La cimatheque, un centre alternatif du film, situé dans le centre du Caire a ouvert ses portes le 3 juin 2015. Elle est née d’abord du désir de jeunes cinéastes de créer une société de production indépendante. Avec la révolution le projet s’est étoffé, et la Cimathèque est devenue un lieu de rencontre, de projection, de production, de digitalisation, d’archivage, de débats à l’adresse de tous les cinéphiles. L’Égypte possède une longue tradition cinématographique, interrompue par des années de négligence, de (...) corruption et un manque d’ambition pour un art profondément aimé par la population. La question de l’archivage du patrimoine cinématographique mais aussi des productions contemporaines sur divers supports est centrale dans le projet de la Cimathèque, surtout dans une époque de déconstruction du sens de l’histoire collective. (shrink)

Gabriel Tarde propose une représentation originale de la statistique, soulignant son aptitude à révéler et mesurer la dynamique des phénomènes sociaux, plus qu’à en décrire les états. Ce n’est pas la technique mathématique qui intéresse Tarde, mais il développe, de 1880 à 1900, une réflexion épistémologique et méthodologique sur la portée et les limites de l’analyse statistique qui s’articule à sa théorie sociologique. Le présent article se propose d’étudier cette représentation, en analysant la place et la fonction de la statistique (...) dans l’œuvre de Tarde et sa relation essentielle à sa théorie sociologique de l’imitation. (shrink)

Collaborative Governance Organizations (CGOs) are commonly established to manage Socio-Ecological Systems (SESs). Collaborative processes are designed to gather information relevant to SESs from a diverse set of actors and to foster shared learning in the face of ecological adversity. Little is known, however, about how CGOs develop attention to emerging ecological adversity, which is critical for providing effective and timely responses that enhance SES resilience. The biophysical mechanisms driving emerging ecological adversity cut across a wide range of spatial and temporal (...) scales. Developing attention to these mechanisms requires identifying cross-scale interdependencies and allocating limited attentional resources between local vs. global concerns, and short-term vs. long-term issues. This study explores the process of developing organizational attention to climate change in French river basins. We propose a model in which CGOs’ systemic attention develops through key interactions with the State, scientific councils, and their biophysical environment. (shrink)

Environmental issues involve a wide range of actors often brought together in processes of collaborative environmental governance. Nonetheless, such actors frequently disagree on the definition of these issues. Even sharing an environmental concern does not preclude disagreements. This paper takes the concept of ecological embeddedness—so far analyzed in a single community—to explore differences of views among actors involved in collaborative environmental governance. It does so by pursuing a qualitative study of French River Basin Committees. Our findings show that Basin Committee (...) members take radically different approaches to ecological matters and therefore put forward opposing diagnoses and prognoses of their shared ecological context. We identify three dimensions of ecological embeddedness that are critical for collaborative governance, namely: ecological engagement; ecological ontology; and ecological knowledge. Our results indicate that different forms of ecological embeddedness can fuel long-lasting disagreements despite members’ shared appreciation of collaboration. This is especially so if the deliberations focus on ‘facts’—with actors pitting their ecological knowledge against one another—without facilitating discussions on ecological engagement and ontology. (shrink)

This article compares four ways of thinking corporate responsibility. When corporate responsibility is defined by its function, firm’s moral obligations are limited to obligations imposed on it by its function, whatever its capacity (strict functionalism), or as far as it is compatible with its effective capacity (compatibilist functionalism). When corporate responsibility is defined by its capacity, firms’ moral obligations are limited to obligations which its power imposes on it, whatever its function (strict capacitarism), or insofar as it is compatible with (...) the respect of its specific function (compatibilist capacitarism). Due to the impossibility of perfectly aligning moral tasks with social tasks and of reducing all general obligations to specific obligations, capacitarism seems more convincing than functionalism. Because of the indispensability of a division of (moral) labor, compatibilist capacitarism seems more robust than strict capacitarism. (shrink)

This paper assesses the problem of the possible tension between development and environmental protection, especially for developing countries. Some leaders of these countries like Jacob Zuma claim for example that poor countries should only join the fight against climate change if it does not compromise their economic development, thus suggesting that environmental protection is more often than not an obstacle to economic development. I argue that this argument is if not misleading, at least incomplete because it does not take the (...) diversity of environmental protection seriously and reduces development to economic development. In fact, some aspects of environmental protection may clearly clash with some kinds of economic development. In that line, when countries are still very poor, their economic development should take priority over some ecological-friendly policies. But this is only one side of the truth. The other side of the truth is that some ecologically-friendly policies can also make poor countries richer, more democratic and fairer. (shrink)

The present paper examines how discursive representations and emotive constructions underpin an argumentative dynamic that emerges from apparently non-argumentative statements, like those found in newspaper headlines. Our data comes from Greek broadsheet newspapers in the polarized context of the Greek crisis. First, we outline an analytic synergy that scrutinizes representational meaning and the semiotization of emotions in headlines. We then move towards the reconstruction of the inferential passage, contained in the headlines, that unites the implicit standpoint with its supporting argument.

Sex is determined by non‐Mendelian genetic elements overriding the sex factors carried by the heterochromosomes in some species of terrestrial isopods. A bacterium Wolbachia and a non‐bacterial feminizing factor (f) can both force chromosomal males of Armadillidium vulgare to become phenotypic functional females. The f factor is believed to be a genetic element derived from the Wolbachia genome that becomes inserted into the host nuclear genome. The feminizing factors can be considered to be selfish genetic elements because they bias their (...) host's sex ratio to increase their own transmission. New sex‐determining genes are selected (genes resisting the feminizing effects, or the transmission of feminizing elements) as a consequence of the conflict between these elements and the rest of the host's genome. These events drive the sex‐determining mechanisms to evolve, and may explain the polymorphism of sex factors and the poor differentiation of the heterochromosomes in isopods. (shrink)

Le droit court derrière la "révolution numérique". Les algorithmes nous espionnent et restreignent les libertés publiques, ils calculent les indemnités au service des compagnies d'assurance. La diminution lente et continue des services chargés de veiller à l'application du droit affaiblit et parfois anéantit l'efficacité de ces lois. L'échec de la loi Hadopi est significatif à cet égard. Le mal est en fait bien plus profond et ne date pas d'hier. Nous vivons une époque de démolition des codes établis. Si le (...) droit est partout, en définitive il n'est nulle part... (shrink)

Jesuits in China adopted key Confucian terms to express Christian notions; for example, Tian 天 or Shangdi 上帝 was considered an equivalent for God, and guishen 鬼神 for angels. A Terms controversy started among the Jesuits and other missionaries and developed into the famous Rites Controversy. However, all the missionaries agreed in rejecting the Neo-Confucian concept of Taiji 太極, which was believed to be materialistic, pantheistic, or atheistic. The Flemish Jesuit François Noël, after a careful study of Neo-Confucian texts, interpreted (...) Taiji with the Western concept of nature, and even claimed that it held theistic meaning. We shall analyze and evaluate here this early Western attempt in giving a positive meaning to Taiji. (shrink)

Une analyse de la dimension egoiste de la personnalite de Montaigne, prise dans un sens moral, qui romprait avec la traditionnelle emprise de la sphere publique sur le prive, posant les jalons d'une pensee liberale. Il confronte la pensee du philosophe a celle d'Habermas, d'Arendt, de Derrida et de Rand pour en devoiler l'heritage.

Thierry Meynard examines how the Jesuits in China came to understand the Confucian tradition, and how they offered the first complete translation of the Lunyu in the West, in the Confucius Sinarum Philosophus.

To sustainably govern a Social-Ecological System (SES), both the academic literature and practitioners recommend involving a broad range of actors—public or private—from the territory in question. Nonetheless, the presence of actors in collaborative SES governance processes is not a given. Since this presence requires time and energy without direct personal reward, it depends on the actors’ likelihood to embrace a stewardship role, which in turn depends on their relationship with their biophysical and social contexts. This paper studies the role played (...) by actors’ places of residence in their stewardship behavior in collaborative SES governance. To this end, we analyze the attendance patterns of over 600 members of a French River Basin Committee over 26 years, to shed light on the biophysical determinants. We find that individuals’ biophysical experience plays a critical role in motivating ‘place stewardship’ behavior—especially for key groups of actors such as farmers. We discuss the challenges that place stewardship poses for SESs and outline measures for fostering broader SES stewardship. (shrink)

Cette étude analyse les réponses orales de 63 élèves français de 9-11 ans lors d’une tâche de vocabulaire du type définition de mots. La performance globale, mais aussi l’organisation et l’accessibilité des informations catégorielles, fonctionnelles ou perceptives sont examinées en considérant l’origine sociale des enfants. Les résultats quantitatifs de l’étude confirment ceux obtenus par les recherches sur la relation entre milieu socio-économique et étendue du vocabulaire. Les données qualitatives, tirées de l’analyse de la structure de 567 définitions, mettent en évidence (...) des différences modérées de l’évolution vers la forme canonique de la définition, selon la classe sociale. Ceci interroge nos manières de penser l’enseignement-apprentissage du vocabulaire et invite à explorer plus avant les mécanismes en jeu dans l’inégal accès à la connaissance de la signification des mots. (shrink)

De manière évidente l’architecture « est ». Par sa matérialité et sa présence, elle s’impose dans l’espace de nos vies. Mais son authenticité n’est pas technique, historique ou matérielle. Elle est symbolique et culturelle. Car au delà de son « apparence », l’architecture n’existe que par ses usages, par ses incessantes modifications ou même par son souvenir. Il n’existe aucun moment de l’histoire d’une architecture qui serait plus « authentique » qu’un autre. L’authenticité relève d’une vision doctrinaire de l’architecture qui (...) considérerait l’excellence d’un moment unique, face à l’infini d’une histoire toujours renouvelée. Or, dans un monde qui se caractérise par la quête perpétuelle du singulier, l’architecture qui, par essence, est in-définie et plurielle, risque de se transformer en signe, « authentique » mais dépourvu de sens. (shrink)

Résumé Quelques groupes religieux et mouvements de pensée du monde turc, en Asie et en Europe, cultivent, depuis plusieurs siècles, une vision originale de la nature dans laquelle les vieilles croyances animistes et chamanistes, et même bouddhistes des nomades sont combinées à la philosophie arabe d’ obédience néoplatonicienne et à la mystique musulmane (soufisme). Cette vision, qui n’est pas du reste homogène puisqu’elle connaît plusieurs variantes, établit que toutes les créatures animées et inanimées – humain, animaux, plantes et pierres – (...) sont les réceptacles d’une même « énergie vitale » et qu’elles sont en conséquence intimement liées les unes aux autres, et même susceptibles de migrer vers chacun de leurs modes d’être respectifs, animal, végétal ou minéral ; de là l’existence d’hommes-pierres, d’hommes-arbres et d’hommes-animaux. Cet article se propose de faire la généalogie de cette vision de la nature et d’en étudier l’influence actuelle, en portant une attention particulière à l’« éthique de l’environnement » ( çevre ahlakï ) qu’elle a inspirée, ces dernières années, en Turquie. (shrink)

Résumé Quand l’urbanisme naît au tournant du 19 e /20 e siècle, il ne considère pas la ville sans la nature. Certains, comme Ebenezer Howard, pensent que la cité-jardin va devenir le nouveau visage du paysage urbain n’associant que les aspects positifs et de la grande ville et de la campagne… D’autres, hygiénistes et rationalistes, prônent un urbanisme fonctionnel dans lequel « l’espace vert » est constitutif du plan d’ensemble. Ainsi, la nature n’est-elle pas oubliée. Mais de quelle « nature»s’agit-il? (...) Une « nature » extérieure au citadin, comme un ornement ou une une décoration? Une valorisation du cadre bâti et non pas comme la condition même de notre existence d’humain? Ainsi, derrière la prise en compte de la « nature » par les urbanistes trouvons nous des intentions bien différentes, d’une époque à une autre et d’une culture à une autre. La « nature » globalisée, standardisée qui participe dorénavant au marketing urbain, n’est qu’une image, elle n’est plus localisée, cultivée ou encore sauvage, partenaire de notre condition de terrien. Ce sont ces transformations en cours que tente d’examiner Thierry Paquot. (shrink)

In the wake of recent attempts at alternate history (Bowler 2013), this paper suggests several avenues for a pluralistic approach to Charles Darwin and his role in the history of evolutionary theory. We examine in what sense Darwin could be described as a major driver of theoretical change in the history of biology. First, this paper examines how Darwin influenced the future of biological science: not merely by stating the fact of evolution or by bringing evidence for it; but by (...) discovering natural selection, and giving it pre-eminence over any other mechanism for evolution; and also by proposing a masterful and quite unique synthesis of many scientific fields. Contrasting Darwin’s views with those of A.R. Wallace, I conclude that “natural selection” is clearly an original contribution, that it had no forerunners or co-discoverers, and could barely have appeared after Darwin conceived of it. This specificity of Darwin’s contribution is an invitation to be strongly presentist (Loison 2016) and to adopt only weak counter-factuals. In contrast, there are possible ways to use strong counter-factuals as attempts to “pluralize” the history of biological theory: i.e. imagine new possible avenues for the development of evolutionary biology. The idea that evolution was a theory “in the air” suggests that evolutionary theory could have developed in a world without Darwin, especially if we accept to delete not only “Darwin” but “England”. France and Germany are examined as possible countries where evolutionary ideas would have thrived even with no contribution from the English scientists. Finally, the paper suggests another counter-factual hypothesis: deleting not Darwin and his Origin but the Darwin Industry itself. This may allow us to read the Origin of Species with fresh eyes and to discover Darwin’s life-long interest in variation and its laws, as many of his early readers did. (shrink)

Thierry Patrice, 57 ans, médecin, nommé professeur à 32 ans, Lauréat de la Faculté, est internationalement connu pour ses travaux concernant l'action de la lumière sur les tissus vivant en cancérologie. Il a reçu plusieurs Prix pour l'étude du rôle de l'oxygène dans différentes maladies, dont le diabète, mais aussi lors du vieillissement.

A União Europeia está morta, mesmo que ela ainda não o saiba. Vários autores expressaram efetivamente ideias parecidas em relação ao esgotamento desse projeto político original. Crise econômica de 2007, crise migratória, crise política nas instituições, Brexit, crescimento das extremas-direitas... Há inúmeros indícios de um enfraquecimento do edifício. Enquanto alguns agentes pensam “fundar” novamente o projeto, o ceticismo está crescendo do lado dos povos, particularmente, no Sul da Europa. O momento, então, é perfeito para estabelecer um diagnóstico vital sobre essa (...) dinâmica de integração política inédita, entender porque ela não foi bem-sucedida e, mais radicalmente, o que esse fracasso significa para o futuro da Europa como continente. (shrink)

F. Oger proved that if A is a finite group, then the class of groups which are abelian-by-A can be axiomatized by a single first order sentence. It is established here that, in Oger's result, the word abelian cannot be replaced by group.

L'examen de la politique audiovisuelle extérieure de la France en matière de télévision, de 1984 à aujourd'hui, permet de constater que celle-ci a été relativement stable, notamment à travers le développement de la chaîne TV5. Après avoir souligné que la création de cette chaîne s'inscrit dans une vision très culturelle de la diffusion audiovisuelle, nous montrons qu'elle entretient des rapports ambigus avec la question francophone en matière de public, de programmes et de langue. Le cas de l'information, ensuite envisagé, est (...) d'autant plus intéressant que le gouvernement développe à l'heure actuelle un projet qui relève plus d'une stratégie politique que de la logique culturelle et francophone qui sous-tendait TV5.It can be noted that, since 1984, French audiovisual foreign policy has remained quite steady particularly regarding the development of the TV5 channel. We consider this channel particularly representative of a largely cultural vision of audiovisual broadcasting. We also show that TV5 has an ambiguous attitude to the francophone issue in terms of audience, TV schedules and the language itself. It also seems that in the field of news broadcasting, the French government is more interested in political strategy than in the cultural and francophone guiding principles that used to be TV5's mission. (shrink)

Le but de cet article est de jeter un regard sur plusieurs aspects du roman La Panne de Friedrich Dürrenmatt. L’histoire est simple. À la suite d’une panne de voiture, un certain Traps est hébergé chez quatre amis. Invité à participer à un jeu, un procès où il aura le rôle de l’accusé, il accepte. Il est convaincu de meurtre, accepte sa culpabilité et se suicide. Après un bref condensé de l’histoire, l’article traite des thèmes suivants : le caractère de (...) Traps et sa transformation au cours du jeu ; le rôle ambigu des quatre amis ; le genre tragi-comique grec de l’œuvre ; les aspects comiques ; les aspects tragiques : l’atmosphère d’anxiété et de mort ; les symétries et inversions ; l’art littéraire. En épilogue, une lecture diamétralement opposée à l’interprétation traditionnelle de l’œuvre est discutée. (shrink)

continent. 2.3 (2012): 224–228 Introduction Jamie Allen Thierry Geoffroy’s conceptual, event- and environment-based art practice has generated over two-decades of definitional activity around what he terms “format art.” The works re-galvanize the energies of a syndicatable, open and atmospheric arrangement, of varying specifics dependent on context, participants and environment. With formats like the Emergency Room, Biennalist, and the Critical Run, Geoffroy endeavors to imbricate art and artist in the most exigent and current of social, political and mediatised spectacles. The (...) result seems to plant us at a triangulation of the configurations proposed by Alan Kaprow, Andrea Fraser and Alan Abel. Geoffroy plays up a guileless innocence (at times sporting the “Naive Blue Helmet”) as he interviews spectactors at the 2012 dOCUMENTA13 exhibitions in Kassel, Germany. What he evokes is a declamation of the appropriative, unenthusiastic, cool inclinations of the mainstream art festival, the profligate biennial (triennial, quadrennial, etc.) circuit and national and global ideological cultural-engines. In propositional artifacts, definitional articles and direct transmissions from Geoffroy’s Emergency Room field office at dOCUMENTA13, the masking of an emergency is here questioned: Can an art show like dOCUMENTA be dangerous? —JA Is dOCUMENTA designed to make people cry about something and not make them see something else? Is the contemporary a distraction from the present? Can art in delay have any impact with today? Do we learn anything by seeing art shows reflecting on history? Could 860,000 visitors have been intoxicated by an apathic gaze than keep them away from reacting? Why is dOCUMENTA proud of having recieve no critic? Why is proximity less important? Why was dOCUMENTA in Kabul? Can weapons designed to kill protesters sold to a repressing regime be contradictory to the support of the Arab Spring? Is the contemporary like a flea market to avoid to debating the important topics of today? Can art be in advance of the broken arm, and avoid accident? Is the goal of dOCUMENTA to create a revolution or to entertain? Is dOCUMENTA betterly done than Disney Land? Is it better to watch Fox News for two years or to go to dOCUMENTA for two days? If a curator, curating a contemporary art show about war, forgets to debate about the weapons factories next door, should it be considered as a professional mistake? Is it OK to employ philosophers to promote vodka? Is navigation a threat? Can an art show like dOCUMENTA be dangerous? Thierry Geoffroy / Colonel author of the month Global Art and the Museum @ZKM: " THE NEXT DOCUMENTA SHOULD BE CURATED BY A TANK " Link to Emergency Room Dictionary < /a> "COOLNESS" from the EMERGENCY ROOM DICTIONARY by COLONEL MUSIC Biennalist at dOCUMENTA 13 "TIRED" from the EMERGENCY ROOM DICTIONARY by COLONEL MUSIC Link to " APATHY " (from the Emergency Room Dictionary ) AWARENESS MUSCLE [fr. muscle de la conscience ] In the same sense memory can be trained, an awareness muscle can be developed by an effort. To develop the awareness muscle, the artist has to reduce his gesticulations. When an artist is busy the artist is not very aware the artist is occupied. A daily training is necessary But how to train? Scanning the news in a critical way could be one exercise. Daily debating politics with others could be another. Looking at other point of views usually produces significant improvements. Fighting prejudice is an excellent exercise. Many other forms of training could also produce beneficial effects for the awareness muscle. Continuous and daily training is important. For instance rewinding and slow motioning what has been absorbed getting away the sugar from the propaganda machines talking to everyone excercise comparatif critical run. If not daily trained the awareness muscle can degrade into atrophy To develop the awareness muscle requires will-power Thierry Geoffroy / Colonel. (shrink)

'The Matrix Project' comprises two contexts, namely photographic work of architect Thierry Lagrange and the self-reflective trajectory that he developed during his doctorate at KULeuven. Lagrange's practice-based research developed to an autonomous artistic project, in which he studied the signification and nature of observation within a creative process. Through his multifaceted practice as an architect, photographer and researcher, Lagrange developed 'The Matrix Method'; a method that stimulates creativity within different contexts and can be implemented for example in art education. (...) For the Matrix Project, 25 years' worth of photographs was entered into a context of research and presents a new perspective on different ways of seeing in our present visual culture. (shrink)