This study investigates the procedural learning, retention, and reactivation of temporal sensorimotor sequences in children with and without developmental coordination disorder. Twenty typically-developing children and 12 children with DCD took part in this study. The children were required to tap on a keyboard, synchronizing with auditory or visual stimuli presented as an isochronous temporal sequence, and practice non-isochronous temporal sequences to memorize them. Immediate and delayed retention of the audio-motor and visuo-motor non-isochronous sequences were tested by removing auditory or visual (...) stimuli immediately after practice and after a delay of 2 h. A reactivation test involved reintroducing the auditory and visual stimuli after the delayed recall. Data were computed via circular analyses to obtain asynchrony, the stability of synchronization and errors. Firstly, an overall deficit in synchronization with both auditory and visual isochronous stimuli was observed in DCD children compared to TD children. During practice, further improvements were found for the audio-motor non-isochronous sequence compared to the visuo-motor non-isochronous sequence in both TD children and children with DCD. However, a drastic increase in errors occurred in children with DCD during immediate retention as soon as the auditory stimuli were removed. Reintroducing auditory stimuli decreased errors in the audio-motor sequence for children with DCD. Such changes were not seen for the visuo-motor non-isochronous sequence, which was equally learned, retained and reactivated in DCD and TD children. All these results suggest that TD children benefit from both auditory and visual stimuli to memorize the sequence, whereas children with DCD seem to present a deficit in integrating an audio-motor sequence in their memory. The immediate effect of reactivation suggests a specific dependency on auditory information in DCD. Contrary to the audio-motor sequence, the visuo-motor sequence was both learned and retained in children with DCD. This suggests that visual stimuli could be the best information for memorizing a temporal sequence in DCD. All these results are discussed in terms of a specific audio-motor coupling deficit in DCD. (shrink)

Jean-Michel Beaudet est professeur d’ethnomusicologie à l’Université Paris-Nanterre. Spécialiste de la musique et de la danse amérindienne, il a publié en 1997 Souffles d’Amazonie. Les orchestres tule des Wayãpi, accompagné d’un CD qui restitue les enregistrements pratiqués lors de son séjour auprès des Wayãpi, et en 2010 Nous danserons jusqu’à l’aube. Essai d’ethnologie mouvementée en Amazonie, Paris, CTHS. Plus récemment, il a fait paraître Jouer, danser, boire. Carnets d’ethnographies musicales aux Éditions de l’EHESS, 2017, qui mêle réflexions sur (...) la pratique de l’ethnologie et souvenirs relatifs à son travail de terrain, qu’il conçoit moins comme une étude sur qu’une pratique avec les personnes rencontrées lors de ses différents voyages au Brésil (1975), en Guyane (1977-2023), en Nouvelle-Calédonie (1984-1988) – qui certes n’est pas en Amazonie – puis en Bolivie (1992-1998). (shrink)

Delivered at the Collège de France between January and March 1980, the lectures entitled On the Government of the Living (Du gouvernement des vivants) seem to be the missing piece in the Foucauldian puzzle. Still unpublished, those eleven lectures were intended to set the theoretical foundation for the book announced as the fourth and last volume of the History of Sexuality, under the title Confessions of the Flesh (Les aveux de la chair). This book, however, was never published, despite the (...) fact that his editor described it as the keystone for the entire History of Sexuality.1 The value of Michel…. (shrink)

Comment comprendre que nous puissions avoir conscience de notre vie affective? Si l’on prend au sérieux les analyses de Michel Henry, cette expérience commune devrait être impossible. Si c’est la vie et l’expérience qui doivent nous servir de guides, alors il faut intégrer les acquis incontournables de la phénoménologie matérielle et la dépasser.

This paper is an attempt to clarify and assess Dennett’s opinion about the relevance of the phenomenological tradition to contemporary cognitive science, focussing on the very idea of a phenomenological investigation. Dennett can be credited with four major claims on this topic: (1) Two kinds of phenomenological investigations must be carefully distinguished: autophenomenology and heterophenomenology; (2) autophenomenology is wrong, because it fails to overcome what might be called the problem of phenomenological scepticism; (3) the phenomenological tradition mainly derived from Husserl (...) is based on an autophenomenological conception of phenomenology, and, consequently, can be of no help to contemporary cognitive science; (4) however, heterophenomenology is indispensable for obtaining an adequate theory of consciousness. In response to Dennett’s analysis, the paper develops two main counterclaims: (1) Although the traditional conception of phenomenology does indeed fit Dennett’s notion of autophenomenology, his sceptical arguments fail to rule out at least the possibility of a modified version of this traditional conception, such as the one defended in Roy et al. (Naturalizing Phenomenology, 1999); (2) the distinction between autophenomenology and heterophenomenology is at any rate misconceived, because, upon closer analysis, heterophenomenology proves to include the essential characteristics of autophenomenology. (shrink)

Jean-Michel Roessli | : Cette brève contribution a pour but de revenir sur une question soulevée par Miguel Herrero de Jáuregui, à propos de la façon dont les historiens de l’Antiquité tardive envisagent les contacts ou échanges entre Juifs, chrétiens et païens et, plus particulièrement, les phénomènes d’acculturation ou d’appropriation culturelle. Cette question est abordée à la lumière de la figure d’Orphée, dont Miguel Herrero se sert pour illustrer sa thèse dans le domaine de l’iconographie religieuse, alors qu’il (...) recourt à d’autres thèmes ou motifs pour vérifier son hypothèse dans la sphère des rites et de la poésie. La question soulevée est de savoir si l’opinio communis selon laquelle certains éléments de la culture païenne ont été « assimilés » à et par la culture chrétienne est une représentation biaisée qui se fonde sur une construction apologétique plus ou moins inconsciente ou s’il s’agit d’une réalité culturelle historiquement attestée. | : This short paper aims to respond to a question raised by Miguel Herrero de Jáuregui with respect to the way historians of Late Antiquity see contacts or exchanges between Jews, Christians and Pagans and, more specifically, the phenomenon of acculturation or cultural appropriation. This question is addressed in the light of the mythological figure of Orpheus, which Miguel Herrero uses to illustrate his thesis in the field of religious iconography, while referring to other themes or motifs to verify his hypothesis in the area of rites and poetry. The issue raised is to know whether the opinio communis according to which elements of the pagan culture were “assimilated” to and by the Christian culture is a biased representation based on a more or less unconscious apologetic construction or if it relies on a historically attested reality. (shrink)

The paper discusses analogies between the way in which infinity is understood and dealt with in mathematics and in Jewish tradition. It begins with recalling the classical debate about infinity in the field of the foundations of mathematics. Reading an important paper by A. Robinson, we come to the conclusion that mathematicians work “as if” infinite totalities existed. They do so by following the rules of their formalized discourse which, at least if it refers to anything at all, also refers (...) to such totalities. The paper describes how, according to Jewish tradition, infinity is also not theological: instead of thinking that they own some infinite being or relate to it, observant Jews follow Jewish law. The analogy is then extended to what is called ‘epistemological infinity’. The paper shows that both in mathematics and in Judaism, we get some epistemological experience of infinity, as far as both Talmudic knowledge and contemporary mathematical encyclopedia are experienced as inexhaustible sources of new thoughts, structures, ideas, developments. (shrink)

Jean-Michel Vienne; IX*—Locke on Real Essence and Internal Constitution1, Proceedings of the Aristotelian Society, Volume 93, Issue 1, 1 June 1993, Pages 139–15.

In lieu of an abstract, here is a brief excerpt of the content:Commentary on “Edmund Husserl’s Influence on Karl Jaspers’s Phenomenology”Jean Naudin (bio) and Jean-Michel Azorin (bio)Keywordsphenomenology, intentionality, intuition, empathy, ambiguitySchwartz and Wiggins’s paper clearly shows that Jaspers’s comprehensive psychiatry draws mainly from Husserl’s phenomenology. This thesis enters a current debate opened by Chris Walker and German Berrios about the influence of Husserlian philosophy on Jaspers’s work. This debate, which emerged at the end of the so-called decade (...) of the brain, could be considered perfectly obsolete. But its topicality relies on taking up the challenge of the scientific bases of comprehension in psychiatric experience. Wiggins and Schwartz perfectly achieve this aim by opposing a theory of seeing and a theory of thinking. Works such as Walker’s are grounded on thinking; they are works about theory. They are not works about experience, but rather epistemological or historical works. In contrast, Wiggins and Schwartz suggest to see, as Jaspers did, and not to think, following Husserl by grounding their psychopathology on intuition and presuppositionlessness. They emphasize Jaspers’s method of “making present” by doing a perfect analysis of the issues of translation of vergegenwärtigung as a co-experiencing of mental processes as if they were directly given. These main principles of direct-givenness, presuppositionlessness, and making present pull the Jaspersian concepts to the Husserlian phenomenological reduction and seem like the foremost principle in Husserlian phenomenology: the intuition of the thing in itself. Whereas Jaspers refuted the principle of eidetic reduction, Wiggins and Schwartz clearly show how much he grounded on the basis of the concept of intentionality, discovered and enlightened during Husserl’s life within the horizon of phenomenological reduction. Actually, it seems that the authors take the side of Jaspers to better support their own vision of psychiatric experience, which they more explicitly argued in Husserlian terms of the later period in some other papers (Schwartz and Wiggins 1985; Wiggins and Schwartz 1988, 1991; Wiggins, Schwartz, and Northoff 1990). However, they take care here to struggle exclusively with the epistemological field of their opponents, considering only Jaspers’s own writings and the Husserlian texts that were accessible to Jaspers when he wrote his psychopathology. There is no room for Kant in Jaspers’s main [End Page 37] principles, and this assumption must lead us to consider the horizon opened by Jaspers, that is, the horizon of a science of meaning essentially built on the lived experiences and the bracketing of any kind of a priori. In contrast to the slight influence of Kant, one idea that emerges is that of the straight impact of Dilthey on both Jaspers and Husserl. We perfectly agree with Wiggins and Schwartz that Jaspers, grounding both on Husserl and Dilthey, arrives at a methodological principle that is all his own, by considering both the connections of the life-stories and the objectivity of symptoms. In other words, we can find the originality and maybe the astonishing modernity of Jaspers in his perfect description of the balance between comprehension and observation, between empathy and its limits, that are obviously found in psychotic processes.We thus focused our comments on the following critiques to Jaspers, although they were already well argued in the brief conclusion of Wiggins and Schwartz: (a) the issue of empathy, (b) the limits of Jaspersian phenomenology, and (c) the merits of its genuine ambiguity.The Issue of Empathy. Indeed we have no reliable scientific mean to guarantee the correctness of our intuitions of the other’s mental life, and this problem might lead one to globally reject the method. The discussion of this problem, classical in the Continental literature since the twenties, led the Continental psychiatrists to unfortunately abandon their own traditions. And it is surprising for a Continental psychiatrist to see this debate coming back into the English-speaking literature. When we address the issue of empathy, we have no easy means to abandon folk psychology. Using philosophical slang weakens the attempt to enlighten its foundations instead of describing its values. The suspicion regarding empathy is partially legitimated by the prejudices of Jaspers himself. As psychiatrists, we have to carry on the Jaspersian research by progressively abandoning it and coming back... (shrink)

En prenant en compte l’article de Freud sur le Moïse de Michel-Ange et son dernier ouvrage L’homme Moïse et le monothéisme, il est possible de montrer comment le renoncement pulsionnel ouvre la voie à la sublimation et à la réalité spirituelle.

Les tentatives de Michael Kosok, Dominique Dubarle,Clark Butler et Gotthard Günther de formaliser la logique dialectique de Hegel sont résumées et critiquées.

Le présent article traite des origines de la théorie de la catégorisation, telle qu’elle fut élaborée par Eleanor Rosch dans les années 1970. Il est divisé en deux parties. La première est consacrée au contexte théorique dans lequel les recherches initiales de Rosch ont pris place. Pour bien comprendre ce contexte, il convient de remonter aux recherches de Lenneberg et de ses coauteurs sur le principe de relativité de Whorf. On retracera ainsi le cheminement qui mena de ce principe jusqu’à (...) sa reformulation comme hypothèse empiriquement testable, en partant des études sur la catégorisation des couleurs (menées à l’université de Harvard) pour en arriver à la publication de l’ouvrage de Berlin et Kay sur les termes de couleurs de base. Pour des raisons que nous tenterons d’expliciter, au relativisme initial se substitua une forme d’universalisme auquel le livre de Berlin et Kay apporta une contribution non négligeable. La seconde partie narre le développement de la théorie de Rosch au sein de ce contexte universaliste. En étendant progressivement sa théorie au-delà de ses objets initiaux (les couleurs et les formes spatiales) pour embrasser les catégories dites “sémantiques”, Rosch évolua d’une conception “analogique” ou gestaltiste de la catégorie vers une analyse en termes d’attributs discrets. Son concept de prototype incorporait initialement des traits qui venaient de la Gestalttheorie et de la notion de schéma (telle qu’elle avait été opérationnalisée en psychologie après Bartlett), pour devenir ensuite plus complexe. Tout au long de cette évolution, elle conserva une approche réaliste de la catégorie, entendue comme un agrégat “naturel” de propriétés. Pour étayer son réalisme, elle recourut à des outils théoriques forgés avant elle par Egon Brunswik (à qui elle est redevable de son index de validité de l’indice) et par Garner, à qui elle a emprunté la notion de structurelle corrélationnelle, notion issue d’une théorie informationnelle de la catégorisation. Quant à sa conception des niveaux de catégorisation, et notamment du “niveau de base”, elle doit beaucoup aux travaux de Brent Berlin sur les taxinomies populaires. Il est possible aussi que Rosch ait subi l’influence de Roger Brown, du moins en ce qui concerne les schémas d’action associés à des objets. Ainsi, la théorie de Rosch constitue un “patchwork conceptuel” qui a acquis cohérence et unité en intégrant des éléments d’origines variées. (shrink)

La conviction que la publicité est économiquement efficace est largement partagée par tous les acteurs : annonceur, publicitaire, consommateur, législateur. Cette évidence cependant ne trouve à s'étayer sur aucune preuve scientifique ou même empirique. La croyance en l'efficacité publicitaire apparaît alors comme une illusion nécessaire à qui la multiplicité des discours qui la portent confèrent la puissance d'un mythe.The belief that advertising is economically efficient is widely shared by all stakeholders: advertiser, advertising, consumer legislation. This evidence, however, is not to (...) inform on any scientific evidence or even empirically. Belief in the effectiveness of advertising appears to be a necessary illusion in which the multiplicity of discourses which are conferred the power of myth. (shrink)

The relationship Bruno Latour had with Adam Lowe illustrates the close link between art and technique, and the problem of representation. Thanks to 3D digitisation and rematerialisation techniques of cultural objects, Adam reproduces all kinds of artworks at all scales with an unprecedented degree of precision. He does not do that in the customary sense today of producing an image of them. Breaking with the division between physical objects and the digital world, Lowe really produces them again, creating their material (...) doubles in 3D, with their volume, their thickness, their grain. Latour was fascinated by Lowe’s project and its achievements, particularly in that they call into question the controversial problem raised by Walter Benjamin of the aura of works of art. The reverse was true, as this interview makes abundantly clear: Lowe has been captivated by the radical way in which Latour redefined modes of representation. (shrink)

L'epoque est troublee: les mutations anthropologiques sont si contraignantes qu'un nouveau concept juridique, la dignite humaine, a fait son apparition. Si le droit en fait un usage intensif, c'est dans la mesure ou face aux exces des Etats criminels comme aux avancees des biotechnologies, il a besoin de fixer les limites entre l'humain et ce qui ne le serait plus. Chacun pressent que la dignite n'est pas une notion objective. Son invention est nouee aux religions monotheistes et aux inflexions que (...) la philosophie d'abord, la psychanalyse ensuite, lui font subir. L'aspect psychanalytique de la dignite humaine sera ici privilegie. Comment la dignite serait-elle compatible avec la sauvagerie de la vie psychique? L'auteur met en tension les travaux de Freud, sur la religion et la culture, avec les ecrits d'Etty Hillesum qui, dans les trois annees precedant son extermination a Auschwitz, se livre a une reflexion, au bord de l'abime, sur la destructivite liee au destin de masse. Grace a la revolution psychique qu'elle effectue, il devient possible de resister en tant qu'individu singulier a l'emprise des masses sur l'esprit, de construire l'humain en chaque homme, rien n'etant acquis a cet egard par la seule appartenance a l'espece humaine. (shrink)

La pensée du cinéma ne rencontre d'ordinaire Jean-François Lyotard, dans ses textes sur le cinéma ou non, que par le biais de deux activateurs : l'acinéma et le figurai. Ces deux activateurs, au demeurant, sont fortement représentatifs de la position paradoxale de Lyotard pour les études cinématographiques : si l'acinéma a été le plus souvent critiqué pour sa radicalité voire son sectarisme, n'ayant de fait guère de postérité, il en va tout autrement du figurai, lequel a trouvé dans les (...) films un terrain fertile d'investigation. Tout autant représentative est la méconnaissance en théorie du cinéma de nombreux autres textes de Lyotard portant sur le cinéma ou sur des films, et dont on ne parle jamais, ainsi que de sa philosophie postérieure à sa période libidinale, qui ne semble pas avoir encore trouvé d'échos particuliers en régime filmique. Le présent ouvrage fait précisément le pari de ces deux directions. A partir d'un autre Lyotard, ou du même mais envisagé très différemment, se dessinera progressivement une possibilité de penser le cinéma qui ne devra plus rien au figurai, à l'abstrait ou à l'expérimental, dont Lyotard le premier a fini par revenir, mais qui, singulièrement, ouvrira à une originale théorie du cinéma figuratif. " Méfiance envers les figuratifs quand ils ont de l'âme ", peut-on lire dans Que peindre?... (shrink)

This volume argues that contemporary narratives resist such influences and evince a great deal of resilience by promoting an ecology of attention based on poetic options that develop an ethics of the particularist type. The contributors draw on critical and theoretical literature hailing from various fields: including psychology and sociology, but more prominently phenomenology, political philosophy, analytical philosophy (essentially Ordinary Language Philosophy), alongside the Ethics of Care and Vulnerability. This volume is designed as an innovative contribution to the nascent field (...) of the study of attention in literary criticism, an area that is full of potential. Its scope is wide, as it embraces a great deal of the Anglophone world, with Britain, Ireland, the USA, but also Australia and even Malta. Its chapters focus on well-established authors, like Kazuo Ishiguro (whose work is revisited here in a completely new light) or more confidential ones like Melissa Harrison or Sarah Moss. (shrink)

My first goal is to question a received view about the development of Analytical Philosophy. According to this received view Analytical Philosophy is born out of a Linguistic Turn establishing the study of language as the foundation of the discipline; this primacy of language is then overthrown by the return of the study of mind as philosophia prima through a second Cognitive Turn taken in the mid-sixties. My contention is that this picture is a gross oversimplification and that the Cognitive (...) Turn should better be seen as an extension of the Linguistic one. Indeed, if the Cognitive Turn gives explicit logical priority to the study of mind over the study of language, one of its central features is to see the mind as a representational system offering no substantial difference with a linguistic one. However, no justification is offered for the fundamental assimilation of the nature of a mental representation with that of a linguistic symbol supporting this picture of the mind, although the idea that a system of mental representations is identical in structure with a system of linguistic symbols has been argued over and over. I try to demonstrate this point through a close critical examination of Fodor's paradigmatic notion of 'double reduction.' My second claim is that the widespread contemporary assimilation of a mental representation with a symbol of a linguistic kind is no more than a prejudice. Finally I indicate that this prejudice cannot survive a rigorous critical examination. (shrink)

For thousands of years, political leaders have unified communities by aligning them against common enemies. However, today more than ever, the search for “common” enemies results in anything but unanimity. Scapegoats like Saddam Hussein, for example, led to a stark polarization in the United States. Renowned neuropsychiatrist and psychologist Jean-Michel Oughourlian proposes that the only authentic enemy is the one responsible for both everyday frustrations and global dangers, such as climate change—ourselves. Oughourlian, who pioneered an “interdividual” psychology with (...) René Girard, reveals how all people are bound together in a dynamic, contingent process of imitation, and shows that the same patterns of irrational mimetic desire that bring individuals together and push them apart also explain the behavior of nations. (shrink)

An essential feature of the quantum mechanical formalism, entanglement is widely thought to imply nonlocality or nonseparability as a puzzling trait of our ‘quantum world’. The notion of entanglement is reviewed and the question is addressed of whether invoking nonlocal influences, or perhaps time-reversed causation, is warranted in such ‘applications’ as quantum teleportation and entanglement swapping.