The relationship Bruno Latour had with Adam Lowe illustrates the close link between art and technique, and the problem of representation. Thanks to 3D digitisation and rematerialisation techniques of cultural objects, Adam reproduces all kinds of artworks at all scales with an unprecedented degree of precision. He does not do that in the customary sense today of producing an image of them. Breaking with the division between physical objects and the digital world, Lowe really produces them again, creating their material (...) doubles in 3D, with their volume, their thickness, their grain. Latour was fascinated by Lowe’s project and its achievements, particularly in that they call into question the controversial problem raised by Walter Benjamin of the aura of works of art. The reverse was true, as this interview makes abundantly clear: Lowe has been captivated by the radical way in which Latour redefined modes of representation. (shrink)