallel is superficial, but troubling nevertheless: four facts appear to be linked together, and not merely chronologically: the massacre or de facto subjugation of the Indians, the trade and enslavement of blacks, and colonization. Is the last of these not the cause of and the key to understanding the other three - as well as a number of other phenomena? (shrink)

MARINA PAOLA BANCHETTI-ROBINO is Associate Professor and Chair of the Philosophy Department at Florida Atlantic University. Her areas of research include phenomenology, philosophy of language, philosophy of science, philosophy of mind, and zoosemiotics. Her publications have appeared in such journals as Synthese, Husserl Studies, Idealistic Studies, Philosophy East and West, and The Review of Metaphysics. She has also contributed essays to The Role of Pragmatics in Contemporary Philosophy (1997), Feminist Phenomenology (2000), and Islamic Philosophy and Occidental Phenomenology on the Perennial (...) Issue of Microcosm and Macrocosm (2006). She co-edited Philosophies of the Environment and Technology (1999) and is currently working on a book-length project entitled The Birth of Science Out of the Spirit of Myth: A Historico-Phenomenological Re-Examination of the Crisis of the European Sciences. BERNARD BOXILL was born in Saint Lucia, West Indies where he received his primary and secondary education. He studied philosophy at the University of New Brunswick, Canada and at the University of California, Los Angeles where he was awarded a doctorate in philosophy in 1971. He has published numerous articles, a book, Blacks and Social Justice (1992), and is professor of philosophy at the University of North Carolina at Chapel Hill. ED BRANDON was born and educated in England, studying philosophy and linguistics at The University of York, England, and later philosophy at The University of Oxford with the late John Mackie. After teaching in Sierra Leone and briefly in England, he went to teach philosophy of education at the University of the West Indies at Mona, Jamaica in 1978. From 1992 he has been attached to a policy unit of the Vice-Chancellery, based at the Cave Hill campus in Barbados, where he has been assisting since 2000 with a new major in philosophy. His academic work can be accessed from http://cavehill.uwi.edu/bnccde/epb/personalpage.html CAROLYN CUSICK is a doctoral candidate in the Department of Philosophy at Vanderbilt University. She is a founding member of the Phenomenology Roundtable. Her research focuses on feminist epistemology, Africana philosophy, and phenomenology. LEWIS GORDON is President of the Caribbean Philosophical Association. He is Laura H. Carnell Professor, the most distinguished chair, at Temple University, where he holds appointments in philosophy, religion, and Judaic studies and directs the Institute for the Study of Race and Social Thought and the Center for Afro-Jewish Studies. He is also Ongoing Visiting Professor of Philosophy and Government at the University of the West Indies at Mona, Jamaica. He is the author of several books, including the award-winning Her Majesty's Other Children: Sketches of Racism from a Neocolonial Age (Rowman and Littlefield, 1997), Disciplinary Decadence: Living Thought in Trying Times (Paradigm, 2006), An Introduction to Africana Philosophy (Cambridge University Press, forthcoming), and co-editor of A Companion to African-American Studies (Blackwell, 2006) and Not Only the Master's Tools: African-American Studies in Theory and Practice (Paradigm, 2005). CLEVIS HEADLEY is currently Associate Professor of Philosophy at Florida Atlantic University, director of the Ethnic Studies Certificate Program, as well as director of the Master's in Liberal Studies. Professionally, he serves as the Vice-President and Treasurer of the Caribbean Philosophical Association. Professor Headley has published widely in the areas of Critical Race Theory and Africana philosophy. He has also published in Analytic philosophy, focusing specifically on Gottlob Frege. PAGET HENRY is Professor of Sociology and Africana Studies at Brown University. He is the author of Caliban's Reason: Introducing Afro-Caribbean Philosophy, Peripheral Capitalism and Underdevelopment in Antigua, and the co-editor of C. L. R. James' Caribbean. Professor Henry also serves as the editor of the C. L. R. James Journal, and has published numerous articles on the political economy of the Caribbean as well as on African, African-American, and Afro-Caribbean philosophy. ESIABA IROBI is Associate Professor of International Theatre/Performance Studies at Ohio University, Athens. His groundbreaking book: A Theatre for Cannibals: Resisting Globalization on the Continent and Diaspora since 1441 will be published by Palgrave Macmillan, London, in 2007. He has been invited to be an External Resident Fellow at the prestigious Dartmouth College Humanities Institute for the 2007-2008 academic year. CHIKE JEFFERS is a graduate student in the Ph.D. program of the Philosophy Department at Northwestern University. His interests are in Africana philosophy, social and political philosophy, ethics, philosophy of religion and aesthetics. He is originally from Toronto, Ontario, Canada. CATHERINE JOHN is Associate Professor of African Diaspora Literary and Cultural Studies at the University of Oklahoma. Her book Clear Word and Third Sight: Folk Groundings and Diasporic Consciousness in African Caribbean Writing was co-published by Duke University Press and UWI Press in 2003. She has published several articles on Caribbean literature and culture and her current book project is entitled The Just Society and the Diasporic Imagination. She spends her summer working in Woodside, St. Mary, Jamaica helping with a summer school for children and participating in the community's emancipation celebration. KENNETH KNIES is a doctoral student in philosophy at Stony Brook University. His areas of focus are phenomenology and ancient philosophy. He is also a contributing editor for Political Affairs magazine. EDIZON LEN is a photographer and coordinator of the Fondo Documental Afro-Andino at the Universidad Andina Simòn Bolivar in Quito, Ecuador. In 2006, he was curator of the photo exhibit "The Color of the Diaspora" presented at the Cultural Center of the Catholic University of Ecuador and the University of Tennessee in Knoxville. He is currently completing his doctorate at the Universidad Andina Simòn Bolivar with a focus on Maroon thought. REKHA MENON is Associate Professor of Art History at State University of New York, Buffalo State. She is the author of Seductive Aesthetics of Post Colonialism (forthcoming). Her area of research focuses on current philosophical investigations in colonial and neocolonial aspects of Indian art, artistic/cultural practices and philosophies and their relationship to Western arts and philosophies. Her manuscripts under review are: Ashamed of Our Nakedness, Is There Ever a Naked Body? Ambivalence in Contemporary Indian Expressive Aesthetics and Insatiable Desire. MICHAEL R. MICHAU is a Ph.D. candidate in the Philosophy and Literature Program at Purdue University, and during the 2006-2007 school year, a lecturer in the Department of Comparative Studies and Department of Philosophy at Ohio State University. He is the co-founder and co-secretary of the North American Levinas Society. CHARLES W. MILLS is Distinguished Professor of Philosophy at the University of Illinois at Chicago. He works in the general area of oppositional political theory, and is the author of numerous articles and three books: The Racial Contract (Cornell University Press, 1997), Blackness Visible: Essays on Philosophy and Race (Cornell University Press, 1998), and From Class to Race: Essays in White Marxism and Black Radicalism (Rowman and Littlefield, 2003). MABOGO P. MORE is currently Associate Professor of Philosophy at the University of KwaZulu-Natal, South Africa. He has published articles on African philosophy and social and political philosophy in a number of academic journals, such as South African Journal of Philosophy, Dialogue and Universalism, Alternation, Theoria, and African Journal of Political Science. MARILYN NISSIM-SABAT, Ph.D., M.S.W. is Professor Emerita and Adjunct Professor of Philosophy, Lewis University. Dr. Nissim-Sabat is also a psychotherapist in private practice. She is the author of numerous book chapters and papers in the fields of philosophy (Husserlian phenomenology), psychoanalysis, feminism, and critical race theory. Citations of her works can be found on her website: marilynnissim-sabat.com. FREDERICK OCHIENG'-ODHIAMBO is a Senior Lecturer of Philosophy and Coordinator of the discipline at The University of the West Indies, Cave Hill, Barbados. His major research areas are African philosophy and social philosophy. He has published several articles on philosophic sagacity. IVAN PETRELLA is an Assistant Professor of Religious Studies at the University of Miami. He is author of The Future of Liberation Theology: An Argument and Manifesto (SCM Press, 2006) and editor of Latin American Liberation Theology: The Next Generation (Orbis Books, 2005) as well as co-editor of the series Reclaiming Liberation Theology (SCM Press) RICHARD PITHOUSE is a research fellow at the University of KwaZulu-Natal in Durban, South Africa. He is editor of Asinamali: University Struggles in Post-Apartheid South Africa (Africa World Press, 2006). SATHYA RAO is Assistant Professor in French translation at the Department of Modern Languages and Cultural Studies, University of Alberta, Canada. His research fields include: theory of translation, continental philosophy, postcolonial studies, discourses on Africa, and Francophone cinema and literature. He has published articles in various peer-reviewed journals and written chapters in several collective books such as: De l'Ecrit Africain a l'Oral le Phenomene Graphique Africain, Simon Battestini (Ed.) (Paris: L'Harmattan, 2006) and Thèorie-rèbellion. Un Ultimatum, Gilles Grelet (Ed.) (Paris: L'Harmattan, 2005). He has a co-edited a book on Francophone African cinema L'Afrique fait son cinema (Montreal: Memoires d'encrier, forthcoming). Sathya Rao is vice-president of the International Non-Philosophical Organisation (INPhO), member of the Canadian Association of Translatology (CATS), coordinator of the research team Poexil, and Secretary of the Caribbean Philosophical Association. He is co-founder of an online journal Alternative Francophone. CATHERINE WALSH is Professor and Director of the doctoral program in Latin American Cultural Studies at the Universidad Andina Simon Bolivar in Quito, Ecuador. Her research interests include the geopolitics of knowledge, interculturality and concerns related to the Afro-Andean Diaspora and the production of decolonial thought. Among her recent publications are Pensamiento crìtico y matriz colonial (Quito: Abya Yala, 2005), "Interculturality and the Coloniality of Power. An 'Other' Thinking and Positioning from the Colonial Difference," in Coloniality of Power, Transmodernity, and Border Thinking, R. Grosfoguel, J.D. Saldivar, and N. Maldonado-Torres (Eds.) (Durham: Duke University Press, forthcoming) and "Shifting the Geopolitics of Critical Knowledge: Decolonial Thought and Cultural Studies 'Others' in the Andes," Cultural Studies (forthcoming). KRISTIN WATERS has published widely in the areas of race and gender. Her anthology Enlightened Conversations: Women and Men Political Theorists (Blackwell, 2000) challenges political theorists to be more inclusive of race and gender in their research and teaching. Her book Black Women's Intellectual Traditions: Speaking Their Minds, co-edited with Carol Conaway (University of Vermont Press, forthcoming), addresses the varied intellectual traditions of black women's thought that spans more than two hundred years in North America. She is currently Professor of Philosophy at Worcester State College and Visiting Research Associate at Brandeis University. (shrink)

La langue française se trouve dans une situation ambiguë en Haïti. Isolée par rapport au créole, concurrencée par la montée en puissance de l'anglais, elle fait montre cependant d'une étonnante vitalité caractérisée par la créativité des écrivains haïtiens et l'originalité de leur production par rapport à tout modèle. On assiste depuis une vingtaine d'années à un double mouvement de promotion du créole comme langue officielle et de culture, tandis que le français, longtemps apanage d'une mince élite descend également dans la (...) rue et sert de moyen d'expression à une génération florissante de jeunes talents.French, as a language, is in an ambiguous situation in Haïti. The majority of the population hardly understands it. It is isolated on the island and in the Caribbean because most of the neighbour countries speak English or Spanish. Yet French is part of the national heritage. The new wave of young talented authors use both French and Creole and constitutes a chance for French to become more than a tool for the dictators but a source of inspiration as well. (shrink)

With the flowering of postcolonialism, we return to Frantz Fanon, a leading theorist of the struggle against colonialism. In this thorough reinterpretation of Fanon's texts, Ato Sekyi-Otu ensures that we return to him fully aware of the unsuspected formal complexity and substantive richness of his work. A Caribbean psychiatrist trained in France after World War II and an eloquent observer of the effects of French colonialism on its subjects from Algeria to Indochina, Fanon was a controversial figure--advocating national (...) liberation and resistance to colonial power in his bestsellers, Black Skin, White Masks and The Wretched of the Earth. But the controversies attending his life--and death, which some ascribed to the CIA--are small in comparison to those surrounding his work. Where admirers and detractors alike have seen his ideas as an incoherent mixture of Existentialism, Marxism, and psychoanalysis, Sekyi-Otu restores order to Fanon's oeuvre by reading it as one dramatic dialectical narrative. Fanon's Dialectic of Experience invites us to see Fanon as a dramatist enacting a movement of experience--the drama of social agents in the colonial context and its aftermath--in a manner idiosyncratically patterned on the narrative structure of Hegel's Phenomenology of Spirit. By recognizing the centrality of experience to Fanon's work, Sekyi-Otu allows us to comprehend this much misunderstood figure within the tradition of political philosophy from Aristotle to Arendt. Reviews of this book: "The goal of this often brilliant and always engaging book is to 'read Fanon's texts as though they formed one dramatic dialectical narrative'; the principal subject of this dramatic narrative, according to Sekyi-Otu, is 'political experience'. It is his deployment of a dialectical analysis of Fanon's 'dramatic personae' that permits Sekyi-Otu's fresh and insightful readings to take place." DD--Anthony C. Alessandrini, Minnesota Review "Ato Sekyi-Otu departs from the postmodernist paradigm and ushers in an alternative hermeneutic that primarily considers Fanon's texts as forming 'one dramatic dialectical narrative,' that is a narrative whose complexity is correlative of the intricate configurations of African social experience during the post-independent era...[His] book is an invaluable contribution that offers broader scope for a new appreciation of Fanon's political thinking." DD--Marc Mve Bekale, Revue AFRAM Review [UK] "[I]mportant...The author succeeds in...revealing the complexity and nuanced character of Fanon's thought." DD--Choice "Those who would dismiss or exult Fanon as the high priest of revolutionary violence will be chastened by this patient and completely convincing exposition of his work. Sekyi-Otu produces a reflexive, 'Gramscian' Fanon who, working as a 'detective of the politics of truth,' has produced insights that need to be taken over into the core of democratic political thought." DD--Paul Gilroy, University of London. (shrink)

Review of a recently published collection of the complete writings of Suzanne C ésaire, arguing that it is an important moment for the emerging field of Afro-Caribbean philosophy.

Simone de Beauvoir and the Colonial Experience presents a gendered and female perspective of French colonialism between 1946 and 1962. Beauvoir’s colonial reflections can help us to better gauge how women—White, Asian, Arab, Caribbean, Latina, mixed race, and Black—decipher the crimes and injustices of French colonialism.

The Guadeloupean writer and critic Maryse Condé has for the last twenty-five years divided her time between her native Guadeloupe and the United States. If the author's work has attracted much critical attention in the United States, it is her fictional works that have been the focus of this attention, with these predominantly read in the light of political themes such as identity and resistance. In these intelligent and sensitive readings, Eva Sansavior argues in favour of adopting a broader thematic (...) and generic approach to the author's work. Sansavior accounts for the multiple and oblique uses of literature in Condé's literary and critical work, tracking its complex interactions with tradition, reception, politics and autobiography and also the singular possibilities that these interactions present for re-imagining the ideas of politics, literature, identity and, ultimately, the nature of critical practice itself. Eva Sansavior is Career Development Fellow in French (Francophone Caribbean Studies) at Oriel College, Oxford. (shrink)

Cet article aborde la question du modèle républicain français et de sa difficulté à composer avec la diversité culturelle. L'analyse développe l'idée selon laquelle ce n'est pas la diversité en tant que telle qui pose problème à la mise en oeuvre d'un espace public commun, mais le fait que cette diversité répercute des trajectoires historiques douloureuses et conflictuelles que la République elle-même a pu contribuer à produire. Les exemples puisés dans les sociétés antillaises fondées sur l'esclavage illustrent cette tendance du (...) modèle politique français à se réfugier dans un récit national tenté par l'oblitération des épisodes peu glorieux de son histoire. Derrière le débat culturel, se pose en fait la question de la prise en charge responsable de l'histoire sociale et politique française qui a pu aussi être façonnée par des principes anti-républicains.This article is about the French Republican model and its difficulty in dealing with cultural diversity. The purpose is to show it is not diversity in itself which is problematic but the fact that this diversity brings forth echoes of painful and conflicting trajectories that the Republic itself may have contributed to creating. Examples related to Caribbean societies founded on slavery are used to show how the French Republican model tends to seek refuge in a national narrative wherein the less glorious periods of its history are hidden or played down. Behind the so-called debate on cultural diversity what is at stake is the question of taking account, in a responsible way, of a French history which could also have been shaped by anti-Republican principles. (shrink)

Les trois modèles d'intégration politique au sein de l'espace francophone sont analysés d'un point de vue japonais. Le premier est « le modèle républicain » de tolérance ou le modèle français de « nation citoyenne ». Le second est le modèle nord-américain de « multiculturalisme » respectueux de la différence et de l'Autre. Et le troisième est le modèle antillais d'identité créole, identité multiple et composite forgée par un processus ininterrompu de rencontres et de métissages culturels. Ces modèles sont confrontés (...) les uns aux autres du point de vue de la gestion des sociétés pluriculturelles.Three models of political integration are compared in the francophone space. The French Republican model is compared with the North America’s multicultural model and with the Creole model born in the Caribbean. Whereas the second model seems to take into account ethnicity differentiation, it doe not propose, like the first one, any values to develop cultural diversity and solidarity. The Creole model is said to be very useful theoretically but does not offer a political alternative. (shrink)

In their oft-cited manifesto, the Martinican Creolists exhort Caribbean people to forego their continuing allegiances to the “mythical shores” of various old worlds, and to affirm instead the “alluvial Creoleness” that binds (or that ought to bind) them to each other, and to other communities across the globe with a similar plantation history: “Neither Europeans, nor Africans, nor Asians, we proclaim ourselves Creoles; “[the Creole language] is the initial means of communication of our deep self, or our collective unconscious, (...) of our common genius, and it remains the river of our alluvial Creoleness.” Despite their qualifications – “Creoleness is an open specificity,” for example – they have been chided for simplifying the complicated socio-political histories of the region. Maryse Condé, for example, has noted that the opposition of colonizing French language and resisting Creole language ignores the extent to which plantation heterogeneity and negotiation rendered Creole a language of both “unity and compromise.” On what terms can alluvial relationships that can undercut imperial and diasporic ties be uncovered? What does the idea of a Creole unconscious solidify, restore, revivify, and for whom? In this essay, I am interested in a Jamaican-born novelist’s use of Cuba’s second war of independence in the 1890s to critique Jamaican complacency about British colonialism after the Second World War. Cuba, and a “Creole Latin” world more generally, allows him, on my reading, to proffer hispanophone and francophone plantation histories as a model for anglophone sensibilities in the region. The “Creole Latin” affirmation of nationalism, revolutionary struggle, and strong affective ties to the land and to personal relationships, are uncontaminated by the domineering spirit, legalistic prejudices, bureaucracy and commerce, and negotiated concessions that typify anglophone Protestant modes of life. Since the scene of these ideas in this case is the nineteenth century plantation, then we might ask if the social and political inequities are not reinforced, or whether the pleasures afforded by the romance make such considerations moot. (shrink)

In this paper I shall address the connections between Deleuze and Guattari’s philosophy and Caribbean thought. However, I will only focus on Antonio Benítez Rojo’s essay The Repeating Island, since I have found in it the presence—or expression—of some key deleuzian and deleuzo-guattarian concepts. I will use the deleuzian concept of repetition to defend this stance, as well as to argue that one may find some of the most interesting readings of Deleuze’s texts in the work of Caribbean (...) authors such as Benítez Rojo, not only in spite of their relative understanding and lack of exegetical rigour, but rather thanks to the fact that this is, in no case, their main intention. The angle I have chosen does not intend to point out consistencies or inconsistencies in Benítez Rojo’s “appropriations” or “rewritings” of Deleuze and Guattari, for this would only keep us within the logic of the copy versus the original. Instead, this reading tries to destabilize the boundaries between philosophy and literature as well as between French and Caribbean thought. The undoing of these types of distinction intends to produce a new theatre of thought, a theatre of repetition, not of representation, in order to set up the scene for a contrapunteo between two images of thought: one deleuzian, the other Caribbean. Thus, we embark upon this journey hoping to have an encounter that promises yet another becoming to Deleuze’s philosophy. The angle I have chosen does not intend to point out consistencies or inconsistencies in Benitez Rojo’s “appropriations” or “re-writings” of Deleuze-Guattari, for this would only keep us within the logic of the copy versus the original. Instead, this reading tries to destabilize the boundaries between philosophy and literature as well as between French and Caribbean thought. The undoing of these types of distinction intends to produce a new theatre of thought, a theatre of repetition not of representation in order to set up the scene for a contrapunteo between two images of thought: one deleuzian, the other Caribbean. Thus, we embark on this journey hoping to have an encounter that promises yet another becoming of Deleuze’s philosophy. (shrink)

This collection of essays marks the fiftieth anniversary of the publication of Frantz Fanon’s classic study of anticolonial struggle, _The Wretched of the Earth_. Scholars explore the relevance of Fanon’s work for current modes of psychoanalysis, postcolonial theory, and political thought. One contributor reposes a classic question of postcolonial scholarship: what does it mean for a colonial Caribbean man to practice a Continental intellectual tradition? Others identify Fanon’s experiences working at a mental institution in colonial French Algeria as (...) a powerful influence on his psychoanalytic perspective. This issue revitalizes Fanon’s canonical status as Third World theorist by asserting that the main imperatives of Fanon’s work remain as urgent as ever: combating the psychic and physical violence of colonialism, achieving real forms of liberation for colonized peoples, and ending the degradation of people of color. Contributors: Matthew Abraham, Gerard Aching, John E. Drabinski, Grant Farred, Nigel C. Gibson, Priyamvada Gopal, Joy James, Ranjana Khanna, Alfred J. López, Miguel Mellino, Simon Morgan Wortham, Richard Pithouse Grant Farred is Professor of Africana Studies and English at Cornell University. He is the former editor of the _South Atlantic Quarterly_ and the author, most recently, of_ Long Distance Love: A Passion for Football_. (shrink)

Patrick Chamoiseau's Un Dimanche au cachot and Gisèle Pineau's Folie, aller simple refer to the authors’ professions to explore the tensions besetting Caribbean territories that belong integrally to the French Republic, yet are culturally distinct from the Hexagon. While both writers use a version of ‘staged marginality’ to raise questions about the ‘imagined community’ of the Republic, each adopts a different political approach and writing strategy. Chamoiseau appears still to struggle with binary colonial anxieties in relation to France, (...) despite his professed immersion in Glissant's transcending ‘Tout-Monde’; Pineau presents a less theorized, more integrative ‘transcultural’ Frenchness based on her personal experience. These contrasting interpretations highlight the need for a theoretical approach to the Antilles that accommodates both the shifting, relational dynamic associated with Glissant's postcolonial perspective, and the binary axis of centre and periphery more commonly associated with colonialism. (shrink)

The abolition of slavery after the Revolution of 1789 has always been hailed by the French secular State as proof of the progressivist nature of the Republic. Nevertheless, there has never been any attempt to seriously confront the French involvement in the trade of slaves, which lasted for two centuries. France, a colonial power until the 1960s, which still retains several overseas possessions with an Afro-Caribbean population, has a large resident black population in the mainland which feels (...) it has been deprived of its memory and history and seeks official recognition of the role of the State in the trade of slaves. This article tries to show how a black collective identity and consciousness emerged around the fight for the recognition of slavery as a crime against humanity and the claim for financial compensation. This black collective identity competes with the Jewish community, which was granted financial compensation for the Shoah and which successfully lobbied the State to recognize that it was partly responsible for the genocide in World War II. While some radical black activists seek an alliance with part of the Islamic movement, they are also competing over the recognition of their collective identity by the State with the growing Muslim community whose memory is that of colonization and second-class citizenship. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.2 (2002) 432-442 [Access article in PDF] The Legacy of the Enlightenment James Schmidt What's Left of Enlightenment? A Postmodern Question, edited by Keith Michael Baker and Peter Hanns Reill; ix & 203 pp. Stanford, California: Stanford University Press, $45.00 cloth, $19.95 paper. Postmodernism and the Enlightenment: New Perspectives in Eighteenth-Century French Intellectual History, edited by Daniel Gordon; vi & 227 pp. New York: Routledge, (...) 2001, $80.00 cloth, $22.95 paper. IF THE ENLIGHTENMENT did not exist, postmodernists would have had to invent it. It performs the same function, Daniel Gordon argues in his introduction to Postmodernism and the Enlightenment, that the Ancien Regime did for the French revolutionaries: as the "other of postmodernism," it represents "the modern that postmodernism revolts against" (P&E, p. 1). Indeed, the image of the Enlightenment that emerges from the postmodern critique does seem, in large part, to be an invention. As Keith Michael Baker and Peter Hanns Reill suggest in the introduction to their collection What's Left of Enlightenment? the various strands of thought commonly grouped under the label postmodernism "have at least one thing in common": "they all depend upon a stereotyped, even caricatural, account of the Enlightenment" which sees the Enlightenment as the point of origin for the "rationalism, instrumentalism, scientism, logocentrism, universalism, abstract rights, eurocentrism, individualism, humanism, masculinism, etc." that [End Page 432] defines the modernity which postmodernity hopes to supersede (WLE? p. 1).One consequence of the inclination to trace the origin of the various failings of modernity to the Enlightenment is that arguments about the "legacy of the Enlightenment" tend to get out of hand. In a particularly sharp-sighted contribution to the Baker and Reill collection David Hollinger notes that it is all too easy for a critic of Enlightenment to argue that "I'm hot stuff because I'm not only refuting you, my puny opponent, but... every great thinker from Descartes to Popper," and, conversely, all too enticing for those who have been criticized to counter, "watch out, you think you are arguing only against me, but the implications of your reasoning are to deny the common sense of every humane and rational mind since the seventeenth century" (WLE? p. 9). Historians of the eighteenth century have been curiously reluctant to join this battle and have, for the most part, left the field to philosophers, literary scholars, and political theorists (WLE? pp. 17-18; P&E, p. 3). The intent of the two collections reviewed here is to remedy this situation by setting a group of historians to work scrutinizing differing aspects of the postmodernist critique of the Enlightenment. More often than not, the results are quite rewarding, though the question of the relationship between postmodernism and the Enlightenment remains, in the end, somewhat ambiguous.The scope of these two volumes is quite impressive. Baker and Reill's collection opens with essays by David Hollinger and Richard Rorty (one of the two nonhistorians invited to the festivities) offering contrasting characterizations of the relationship of postmodernism and the Enlightenment. It continues with a discussion of a few important interpretations of the Enlightenment (including articles by Jonathan Knudsen on German historicism, Hans Sluga on Heidegger, Johnson Kent Wright on Cassirer, and Michael Meranze on Foucault) and concludes with essays by Lorraine Daston ("Enlightenment Fears, Fears of Enlightenment"), Dena Goodman (on gender difference in the Enlightenment), and Lawrence Klein (on the idea of "conversation" in the Enlightenment) that seek, in differing ways, to reveal "the existence within the Enlightenment of elements frequently seen as characteristic of Postmodernity itself" (WLE? p. 3).Gordon's volume offers a counterpoint to the final part of Baker and Reill's collection: each of its nine essays is intended as confrontation between a postmodernist characterization of a particular aspect of the Enlightenment and an account of "how the theme really operates in [End Page 433] Enlightenment thought" (P&E, p. 5). Thus Malick W. Ghachem examines how Montesquieu's account of law was applied to French colonies in the Caribbean, Arthur Goldhammer discusses Diderot's view of language, Daniel Rosenberg... (shrink)

L'actualité sociolinguistique des Départements français de la Caraïbe et de l'Océan indien illustre les contradictions internes qui agitent les sociétés créoles. Elle souligne également la difficulté que rencontrent ces territoires pour envisager leurs rapports entre eux. L'action de l'État destinée à valoriser les langues et cultures régionales dans la République, a relancé le débat public sur la question linguistique dans les aires créolophones françaises. L'existence d'un ou plusieurs créoles, les modalités de son écriture, les critères de sa généralisation dans le (...) cadre de son enseignement comme langue, sont au coeur du débat. Les défenseurs du créole écrit chercheraient à substituer une langue déviante et savante aux langues vernaculaires, niant de fait les particularités linguistiques de chaque territoire au profit d'un espéranto créole. L'analyse du développement d'un mouvement de revendications linguistique et culturelle dans les aires créoles françaises montre l'existence d'une dynamique identitaire revisitée à partir de la diversité culturelle de ces territoiresFrom a sociolinguistic standpoint the French “Departments” of the Caribbean and the Indian Ocean currently illustrate internal contradictions within Creole societies. These territories are also confronted with difficulties in establishing relationships between themselves. State action destined to promote regional languages and cultures in France has renewed public debate on the linguistic issue in French Creole speaking areas. The existence of one or several varieties of Creole, their modes of writing, the criteria of their generalisation in the context of how they are taught as a language, are all at the very centre of the debate. It is possible that the defenders of written Creole try to substitute a deviant and academic language for vernacular languages thus denying in fact the linguistic particularities of each territory in favour of a kind of Creole esperanto. The analysis of the development of a linguistic and cultural movement claiming a better status in French Creole areas shows the existence of revisited identity dynamics from the cultural diversity in those territories. (shrink)

The review Tropiques, founded in Martinique by Aimé Césaire and colleagues in 1941, was heavily influenced by French surrealism, both for its emphasis on political liberation and its investment in primitivism and the revalorization of non-European cultures. But Tropiques's attitude to primitivism was far more ambivalent and contradictory than is usually assumed. While the editors and contributors sometimes do indeed claim to have, as Martinican intellectuals, a close identificatory connection to primitivist sensibility, elsewhere their attitude to such supposed examples (...) of primitivism as African-American poetry and Caribbean folklore is extremely distanced and rather patronizing. Moreover, their claims to an ‘authentic’ relation to primitive culture, especially where this is defined as African, are complicated by the fact that they have to rely on European ethnographic sources in order to make these claims; and the writing in Tropiques shows them grappling with this contradiction. (shrink)

D. Touam Bona, Fugitive, Where are you Running?, L. Hengehold (trans) (Cambridge, UK: Polity Press, 2023), 230 pp., ISBN: 978-1509551842 Fugitive, Where are you Running? is a collection of essays, most of which were previously published in French, by writer, philosopher and curator Dénètem Touam Bona. The author's inclination to straddle geographic and conceptual lines is reflected in the scope, exuberance and poetic verve of the volume. The first three chapters ('Return of the Maroni', 'The Art of the Fugue', (...) 'Manhunt') lay the conceptual foundation by foregrounding categories of marronage, fugitivity and fugue. The fugitive slave is presented as the figure that haunts the establishment of capitalist modernity and the only possible 'line of flight' from it. The fugue is the art of subtle evasion from the prisons of racialised capitalism and an alternative to the triumphalist politics of armed liberation struggles. Touam Bona proposes an impressionistic, rhapsodic and allegorical travel through the various incarnations of the maroon community - with its spontaneous and horizontal modes of organisation and accretion - and capitalism's death drive to surveil and suppress them. The following two chapters track the iterations and repression of fugitivity in the present, by engaging with technologies of migrant surveillance at the border ('Heroic Land', which mixes critique and fiction) and the space of Mayotte, a French department in the heart of the Indian Ocean, increasingly securitised and excised from the histories of flux that characterise this region ('The Impossibility of an Island'). The sixth chapter ('Cosmo-poetics of the Refuge') returns to the book's central theme of the maroon rebellion, connecting it to Afro-diasporic spirituality and performance. The final extended chapter ('Liana Dreaming') turns to environmental concerns, by foregrounding the figure of the liana as the point of resistance to colonial penetration and weapon of maroon resistance. In Caribbean cultures, the liana and the vine bring together collective bodies and communities. Against colonial tropes of taming, erasure and penetration, the power of the forest itself generates plant-induced visions of unsubmission. (shrink)

I argue that Glissant conceived of opacity first and foremost in his poetry and in his readings of earlier writers, from Mallarmé to Saint-John Perse to William Faulkner, whose moments of complication or incomprehensibility he found productive. By examining the literary valence of this concept of Caribbean philosophy, I claim that opacity not only protects the subject from the invasive grasp of colonial thought but also, more affirmatively, invites the reader to join the poet on equal footing in the (...) process of sense-making. It is this kind of collective poetics, a collectivity created in opacity, that Glissant imagines in his broader world vision of Relation and the Tout-Monde. (shrink)

Though a few scholars have discussed the transnational engagement of Caribbean thinkers with China, hitherto unknown is the imaginative alliance Left-wing Chinese writers crafted with the Caribbean via their works on the Haitian Revolution. This paper explores writings by four Chinese Marxists—Li Chunhui, Wang Chunliang, Lu Guojun, and Mao Xianglin—who engaged with Caribbean intellectuals, like Eric Williams, and used the history of the first anti-colonial revolution to rethink China’s own decolonial experiment. During the Maoist era, these thinkers (...) argued for the independence of the Haitian Revolution from the French Revolution, imagining Haiti’s revolutions as prefigurations of Third-World Revolution. In the deradicalized Deng era, these writers held contradictory stances towards capitalism, stressing how old and neocolonialism plundered Haiti. By reducing Sino-Caribbean relations to the Chinese diaspora in the Caribbean, or to the recent Belt and Road Initiative, scholars overlook lost revolutionary solidarities that aimed to dismantle world white supremacy. (shrink)

The pervasive patterns of neocolonialism long at work in the Francophone Caribbean, whereby the islands have been overseas departments of France for over seventy-five years, operate through a strategic metropolitan praxis of prohibition and exclusion that has long undermined a functional framework that enables and valorizes local sociocultural self-affirmation. While France has effectively sought to efface Guadeloupean and Martinican discourses of nationalism by integrating them into an overarching metropolitan framework of domination of the Other and the disavowal of difference, (...) carried out as part and parcel of a universalizing French policy of ethnopolitical homogeneity, the articulation of nationalist counterdiscourses and cartographies of resistance aimed at asserting the vibrancy and independence of a Franco-Caribbean identity have strategically shifted over time from the purely political to the domains of cultural identity and its corollaries of philosophy and performance. (shrink)

Fanon and the Decolonization of Philosophy explores the range of ways in which Frantz Fanon's decolonization theory can reveal new answers to perennial philosophical questions and new paths to social justice. The aim is to show not just that Fanon's thought remains philosophically relevant, but that it is relevant to an even wider range of philosophical issues than has previously been realized. The essays in this book are written by both renowned Fanon scholars and new scholars who are emerging as (...) experts in aspects of Fanonian thought as diverse as humanistic psychiatry, the colonial roots of racial violence and marginalization, and decolonizing possibilities in law, academia, and tourism. In addition to examining philosophical concerns that arise from political decolonization movements, many of the essays turn to the discipline of philosophy itself and take up the challenge of suggesting ways that philosophy might liberate itself from colonial—and colonizing—assumptions. -/- This collection will be useful to those interested in political theory, feminist theory, existentialism, phenomenology, Africana studies, and Caribbean philosophy. Its Fanon-inspired vision of social justice is endorsed in the foreword by his daughter, Mireille Fanon-Mendès France, a noted human rights defender in the French-speaking world. -/- Contributions by Anna Carastathis; Nigel C. Gibson; Lewis R. Gordon; Peter Gratton; Ferit Güven; Mireille Fanon Mendès-France; Marilyn Nissim-Sabat; Olúfémi Táíwò; Mohammad H. Tamdgidi; Chloë Taylor and Sokthan Yeng. (shrink)

Re-reading Mary Wollstonecraft’s A Vindication of the Rights of Men (1790) in the context of the international politics after the start of the French Revolution in 1789 and before the rise of the Haitian Revolution in 1791 leads to three discoveries in the history of European ideas. First, her reply to Edmund Burke’s Reflections on the Revolution in France was advertised, discussed, and rumoured to be the work of a woman in London papers days earlier in November 1790 than (...) previously documented. Second, Wollstonecraft’s first known instances of public reception beyond Britain were in a major Jamaican newspaper from January to March 1791. Thirdly, and most notably, in February 1791, the Kingston Daily Advertiser published a lengthy excerpt from her Rights of Men that called for the abolition of slavery and the realization of justice for the poor and oppressed. Long before Hegel probably developed his master-slave dialectic in response to journalistic accounts of the independence of Haiti in 1804, there was Wollstonecraft’s actual reception in the international news in Jamaica, amid the spread of reports of the rise of slave unrest in the broader post-revolutionary Caribbean. (shrink)

The Guianas are an important migratory field in the Caribbean migratory system, whereby goods, objects, currencies, and populations circulate for different reasons: geographical, cultural proximity, climatic, geopolitical and socioeconomic factors. From the 1960s and 1970s, Haitian migration increased in the Guianas. Five decades later, after the January 2010 earthquake, the migratory spaces were intensified in the region, Brazil became part of them as a country of residence and transit to reach French Guiana and Suriname. In 2013, the routes (...) were altered. Some migrants started to use the Republic of Guyana to enter Brazil through the border with Roraima, in the Amazon, or to cross the border towards Suriname and French Guiana. This article is divided into two levels. First, it describes the way in which migrants' practices and trajectories intersect national borders in the Guianas. Then, it analyzes the migratory system, documents and papers, and the problems that the different Haitian migratory generations raise in space and time. The ethnographic research is based on the Triple Border Brazil, Colombia and Peru, but also in Suriname, French Guiana and Haiti. (shrink)

This work contributes to recent transdisciplinary efforts to view the Haitian slave revolt (1791–1804) as the historical inspiration for Hegel’s master-slave dialectic. Reconstructions offered by contemporary postcolonial scholars argue that the Haitian revolt was chronicled in Minerva as Hegel raced to finish his Phenomenology. Benhabib recently recognized the Hegel-Haiti thesis as entailing the sort of inclusive dialogical learning process necessary to validate subaltern experiences. The thesis has also drawn its share of sceptical scrutiny as Badiou claims that it risks forcing (...) an unnecessary moral dissymmetry, neglects objectionable features of enslavement and imposes a mismatch between apolitical subject and revolutionary. In reply, we appeal to the pioneering work of Tavares to show that the asymmetrical construction of classification schemes for persons of mixed-racial statuses accords with decades of documented literary exchanges between Hegel and Gregoire. We then turn to the work of James on the role of mixed-race merchants in the testimonial accounts of late 18th century French historians to show that European literate publics were well aware of the extremely coercive forms of commodified labour found in Saint-Domingue. We then invoke the archival work of Du Bois on French, British and American parliamentary proceedings that show the provisional colonial identities ascribed to Caribbean subjects did not hinder their self-conscious exercise of political agency. Viewing Hegel in terms of the historiographic records of the racial ontologies of early modern transatlantic literary exchanges helps explain how he adapted these tropes concerning mixed-race subjects in a manner that better explains many of the anomalous features of the dialectic. However, conferring the Haitian revolution its proper world-historical warrant as inspiration for his infamous master-slave dialectic need not lead us to overlook Hegel’s complicity with many of the epistemic and ontological flaws of colonial tropes held in early modern transatlantic print. (shrink)

Pierre Bourdieu in Hispanic Literature and Culture is a collective reflection on the value of French sociologist Pierre Bourdieu's work for the study of Spanish and Latin American literature and culture. The authors deploy Bourdieu's concepts in the study of Modernismo, avant-garde Mexico, contemporary Puerto Rican literature, Hispanism, Latin American cultural production, and more. Each essay is also a contribution to the study of the politics and economics of culture in Spain and Latin America. The book, as a whole, (...) is in dialogue with recent methodological and theoretical interventions in cultural sociology and Latin American and Iberian studies. (shrink)

The Caribbean, as it is known today, is arguably the very last world born in the history of humanity with practices and physiological and spiritual characteristics that singularize its peoples and presents novel and original ways of being. The latter has always intrigued, bewildered and raised an ontological issue within and without its geographical boundaries. Is it a pale replica of Europe or a worthless extension of Africa? The question arises due to the particular history that started with conflicts (...) engaging the notion of race, with one self erected as pure and supreme to the detriment of the other, conflicts founded on the severe depreciation of humanity, but which has nonetheless involved mankind. This may be the most recent case in the history of mankind showing how groups of people originally recognizable through determined referents become others, in a new place and under specific circumstances, with different ontological referents while remaining, through some of the referents, very close to their ascendants. One certainty is that the result of this particularly complex history is equally complex, and the ways and mindset of the individuals springing from it show such a high level of intricacies that they can be said to be ‘implexe-complexes’. The literary term ‘implexe’ refers to a very complex intrigue and enigma. Adjoining to the word ‘implexe’ the very term ‘complexe’ reinforces the idea of complexity I would like to stress concerning Caribbean identity. (shrink)