Sono certo sarebbe stato più prudente iniziare e concludere questa mia lectio prestando fede – e mettendo in pratica – quanto scrive Ludwig Wittgenstein nel 1932 in Pensieri diversi, quando dice: «In arte è difficile dire qualcosa che sia altrettanto buono del non dire niente». Ma tant’è: nelle cose del mondo, quando non si può negare una certa vanità, ci si inerpica spesso per sentieri difficili e impervi. M’incammino quindi, con qualche titubanza, nel tentativo di indicare il mio modo di (...) e... (shrink)

An analysis of three pictorial works by Ugo Nespolo is put forward: "Barbe posticce" (1977); "Guardar Manzoni" (1974); "Il museo: Fontana" (1975). It is claimed that such works embody meditations on the concept and the varieties of representation, that they prompt critical reflections on the role of museums in art-making, and that they suggest an alternative route to that of the 'dematerialization' of the art object for the understanding of contemporary art.

Written on the occasion of Ugo Nespolo’s first exhibition, this paper is about his activity as a painter and, at the same time, as a young intellectual who was critical toward the contemporary age. Nespolos artistic works are characterised by a “projecting attitude”: to project a shape or a visual combination on canvas means for Nespolo to affirm his critical reasons. Therefore, through his artworks the viewer has the emerging of the possibility to engage a mind journey.

Nespolo’s artworks of the late 60s are conceivable as heritage of Dada. Objects and materials are combined in accordance with a specific logical direction also based on philosophical and literary suggestions. The simple materials are present also as a declaration of a Dadaist negation.

Deliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach toward reality. Through his objects and materials he offers to the viewer a possible ideal reconstruction of his combined elements and object-machines. Through these ones he creates a sort of mental laboratory that suggests to the viewer the possibility to be transported by the shapes of his artworks and to participate to his logical, but also ludic and ironic, artistic proposal.

What follows is a kind of short “glossary” that aims to address the main issues that the viewer can find standing in front of the complex and varied creative production of Ugo Nespolo. The sequence of these items, or reading notes, despite being fairly free and non-systematic (and only partly chronological) in all respects the internal logic of the Nespolo’s research. A search that has developed and articulated over time in many directions but that has always maintained its (...) extremely consistent identity. In this sense, each item is linked to the others, forming a network of references aimed to a satisfactory overview. (shrink)

The combination of single material elements characterises Nespolo’s artworks since the 60s. The primacy of art factuality - to do art manually - emerges both in his geometrically structured works and in his machines and wooden uniconic structures. These are all combined and based on the strategy of puzzle and on a reflection about the mental attitude to do art. For these reasons, it is possible to consider Nespolo as a forerunner of Conceptual Art.

On the background of Nespolo’s cinema there are on the one hand the new rules and the new structures assigned by art to itself during the Twentieth Century. On the other hand the “logic of dada”, based on the immediacy of the creation through a gesture of everyday objects presentation. Therefore, by exploring the experimental use of camera and of its technical possibilities, what Nespolo does is avant-gardist cinema in two senses: as an elaboration of visual image that (...) represents surrealistic and improbable worlds; as a way to establish linguistic connections with cultural development of society, as shown by his film about Italian artists of Arte Povera. (shrink)

In this paper I try to shed light on the relationship between Ugo Nespolo and the Fluxus group, which the artist contributed to import to Italy in the late Sixties. I then argue that, thanks to the fact that Nespolo’s artworks (especially in the avant-garde period) are documents, it is possible to look in a new and different way at an (anti)artistic movement that sought, in vain, to undermine the idea of objectivity and authorship of the work of (...) art. (shrink)

In the field of social objects, in the hierarchy of values (and often of prices) a special place is occupied by those inscriptions that should move us or amuse us, frighten us or make us think, or even just make us look good into society: that is, the works of art. The artwork begins to exist only when we have an expression and an inscription. This teaches us — and Ugo Nespolo knows it better than anyone else — how (...) important the work (understood as labour) is in art: craft is the father of all arts, and, in the end, it is true that genius is first of all diligence. (shrink)

Ugo Nespolo (1941) ha attraversato gli ultimi cinquant’anni sperimentando in quasi tutti i campi dell’arte ed esprimendo con ironia e atteggiamento ludico la propria poetica di confine, tra avanguardia e pop. Alla sua ricerca artistica - che spazia dalle installazioni oggettuali ai dipinti, dalle performance alle sculture, dalla produzione cinematografica a quella grafica e illustrativa - è dedicato questo numero speciale “Rivista di estetica” che offre riflessioni di carattere critico/letter...

The philosophy of film usually presupposes two main assumptions or dogmas. First, films are autonomous audiovisual structures that can be instantiated by particular screenings. Second, the cinematic experience is a surrogate of the audiovisual perception. Experimental cinema can defy these assumptions by making films that either lack an autonomous structure or do not provide spectators with an audiovisual experience that emulates ordinary perception. The paper analyzes Ugo Nespolo’s experimental films precisely as peculiar attempts to defy the two dogmas of (...) the philosophy of film. (shrink)

Starting from three works by Ugo Nespolo dedicated to pop and maintaining Warhol as a reference figure, this essay seeks to outline some crucial points of pop aesthetics: the idea of an artificial and constructible aesthetic and the consequent marginalization of nature; the construction of the pop beauty as phenomenology of iconic expendability; the network of media images as the final result of the dialectic between art and industry.

This poem is evidence of a fifty-year long artistic partnership whose origins are to be found in the texts that the great Genoese poet devoted to the first Ugo Nespolo’s exhibition (1966).

Pop Art is one of the most prominent artistic movement of the Nineteenth century whose legacy is very influent also in this century. After a brief historical reconstruction of the origins of Pop Art in Great Britain and in the United State, the paper will offer a comparison between the Warholian way of interpreting Pop Art — a realistic way — the Lichtensteinian way, which is fantastic, and the personal interpretation offered by Ugo Nespolo whose Pop is fabulist and (...) fabulous. (shrink)

The Anthology of the Works of Ugo Spirito captures the trajectory of Ugo Spirito's complex body of thought that spanned more than fifty years, from 1921 to 1977.

The nature of matter and the idea of indivisible parts has fascinated philosophers, historians, scientists and physicists from antiquity to the present day. This collection covers the richness of its history, starting with how the Ancient Greeks came to assume the existence of atoms and concluding with contemporary metaphysical debates about structure, time and reality. Focusing on important moments in the history of human thought when the debate about atomism was particularly flourishing and transformative for the scientific and philosophical spirit (...) of the time, this collection covers: - The discovery of atomism in ancient philosophy - Ancient non-Western, Arabic and late Medieval thought - The Renaissance, when along with the re-discovery of ancient thought, atomism became once again an important doctrine to be fully debated - Logical atomism in early analytic philosophy, with Russell and Wittgenstein - Atomism in Liberalism and Marxism - Atomism and the philosophy of time - Atomism in contemporary metaphysics - Atomism and the sciences Featuring 28 chapters by leading and younger scholars, this valuable collection reveals the development of one of philosophy's central doctrines across 2,500 years and within a broad range of philosophical traditions. (shrink)

The Cyrenaic school of philosophy (named after its founder Aristippus’ native city of Cyrene in North Africa) flourished in the fifth and fourth centuries BCE. Ugo Zilioli’s book provides the first book-length introduction to the school in English. The book begins by introducing the main figures of the Cyrenaic school beginning with Aristippus and by setting them into their historical context. Once the reader is familiar with those figures and with the genealogy of the school, the book offers an overview (...) of ancient and modern interpretations of the Cyrenaics, to provide readers with alternative accounts of the doctrines they endorsed and of the role they played in the context of ancient thought. Finally, the book offers a reconstruction of Cyrenaic philosophy and shows how the ethical side of their speculation connected with the epistemology and ontology they endorsed and that, as a result, the Cyrenaics were able to offer a quite sophisticated philosophy. Indeed, Zilioli demonstrates that they represented, in ancient philosophy, an important and original metaphysical position and alternative to the kind of realism endorsed by Plato and Aristotle. (shrink)

This book explores how the design, construction, and use of robotics technology may affect today's legal systems and, more particularly, matters of responsibility and agency in criminal law, contractual obligations, and torts. By distinguishing between the behaviour of robots as tools of human interaction, and robots as proper agents in the legal arena, jurists will have to address a new generation of "hard cases." General disagreement may concern immunity in criminal law (e.g., the employment of robot soldiers in battle), personal (...) accountability for certain robots in contracts (e.g., robo-traders), much as clauses of strict liability and negligence-based responsibility in extra-contractual obligations (e.g., service robots in tort law). Since robots are here to stay, the aim of the law should be to wisely govern our mutual relationships. (shrink)

Protagoras was an important Greek thinker of the fifth century BC, the most famous of the so called Sophists, though most of what we know of him and his thought comes to us mainly through the dialogues of his strenuous opponent Plato. In this book, Ugo Zilioli offers a sustained and philosophically sophisticated examination of what is, in philosophical terms, the most interesting feature of Protagoras' thought for modern readers: his role as the first Western thinker to argue for relativism. (...) Zilioli relates Protagoras' relativism with modern forms of relativism, in particular the 'robust relativism' of Joseph Margolis, gives an integrated account both of the perceptual relativism examined in Plato's Theaetetus and the ethical or social relativism presented in the first part of Plato's Protagoras and offers an integrated and positive analysis of Protagoras' thought, rather than focusing on ancient criticisms and responses to his thought. This is a deeply scholarly work which brings much argument to bear to the claim that Protagoras was and remains Plato's subtlest philosophical enemy. (shrink)

The contribution describes the legal phenomenon as a playing field characterized by a progressive regression of the law, understood as a sovereign will from top to bottom, both in the vision of formalist legal positivisms in continental Europe and in realist terms, in the United States. Soft law represents the main strategy to subordinate the law to the interests of the economy, elasticizing environmental law, making it favorable to the market, reducing ecology to the simplistic metric of CO2 emissions. The (...) consequence is a retreat of the statist vertical normativity of law which is not replaced by a de facto power granted to those who control the technology, built by design to close spaces for pluralism and democratic action, in the interest of surveillance and concentrated power in private and government oligopolies. The author concludes by advocating the urgency for genuinely innovative categories, particularly in the legal education, such as the commons, capable of including sustainability into a “new ecological jurisprudence committed to inclusion and solidarity rather than exclusion and struggle”. (shrink)

The paper examines today’s debate on the new responsibilities of Internet service providers in connection with legal problems concerning jurisdiction, data processing, people’s privacy and education. The focus is foremost on the default rules and safe harbour clauses for ISPs liability, set up by the US and European legal systems. This framework is deepened in light of the different functions of the services provided on the Internet so as to highlight multiple levels of control over information and, correspondingly, different types (...) of liability. The new responsibilities of ISPs concern the original “end-to-end” architecture of the medium and policies on design rather than responsibility for user content and individual messages. (shrink)

In the two golden centuries that followed the death of Socrates, ancient philosophy underwent a tremendous transformation that culminated in the philosophical systematizations of Plato, Aristotle and the Hellenistic schools. Fundamental figures other than Plato were active after the death of Socrates; his immediate pupils, the Socratics, took over his legacy and developed it in a variety of ways. This rich philosophical territory has however been left largely underexplored in the scholarship. This collection of eleven previously unpublished essays by leading (...) scholars fills a gap in the literature, providing new insight into the ethics, metaphysics, and epistemology as developed by key figures of the Socratic schools. Analyzing the important contributions that the Socratics and their heirs have offered ancient philosophical thought, as well as the impact these contributions had on philosophy as a discipline, this book will appeal to researchers and scholars of Classical Studies, as well as Philosophy and Ancient History. (shrink)

Studies on the 1616 and 1633 actions brought against Galilei by the Index and the Inquisition generally presumed that part of the documentation was still to be unveiled. This assumption was frequently accompanied by the hypothesis that some available documents were forgeries, merely composed to justify the 1633 condemnation. New documents from the Archive of the Roman Inquisition, including a censure of Saggiatore, official acts concerning the public dissemination of the verdict, and applications for permission to read Galilei¹s works, show (...) that the 1984 edition of his trial was not exhaustive. It is argued, however, that these documents were not concealed intentionally by the Holy Office and their not being found so far has been mainly due to the poor organisation of the Archive. Gianfranco Catelli, Gouhier e la cosiddetta dottrina della terza nozione primitiva In questo studio non si condivide l’opinione, dominante per molti decenni, che il cosiddetto dualismo cartesiano sia dovuto ad un “malinteso”, che può chiamarsi originario, dato che a rimanerne coinvolti furono alcuni tra i primi seguaci della filosofia di Cartesio. Una presa di posizione, questa, che, già sviluppata in altri precedenti lavori, viene qui riproposta relativamente a H. Gouhier, lo studioso che più di ogni altro, con ricchezza di documenti e sottigliezza di analisi interpretative, ha sostenuto la tesi del “malinteso” e ha individuato nella dottrina della terza nozione primitiva la spiegazione autenticamente cartesiana del rapporto sussistente tra anima e corpo. Una interpretazione di cui nel presentge studio si mostra tutta la debolezza, soprattutto se la si considera alla luce dell’altra dottrina, anch’essa cartesiana, ma di gran lunga più articolata, che fa del rapporto tra anima e corpo un nesso da spiegarsi in analogia al rapporto che nel linguaggio intercorre tra il segno e il suo significato. (shrink)

A comparative investigation in the metaphysics of material objects and persons in ancient philosophy, this book provides radically new insights into key themes and areas of ancient thought by drawing on Greek and Buddhist philosophies. Ugo Zilioli explicates the neglected tradition of philosophers who in different ways made material objects either redundant or ontologically dispensable in the ancient world. At the same time, while eliminating objects from the material apparatus of the world, some of those philosophers conceived of selves and (...) persons as the only truly existing items. Chapters cover concepts such as nihilism, elusive objects and the emergence of the self, demonstrating how the philosophy of major thinkers Protogoras, Vasubandhu, Gorgias, Nagarjuna, Democritus, Pyrrho, Epicurus and the Cyrenaics advance our understanding of eliminativism. Zilioli's historical and philosophical reconstruction challenges traditional readings of key moments and figures in the history of thought, both Eastern and Western, as well as providing conceptual tools that are of interest not only to historians of philosophy but also to contemporary metaphysicians. (shrink)

The traditional role of evolutionary theory in the social sciences has been to explain the existence of an object in terms of the survival of the fittest. In economics this approach has acted as a justification for hypotheses such as profit maximisation, or the existence of institutions in terms of their overall efficiency. This volume challenges that view and argues that one of the first tasks of economic theory should be to explain the enormous diversity of institutional arrangements that has (...) characterised human societies. (shrink)

In this paper I offer a reconstruction of the account of meaning and language the Cyrenaics appear to have defended on the basis of a famous passage of Sextus, as well as showing the philosophical parentage of that account.