A une époque où la pensée critique semble camper sur des bases inébranlables, Scheler entreprend de remettre en question un ensemble de présupposés typiquement kantiens. Celui qu’il prend en effet le plus directement à parti est le schéma rationaliste qui les fonde tous à l’origine. C’est ainsi que l’essentiel de sa philosophie consistera, expliquent les spécialistes, à jouer le sentiment contre l’intellect. Il ne convient pas de renouveler ce constat — fût-ce sous un angle nouveau —, mais bien plutôt de (...) dévoiler ce qui constitue ses conditions de possibilités. L’originalité de la pensée schelerienne, en deçà de son opposition à la toute puissante « raison raisonnante », réside certainement en (grande) partie dans la mise en place rigoureuse et concise d’un cadre phénoménologique capable de fournir les outils nécessaires à l’élaboration de sa critique. En effet, Scheler ne subordonne la raison au sentiment qu’à la suite d’un long travail phénoménologique de remise en question du sujet, de l’Ego. C’est ce travail que nous nous proposons de retracer ici en suivant pas à pas la manière dont il prend congé de la synthèse et de l’unité transcendantales pour s’orienter vers une pensée de la diversité. (shrink)

Marking a ground-breaking moment in the debate surrounding bodies and "body politics," Elizabeth Grosz's Space, Time and Perversion contends that only by resituating and rethinking the body will feminism and cultural analysis effect and unsettle the knowledges, disciplines and institutions which have controlled, regulated and managed the body both ideologically and materially. Exploring the fields of architecture, philosophy, and--in a controversial way--queer theory, Grosz shows how these fields have conceptually stripped bodies of their specificity, their corporeality, and the vestigal traces (...) of their production as bodies. Her tour de corpe investigates the work of Michel Foucault, Teresa de Lauretis, Gilles Deleuze, Judith Butler and Alphonso Lingis. Grosz considers their work by examining the ways in which the functioning of bodies transforms understandings of space and time, knowledge and desire. Begining with an exposition of the epistemological implications of bodily and sexual difference, Grosz examines the effects such knowledge have on the reception of meaning. She looks at the relationship between the knowledge of difference and the way that knowledge validates, affirms, avows and valorizes subjects. Grosz then extends this analysis to an investigation of the relationship between space, time, bodies and the spatial "arts" such as architecuture, urban planning and geography. In the last section, Grosz moves toward a radical consideration of bodies and their relationship to transgression and perversity. Controversially showing the ways in which "queer" theory fails to offer a truly transformative conception of bodies and their politics, Grosz finds "queer" a reactive category "which sees itself in opposition to a straight norm and thus defines itself in terms of this norm." Consequentially, "queer" theory inherits the acceptance of an entire range of sexual practices, without "asking what they share and without taking into account the profound tension that may exist among these practices." Grosz's Space, Time and Perversity is a diverse and incisive collection of essays from a renowned feminist philosopher. (shrink)

This essay is an attempt to plumb the conventions which exist at a specific historical moment in both the aesthetic and scientific spheres. I will assume the existence of a web of conventions within the world of the aesthetic—conventions which have elsewhere been admirably illustrated—but will depart from the norm by examining the synchronic existence of another series of conventions, those of medicine. I do not mean in any way to accord special status to medical conventions. Indeed, the world is (...) full of overlapping and intertwined systems of conventions, of which the medical and the aesthetic are but two. Medicine offers an especially interesting source of conventions since we do tend to give medical conventions special “scientific” status as opposed to the “subjective” status of the aesthetic conventions. But medical icons are no more “real” than “aesthetic” ones. Like aesthetic icons, medical icons may iconographic in that they represent these realities in a manner determined by the historical position of the observers, their relationship to their own time, and to the history of the conventions which they employ. Medicine uses its categories to structure an image of the diversity of mankind; it is as much at the mercy of the needs of any age to comprehend this infinite diversity as any other system which organizes our perception of the world. The power of medicine, at least in the nineteenth century, lies in the rise of the status of science. He conventions of medicine infiltrate other seemingly closed iconographic systems precisely because of this status. In examining the conventions of medicine employed in other areas, we must not forget this power.One excellent example of the conventions of human diversity captured in the iconography of the nineteenth century is the linkage of two seemingly unrelated female images—the icon of the Hottentot female and the icon of the prostitute. In the course of the nineteenth century, the female Hottentot comes to represent the black female in nuce, and the prostitute to represent the sexualized woman. Both of these categories represent the creation of classes which correspondingly represent very specific qualities. While the number of terms describing the various categories of the prostitute expanded substantially during the nineteenth century, all were used to label the sexualized woman. Likewise, while many groups of African blacks were known to Europeans in the nineteenth century, the Hottentot remained representative of the essence of the black, especially the black female. Both concepts fulfilled an iconographic function in the perception and the representation of the world. How these two concepts were associated provides a case study for the investigation of patterns of conventions, without any limitation on the “value” of one pattern over another. Sander L. Gilman is professor of Humane Studies in the Department of German Literature and Near Eastern Studies and professor of Psychiatry in the Cornell Medical College, Cornell University. He is the author or editor of numerous studies of European cultural history with a focus on the history of stereotypes. In addition, he has coedited Degeneration with J. E. Chamberlin. His study Jewish Self-Hatred is forthcoming. (shrink)

Christian Tewes and Giovanni Stanghellini deliver a collective volume, dedicated to the honours of Thomas Fuchs. The contributors mainly belong to the phenomenological movement and provide different perspectives on the subject matter of psychopathology. Several common references, such as Fuchs, Parnas, and Sass, as well as motives, such as the experience of time or narrative self-consciousness, give the collection a unitary outline. The volume is well-edited and offers an adequate representation of the state of the art in phenomenological psychopathology thanks (...) to diverse and reputable contributors. However, it remains to be shown how phenomenology can succeed in having a constructive and lasting influence on or at least controversial dialogue with the mainstream discourse of either cognitive psychology or psychiatry. (shrink)

War captivity is an extreme traumatic experience typically involving exposure to repeated stressors, including torture, isolation, and humiliation. Captives are flung from their previous known world into an unfamiliar reality in which their state of consciousness may undergo significant change. In the present study extensive interviews were conducted with fifteen Israeli former prisoners of war who fell captive during the 1973 Yom Kippur war with the goal of examining the architecture of human thought in subjects lacking a sense of body (...) (disembodiment) as a result of confinement and isolation. Analysis of the interviews revealed that threats to a normal sense of body often lead to a loss of the sense of time as an objective dimension. Evidence suggests that the loss of the sense of body and the loss of the sense of time are in fact connected; that is, they collapse together. This breakdown in turn results in a collapse of the sense of self. (shrink)

In a recent study (Chen et al., 2018), we conducted a series of experiments that induced the “four-hand illusion”: using a head-mounted display (HMD), the participant adopted the experimenter’s first-person perspective (1PP) as if it was his/her own 1PP. The participant saw four hands via the HMD: the experimenter’s two hands from the adopted 1PP and the subject’s own two hands from the adopted third-person perspective (3PP). In the active four-hand condition, the participant tapped his/her index fingers, imitated by the (...) experimenter. Once all four hands acted synchronously and received synchronous tactile stimulations at the same time, many participants felt as if they owned two more hands. In this paper, we argue that there is a philosophical implication of this novel illusion. According to Merleau-Ponty (1945/1962) and Legrand (2010), one can experience one’s own body or body-part either as-object or as-subject but cannot experience it as both simultaneously, i.e., these two experiences are mutually exclusive. Call this view the Experiential Exclusion Thesis. We contend that a key component of the four-hand illusion—the subjective experience of the 1PP-hands that involved both “kinesthetic sense of movement” and “visual sense of movement” (the movement that the participant sees via the HMD)—provides an important counter-example against this thesis. We argue that it is possible for a healthy subject to experience the same body-part both as-subject and as-object simultaneously. Our goal is not to annihilate the distinction between body-as-object and body-as-subject, but to show that it is not as rigid as suggested by the phenomenologists. (shrink)

This article focuses on the transformation of the female reproductive body with the use of assisted reproduction technologies under neo-liberal economic globalisation, wherein the ideology of trade without borders is central, as well as under liberal feminist ideals, wherein the right to self-determination is central. Two aspects of the body in western medicine—the fragmented body and the commodified body, and the integral relation between these two—are highlighted. This is done in order to analyse the implications of local and global transactions (...) in women’s reproductive body parts for their right to self-determination and individual agency and what this means for their embodiment. We conclude by exploring whether women can become embodied subjects by exercising their proprietary right to their bodies through directing technology to achieve their own goals, while at the same time being fragmented into parts and losing their personhood and bodily integrity. (shrink)

Since time immemorial, the most varied divinatory practices have flourished in India. Their prognostications were supplied by the interpretation of quite diverse omina and portenta: Thus “meteors” (lightning, rain or comets) earthquakes, the flight and cries of crows and other birds, the degree of clarity of a subject's image reflected in melted butter (gharta), lines and marks on a body, the direction taken by smoke rising from the altar once the rite had condensed a certain magic power from it (prabhāva), (...) dreams, all were thought to furnish the diviner with presages. As the abundant lists of the Garga samhitā and the Brhat Sarnmitā testify, for a conscience attentive to the intersigns there is no reality, even the most insignificant, that does not lend itself directly or by contiguity to systematic interpretation. (shrink)

The lived body has structures of ability built up over time through habit. Serious illness, injury, and incapacity can disrupt these capacities, and thereby, one’s relationship to the body, and to time itself. This paper focuses attention on a series of healing strategies individuals then employ on the “chessboard” of possibilities intrinsic to lived embodiment. This can include restoring past abilities (pointing to the future to recreate the past); and/or transforming one’s bodily structure or use-patterns, or the external environment, to (...) compensate. With many conditions, including progressive aging, no full rehabilitation is possible. Nevertheless, one can also seek consolation, richness, or hope by remembering the past; anticipating the future; or presencing, that is, living fully in the now. Insofar as past, present, and future are interwoven in one’s life experience, many also meet adversity by a life-story revision, constructing a new narrative to render events meaningful. Some also access a sense of transpersonal timelessness, whether through anticipation of an afterlife, or a sense of the eternal present. There is a literature on the adaptive coping mechanism used by the chronically ill, but with its diverse patient populations, methodologies, and categories, it has proved difficult to systematize. This article suggests that the structures of lived embodiment, as explored by phenomenology, provide a way to understand the modes of wholeness individuals access over time, and in relation to time—what is here termed chronic healing. (shrink)

This article explores the links between habit, fashion and subjectification to extend analysis of the clothed body beyond the semiotic frames that have tended to dominate discussions of fashion across the social sciences and humanities. Our goal is to explain how fashion’s diverse materialities participate in the modulations of subjectivity, affecting bodies in diverse encounters between matter, signs and practices. We develop our analysis by way of Gilles Deleuze’s discussion of encounters, habit and memory. Our principal contention is that fashion (...) may usefully be theorised in terms of specific habits of coordination by which affects, memories, sensations and desires are transmitted between bodies in varied spatial, temporal, material and affective encounters. Following the work of John Protevi, we argue that such coordination expresses a distinctive mode of subjectification according to the specific encounters immanent to it. We ground this discussion in detailed analysis of the work of Melbourne artist Fiona Abicare. Abicare’s installation and performance-based practice invokes the affective and habitual aspects of fashion as each is instantiated in encounters between bodies. Abicare’s attention to the habits and memories of the clothed body alludes to the varied practices of subjectification by which diverse subjects of fashion emerge. (shrink)

This innovative work takes a new approach to a fundamental dilemma of physiology, psychology, and philosophy: the subjectively perceived split between body and mind. Examining the subjective and objective aspects of movement and their relationship to our perception of mind-body separation, the author takes issue with conventional philosophical views on human duality and develops an integrative theory of interaction that suggests a basis for genuine mind-body harmony.

This publication presents manuscript of the famous Russian-Lithuanian philosopher Vasily Seseman accompanied by a preface. The manuscript "Sport and Contemporary Culture" is the text of Seseman's manuscript collection, which is located in Vilnius University. Manuscript is a preparatory text for the article "Time, Culture and Body". In "Time, Culture and Body" Sesemann develops his ideas concerning the objectifying attitude, which leads to human's alienation towards body and time. Sesemann claims that the time is perceived as a meaningful entirety only when (...) the time is contemplated from the point of view of work. Work is a purpose-attaining activity where subjective creativity is oriented towards an objective result in future. Working in pursuit of one's goals helps to avoid facing the emptiness of time, but at the same time it alienates the present. Work helps the subject to overcome his individual limitations and to become a part of the objective culture. By hiding behind the results of an objective activity people avoid direct contact with the time because it may appear as an interruption of meaningful relations and as a boredom. The tendency to objectify time is accompanied by the process of objectification of body. Previously, a primitive person could trust his body more than tools. In the modern culture body is gradually downgraded because tools, machinery and even separate institutions take over its functions. In this way the centre of culture is moved to the world of objects which is beyond a subject's control and body plays a merely auxiliary part. A person can overcome his alienation towards time and body only by being wakeful - here and now, by self-knowledge and self-control. Sesemann describes the self-control as the practical ability and mood, which he called "presence of mind". In this state of mind person is able to fing oneself, concentrate and mobilise all his strength to his utmost, maintain inner composure, calmness and balance of spirit. (shrink)

This article examines the philosophy of Gilles Deleuze and the poetry of Arthur Rimbaud in terms of the intersection between corporeality, temporality, and the political. The first part analyzes the deconstruction of lyrical subjectivity in Rimbaud’s verse in relation to the breakdown of the “sensory-motor link” described in the first volume of Deleuze’s Cinema; it discusses these homologous movements as a release of free-floating bodily potentiality. The second part shows how the shift from the first to the second volume of (...) Deleuze’s Cinema and the shift from verse to prose poetry in Rimbaud constitute the formal dimensions of a shared political project based on the transformation of bodily life, or a biopolitical transformation. This project can be understood as communist insofar as it attempts to liberate time from capital for the body and to produce a social form based on sharing the common. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 12.3 (2005) 209-214 [Access article in PDF] Body-Subjects Martin Wyllie Keywords embodied subjectivity, dialectical relationships, body-subject A complete description of melancholic ex-perience and the experience of suffering can only be given by considering the human being as an embodied subject (body-subject) that is already and always situated in the world (body-subject-in-the-world). A full understanding of the body-subject eliminates the mutual exclusivity of certain conceptual categories. (...) There is no need to preserve the dichotomies of subject/object, inner/outer, mind and body within the field of psychopathology because body and mind and world may be reconciled through the concept of the body-subject. The concept of the body-subject provides a means of evolving a common language that could unify many descriptive levels of explanation into a single integrative descriptive framework.Each of the four excellent commentaries moves the debate forward and I attempt to do the same by engaging in some of the issues raised. Without doubt there is more to lived time than outlined within my paper. For example, the useful "implicit/explicit" distinction of temporality (Fuchs 2005) and "cognitive temporal experience" (Kupke 2005) are important for any developing description of lived time. Kupke identifies that the processes and structures in relation to lived time, intersubjective time (subject–other) and cognitive temporal experience (subject–object) as articulated, in my paper, remain ambiguous. This short reply attempts to clarify some of this ambiguity by placing the concept of lived time within a wider "body-subject-in-the-world" framework (Wyllie 2003). This "body-subject-in-the-world" framework attempts to integrate the universal structures of embodiment, lived time, lived space, and intersubjectivity into a unified description of human experience. Concentrating on some of the problems with this framework, I attempt to clarify some of the ambiguity and show how this slowly developing framework can be of benefit in describing psychopathologic phenomena.One problem in articulating any developing conceptual framework, particularly within the domain of philosophical phenomenology, is attempting to find language that is neutral and does not carry with it a large theoretical payload. This "view from nowhere" approach is, however, doomed to failure as one has to inevitably build on and appropriate meanings, concepts and terms that are already given. Broome (2005) clearly demonstrates the importance of scientific models and outlines how scientific explanatory models are necessary and complementary companions to phenomenological models of melancholia. Matthews (2005) argues that "causal relationships" and causal terms are more appropriate to a scientific understand of melancholia and that the use of reductive subject/object, cause/effect language may be inappropriate because I attempt to holistically understand the phenomena of melancholia. Nonetheless, such a holistic approach ultimately includes the language of the molecular (scientific), the subjective [End Page 209] (intentional), and the communal (intersubjective). There flows from Matthews's point the rational for attempting to evolve a common language that could unify descriptive "phenomenological" and prescriptive "scientific" levels of "explanation" into a common integrated explanatory framework. This, however, is no easy task because one has in developing an inclusive description of melancholia to liberate both the "objective" and "subjective" without losing the force of either polarity. For this to occur something in addition to causal relationships needs to be considered when attempting to describe melancholia. A small part of this "something in addition" may be supplied by considering dialectical relationships.The concept of a causal relationship, as opposed to a dialectical relationship, attempts to understand processes in an atomistic fashion and this may be a wholly inadequate way of characterizing the phenomenology of melancholia or, for that matter, human experience. For example, the objects of my immediate experience only constitute a small minority of that which I can experience in that moment, and this is because I can have the experience of absent objects, impossible objects, future objects, past objects, and ideal objects. The directedness of my experience at those moments toward these objects is not brought about because I am causally influenced by the spatial world proximity of the objects in question. It maybe argued my relation to these... (shrink)

Ethnic cleansing and other methods of political and social exclusion continue to thrive in our globalized world, complicating the idea that unity and diversity can exist in the same society. When we emphasize unity, we sacrifice heterogeneity, yet when we stress diversity, we create a plurality of individuals connected only by tenuous circumstance. As long as we remain tethered to these binaries, as long as we are unable to imagine the sort of society we want in an age (...) of diversity, we cannot achieve an enduring solution to conflicts that continue unabated despite our increasing proximity to one another. By envisioning the public as a multivoiced body, Fred Evans offers a solution to the dilemma of diversity. The multivoiced body is both one and many: heterogeneous voices that at once separate and bind themselves together through their continuous and creative interplay. By focusing on this traditionally undervalued or overlooked notion of voice, Evans shows how we can valorize simultaneously the solidarity, diversity, and richness of society. Moreover, recognition of society as a multivoiced body helps resists the pervasive countertendency to raise a chosen discourse to the level of "one true God," "pure race," or some other "oracle" that eliminates the dynamism of contesting voices. To support these views, Evans taps the major figures and themes of analytic and continental philosophy as well as modernist, postmodernist, postcolonial, and feminist thought. He also turns to sources outside of philosophy to address the implications of his views for justice, citizenship, democracy, and collective as well as individual rights. Through the seemingly simple conceit of a multivoiced body, Evans straddles both philosophy and political practice, confronting issues of subjectivity, language, communication, and identity. For anyone interested in moving toward a just society and politics, _The Multivoiced Body_ offers an innovative approach to the problems of human diversity and ethical plurality. (shrink)

Comparisons between Heidegger and Merleau-Ponty’s writings on the body tend to focus on the earlier works of these philosophers, i.e. on Merleau-Ponty’s Phenomenology of Perception, and Heidegger’s Zollikon Seminars in the context of Being and Time. This paper focuses on their later works in order to show how each philosopher respectively opens venues to think the human body non-subjectively and as emerging from being, where being includes the being also of other bodies, things, or events. This thinking of bodies “from (...) being” articulates them in terms of spatio-temporal events. The article shows that in thinking from being, both Heidegger’s and Merleau-Ponty’s accounts harbor a sense of being with a unifying force, which is tied to meaning or sense. The article ends by questioning the possibility of accounts of bodies as spatio-temporal events not bound by a unifying force of being, bodies that may carry both sense and non-sense. (shrink)

Some recent physiological data indicate that the “subjective timing” of experiences can be “automatically referred backwards in time” to represent a sequence of events even though the earlier portions of associated neurophysiological activity are themselves insufficient to elicit the experience of any sensation. The challenge, then, is to explain how subjects can experience what they do in the reported ways when, if one looked just at certain neurophysiological activity, it would seem that perhaps subjects should report their sensations differently. The (...) phenomenon has seemed sufficiently remarkable to the neurobiologist John Eccles to count as evidence for mind-body dualism. This dualistic interpretation has resulted in a spirited attack by P. S. Churchland on both the physiological research and the dualistic interpretation. Her attack resulted in an equally spirited defense of the research by the primary investigator, B. Libet, where he reaffirmed his more guarded interpretation that “the temporal discrepancy creates relative difficulties for identity theory, but that these are not insurmountable”. In turn, Churchland has defended her criticism of Libet's research so that, for her, Libet's hypothesis remains “infirm and unconfirmed”. (shrink)

The investigation of how humans perceive and respond to emotional signals conveyed by the human body has been for a long time secondary compared with the investigation of facial expressions and emotional scenes recognition. The aims of this behavioral study were to assess the ability to process emotional body postures and to test whether motor response is mainly driven by the emotional content of the picture or if it is influenced by motor resonance. Emotional body postures and scenes (IAPS) divided (...) into three clusters (fear, happiness, and neutral) were shown to 25 healthy subjects (13 males, mean age ± SD: 22.3 ± 1.8 years) in a three-alternative forced choice task. Subjects were asked to recognize the emotional content of the pictures by pressing one of three keys as fast as possible in order to estimate response times (RTs). The rating of valence and arousal was also performed. We found shorter RTs for fearful body postures as compared with happy and neutral postures. In contrast, no differences across emotional categories were found for the IAPS stimuli. Analysis on valence and arousal and the subsequent item analysis showed an excellent reliability of the two sets of images used in the experiment. Our results show that fearful body postures are rapidly recognized and processed, probably thanks to the automatic activation of a series of central nervous system structures orchestrating the defensive threat reactions, strengthening and supporting previous neurophysiological and behavioral findings in body language processing. (shrink)

Interdisciplinary perspectives on the feature of conscious life that scaffolds every act of cognition: subjective time. Our awareness of time and temporal properties is a constant feature of conscious life. Subjective temporality structures and guides every aspect of behavior and cognition, distinguishing memory, perception, and anticipation. This milestone volume brings together research on temporality from leading scholars in philosophy, psychology, and neuroscience, defining a new field of interdisciplinary research. The book's thirty chapters include selections from classic texts by William James (...) and Edmund Husserl and new essays setting them in historical context; contemporary philosophical accounts of lived time; and current empirical studies of psychological time. These last chapters, the larger part of the book, cover such topics as the basic psychophysics of psychological time, its neural foundations, its interaction with the body, and its distortion in illness and altered states of consciousness. Contributors Melissa J. Allman, Holly Andersen, Valtteri Arstila, Yan Bao, Dean V. Buonomano, Niko A. Busch, Barry Dainton, Sylvie Droit-Volet, Christine M. Falter, Thomas Fraps, Shaun Gallagher, Alex O. Holcombe, Edmund Husserl, William James, Piotr Jaśkowski, Jeremie Jozefowiez, Ryota Kanai, Allison N. Kurti, Dan Lloyd, Armando Machado, Matthew S. Matell, Warren H. Meck, James Mensch, Bruno Mölder, Catharine Montgomery, Konstantinos Moutoussis, Peter Naish, Valdas Noreika, Sukhvinder S. Obhi, Ruth Ogden, Alan o'Donoghue, Georgios Papadelis, Ian B. Phillips, Ernst Pöppel, John E. R. Staddon, Dale N. Swanton, Rufin VanRullen, Argiro Vatakis, Till M. Wagner, John Wearden, Marc Wittmann, Agnieszka Wykowska, Kielan Yarrow, Bin Yin, Dan Zahavi. (shrink)

The starting point of Merleau-Ponty’s reflection on time is the notion of functioning intentionality observed in its specific application as a perceptive activity. Through an original treatment of the notion of the perceptual field, the French philosopher describes the activity that, within this field, a particular protagonist carries out, namely one’s own body: a particular kind of extension thanks to which it is possible to overcome all those dualistic prejudices that abstractly contrast the subject, or consciousness, with the world and (...) its objects. Instead, in the perceptual field described in the pages of Phenomenology of Perception, the body and the world are “born” in unison. They are reciprocally constituted, to such a point that we can no longer speak of a pure subject or of a disembodied consciousness, separated from objects, but must speak of a corporeal knowledge that is always in relationship with a world that, for its part, finds its objective dimension only by abstracting from that original conferring of meaning attributed to it by bodily action. Now, it is on the basis of this that the analysis of temporality is carried out. The present is a nexus of time that one’s own body lives and exists in the perceptual field. More than a representation, time, with its dimensions, is a concrete thickness that is stratified a-thematically in the activity of the body that always inheres in the world. It thus involves not a linear becoming, a summation of instants, but a flow, a continual transition that, from the present, allows access to the past and future which in turn emerge as stratified in the lived time of the present. (shrink)

From Italian physician Hieronymus Mercurialis’s contention that the stomach was ‘the king of the belly’, to its promotion by the end of the nineteenth century to the ‘monarch of humanity’ in patent medicine, to Byron Robinson’s discovery of the enteric nervous system in 1907 (a mesh of neural connectivity that led him to dub the gut ‘the second brain’), there has historically been a longstanding awareness of the expansive reach of the gut in the functions of the body. In the (...) nineteenth century, the authority of the gut and its allyship with the brain became a focus for writers thinking about the intersections of illness and ‘modern life’. In medical texts, domestic health manuals, patent medicine, and fiction, the electric telegraph in particular became a way of envisaging what we would now call the ‘gut-brain axis’. The telegraphic metaphor enabled a view of digestion as not simply a mechanical or chemical process, but one that was understood in terms of time, space, and communication. However, such a framework also suggested problems of connection that were common to both systems, emphasising not only the healthy body’s quasi-telegraphic networks but also its vulnerability to delay, disruption, and pathological incoherence. This article will explore the use of telegraphic technologies as proxies for theorising gastric connection and more broadly the concept of ‘gastric time’ as a key conceit for understanding digestion as a process that was and is subject to the idiosyncrasies of bodily rhythms. (shrink)

In this chapter we examine the tendency to view future-oriented mental time travel as a unitary faculty that, despite task-driven surface variation, ultimately reduces to a common phenomenological state. We review evidence that FMTT is neither unitary nor beholden to episodic memory: Rather, it is varied both in its memorial underpinnings and experiential realization. We conclude that the phenomenological diversity characterizing FMTT is dependent not on the type of memory activated during task performance, but on the kind of subjective (...) temporality associated with the memory in play. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 23 (2003) 101-116 [Access article in PDF] Persons and Awareness Tyson Anderson Saint Leo University The aim of this essay is to relate Christianity and Buddhism through a consideration of two key terms, "persons" and "awareness," the first being central for Christianity and the second being central for Buddhism.The first thing that needs to be noticed is the relatively indefinable character of these words. I of course (...) intend to give as clear an indication as is possible concerning their meaning, but as I considered some of the important concepts that are involved in the topic—language, world, love, understanding—I began to realize that we are surely in the realm of mystery here. By "mystery" I mean something that we can understand somewhat but cannot comprehend, much as Saint Thomas Aquinas thought of God. 1 As is well known, LudwigWittgenstein believed that there is something mysterious even about language itself, that basically what it is can be "shown" but not "said." 2 A certain tentativeness here in regard to propositional adequacy, I might add, is perfectly compatible with strong confidence in one's relation to what Wittgenstein called "the higher." 3 In regard to the truth to be found in the beliefs of others, even a megapandit such as Ken Wilber—not noted for his modesty and circumspection—observes that "the human mind is incapable of producing 100% error." 4 Perhaps some misunderstandings among those engaging in dialogue can be avoided if we remain mindful of the mysterious character of the subject matter and are less confident about the sufficiency of our own articulation of the truth.As to dialogue itself, it is perhaps well to remember when the issues of "fruit salad" and syncretism arise, 5 that thinking itself has typically a dialogical structure, with the result that "fruit salad" is actually the normal condition of persons as they develop in understanding themselves and their world. 6 In conversation with Laurence Freeman, O.S.B., the Dalai Lama appears to disapprove of mixing traditions—"Do not try to put a yak's head on a sheep's body" 7 —but it would be difficult to conceive of a more syncretistic religion than Tibetan Buddhism or Catholicism. Indeed, if we compare the early Jesus movement to the medieval church, the development of Catholicism might well be described by Luther or Calvin, had they thought of it, as an operation that put a yak's head on a sheep's body. The dialogical and finite structure of thinking is in fact one of the reasons why it is possible to conceive of a "universal religion," contrary to what the Dalai Lama thinks. 8 This is so because, since human understanding is never absolute and completed, there is always the possibility that future [End Page 101] understanding will yield a vision that embraces a multiplicity and diversity of religious insights in a way that is impossible for us to foresee at this time. Moreover, part of the point of American culture, I would think, is the benefits of mongrelization, and so perhaps Americans ought to be less suspicious than some at the thought of having "strange bedfellows." Looking for historical examples of conscious syncretism, one thinks of Mani and Jesuit syncretism exemplified in Matteo Ricci (outfitted first as a Buddhist monk and then later as a Confucian scholar) and the evangelization of New Spain, 9 and more recently, Hazrat Inayat Khan and his son, Pir Vilayat Khan. Also, there is Jesaiah Ben-Aharon, a Jewish thinker who interprets the Holocaust in terms of the Christ. 10 I find such efforts to be commendable, and so although doctrinal and cultural immaculacy has its charms, I believe it to be the call of maya. I will proceed, then, in constructing a mysterious and miscegenational fruit salad, my only justification being that this seems to reflect accurately the truth of the matter and that we really have no other peaceable choice. 11 Persons "Person" is often used in the same sense as "human being." By "person" I mean a being who can love and who, as a human being, is the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 124.3 (2003) 325-327 [Access article in PDF] Introduction John F. Donahue The present special issue of the American Journal of Philology takes as its focus dining in the Roman world. It grew out of the APA/AIA Joint Panel on that subject, which was part of the annual meeting held in Philadelphia in 2002. The topic is both timely and engaging. Indeed, owing largely to its (...) perishability, its diversity, and the ease with which it can be manipulated for any number of social or political ends, food has proven to be an especially amenable topic for scholarly analysis of all sorts.The articles gathered in this special issue further illuminate the nature and function of this elemental yet highly complex social practice, offering a variety of approaches—historical, sociological, literary, cultural, and material—to food and dining in the Roman world.In the first article, "The Way We Used to Eat: Diet, Community, and History at Rome," Nicholas Purcell shows clearly that food and dining can be profitably approached from a cultural perspective. Here, Purcell explores Roman self-consciousness about nutrition and the way in which diet (and implicitly agriculture) were transformed into a narration of historical change. The process is evident in the "comestible historiography" of the elder Pliny, in which the simple foods associated with earlier Roman history provide insight into the ways in which the Romans thought about time and change by focusing on food. Especially influential in this type of approach was Varro and, before him, Dicaearchus. Thus for the Romans, food played a notable role in the relationship of the present to various pasts; in the process it becomes an important marker in helping us to map the intellectual and cultural history of the Republican period.Turning to Roman literature, John Wilkins, in "Land and Sea: Italy and the Mediterranean in the Roman Discourse of Dining," reminds us that Roman dining was linked both to the ideology of the early Imperial period and to the mythography of the agricultural base of Republican politics. The result is a body of texts that moralize against luxury and excess, however much this viewpoint may be at odds with actual Roman practice. In a refreshing departure from the Latin texts that typically treat these themes, the author points to the Greek writers of the second [End Page 325] century C.E., namely, Athenaeus and Galen. Both were interested in eating and dining, but from a much broader perspective than the moralizing approach typical of so much of Roman dining literature.While approaches of this sort help to illuminate both the universality of the dining experience and its uniquely Roman aspects, the sharing of food also intersects in interesting ways with gender and the body. Matthew Roller, in his article "Horizontal Women: Posture and Sex in the Roman Convivium," examines literary texts, Roman urban funerary monuments, and Campanian wall painting in order to understand more completely the complexities of female posture at Roman convivia. On a historical level such evidence argues for women assuming a reclining posture; on an ideological level, the reclining woman symbolizes many of the same things that a reclining posture symbolizes for men—otium, privilege, and pleasure. Even so, the matter of female sexual propriety is never far below the surface, especially in the non-literary sources.John Donahue, in "Toward a Typology of Roman Public Feasting," examines public banqueting during the Principate against the background of modern typologies of commensality in order to understand not only the form but also the deeper social function of public dining. Donahue assembles a wide cross section of Roman testimonia and weaves them into a coherent (if imperfect) framework of festal typologies, while employing a cross-cultural and interdisciplinary approach, in this instance from French sociology. The Roman evidence is categorized into useful typologies, which, in turn, enrich our understanding of public dining and its place in Roman daily life.Not to be overlooked within the Roman festal landscape were servants, the "human props" of the elite-sponsored banquet, as John D'Arms appropriately characterized them. 1 Here, in the final entry, Katherine M.D. Dunbabin... (shrink)

Adolf Reinach (1883-1917) is most often remembered for his role as a teacher of phenomenology or as a philosopher of law, yet the range of subjects covered in his surviving published and unpublished works is diverse. As scholars such as Kimberley Baltzer-Jaray have argued, Reinach's contributions to philosophy, and in particular his influence on the early phenomena logical movement, have been underestimated in the past. It is of both historical and philosophical importance, therefore, to identify and recognise the contributions that (...) Reinach made across the many fields his works touch upon, including that of ethics. This thesis argues that Reinach made a number of significant contributions towards the development of early phenomenological ethics, and although his works contain neither a complete nor a comprehensive systematic theory of ethics, this is no reason to overlook or dismiss the importance of his work in this field . The thesis demonstrates that Reinach's works on ethics were original; that they influenced other early phenomenologists in the development of their ethical theories; and, ultimately, that they were and remain valuable additions to the field, discussing value-theory, the problem ofnormativity, motivation, freedom and responsibility, and more. This thesis comprises two parts. Part one examines and assesses Reinach's contribution against his immediate philosophical background incorporating a discussion of how Reinach's works on ethics fit into his body of work as well in relation to other contemporary philosophers (e.g., Brentano, Husserl, Scheler, Stein) who advanced the development of early phenomenological ethics. To support the interpretation, part two of the thesis contains appendices of three relevant extracts from Reinach 's published and unpublished works, translated for the first time into English (with original German text supplied). These translations are also intended to be ofvalue in making Reinach's works on ethics more accessible to English-speaking scholarship in the future. (shrink)

In "Heidegger and Criticism: Retrieving the Cultural Politics of Destruction", William Spanos examines the controversy, both in Europe and the United States, surrounding Heidegger and recent disclosures about his Nazi past. Not intended as a defense or apology for Heidegger's thought, Spanos instead affirms the importance of Heidegger's "antihumanist" interrogation of the modern age, its globalization of technology, and its neo-imperialist politics. The attack on Heidegger's "antihumanistic" discourse (by "liberal humanists" who have imported the European debate into the United States) (...) aligns ideologically with the ongoing policing operations of William Bennett, Allan Bloom, E.D. Hirsch, Roger Kimball, Dinesh D'Souza, and others in the spheres of higher education and cultural production. Throughout his arguments, Spanos focuses not so much on Heidegger the historical subject, as on the transformative cultural and political discourses and practices, implicit in and enabled by Heidegger's interrogations of Being and Time, that have led to the contemporary emergence of the multiplicity of resistant "Others" colonized by hegemonic discursive formations. All the while he reminds us that Heidegger's philosophic interrogations eventually generate a diverse body of transgressive writing and an oppositional intellectual climate in the West. Spanos is author of "Repetitions: the Postmodern Occasion in Literature and Culture" (1987) and "The End of Education: Toward Posthumanism" (Minnesota, 1992), and the editor of "Martin Heidegger and the Question in Literature" (1980) and the co-editor of "The Question of Textuality: Strategies of Reading in Contemporary American Criticism" (1982). This book is intended for those in the fields of philosophy, literary theory, political theory. (shrink)

The emphasis that the modernity gives to disengagement and beginning leads one to think that the modernity itself is in fact a culture that initiares crisis. Even if there is no initial crisis, it can be created through the ambivalent nature of modernity. Behind the concept of crisis lies the notion that history is a continuous process or movement that opens the door to nihilistic understanding which stems from the idea of contemporary life and thought alienation through the pessimistic meaning (...) of the word. There is a dialectical relationship between the ideas of modernity and progress, and the decadence, and the main theme of Nietzsche's philosophical career. Since the death of Hegel, who made the idea of crisis plausible, everything is nothing but a counter-movement not only in Germany, but also in Europe. The first of these counter-movements is romanticism with its objection to the mind which is liberated from the bonds of tradition. The main thesis of the present article is, between reactiveness of romanticism -on the surface- and the modernity; from one side romanticism's consuming modernity, which is its mirror image, while at the same time feeding from it and modernity's manipulating the ideas developed against it and monopolizing them thanks to its ambivalent nature. For this purpose, following an an anti-enlightenment thinker Nietzsche's, anti-romantic footsteps which at the same time feeds from the romantic heritage, an attempt will be made to analyze the relationship between modernity and romanticism. Another goal of this article is to allow a comparison of how the intellectual development in the West finds its response on the modernization process of our country by probing how the modernization experience of early period Islamist's who experienced this process in a feeling of "backwardness" and with a wounded consciousness and anxiety has led to a shallow romantic worldview. SummaryRomance and romanticism are the main topics of this article. Romanticism is a period, whereas romance is a spiritual attitude not limited to this period, therefore, even today it’s existence is felt. In other words, it is not specific to the Germans. This term is often used to correspond to certain aspects of European intellectual life in the late eighteenth and early nineteenth centuries, for instance between 1790 and 1850. In its extremely diverse definitions, the most "romantic" definition in our opinion, belongs to Novalis: “I'm romanticizing by giving a high meaning to ordinary things, a mysterious reputation to the ordinary, the honor of the unknown to the known, an infinite look to the finite.” The rejection of existing social reality, the experience of loss, the melancholic longing and the search for loss are the main components of the romantic motive. This study is based on the argument that there is a dialectical relation between romanticism and modernity, which is known as an opposing movement against enlightenment thought. The intellectual feature, which contains the opposite of modernity itself, makes this argument plausible. In addition, the view of modernity as a crisis culture due to the emphasis on disengament and beginnings offers us the possibility to establish a relationship between modernity, which accepts itself as decadence, and romance. Behind the concept of crisis lies the idea that history is a continuous process or movement opening the door to the nihilist understanding in which modern life and thought are alienated in a pessimistic sense. Thus, Allan Megill defines historicism as a prerequisite for nihilism. According to the author, Prophets of Extremity, if the history has no direction to be changed, maintained or lost when wandering in history, it also cannot have a "crisis". The suggestion of "God is dead" is the most concise expression of this crisis. In this crisis state of nihilism, it is a completely forlorn condition of living in the present. Today, which is in the absolute forlorn state; the savior declares his belief that he is devoid of all sorts of features, things that let us reconcile with the current situation of things. In the face of this situation, when people see that the present becomes completely forlorn, they move in two opposite directions with a desire to regenerate culturally: They either have to go back to the past or head for the future. However, every attempt to determine what the future or the past posess will require them to be real, belonging to the present. This will return us to the forlorn state. Nietzsche embraces both opposing sides, but does not attempts choose between them. This is the place where Nietzsche dictates that today is corrupt taking a radical attitude against romanticism fed by the notion of crisis. The fact that modernity has given up its critique of reason, which is revealed by its dialectic, had a great influence on Nietzsche's putting distance between himself and romantics. That is to say, in response to enlightened thought, although romantics speak of unity, apparently, they could not prevent emergence of emotion against mind, local against the universal, individual against social, in other words, the emergence of the second values, which they believed that these were belittled and despised by Enlightenment. Therefore, romantics seem like they could not save themselves from being caught in the web of dialectics in the account they entered that is based on the subject-object distinction in cartesian thought. It is because modernity acts with the consciousness that the life is established on the occurrence and decadence. Based on this, we can say that decadence is inevitable. This decadence (distortion) from the outside may be through movements developed against it, or experienced within itself (even if no one attempts to destroy it). Modernity, with the awareness that it cannot escape from the decadence, wants to arbitrate itself by turning this decadence in its favor by manipulating it. In other words, the modernity dramatizes the feeling of crisis considering itself decadence and the seemingly contradictory ideas of avant-garde and decadence become almost synonymous. It must be the reason why Nietzsche identifies modernity with decadence Modernity manages to put the decadence in its body at the center of attraction by producing self-opposing movements, monopolizing and manipulating. In short, both romanticism and avant-garde movements are the movements that are emerged not against modernity but from itself. Just like an apple worm, they both consume modernity and feed on it. They act as a mirror. Although they seem to criticize, as movements that have emerged from it, they allow the modernity to complete and correct the deficiencies. As a result of this, we can say that romantic critical movements are developed against the world and are shaped by modernity, beginning with the idea of enlightenment, and moved forward in the track of modernity.While romanticism developed in the West as opposed to modernity, in Ottoman-Turkish thought, it was seen as the rhetoric of retardation and regretting of backwardness from civilization. It is inevitable that the experience of modernization in a sense of backwardness, with a wounded consciousness and urgency, will open up space for romance. In our modernization adventure starting with Tanzimat, it is a fact that there has not been a drastic reckoning due to Enlightenment on an intellectual basis, industrialization on an economic basis, programs of revolutionary and nationalist formations on a political basis. Therefore, in Turkish thought, it is not possible to talk about a critical tradition developed against modern paradigm. The status of being audience to what was being experienced in Europe, resulting from superiority was transformed into grudge due to the defeats in the military field. Due to the decadence experienced in the present, inability to find the solution to the problems of its age, melancholic state of mind because of being stuck in the golden age experienced in the past, in the case of a preference, led to a romantic world view because of the appeal of its simplicity to imitate what was once lived in the past. Thus, it is very natural that the direction of Namık Kemal, the cult personality of Islamist-Turkish thought, is towards the past even when talking about progress and civilization. Seeing the 19th century Europe as a re-implementation of ideas and institutions that are actually Islamic, Namık Kemal, in our opinion, showed us a clear example of a typical Islamist romanticism and an example of occidentalist approach regarding that the West learned the civilization from Muslims. In fact, the exact equivalent of this approach displayed in Turkish cogito without even knowing that it is romantic, emerging in the personality of Namık Kemal and in the feeling of backwardness,with a hectic and injured consciousness, is kitschization. So much so that, the state of being kitsch also explains the current situation of Islamic geography which is far from creating a tradition for at least a century, and it clearly tells the usual romantic end. (shrink)

The problem of the transcendental has haunted philosophy for some time now. How can we think that which is external to our thought without by that token assimilating it to our thought? In other words, how can we speak of the outside without by that very gesture bringing it inside? While this conversation spun its complex tapestry over centuries, there developed alongside various attempts to dismiss or deflate the problem altogether. The most recent manifestation of this deflationary tendency is the (...) “speculative materialism” movement, represented with most clarity by Quentin Meillassoux in his 2006 work After Finitude. He attempts here to restore “the Great Outdoors” to a philosophical tradition mired in what he calls “correlationism,” which he characterizes as a kind of narcissism. So the present conjuncture seems to offer us a choice between the subjective transcendental cellar and the wilderness of speculative materialism. In this essay, we articulate an alternative to this choice rooted in readings of Merleau-Ponty and Deleuze. Our intent here is not to compare or contrast their bodies of work as wholes, but to trace a distinct philosophical maneuver that is not only common to the two thinkers but reveals a link between them. Rather than annulling the transcendental question, these figures encourage us to reverse it, and ask instead “how can we think the inside without by that very token bringing it outside?” This provides us with a response to the problem of philosophy’s narcissism without recourse to Meillassoux’s “speculative” solution.Le problème du transcendantal a hanté la philosophie depuis un bon moment à présent. Comment pouvons-nous penser ce qui est externe à notre pensée sans l’assimiler par là même à notre pensée? En d’autres termes, comment parler du dehors sans l’amener par ce geste même à l’intérieur? Alors que ce débat a tissé sa toile complexe à travers les siècles, plusieurs tentatives se sont développées pour rejeter ou désamorcer le problème. La manifestation la plus récente de cette dernière tendance est le mouvement du « matérialisme spéculatif » représenté avec le plus de clarté par Quentin Meillassoux dans son oeuvre de 2006, Après la finitude. Il tente dans ce livre de restaurer le « Grand Dehors » dans une tradition philosophique enlisée dans ce qu’il appelle « corrélationnisme », qu’il caractérise comme une forme de narcissisme. Ainsi, la conjoncture actuelle semble donner le choix entre une cave transcendantale subjective et la nature sauvage du matérialisme spéculatif. Dans cet essai, nous articulons une alternative enracinée dans des lectures de Merleau-Ponty et de Deleuze. Notre intention n’est pas de comparer ou de contraster leurs oeuvres prises globalement, mais de tracer une manoeuvre philosophique distincte qui est non seulement commune aux deux penseurs, mais qui révèle un lien entre eux. Plutôt que d’annuler la question transcendantale, ces figures nous encouragent à la renverser et à poser la question à la place : comment pouvons-nous penser l’intérieur sans l’amener par là même vers le dehors? Cela nous fournit une réponse au problème du narcissisme de la philosophie sans recourir à la solution « spéculative » de Meillassoux.Il problema del trascendentale occupa la filosofia ormai da tempo. Come possiamo afferrare con il pensiero qualcosa di esterno al nostro pensiero, senza con questo assimilarlo a esso? In altri termini, come possiamo parlare dell’esterno senza per ciò stesso portarlo all’interno? Mentre questa riflessione intrecciava le proprie complesse fila lungo i secoli, prendevano forma per via collaterale diversi tentativi di sopprimere o ridimensionare il problema che l’aveva originata. La manifestazione più recente di questa tendenza coincide con il movimento del “materialismo speculativo”, rappresentato nel modo più emblematico da Quentin Meillassoux con il suo saggio Après la finitude, pubblicato nel 2006. In questo saggio, l’autore tenta di restituire “il Grande Fuori” a una tradizione filosofica invischiata in quello che egli definisce “correlazionismo” e che descrive come una sorta di narcisismo. La situazione attuale sembra così porci di fronte all’alternativa tra la chiusura angusta del trascendentale soggettivo e l’apertura incontrollata del materialismo speculativo. In questo articolo, sviluppiamo una proposta alternativa basata sulla lettura di Merleau-Ponty e di Deleuze. Il nostro intento non è quello di confrontare o contrapporre le opere dei due autori nel loro complesso, ma quello di evidenziare una precisa mossa filosofica che non solo li accomuna, ma li rivela come effettivamente connessi. Piuttosto che annullare l’interrogativo trascendentale, questi autori ci invitano a capovolgerlo, domandandosi invece: “Come possiamo afferrare con il pensiero l’interno senza per ciò stesso portarlo all’esterno?”. Questa mossa fornisce una risposta al problema del narcisismo della filosofia eludendo il ricorso alla soluzione “speculativa” di Meillassoux. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Plastic Turn by Ghosh, RanjanMaria MargaroniGhosh, Ranjan. The Plastic Turn. Cornell University Press, 2022. 224pp.In Plasticity at the Dusk of Writing: Dialectic, Destruction, Deconstruction (2005; 2010), Catherine Malabou argues that “the concept of plasticity is becoming both the dominant formal motif of interpretation and the most productive exegetical and heuristic tool of our time,” supplanting older theoretical paradigms such as “writing” and “the trace” (57). Almost twenty (...) years later, the truth of this statement is certainly confirmed not only by Malabou’s own developing elaboration of this concept and the growing body of works inspired by her creative adaptation of neurological theory in the realm of philosophy, but also by the proliferation of studies that seek to reflect on the ecological, anthropological, ethical, or political consequences of what has been termed the “Plasticene.”1 There is no doubt, then, that we are witnessing yet another “turn” in the Humanities and Social Sciences, the plastic turn coming to displace or supplement a host of currently competing theoretical tendencies: i.e., the material turn, the affective turn, the cognitive turn, and the mimetic turn, among others.2Ranjan Ghosh’s The Plastic Turn is the first in a trilogy intended to theorize the aims, scope and effects of a “plastic Humanities.”3 Interestingly, Ghosh does not locate the “turn” in the 1990s when plastic “gained widespread public acceptance” (Mah 31) and when (with the development of the neurosciences) brain plasticity was increasingly adopted as “the most effective sensor of energy and meaning” of our contemporary era (Malabou, Plasticity 31-32). Instead, he goes back to the turn of the twentieth century when plastic as a new material and plasticity as a scheme of thought were still in the realm of potentiality, triggering, countering, and reshaping many of our political, cultural, and aesthetic modern imaginaries.Much has been written about the promise of plastic as a “magical” substance, capable of sublimating matter into what Roland Barthes describes as the trace of a metamorphic movement that produces an abundance of forms out of the singularity of its origin (104-105). In “The Material Consciousness of Plastics,” Russell Gagg notes that “in the early part of the twentieth century, plastics were seen as leading a new utopian vision for economic growth after the depression of the pre-war and austerity of the post-war years” (32). In the interwar period, plastics were [End Page 149] promoted for their democratic, egalitarian potential in making “designed consumer goods […] commercially viable,” thus introducing an aesthetics of the popular and the banal (Gagg 44-45; Ghosh 9, 20). One of the many strengths of Ghosh’s book is that it takes inspiration not merely from plastic as the stuff of fantasy but also from the very materiality of plastic, namely, its polymeric structure, malleability of form, sensitivity to the change of temperature, crystalline-amorphous texture, diverse modes of esterification, and resistance to biodegradability. In his first chapter, Ghosh acknowledges the influence of Goethe’s Elective Affinities and Primo Levi’s The Periodic Table which, as he argues, bring “the chemical metaphor to bear on human relationships” (20). He points to the development of a body of contemporary works that elaborate a “chemo-poetics,” aiming to “connect life and its undulations with molecular formations” (21).4 In subsequent chapters, the author succeeds in re-molding the chemical metaphor exploited in these works into a full-blown “material-aesthetic” that enables him to produce new readings of the forces behind literary modernism; the possibilities, limits, and stakes of world literature; the emergence of uncanny forms of plastic nature and art; and the distinct affective modalities caused by our petro-modernity.In analyzing side-by-side the diverse histories of, on the one hand, plastic as an increasingly disgraced material and, on the other hand, our literary, aesthetic, and critical production from the early 20th century to the present, Ghosh is dependent on an analogical process that permits him to think across multiple disciplines and subjects, connecting terms, ideas, and practices that resonate but remain asymmetrical (1). As he emphasizes, it is the “asymmetrically analogous (metaphors)” that “deepens the framework of my arguments” (3). Indeed... (shrink)

If, as Maurice Merleau-Ponty writes, “True philosophy consists in relearning to look at the world,” and if Merleau-Ponty is accordingly often described as a philosopher of the body or a philosopher of painting, how are we to understand the apparently new turn to music that Merleau Ponty makes toward the end of the final completed chapter, entitled “The Intertwining—The Chiasm,” of The Visible and the Invisible? I argue that the course of the “Chiasm” chapter moves from a concern for the (...) reciprocal intertwining of body and world to a concern for the Ineinander of temporality. Thus, there are two dimensions involved in forming Merleau-Ponty’s chiastic structure of the flesh: the fecundity of the sensible world in the dimension of simultaneity and the transcendence of the subject in the dimension of succession. The aim of this article is to explore the part of this structure that pertains to the temporal movement of transcendental intersubjectivity. Focusing on Merleau-Ponty’s adaptation of Husserl’s term, Ineinander, I trace the musical context of the term from Merleau-Ponty’s course notes, “Philosophie aujourd’hui” to the final passages from the “Chiasm” chapter of The Visible and the Invisible, understanding the Ineinander as it pertains to the relation of past and present. Contrary to the overflowing sense of presence experienced by the body in the world, the Ineinander is characterized by succession—by the écart—and finds its natural expression in the movement of music. Thus, the chiastic structure at the heart of Merleau-Ponty’s philosophy of the flesh expresses not only the immersion of a body in the world that sees; it expresses also, as that which is no longer and that which is to come, a creative, melodic movement of time. (shrink)

Although philosophical approaches to the self are diverse, several of them are relevant to cognitive science. First, the notion of a 'minimal self', a self devoid of temporal extension, is clarified by distinguishing between a sense of agency and a sense of ownership for action. To the extent that these senses are subject to failure in pathologies like schizophrenia, a neuropsychological model of schizophrenia may help to clarify the nature of the minimal self and its neurological underpinnings. Second, there is (...) good evidence to suggest that although certain aspects of the minimal self are primitive and embodied, other aspects may be accessed only in reflective consciousness. Employing a modified concept of the minimal self, it may be possible to construct a robotic form of non-conscious self-reference that depends on an interaction between the robotic body and its environment. In contrast to the minimal self, the narrative self involves continuity over time and is directly relevant to discussions of memory and personal identity. There is growing consensus among philosophers and cognitive scientists about the importance of narrative and its relation to episodic memory and left-hemisphere functions. There are, however, at least two different views of how the narrative self is structured. On one model it is nothing more than an abstract point. On a more extended view, proposed here, the self is a rich amalgam of narratives that allows for the equivocations, contradictions, and self-deceptions of personal life. Even in this case, however, neurocognitive models contribute to our understanding of how narrative identity is structured. (shrink)

In this second issue of volume one, a welcome feature are those articles that bring to our readers, new historical information about women philosophers, new analyses of important positions supported by and questions addressed by select women philosophers, as well as articles that compare and contrast the views of several women philosophers on particular topics. This issue reflects on the context of women’s theoretical contributions, with articles that address the question of women’s agency and the historical account through which women (...) were acknowledged (or not) as originators of or contributors to important theoretical developments within the mentioned disciplines. In recent decades an overwhelming amount of philosophical works by women has been made available by historians of philosophy. This issue reflects those strides towards recovering philosophical writings by women. Issue 2 of this volume is organized chronologically and starts with a paper from Jonathan Head: “Anne Conway on Heaven and Hell”. Conway’s The Principles of the Most Ancient and Modern Philosophy (1690) offers representations of heaven and hell, revising our conventional image of hell. Conway presents hell in a way that she believes is more consistent with the postulate of a loving and just God. In part, Conway denies the possibility of eternal torment and emphasizes the benefits that suffering brings to a living being. Conway describes heaven as a realm of “perfect rest” where creatures enjoy unity and harmony with Christ and other heavenly spirits. This state involves an increasing understanding of the world, a continual process of perfection and harmony with other heavenly spirits. The article concludes with a description of Conway’s eschatology in the broader intellectual context of the revival of Origenist theology in its intellectual setting and in the changing framework of eschatological thought in the early Quaker community. Monica M. Mastrantonio discusses in her paper, “Lady Mary Wortley Montagu – a philosopher? The epistolary woman, because women could not be called Philosophers, Scientists, Entrepreneurs” aspects of a different and new transcultural worldview that reflects diversity and knowledge combined with philosophy in a new way. In the past, there were two roles with which Lady Mary Wortley Montagu was associated. One was her experience at the Turkish Embassy, where she highlighted cultural diversity. A second role she was associated with was international travel. Mastrantonio argues that Montagu was more than a literary aristocrat who could describe customs and traditions from abroad. Using Montagu’s complete letters, the author brings into discussion the fact that Montagu was also a vaccine entrepreneur and a journalist on political and urban issues, paving the way for discussions on philosophical questions. Many letter writers of the 16th and 17th centuries were already feminists who were politically and artistically active in their time and wrote letters with precision and expertise. The letters of Lady Mary Wortley Montagu are an important aspect in building a transcultural worldview in which diversity and knowledge combine with philosophy differently than it was before. In this short but engaging article, “American Women in the Transcendental and Pragmatist Movements”, Carol Bensick provides an overview of two important philosophical movements of the late 19th and early 20th centuries, Transcendentalism and the Pragmatism that emerged in part from that movement. In the course of identifying numerous women who contributed to both movements, Bensick examines how some of them were included in the early history of American philosophy, only to be omitted from later histories. Bensick argues that the recent designation of women philosophers as “feminist pragmatists” is historically an inaccurate identification and one that pragmatists did not use to describe themselves. The French philosopher Simone Weil, the Swiss Jeanne Hersch and the Spanish Maria Zambrano each examined how bodily elements function in the rational search for truth. In his paper Oblique Paths to Truth: Myth and Bodily Elements in Simone Weil, Jeanne Hersch and Maria Zambrano, Piergiacomo Severini examines popular “body” myths referred to by these philosophers and analyses the language they use to express that bodily elements precede consciousness and reason. Through these myths/stories we learn that truth cannot be known directly through objects. Instead, the “knowing subject” necessarily elaborates indirect paths to transcendent truth. Severini argues that the effort to reintegrate the human attachment to the marginal world is peculiar to women philosophers in the history of philosophy and thus points to an alternative path to the human search for meaning that differs from the mainstream of Western male philosophy. As a philosopher, Hedwig Conrad-Martius has been intensively engaged throughout her life in researching the question of what reality is and has contrasted her reflections with those of Husserl and others. In her contribution “Conrad-Martius: the ´Real-Reality of the World – in Dialogue with Aristotle, Aquinas and Husserl”, author Irene Breuer deals with Conrad-Martius’ concepts of reality as “real reality”, with being, existence and essence and relates them to the concepts in Aristotle, Aquinas and Husserl. She discusses once again the questions of the hypostasis of being – by which the author claims that this is about the noema itself, and about the emergence of being in particular. The author’s thesis is that although Conrad-Martius rejects transcendental reduction, Conrad-Martius does accept eidetic reduction and the positing of a sphere of primordial and given facts. Driving this sphere back into a transphysical realm, it can provide a ground for Husserl’s sphere of original facts, which itself remains beyond the reach of phenomenological enquiries. Consequently, the author concludes, Conrad-Martius and Husserl meet here in their investigations, and yes, they complement each other, at a point where “the real bursts into reality”. Join us in unveiling this universe of women’s ideas. We are happy to welcome our contributors and readers, as we improve our understanding of the history of philosophical ideas by adding new perspectives and new insights. We enter a new universe of praiseworthy ideas by women theorists, one that will doubtlessly contribute to a world description that is more accurate than a narrative written without these voices. Philosophy starts here. (shrink)

God, Sex, Science, Gender: An Interdisciplinary Approach to Christian Ethics is a timely, wide-ranging attempt to rescue dialogues on human sexuality, sexual diversity, and gender from insular exchanges based primarily on biblical scholarship and denominational ideology. Too often, dialogues on sexuality and gender devolve into the repetition of party lines and defensive postures, without considering the interdisciplinary body of scholarly research on this complex subject. This volume expands beyond the usual parameters, opening the discussion to scholars in the humanities, (...) social sciences, and natural sciences to foster the development of Christian sexual ethics for contemporary times. Essays by prominent and emerging scholars in the fields of anthropology, sociology, psychology, philosophy, literary studies, theology, and ethics reveal how faith and reason can illuminate our understanding of human sexual and gender diversity. Focusing on the intersection of theology and science and incorporating feminist theory, God, Sex, Science, Gender is a much-needed call for Christian ethicists to map the origins and full range of human sexual experience and gender identity. Essays delve into why human sexuality and gender can be so controversial in Christian contexts, investigate the complexity of sexuality in humans and other species, and reveal the implications of diversity for Christian moral theology. Contributors are Joel Brown, James Calcagno, Francis J. Catania, Pamela L. Caughie, Robin Colburn, Robert Di Vito, Terry Grande, Frank Fennell, Anne E. Figert, Patricia Beattie Jung, Fred Kniss, John McCarthy, Jon Nilson, Stephen J. Pope, Susan A. Ross, Joan Roughgarden, and Aana Marie Vigen. (shrink)

What does it mean to say that “I am always on the same side of my body” if the body is understood as flesh? This question of sidedness, and specifically of perspectival unilaterality, in Merleau-Ponty’s ontology leads to a careful sorting of the various relational metaphors that he deploys across his oeuvre, including reversibility, intertwining, possession, encroachment, incorporation, promiscuity, and many others. Curiously, each of these notions implicates a different image of sidedness, from sides that are impermeable in themselves but (...) nonetheless interwoven with those of other bodies, to sides that are porous, interpenetrated, incorporable, and yielding. Ultimately, it is suggested with reference to Merleau-Ponty’s ontologically anticipatory concept of le schèma corporel that unilaterality is not a necessary feature of incarnate subjectivity after all, but is instead one of the last specters of modern metaphysics, haunting Merleau-Ponty’s thinking still. Insofar as perspectival individuation is a function of the dynamic operations of actual body schemas rather than a logical, topological, or ontological given, subjectivity will be essentially promiscuous rather than merely reversible, moving in and out of bodies, overflowing its own body, taking in the bodies of others, leaking into and absorbing the flesh of the world, at times to the point of indivision.Quel est le sens de cet énoncé : « Je suis toujours du même côté de mon corps » lorsque le corps est compris comme chair? Cette question de l’unilatéralité, en particulier celle de l’unilatéralité perspectivale, dans l’ontologie de Merleau-Ponty, conduit à une utilisation précise d’un ensemble de métaphores variées qu’il déploie dans son oeuvre, telles que la réversibilité, l’entrelacement, la possession, l’empiètement, l’incorporation, la promiscuité et bien d’autres encore. Curieusement, chaque notion implique une image d’unilatéralité différente, depuis les côtés qui sont imperméables en eux-mêmes mais néanmoins entrelacés avec ceux des autres corps, jusqu’aux côtés qui sont poreux, interpénétrés, incorporables, malléables. En définitive, il semble que la référence anticipée au concept de schéma corporel montre que l’unilatéralité n’est pas, après tout, un élément nécessaire de la subjectivité incarnée, mais plutôt un des derniers spectres de la métaphysique moderne qui hante le style de la pensée de Merleau-Ponty. Dans la mesure où l’individuation perspectivale est une fonction des opérations dynamiques des schémas corporels actuels et non un donné logique, topologique ou ontologique, la subjectivité sera essentiellement promiscuité plutôt que simplement réversible, entrant et sortant des corps, débordant son propre corps, prenant le corps des autres, laissant filtrer la chair du monde et l’absorbant, parfois jusqu’au point de l’indivision.Che cosa significa dire che “io mi trovo sempre dallo stesso lato del mio corpo” se il corpo è compreso come carne? Questa questione della lateralità e in particolare di una unilateralità nell’ontologia di Merleau-Ponty ci porta a discernere attentamente le diverse metafore relazionali che il filosofo impiega nel corso della sua opera, tra cui reversibilità, intreccio, sconfinamento, incorporazione, promiscuità, per citarne solo alcune. È interessante notare che ciascuna di queste nozioni implica una differente immagine della lateralità, da lati che sono impermeabili in se stessi e ciononostante intrecciati con quelli di altri corpi, fino a lati che sono invece porosi, interpenetrati gli uni con gli altri, incorporabili e cedevoli. In definitiva, la nozione merleau-pontiana – ontologicamente anticipatrice – di schema corporeo suggerisce che l’unilateralità non è un carattere necessario della soggettività incarnata, ma invece uno degli spettri residuali della metafisica moderna, che ancora incombono sul pensiero di Merleau-Ponty. Nella misura in cui l’individuazione prospettica è una funzione delle operazioni dinamiche di schemi corporei piuttosto che un dato logico, topologico o ontologico, la soggettività sarà essenzialmente promiscua e non semplicemente reversibile, muovendo verso l’interno e l’esterno dei corpi, sconfinando i limiti del corpo, lasciando entrare i corpi altrui, concedendo l’ingresso e assorbendo la carne del mondo, talvolta fino a raggiungere l’indiscernibilità. (shrink)

This article aims to open a discussion on better ethical assurance for non-university research actors drawing on democratic norms. It derives from the author’s experience of a gap in ethical assurance for social science and humanities (SSH) research that takes place outside academia, for example within international organisations, public bodies, non-governmental organisations (NGOs) and by private entities. Many of these actors commission, conduct or sub-contract research activities involving human participants on a regular basis, an activity that often increases during times (...) of crisis where researchers in both the public and private sphere scramble to generate the new knowledge necessary to respond and prevent further harms. The ethical assurance frameworks for such research, while growing, remain limited. Discussion of research conducted by actors outside of university settings and their ethical assurance frameworks are both subjects under-interrogated within the literature. This paper seeks to open that discussion by presenting this broad non-university research context through the frame of research in crisis settings, where the ethical requirements of ‘do no harm’ and the ‘dual imperative’ possess an even heavier significance in research ethics. Furthermore, the global and diverse nature of crisis settings often gives rise to conversations concerning the positioning of the research actor and the need to empower the research participant. This paper presents an early vision of the non-university research actor and ethical assurance process based on the democratic norms of equality and inclusivity. (shrink)

Our paper explores how the affective energies and cultural expectations set in motion by best-selling American sentimental novels like Hannah Foster's The Coquette and Susanna Rowson's Charlotte Temple informed the notorious mid-nineteenth-century American trial of Amelia Norman, who attempted to kill the man who seduced her. Once newspapers, defense lawyers, and reformers such as Lydia Maria Child recast the defendant as a sentimental heroine, the trial became about seduction, and Norman was acquitted against the weight of the evidence. Sentimental novels (...) turn on the contrast between the passive victim status of the heroine and the active libidinal quest of the rake-villain. As Cathy Davidson points out, this fiction is "about silence, subservience, stasis (the accepted attributes of women as traditionally defined) in contradistinction to conflicting impulses toward independence, action, and self expression (the ideals of the new American nation)." The seduction plot diverts attention from this disparity by establishing an affective solidarity between heroine and reader and elevating the ruined woman to a tragic status. The sentimental emplotment of Norman's life marshaled a powerful set of emotional responses and moral judgements on her behalf. Norman claimed insanity. And since sentimental heroines are supposed to go mad when they are seduced and abandoned, the jury was prepared to interpret her symptoms according to her lawyers' very strategy for establishing her innocence. Ultimately, however, Norman embodied the plight of the sentimental heroine at the same time that she contested her fictional counterpart's fate. In this way, her trial spectacularized the disparity which the sentimental novel conjures up and displaces but never resolves. The common law theory of coverture, which severely limited the legal personhood of married women, has received a great deal of scholarly attention. Cases like Norman's remind us that unmarried women were also subject to draconian constraints on their legal personhood. The tort of seduction is a key example. Legal historians trace the development of the seduction tort from its common-law origins, when men's property interest in women's bodies formed the basis of the cause of action, to 1851, when Field Code authors (including Norman's lawyer David Graham) persuaded several states to grant seduced women standing to bring their own cause of action. Consequently, courts were forced to reckon with the seduced woman as a moral agent capable of consenting to sex. As trials like Norman's demonstrate, sentimental novels helped lay the groundwork for this shift in the law by elucidating a subjectivity for the seduced woman. Yet the doctrinal implications of Norman's precedent-setting trial had a second, more ambiguous strain. Norman's sentimental strategy proved so powerful that men on trial for killing their wive's seducers appropriated it to bring their own stories before juries and to reinforce male sexual norms. In the end, then, Norman's trial fostered legal reform, but it also suggested - as Child's fictionalization of the case in "Rosenglory" recognized - that only sustained and multifaceted efforts to change cultural as well as legal norms could improve the sexual status of women. Scholars such as Wai Chee Dimock have argued for a focus "on the historical and historically shifting relations between law and literature" - a view we endorse. Where we differ from Dimock is in our diversion of attention away from abstract ideas of law laid out by treatise writers and philosophers in favor of law experienced and manipulated by individuals. So, too, we are interested less in representations of concepts such as justice in legal and literary texts than we are in the ways in which literature (broadly conceived) can create provisional and fragile opportunities for concrete instantiations of justice and even generate legal change (for good or ill). Going further, we would argue that to the extent legal change motivates rather than simply mirrors cultural change, it needs literature to be effective. Thus, we see no need to characterize - and indeed reject the depiction of - law as "a limited arena" in which ideas of morality have little place. This project, then, responds to Gregg Crane's call for attention to "the complex and slippery historical interactions of law and literature that shape and are shaped by an ever changing cultural idiom of justice." The extended story of Amelia Norman not only constitutes a case study in the inescapable interaction between the overlapping and interdependent discourses of law and literature, but also reveals the literary and legal consequences of that interaction. (shrink)

Using hokku poet Basho’s aesthetics of wandering, as defined by Thomas Heyd, I argue that, by detailing the excruciating pointlessness of work undertaken according to commands that take little or no account of their feasibility, Richard Flanagan’s novel, The Narrow Road to the Deep North (which takes its title from Basho's work) transforms the features of this aesthetics into the lived experience of prisoners of war on the ‘line’. In doing so, Flanagan transfers Basho’s aesthetics into a represented actuality through (...) the privileging of subjectivity over identity and the dissolution of the body on the line. The three prongs to Basho’s aesthetics are found in Flanagan’s novel. In this, Flanagan is identifying the complexity of meanings evident in the terminology of such aesthetics, rendering what appears positive in the context of Basho’s poetry negative in its practical application as this is articulated through the prisoners’ wartime experiences. Rather than being formative, Flanagan’s novel suggests wartime experience has a complexly ‘opposite’ effect. This is apparent in the complications of identity represented in post-war terms as a disunity (rather than a coherent unity), as articulated through the use of spatial metaphors that reverse the formative intensities of subjectivity and body through symbolic acts of dispersal and dissolution. (shrink)

Riassunto : Il fenomeno delle “near-death experiences”, esperienze soggettive intense e profonde, è caratterizzato dalla percezione di essere in una dimensione diversa da quella ordinaria, di aver abbandonato il proprio corpo e, con esso, la dimensione spazio-temporale del mondo fisico. Il termine NDE è utilizzato per indicare esperienze simili occorse in condizioni cliniche molto diverse, ad esempio l’arresto cardiaco, il coma, lo svenimento o l’assunzione di sostanze psicotrope. In questo lavoro si considerano esclusivamente quelle esperienze sperimentate in condizioni di prossimità (...) alla morte. Il fenomeno viene discusso confrontando gli elementi più comunemente presenti nelle NDE di soggetti occidentali con quelli riportati da soggetti di altre culture. Le varie esperienze pre-morte sono discusse in funzione dei contenuti riportati e delle modalità con cui si sono verificate. Infine, lo stato di coma è stato valutato come condizione di “near-death” nell’ottica di considerare la morte come un processo. Parole chiave: Near-death Experiences; Cultura; Coscienza; Memoria; Arresto cardiaco; Coma Towards a definition of “near-death experiences”: Physiologic, psychologic and cultural dimensions: The phenomenon of near-death experiences, intense and profound subjective experiences, is characterized by the perception of being in a different dimension from the ordinary one, of having abandoned one’s body and, with it, the space-time dimension of the physical world. The term NDE has been used to indicate similar experiences that occurred in very different clinical conditions, namely cardiac arrest, coma, fainting, use of psychotropic substances, etc. In what follows will be considered only experiences taking place in conditions of proximity to death. The phenomenon will be discussed comparing elements most commonly present in NDEs of Western subjects with those reported by subjects from other cultures. The various near-death experiences will be discussed in according to the contents reported and the ways in which they occurred. Finally, the state of coma was considered as a near-death condition under the assumption of death as a process. Keywords: Near-Death Experiences; Culture; Consciousness; Memory; Cardiac Arrest; Coma. (shrink)

The subject of religious diversity is of growing significance, with its associated problems of religious pluralism and inter-faith dialogue. Moreover, since the European Enlightenment, religions have had to face new, existential challenges. Is there a future for religions? How will they have to change? Can they co-exist peacefully? In this book, Keith Ward brings new insights to these questions. Applying historical and philosophical approaches, he explores how we can establish truth among so many diverse religions. He explains how religions (...) have evolved over time and how they are reacting to the challenges posed by new scientific and moral beliefs. A celebration of the diversity in the world's religions, Ward's timely book also deals with the possibility and necessity of religious tolerance and co-existence. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Amazons: Lives and Legends of Warrior Women across the Ancient World by Adrienne MayorAlison KeithAdrienne Mayor. The Amazons: Lives and Legends of Warrior Women across the Ancient World. Princeton: Princeton University Press, 2014. xiv + 519 pp. Cloth, $29.95.Adrienne Mayor is a historian of classical folklore and ancient science and the author of several books whose subjects lie at the intersection of classical myth and ancient history (...) with archaeology and the history of science: an exploration of monsters and heroes in the repertoire of classical myth as a response to the discovery of fossils in The First Fossil Hunters (Princeton 2000); a wide-ranging collection of evidence for biological and chemical warfare in the ancient world, Greek Fire, Poison Arrows, and Scorpion Bombs (New York: Overlook Press, 2003); and a sympathetic biography of Mithradates VI Eupator of Pontus in The Poison King: The Life and Legend of Mithradates, Rome’s Deadliest Enemy (Princeton 2009); as well as an investigation of indigenous North Americans’ accounts of fossils, in Fossil Legends of the First Americans (Princeton 2005). Like her earlier volumes, The Amazons brings together an extraordinarily wide array of evidence, uncovered through prodigious research across such diverse fields as classical mythology, ancient history, and contemporary archaeology of the central Asian steppes, and the results are presented with her trademark narrative brio. As with these earlier volumes, moreover, Mayor has an agenda in The [End Page 174] Amazons: here she seeks the historical reality that lies behind the ancient Greek myths of barbarian warrior women; and she finds it in the recent archaeological discoveries of female warriors interred on the central Asian steppes from the Caucasus to western China.Mayor sets out her premise in a prologue that takes its bearing from the myth of Atalanta, whom she dubs “the Greek Amazon” (1–13): her project is to investigate where the Greeks might have encountered real women warriors like Atalanta, capable of besting men in footraces, on the battlefield, and in the hunt. Her study falls into four parts: Part 1 (17–59) asks, “Who were the Amazons?” and identifies ancient Scythia, with its many horse-riding and horse-herding nomadic tribes, as the homeland of the Amazons. Part 2 (63–246) surveys the archaeological and scientific evidence for female warriors among the nomadic tribes of the central Asian steppes in prehistoric and historic times. In this section, Mayor considers the evidence afforded by the bones of buried nomad warriors misidentified as male (because of the weaponry and horses accompanying the burial) when they were originally excavated but recently recognized as female as a result of newer scientific techniques of examination (chap. 4); the body armor found in the steppe graves, in a discussion which has recourse to comparative ethnography, yielding a rich history of breast suppression (chap. 5); the tattooing practices of the historical nomadic tribes of the steppes in relation to the iconography of Amazons’ tunics and leggings on classical vase paintings (chap. 6); ancient accounts of Amazons’ dress (chap. 7), including their partiality for trousers (chap. 12), sexuality and reproduction (chap. 8), drugs, dance and music (chap. 9), hunting technologies (chap. 11), weapons and warfare (chap. 13), all in relation to the archaeological and historical evidence of steppe women’s practices in these arenas. She even presses into service ethnolinguistics in order to argue that the names of the Amazons can be traced back to a common origin in the Eurasian steppes (chap. 14; cf. Appendix of Names of Amazons and Warrior Women in Ancient Literature and Art from the Mediterranean to China). In Part 3 (249–353), Mayor turns back to “Amazons in Greek and Roman Myth, Legend, and History.” Here she retells the most famous Amazon myths, of Hippolyte and Heracles [sic] (chap. 15), Antiope and Theseus (chap. 16), Penthesilea and Achilles (chap. 18), and the Athenian Amazonomachy (chaps. 17, 19); and classical accounts of their historical counterparts—the dalliance of Thalestris and Alexander the Great (chap. 20) and the love of Hypsicratea and Mithradates (chap. 21). Part 4 (358–429) abandons the Hellenocentric perspective of Part 3 to investigate the evidence for Amazonian women “Beyond the Greek World... (shrink)

"The body has always had the potential to unsettle us with its strange exigencies and suppurations, its demands and desires, and thus throughout the ages, it has continued to be a subject of interest and obsession. This collection of twelve peer-reviewed essays on Jacques Lacan and Michel Foucault interrogates the body in all of its beauty...and with all of its blights and blemishes. Written by a diverse body of scholars-art historians, cultural theorists, English professors, philosophers, psychoanalysts, and sociologists from North (...) America and Europe-these essays bring into conversation two intellectual giants frequently seen as antagonists, and thus rarely seen together. Topics covered include: the intersections of Foucault and Lacan and how they bring to light new thoughts on the senses, the self-destructive body, ableism and disability in Guillermo del Toro's film The Shape of Water, body image and the ego, selfie-culture, and metamorphosis in Ottessa Moshfegh's novel My Year of Rest and Relaxation, among others."-Provided by publisher. (shrink)

Gaston Bachelard distinguishes the radical novelty and newness of the imagination from pre-existing sensory impressions. In this article, I explore Bachelard's connections between time, the imagined image and poetic form, and I consider their implications for the cinema. Concentrating my analysis on Ildikó Enyedi's Testről és lélekről/ On Body and Soul — a film that alternates between doubled worlds, depictions of human and animal life — I draw out the temporality and the diversity of Bachelard's imagined images. Bringing Bachelard's (...) instant, vertical time and the crystalline to bear on Enyedi's film, I argue that, under the pretext of sleep, rest and dreaming, On Body and Soul engages the temporality and attentiveness of the Bachelardian imagination, together with its poetic effects. (shrink)

This chapter describes the main themes of Dewey's approach. It examines some central philosophical topics from the impressive richness of Dewey's works and the comprehensive body of his writings, which fill thirty-seven volumes in the critical edition of the Collected Works. The chapter provides comments to a brief discussion of each topic, highlighting its importance as an element within Dewey's overall philosophical approach. The topics include “experience” as a philosophical core concept, theory of art, logic and theory of knowledge, anthropology (...) and social psychology, ethics and moral philosophy, social philosophy and political theory, theory of education and school, and theory of religion. (shrink)

While linear time results from the measurement of physical events, the temporality of life is characterized by cyclical processes, which also manifest themselves in subjective bodily experience. This applies for the periodicity of heartbeat, respiration, sleep-wake cycle, or circadian hormone secretion, among others. The central integration of rhythmic bodily signals in the brain forms the biological foundation of the phenomenal sense of temporal continuity. Cyclical repetitions are also found in the recurring phases of need, drive, and satisfaction. Finally, the cyclical (...) structure of bodily time manifests itself at an extended level in the form of implicit or body memory. However, this cyclical structure of lived time comes into tension with the orders of linear time which have been increasingly established in Western societies since the modern age. This tension creates both individual as well as societal conflicts and may also result in psychopathological phenomena. As an example, depression and burn-out syndromes will be discussed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Materialities of CommunicationEric DeanThe Materialities of Communication, edited by Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer; xvi & 447pp. Stanford: Stanford University Press, 1994, $52.50 cloth, $17.95 paper.In closing this collection, Hans Ulrich Gumbrecht outlines the common purpose which makes it more than a random assortment. There has been, as he characterizes it, a theoretical shift in the humanities “from interpretation as identification of given meaning-structures to (...) the reconstruction of those processes through which structures of articulated meaning can at all emerge” (p. 398). He motivates this shift by suggesting that theorists should no longer pursue final and therefore unchanging explanations, but rather should create provocations for changes in perspective. Focusing on the processes through which meaning can emerge—the materialities of communication rather than the insubstantialities of interpretation—stimulates the constant change, the perpetual “renegotiation of self-reference,” which Gumbrecht recommends as the rightful role of theory.The breadth of these ambitions is reflected in the scope of the collection. There are twenty-five essays from twenty-six writers, predominately German, including two from each editor—a context piece and a separate contribution. The range of subjects is enormous. There is one essay on ancient Egyptian signs and another on how the immune system creates the self it both recognizes and preserves. One touches on Nietzsche’s abortive attempt to save his eyesight by using an early version of the typewriter, another interprets the fall of the Roman Empire as the corruption of the postal system (Egyptian in origin) used to deliver the command, imperium, which constituted the Empire in the first place. The scholarly contexts range widely as well—from sociological communication theory to media history to biology to art criticism.There are some delightful curiosities the writers bring to light. For example, at one point in “The Early History of German Television,” the authors, M. Elsner, T. Muller, and P. Spangenberg are describing how fantasies about the new technology outran practicalities. They cite an illustration from a 1928 German magazine in which a man is shown lying in bed, “with a fragmented dashboard in front of him—he seems to steer some technical apparatus and, at the same time, to look at a mountain panorama, which is seen from a bird’s eye view on a kind of projection screen. The caption deciphers the illustration for us: ‘Marvels that we might still experience: viewing the world from bed through [End Page 395] television. The apparatus above the bed serves to operate, by remote control, an airplane that carries the filming apparatus...’” (p. 117).In other places too the writing evades the risk of self-absorption implicit, for all its purportedly exterior focus, in Gumbrecht’s theoretical project. Vivian Sobchack, for instance, closes an interesting meditation on film and electronic technologies this way: “Within the context of this material and technological crisis of the flesh, one can only hope that the hysteria and hyperbole surrounding it is strategic—and that through it the lived-body has, in fact, managed to reclaim its existence and against our attention, to forcefully argue for simulation. For there are other subjects of electronic culture out there who prefer the simulated body and a virtual world...” (pp. 105–6).By the end, though, I found myself wondering whether it was really possible to put this diversity together as a whole, whether the purportedly redeeming concreteness of a program focused on The Materialities of Communication wasn’t at odds with the idea that there is much in common among all these different materials. Coeditor K. Ludwig Pfeiffer, may have inadvertently provided the epigraph for the book. “Iago incites Othello to the greatest nonsense,” he writes, “because Othello no longer differentiates between manipulated sensual certainty and credibility” (p. 59). I wonder about a theoretical perspective that calls Othello’s torment his “nonsense,” and I wonder whether the advocates of such a perspective might not be manipulating sensual certainty to perhaps equally bleak, though in this case unintended, ends.Eric DeanChicago, IllinoisCopyright © 1995 The Johns Hopkins University Press... (shrink)

Schütz’ tuning-in relationship designates sharing time as the ground of we-experiences, but the Husserlian account of time that he relies upon for this argument seems to undermine the very possibility of doing so. I argue that Merleau-Ponty’s conception of temporality offers a more plausible account of shared time via the ‘transferability’ of the body schema. Disability theorists and critical phenomenologists, however, would remind us that any account of we-experiences must recognize bodily difference. I argue that bodies of diverse motilities can (...) come to share a body schema without risk of ‘forced time compliance’ if we jettison synchronization and embrace improvisation as a paradigm for schematic sharing: I use the example of collective free improvisation to illustrate flexible, emergent, and bidirectional body schemas that, I claim, circumvent the assimilationist tendencies looming in any account of we-experiences premised upon bodily sameness. (shrink)

Clinical research ethics consultation has emerged in the last 15 years as a service to those involved in the conduct of clinical research who face challenging issues for which more than one course of action may be justified. To respond to a growing field and need for opportunities to share knowledge and experience, the Clinical Research Ethics Consultation Collaborative, established in 2014, holds monthly webinars for its 90 members to present their most challenging cases to each other and engage in (...) substantive discussion. Every year, the group selects the four most interesting cases with accompanying commentaries for publication in the American Journal of Bioethics. This timely book brings together these cases and commentaries under a range of common themes for the first time, creating a permanent collection in book format that encourages and supports readers to gain a better understanding of the ethical challenges that they may face, and providing them with a convenient and reflective resource to reference in their own deliberations. Key Features- Comprehensive collection of cases and commentaries, chosen to reflect the range of issues faced by clinical researchers and oversight committees and illustrate the diversity of analysis that can arise. Supplemented by short introductions to each section. Focus on ethical rather than regulatory issues. Essential Reading for graduate students in bioethics and post-doctoral bioethics fellows, and useful for all participants in training grants that are funded by either NIH or NSF Presenting challenging cases to stimulate reflection, the book provides invaluable guidance to clinicians in training and in practice and to investigators, bioethics consultants, regulators, and oversight bodies. (shrink)

Intense public interest in scientific claims about COVID-19, concerning its origins, modes of spread, evolution, and preventive and therapeutic strategies, has focused attention on the values to which scientists are assumed to be committed and the relationship between science and other public discourses. A much discussed claim, which has stimulated several inquiries and generated far-reaching political and economic consequences, has been that SARS-CoV-2 was deliberately engineered at the Wuhan Institute of Virology and then, either inadvertently or otherwise, released to the (...) public by a laboratory worker. This has been pursued despite a clear refutation, through comprehensive genomic analysis, of the hypothesis that the virus was deliberately engineered and the failure of detailed investigations to identify any evidence in support of a laboratory leak. At the same time a substantial, established body of knowledge about the many factors underlying the emergence of novel zoonotic diseases has been largely ignored—including climate change and other mechanisms of environmental destruction, tourism, patterns of trade, and cultural influences. The existence and conduct of these debates have raised questions about the vulnerability of science to manipulation for political purposes. Scientific discourses are vulnerable because: (i) claims can be made with no more than probabilistic force; (ii) alleged “facts” are always subject to interpretation, which depends on social, ethical, and epistemological assumptions; and (iii) science and scientists are not inherently committed to any single set of values and historically have served diverse, and sometimes perverse, social and political interests. In the face of this complexity, the COVID-19 experience highlights the need for processes of ethical scrutiny of the scientific enterprise and its strategic deployment. To ensure reliability of truth claims and protection from corrupting influences robust ethical discourses are required that are independent of, and at times even contrary to, those of science itself. (shrink)