This collection offers new perspectives on the study of science and religion, bringing together articles that highlight the differences between epistemological systems and call into question the dominant narrative of modern science. The volume provides historical context for the contemporary discourse around religion and science, detailing the emergence of modern science from earlier movements related to magic and other esoteric arts, the impact of the Reformation on science, and the dependence of Western science on the so-called Golden Age of Islam. (...) In addition, contributors examine the impacts of Western science and colonialism on the ongoing theft of the biological resources of traditional and indigenous communities in the name of science and medicine. The volume's multi-perspectival approach aims to refocus the terms of the conversation around science and religion, taking into consideration multiple rationalities outside of the dominant discourse. (shrink)

All-encompassing text examines every aspect of coma from neurochemistry, monitoring, and treatments to prognostic factors.

Thus the passage is printed in the Teubner edition of Seneca's Dialogues by E. Hermes, who, on the strength of Aen. 8. 702 f. , adds a note on the quotation ‘versus sunt Vergilii a Seneca licenter mutati’. Now the imputation to Seneca of such gross alteration of Virgil can only be supported if we disregard or eject the evidence to the contrary. As only the last five words are actually Virgilian; as Seneca himself says ‘aput vate nostra?’; as out (...) at the beginning of the second line may introduce a second quotation ; and as est, which Gertz secluded, has a part to play if the lines are by different poets, it is safer to take a step backwards and dispose the passage thus. (shrink)

There has been a recent growth in philosophy of psychiatry that draws heavily (although not exclusively) on analytic philosophy with the aim of a better understanding of psychiatry through an analysis of some of its fundamental concepts. This 'new philosophy of psychiatry' is an addition to both analytic philosophy and to the broader interpretation of mental health care. Nevertheless, it is already a flourishing philosophical field. One indication of this is the new Oxford University Press series International Perspectives in Philosophy (...) and Psychiatry seven volumes of which (by Bolton and Hill; Bracken and Thomas; Fulford, Morris, Sadler, and Stanghellini; Hughes, Louw, and Sabat; Pickering; Sadler; and Stanghellini) are examined in this critical review. (shrink)

Next SectionObjectives To evaluate the adequacy of paediatric informed consent and its augmentation by a supplemental computer-based module in paediatric endoscopy. Methods The Consent-20 instrument was developed and piloted on 47 subjects. Subsequently, parents of 101 children undergoing first-time, diagnostic upper endoscopy performed under moderate IV sedation were prospectively and consecutively, blinded, randomised and enrolled into two groups that received either standard form-based informed consent or standard form-based informed consent plus a commercial (Emmi Solutions, Inc, Chicago, Il), sixth grade level, (...) interactive learning module (electronic assisted consent). Anonymously and electronically, the subjects' anxiety (State Trait Anxiety Inventory), satisfaction (Modified Group Health Association of America), number of questions asked, and attainment of informed consent were assessed (Consent-20). Statistics were calculated using t test, paired t test, and Mann Whitney tests. Results The ability to achieve informed consent, as measured by the new instrument, was 10% in the control form-based consent group and 33% in the electronic assisted consent group (p<0.0001). Electronically assisting form-based informed consent did not alter secondary outcome measures of subject satisfaction, anxiety or number of questions asked in a paediatric endoscopy unit. Conclusions This study demonstrates the limitations of form-based informed consent methods for paediatric endoscopy. It also shows that even when necessary information was repeated electronically in a comprehensive and standardised video, informed consent as measured by our instrument was incompletely achieved. The supplemental information did, however, significantly improve understanding in a manner that did not negatively impact workflow, subject anxiety or subject satisfaction. Additional study of informed consent is required. Clinical trial registration number ClinicalTrials.gov Identifier NCT00899392. (shrink)

Objective To evaluate the modes of death and treatment offered in the last 24 h of life to patients dying in 10 Brazilian intensive care units (ICUs) over a period of 2 years. Design and setting Cross-sectional, multicentre, retrospective study based on medical chart review. The medical records of all patients that died in seven paediatric and three adult ICUs belonging to university and tertiary hospitals over a period of 2 years were included. Deaths in the first 24 h of (...) admission to the ICU and brain death were excluded. Intervention Two intensive care fellows of each ICU were trained in fulfilling a standard protocol (κ=0.9) to record demographic data and all medical management provided in the last 48 h of life. The Student t test, Mann–Whitney U test, χ2 test and RR were used for data comparison. Measurements and main results 1053 medical charts were included (59.4% adult patients). Life support limitation was more frequent in the adult group (86% vs 43.5%; p<0.001). A ‘do not resuscitate’ order was the most common life support limitation in both groups (75% and 66%), whereas withholding/withdrawing were more frequent in the paediatric group (33.9% vs 24.9%; p=0.02). The life support limitation was rarely reported in the medical chart in both groups (52.6% and 33.7%) with scarce family involvement in the decision making process (23.0% vs 8.7%; p<0.001). Conclusion Life support limitation decision making in Brazilian ICUs is predominantly centred on the medical perspective with scarce participation of the family, and consequently several non-coherent medical interventions are observed in patients with life support limitation. (shrink)

There has recently been a considerable amount of research into the influence of 18th century British philosophy--particularly into the thinking of David Hume on Continental philosophy and Kant. The aim of this collection is to provide some of the key texts which illustrate the impact of Kant's thought together with two important 20th century monographs on aspects of Kant's early reception and his influence on philosophical thought. Contents: Immanuel Kant in England 1793-1838 [1931] Rene Wellek 328 pp The Early Reception (...) of Kant's Thought in England 1785-1805 [1990] Giuseppe Micheli 114 pp A General and Introductory view of Professor Kant's Principles [1796] F. A. Nitsch 234 pp Text-Book to Kant [1881] (with a biographical sketch) James Hutchison Stirling 576 pp The Development from Kant to Hegel [1882] Andrew Seth 178 pp Lectures on the Philosophy of Kant [1890] Thomas Hill Green 155 pp On the Philosophy of Kant [1879] Robert Adamson 270pp A Sketch of Kant's Life and Writings [1854] H. G. Henderson 80 pp Inquisitio Philosophica [1866], An Examination on the Principles of Kant and Hamilton M. P. W. Bolton 286 pp Philosophy of the Unconditioned [1829] William Hamilton 38 pp On the Philosophy of Kant [1856] Henry L. Mansel 45 pp The aim of this collection is to provide some of the key texts which illustrate the impact of Kant's thought together with two important 20th century monographs on aspects of Kant's early reception and his influence on philosophical thought. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Big Women:Mark Adamo's Lysistrata, or the Nude Goddess Between Monteverdi and Musical ComedyRalph HexterWe live in an age when opera companies across America are regularly presenting new operas, and some of them are even making hesitant first steps into repertory status, though it is too soon to tell how long- or short-lived their performance history will be. Opera itself began—Peri's Dafne (1597) is commonly regarded as the starting point—as (...) an attempt to recreate Greek tragedy on the stage, and for at least its first two hundred years, plots drawing on classical material, if not always classical literary texts, were staples. Nineteenth-century opera composers were relatively less inclined to turn to the classics for plots and characters, but the twentieth century witnessed renewed activity in classically based operas, from Strauss' Elektra (1909) and Stravinsky's Oedipus Rex (1927) to Hans Werner Henze's Venus und Adonis (1997) and Randolph Peters' The Golden Ass (1999), to name but a few significant examples. Mark Adamo's Lysistrata, or the Nude Goddess, which premiered in Houston in 2005, is among the first operas in our new century to continue the tradition.Accompanied by a trio of distinguished distaff classicists, I attended the 2006 revival of Lysistrata, or the Nude Goddess at the New York City Opera. Some months later, as word of the outing—any resemblance to this or any other Aristophanic comedy is purely accidental—trickled out, AJP's editor asked me to write this "Brief Mention." The reader will infer, then, that I neither watched nor listened with the idea of writing such a notice. What follows are reflections based partially on recollection of my immediate impressions (especially of the music) but also on subsequent study of the published libretto,1 Adamo's earlier and quite popular Little Women (1998), and stray remarks of the composer in published or online [End Page 119] interviews. In no sense is it a review of the particular April 2nd matinee performance that I saw. Of that let me say that my impression was almost uniformly positive. The principals, who have very demanding parts (and not only vocally), were strong; several were reprising roles they had taken in the Houston world premiere.Adamo states on the title page of the libretto that the opera is "[f]reely adapted from the play by Aristophanes," and this is both true and to the good. Before I turn to the adaptation itself, it might be worth observing that within the reception history of ancient stageworks in opera, the tradition of classical comedies turned into operas is relatively slight. I put it that way because, of course, one might well argue that New Comedy in its Roman form is the ultimate source of all opera buffa. I say nothing new when I place Figaro directly in the line of servi callidi.2Greek Old Comedy (i.e., given the state of preservation, Aristophanes) has only infrequently provided fodder for opera. One of the most interesting cases is Walter Braunfels' setting of Aristophanes Birds—Die Vögel—premiered in 1920. Braunfels (1882–1954) was fired from his teaching post by the Nazis in 1933—he was half Jewish—and his works were banished from the repertory. Die Vögel, his most successful stagework, has been recently revived, and a recording is available in Decca's "Entartete ["degenerate"] Musik" series. One must also recall the famous Frogs performed in the pool of Yale's Payne Whitney Gymnasium in 1941, since, a generation later, in 1975, the piece was revived, provided with music and lyrics by Stephen Sondheim and, like so many other shows, transferred from New Haven (if not the Shubert) to Broadway.3Aristophanes is more at home, I would argue, in American musical comedy than in opera, at least opera as it has come to be received by modern audiences treated almost without exception to post-Gluckian opera, with major houses, until recently, shunning the more interesting hybrids. (Think even of Carmen and how long it took for it to lose the recitatives by Guiraud that replaced the original opéra comique spoken dialogue.) To modern spectators or readers, Aristophanes, with... (shrink)

This book is about the nature of sensory perception. Contributions focus on five questions, i.e.: (1) What distinguishes sensory perception from other cognitive states? Is it true, for instance, that perceptual content, in contrast to the phenomenal content of sensations like pain, always depends on the perceiver´s conceptual resources? (2) How do we have to explain the intentionality of perceptual states? (3) What is the nature of perceptual content? (4) In which sense do the objects of sensory perception depend on (...) the constitution of the perceiver? How, for instance, do secondary qualities like colours, sounds and smells depend on the perception of human subjects? (5) How can we account for the intentionality of misperceptions? These questions are addressed through the interpretation of classical historical texts as well as in the context of systematical reflections. The authors: Margaret Atherton, Michael Ayers, Peter Baumann, Martha Brandt Bolton, Thomas Grundmann, Gary Hatfield, Rolf-Peter Horstmann, Andreas Kemmerling, Bertram Kienzle, Martine Nida-Rümelin, Dominik Perler, Jay F. Rosenberg, Katia Saporiti, Ralph Schumacher, Gerald Vision, Russel Wahl. (shrink)

It may seem odd to review a New York social club's yearbook, with its list of members’ addresses and series of committee reports. But such books sometimes contain material of more general interest. The latest one from the Century Association, for example, devotes 250 of its 685 pages to “Century Memorials”—that is, biographical sketches of recently deceased members, written by other members. Among the well-known figures taken up in these eighty-three sketches are the artists Richard Anuszkiewicz and Robert Motherwell; the (...) architects Henry N. Cobb and Charles A. Platt; the newspaper editors Harold Evans and Whitelaw Reid; the historians Henry F. Graff and William McFeely; the translator and literary scholar Donald Keene; the collector of literary and musical manuscripts Frederick Koch; the popular writer on Russian history Robert K. Massie; the clergyman James Parks Morton; the financier Felix G. Rohatyn; the lawyers Whitney North Seymour Jr. and Isaac N. Phelps Stokes; the literary editor Elisabeth Sifton; the university president Michael Sovern; the museum director Evan H. Turner; and the broadcast journalist Sander Vanocur. The sketches are generally well written and often richly evocative: the writers include Louis Begley, Kenneth T. Jackson, D. T. Max, and Honor Moore.The long shelf of Century volumes like this one clearly constitutes a valuable contribution to prosopographical literature. And the Century is not the only institution with such a tradition (other examples are the British Academy and the American Philosophical Society); but their publications are a frequently overlooked source, one not always available in research libraries. Unfortunately, it is also a source that seems to be diminishing: the American Antiquarian Society and the John Simon Guggenheim Memorial Foundation are examples of organizations, each with a history of providing biographical information, that are no longer doing so. Of course, the great previous runs of the former's Proceedings and the latter's Reports remain (one hopes) on the shelves for those who know to look for them. A step in the opposite direction has recently been taken by the Grolier Club, which has not had such a tradition (except for two biographical volumes in 1959 and 2000): its Gazette now includes a section of memorials in each issue. This is a welcome move, but one has to regret that so little scholarly use is made of this whole body of biographical detail and reminiscence. (shrink)

This book is about the nature of sensory perception. Contributions focus on five questions, i.e.: (1) What distinguishes sensory perception from other cognitive states? Is it true, for instance, that perceptual content, in contrast to the phenomenal content of sensations like pain, always depends on the perceivers conceptual resources? (2) How do we have to explain the intentionality of perceptual states? (3) What is the nature of perceptual content? (4) In which sense do the objects of sensory perception depend on (...) the constitution of the perceiver? How, for instance, do secondary qualities like colours, sounds and smells depend on the perception of human subjects? (5) How can we account for the intentionality of misperceptions? These questions are addressed through the interpretation of classical historical texts as well as in the context of systematical reflections. With contributions by Margaret Atherton, Michael Ayers, Peter Baumann, Martha Brandt Bolton, Thomas Grundmann, Gary Hatfield, Rolf-Peter Horstmann, Andreas Kemmerling, Bertram Kienzle, Martine Nida-Rümelin, Dominik Perler, Jay F. Rosenberg, Katia Saporiti, Ralph Schumacher, Gerald Vision, and Russell Wahl. (shrink)

Objective: To investigate the differences between patients returning to work and those who did not after brain tumor surgery.Methods: Patients were evaluated before surgery and after 3 months. The Montreal Cognitive Assessment test, Trail-Making Test, 15-word Rey–Osterrieth Word List, F-A-S tests, and Karnosfky Performance Status were used to assess cognitive status, attention, executive functions, memory, word fluency, and functional status. Patient-reported outcome measures used to evaluate emotional distress and disability were the Hospital Anxiety and Depression Scale and World Health Organization (...) Disability Assessment Schedule. Clinical and work-related variables, PROMs, and cognitive tests were compared using chi-squared, t-test or Mann–Whitney U test.Results: Sixty patients were included. Patients returning to work were 61.3 and 31.0% among people with meningioma and glioma, respectively. They reported lower postoperative disability and lesser home-to-work travel time. Patients with meningioma also showed better preoperative and postoperative attention and executive functions, better postoperative functional and cognitive status, and lower frequency of treatments.Conclusions: These variables should be considered in a clinical context to plan interventions for people who need support during return to work and in future research to investigate preoperative and postoperative predictive factors of going back to work. (shrink)

Signs and Wonders: A Commentary on the Book of Daniel. By R.A. Anderson. Pp.xvii, 158, Grand Rapids, William B. Eerdmans; Edinburgh, The Handsel Press, 1983, £4.25. Inheriting the Land: A Commentary on the Book of Joshua. By E. John Hamlin, Pp.xxiii, 207, Grand Rapids, William B. Eerdmans; Edinburgh, The Handsel Press, 1984, £4.75. Servant Theology: A Commentary on the Book of Isaiah 40–55. By G.A.F. Knight. Pp.ix, 204, Grand Rapids, William B. Eerdmans; Edinburgh, The Handsel Press, 1984, £4.75. God's Chosen (...) People: A Commentary on the Books of Amos and Lamentations. By R. Martin‐Achard and S. Paul Re'emi. Pp.viii, 133, Grand Rapids, William B. Eerdmans; Edinburgh, The Handsel Press, 1984, £4.50. The Parable of the Wicked Tenants. By Klyne Snodgrass. Pp.x, 140, Tübingen, J.C.B. Mohr, 1983, 72 DM. The Johannine Paraclete in the Church Fathers. By Anthony Casurella. Pp.xiv, 258, J.C.B. Mohr Tübingen, 1983, 78DM. Sacraments and Liturgy: The Outward Signs. By Louis Weil. Pp.vii, 115, Oxford, Basil Blackwell, 1983, £9.50, £3.95. Le Sacrement de l'Ordination. By Joseph Lécuyer. Pp.281, Paris, Beauchesne, 1983, 150 Fr. Christ's Lordship and Religious Pluralism. Edited by G.H. Anderson and T.F. Stransky. Pp.viii, 209, New York, Orbis Books, 1981, £5.50. Christians and Religious Pluralism: Patterns in the Christian Theology of Religions. By Alan Race. Pp.xi, 176, London, SCM Press, 1983, £5.95. The First Urban Christians: The Social World of the Apostle Paul. By Wayne A. Meeks. Pp.xii, 299, New Haven and London, Yale University Press, 1983, £15.00, £6.50. Antioch and Rome: New Testament Cradles of Catholic Christianity. By Raymond E. Brown and John P. Meier, Pp.xii, 242, London, Geoffrey Chapman, 1983, £5.95; Ramsey, Paulist Press, 1983, $9.95. The Frankish Kingdoms under the Carolingians. By Rosamund McKitterick. Pp.xiv, 414, London, Longman, 1983, £9.95. The Medieval Reformation. By Brenda Bolton. Pp. 126, London, Edward Arnold, 1983, £4.50. Robert Grosseteste Hexaëmeron. Edited by Richard C. Dales and Servus Gieben. Pp.xxix, 374, London, for The British Academy by the Oxford University Press, 1983, £40.00. William of Auvergne and Robert Grosseteste. By Steven P. Marrone. Pp.xi, 318, Princeton University Press, 1983, £28.00. Protestant Reformers in Elizabethan Oxford. CM. Dent. Pp.viii, 262, Oxford University Press, 1983, £17.30. Paolo Sarpi between Renaissance and Enlightenment. By David Wootton. Pp.viii,192, Cambridge University Press, 1983, £20.00. The Jesuits in England from 1580 to the Present Day. By Francis Edwards. Pp.333, Tunbridge Wells, Burns and Oates, 1985, £20.00. Schelling: An Introduction to the System of Freedom. By Alan White. Pp.xii, 201, New Haven, Yale University Press, 1983, £16.50. Sophists, Socratics and Cynics. By H.D. Rankin. Pp.263, London, Croom Helm, Totowa, Barnes and Noble, 1983, £17.95. Early Medieval Philosophy : An Introduction By John Marenbon. Pp.ix, 190, London, Routledge & Kegan Paul, 1983, £9.95. Aristotelian Aporetic Ontology in Islamic and Christian Thinkers. By Edward Booth. Pp.xxvi, 314, Cambridge University Press, 1983, £35.00. About Beauty: A Thomistic Interpretation. By Armand A. Maurer. Pp.135, Houston, Center for Thomistic Studies, 1983, $6.00. A History of Ideas and Images in Italian Art. By James Hall. Pp.xi, 415, London, John Murray, 1983, £17.50. Inconsistencies: Studies in the New Testament, the Inferno, Othello and Beowulf. By William Whallon. Pp.107, Woodbridge, D.S. Brewer, 1983, £15.00. The Language of Grace: Flannery O'Connor, Walker Percy and Iris Murdoch. By Peter S. Hawkins. Pp.xiv, 137, Cambridge, Cowley Publications, 1983, $6.95. Iulia de Beausobre. By Constance Babington Smith. Pp.xi, 195, London, Darton, Longman and Todd, 1983, £9.95. A History of Psychoanalysis. By Reuben Fine. Pp.xii, 686, New York, Colombia University Press, 1979, $31.20. Returning to Freud: Clinical Psychoanalysis in the School of Lacan. Edited and translated by Stuart Schneiderman. Pp.viii, 265, New Haven, Yale University Press, 1980, £12.60. Work: The Shadow and the Substance. By David Bleakley. Pp. 121, London, SCM Press, 1983, £4.95. M.R. James: An Informal Portrait. By Michael Cox. Pp.xviii, 268, Oxford University Press, 1983, £14.50. (shrink)