La "riforma" della dialettica hegeliana e la "circolazione" del pensiero europeo scandirono il progetto culturale del filosofo e politico Bertrando Spaventa. Ma la sua biografia intellettuale - dalla giovinezza alle ultime riflessioni sul realismo e sulla metafisica - mostra una ricchezza per tanti versi inesplorata: la lettura dei grandi autori del Rinascimento, a cominciare da Giordano Bruno, il confronto con i filosofi italiani contemporanei, il contributo alla vita civile, costituiscono momenti essenziali per lo sviluppo del suo pensiero. In occasione del (...) bicentenario della nascita (Bomba, 26 giugno 1817), alcuni dei suoi maggiori interpreti propongono con questo libro una ricostruzione dell'intero itinerario filosofico e civile di Spaventa. (shrink)

In current philosophical discussions on evidence in the medical sciences, epidemiology has been used to exemplify a specific version of evidential pluralism. According to this view, known as the Russo–Williamson Thesis, evidence of both difference-making and mechanisms is produced to make causal claims in the health sciences. In this paper, I present an analysis of data and evidence in epidemiological practice, with a special focus on research on the exposome, and I cast doubt on the extent to which evidential pluralism (...) holds in this case. I start by focusing on the claim that molecular data allows for the production of mechanistic evidence. On the basis of a close look at the ways in which molecular data is used in exposome research, I caution against interpretations in terms of mechanistic evidence. Secondly, I expand my critical remarks on the thesis by addressing the conditions under which data is categorised as evidence in exposome research. I argue that these show that the classification of a dataset as a type of evidence is dependent on the ways in which the data is used. This is in contrast with the approach of evidential pluralism, where evidence is classified in different types on the basis of its intrinsic properties. Finally, I come back to what I consider the core of the thesis and suggest that the epidemiological research analysed in the paper indicates different interpretations of evidential pluralism and its applicability in the health sciences. (shrink)

Perceptual similarity is one of the most fiercely debated topics in the philosophy and psychology of perception. The documented history of the issue spans all the way from Plato – who regarded similarity as a key factor for human perceptual experience and cognition – through to contemporary psychologists – who have tried to determine whether, and if so, how similarity relationships can be established between stimuli both within and across the senses. Recent research on cross-sensory associations, otherwise known as crossmodal (...) correspondences – that is, the existence of observable consensual associations, or mappings, between stimuli across different senses – represents an especially interesting field in which to study perceptual similarity. In fact, most accounts of crossmodal association that have been put forward in the literature to date evoke perceptual similarity as a key explanatory factor mediating the underlying association. At the same time, however, these various accounts raise several important theoretical questions concerning the very nature of similarity, with, for example, the sensory, affective, or cognitive underpinnings of similarity judgements remaining unclear. We attempt to shed light on these questions by examining the various accounts of crossmodal associations that have been put forward in the literature. Our suggestion is that perceptual similarity varies from being phenomenologically-based to conceptually-based. In particular, we propose that the nature of the associations underlying similarity judgements – whether these associations are phenomenologically-, structurally-, emotionally-, or conceptually-based – may be represented in a two-dimensional space with associative strength on one axis, and cognitive penetrability on the other. (shrink)

The Role of the Notion of Truth in the Project of Kant’s Critical Philosophy [English] The discussion about Kant’s theory of truth usually revolves around his ascription to some version of the coherence or correspondence theory of truth, and the matching criteria of truth. These discussions often deliberate which theory of truth is most appropriate given the critical principles. Instead, this paper aims to exhibit, through the evolution of Kant’s notion of truth in his precritical years and through the project (...) of a transcendental logic, the intrinsic relation between the notion of truth and the very principles of critical philosophy; and to raise again the questions about the definition and the criteria of truth, but in the framework of the question of the possibility of truth. [Español] La discusión en torno a la teoría kantiana de la verdad suele girar alrededor de las preguntas —íntimamente relacionadas entre sí— por la adscripción de Kant a una versión coherentista o correspondentista de la verdad y por los correspondientes criterios de verdad. Estas discusiones suelen ponderar qué teoría de la verdad resulta más adecuada dados ya los principios críticos. En contraste con esto, este trabajo pretende mostrar, a través de la evolución de la noción de verdad del Kant precrítico y del proyecto de una lógica trascendental, la vinculación intrínseca de la noción de verdad con los principios mismos de la filosofía crítica, y replantear las preguntas por la definición y el criterio de verdad en el marco de la pregunta por la posibilidad de la verdad. (shrink)

In this work, Fichte's high school years in Schulpforta are reconstructed for the first time, building on sources never considered before and throwing new light on this first phase of his intellectual biography and on his reception of the work of important figures of the Enlightenment such as Lessing, Herder, Gottsched, Gellert, and Rosseau. – The volume also includes the most important contemporary documents on Schulpforta and Fichte's texts from those years. Among these, the most relevant is his Latin speech (...) concerning the use of rules in poetry and rhetoric. In this volume, Fichte's speech is newly translated and annotated for the first time, to provide the rich historical background. (shrink)

The contrast between Kant’s moral philosophy and Feder’s is not less crucial than the controversy caused by the Göttingen review of the first Critique. One of main targets of Kant’s moral philosophy was Feder’s view, which can be regarded as Kant's main competitor in the contemporary debate. I thus argue that the background provided by the conflict with Feder shows significant distinctive traits of Kant's view, with regard to three fundamental issues. First, I examine how the project of a pure (...) moral philosophy opposes Feder’s empirical investigation into the will, which is in fact one of the targets of Kant's criticism against universal practical philosophy. Second, a central element of Kant’s anti-eudaemonism, the contrast between happiness and self-contentment, is a rejection of the strongly moralized view of happiness that underlies Feder’s eudaemonism. Finally, I examine Tittel's objection that Kant had provided "only a new formula" of morality and Kant's response, which display a fundamental contrast between Kant’s understanding of the aims of moral theory with Feder’s common-sense conception. (shrink)

This volume features forty-two essays written in honor of Joseph Agassi. It explores the work and legacy of this influential philosopher, an exciting and challenging advocate of critical rationalism. Throughout six decades of stupendous intellectual activity, Agassi called attention to rationality as the very starting point of every notable philosophical way of life. The essays present Agassi’s own views on critical rationalism. They also develop and expand upon his work in new and provocative ways. The authors include Agassi's most notable (...) pupils, friends, and colleagues. Overall, their contributions challenge the received view on a variety of issues concerning science, religion, and education. Readers will find well-reasoned arguments on such topics as the secular problem of evil, religion and critical thinking, liberal democratic educational communities, democracy and constitutionalism, and capitalism at a crossroad.“/div>divTo Joseph Agassi, philosophy is the practice of reason, where reason is understood as the relentless search for criticisms of the best available explanations that we have to the world around us. This book not only honors one of the most original philosophers of science today. It also offers readers insights into a school of thought that lies at the heart of philosophy. (shrink)

The Dreams of a Spirit-Seer and the one reality in which we live [English] Traüme eines Geistersehers usually constitutes a problematic work for Kant’s scholars for its unusual style and for the apparent break with the problems that occupied him at the beginning of the 1760s. However, this work is to a large extent the natural outcome of those themes, especially of the search for an appropriate method for metaphysics. In this paper we are particularly interested in highlighting two ideas (...) that appear there: the conception of metaphysics as a study of limits and intersubjectivity. As we will see, the backdrop of these issues and the idea that gives cohesion to Traüme is the need to base our knowledge on a single world that we all inhabit, and to which we all have equal access. Swedenborg, who embodies the opposite idea of being a privileged inhabitant of two worlds, serves as a reason to compare his visions with the excesses of metaphysics, and the "dream worlds" that he constructs. [Español] El escrito Traüme eines Geistersehers suele constituir una obra problemática para los intérpretes de Kant por su inusual estilo y por el aparente rompimiento con los problemas que lo ocupaban a principios de 1760. Sin embargo, esta obra es en buena medida el desenlace natural de aquellos temas, en especial de la búsqueda de un método apropiado para la metafísica. En este trabajo nos interesa particularmente destacar dos ideas que ahí aparecen: la concepción de la metafísica como estudio de los límites y el tema de la intersubjetividad. Como veremos, el telón de fondo de estos temas y la idea que da cohesión en general a los Traüme es la necesidad de fundar nuestro conocimiento en un único mundo que todos habitamos, y al que todos tenemos acceso por igual. Swedenborg, que encarna la idea contraria al ser habitante privilegiado de dos mundos, sirve de motivo para comparar sus visiones con los excesos de la metafísica, y los “mundos soñados” que esta construye. (shrink)

Nell'agosto del 1462 papa Pio II investiva il cardinale Bessarione di Nicea della commenda del monastero di Grottaferrata, che succedeva al calabrese Pietro Vitali, ultimo degli egumeni de regimine, eletto a capo dell'Archimandritato di Messina. Uno dei primi atti di governo di Bessarione fu di incaricare l'arcivescovo di Siponto Niccolò Perotti, quale suo procuratore, di procedere ad una dettagliata ricognizione dei beni mobili e immobili del monastero criptense. I relativi inventari ci sono pervenuti nei mss. Grottaferrata Z. δ. XII (ff. (...) 1-63) per i beni immobili, e Grottaferrata, Archivio del Monumento Nazionale, 523 (ff. 105-116) per i beni mobili. Nei ff. 108v-110 di quest'ultimo documento, la cui redazione era stata affidata dal Perotti al notaio Stefano Tegliati (o Tegliazio), si trova il primo sommario elenco conosciuto dei libri manoscritti della biblioteca, pubblicato da Pierre Batiffol e poi da Antonio Rocchi. Vi risultano 114 manoscritti greci, 2 latini e «circa viginti volumina librorum sine principio et mala ordinata». (shrink)

In this paper, I address the question of how emotional qualities can be attributed to musical timbre, an acoustic feature that has proven challenging to explain using traditional accounts of musical emotions. I begin presenting the notion of musical expressiveness, as it has been conceived by cognitivists to account for the emotional quality of various musical elements like melody and rhythm. However, I also point out some limitations in these accounts, which hinder their ability to fully elucidate the emotional expressiveness (...) of timbre, especially when considering it as a result of non-cognitively mediated processes. Consequently, I explore the link between timbre and atmosphere by reviewing anecdotal sources that have characterized timbre in terms of atmosphere. The goal here is to determine if these characterizations should be seen as merely allusive and metaphoric expressions or if they genuinely reveal essential properties of timbre. To achieve this goal, I delve deeper into the notion of atmosphere, and I show that it shares several key traits with the notion of musical emotions as conceived in the cognitivist’s account. Both musical emotions and atmospheres are affectively charged externalities that are apprehended by the subject without cognitive mediation. Drawing from this insight, I conclude that the notion of atmosphere can serve as a valuable tool in explaining the emotional expressivity of timbre without invoking the resemblance-based mechanisms often found in cognitive accounts of expressiveness. (shrink)

This is the first book to explore the epistemology and ethics of advanced imaging tests, in order to improve the critical understanding of the nature of knowledge they provide and the practical consequences of their utilization in healthcare. Advanced medical imaging tests, such as PET and MRI, have gained center stage in medical research and in patients’ care. They also increasingly raise questions that pertain to philosophy: What is required to be an expert in reading images? How are standards for (...) interpretation to be fixed? Is there a problem of overutilization of such tests? How should uncertainty be communicated to patients? How to cope with incidental findings? This book is of interest and importance to scholars of philosophy of medicine at all levels, from undergraduates to researchers, to medical researchers and practitioners (radiologists and nuclear physicians) interested in a critical appraisal of the methodology of their discipline and in the ethical principles and consequences of their work. -/- . (shrink)

Book reviewed in this article:Science and Scepticism. By John W.N. Watkins.

In Towards an Historiography of Science (1963) and in other related works spanning over his entire career, Agassi presents his wide-ranging and original understanding of the history of science. It emerges from the criticism of two distinctive approaches, each informed by the uncritical acceptance, on the part of historians, of two philosophies of science: inductivism (scientific theories emerge from facts), and conventionalism (scientific theories are mathematical frameworks for classifying facts). Both produce unsatisfactory historical reconstructions, in which errors are either concealed (...) or condemned. Popper’s philosophy, by contrast, allows for a picture in which science grows from the recognition and criticism of our best and wisest errors. (shrink)

In this paper I provide a semantic analysis of non-specific uses of indexical expressions, such as "you" in typical utterances of "you just can't tell". My treatment employs independently motivated conceptual tools, such as the treatment of generics within Discourse Representation Theory, and the distinction between context of utterance and context of interpretation.

Summary Music has been primarily conceived as a temporal art. However, over the last two centuries or so, researchers across different disciplines including musicology, psychology, and philosophy, have been intrigued by the spatial nature of music and sounds, using spatial concepts to define music. This paper aims to demonstrate that an understanding of music perception from a temporal perspective inherently implies a certain spatial dimension. To do this, first, I briefly examine some key arguments that lead to conceiving sound perception (...) in temporal terms. At the same time, I highlight some of the limitations of a purely temporal account of sound perception which necessitate the incorporation of spatial considerations into the conceptualization of sound perception. Consequently, I move on to consider prominent spatial accounts of musical sounds that have been elaborated by psychologists, musicologists, and music composers. In conclusion, I discuss some of the challenges arising from the analogy between music and space, whether conceived in perceptual or cognitive terms. (shrink)

The essay aims to demonstrate that participatory ecological art focused on plant-ing, sowing, and cultivation serves as a means to promote a culture of environ-mental care. After exploring several artistic projects involving community engage-ment in landscape stewardship, the essay focuses on the debate concerning ges-ture and behavioral patterns. Finally, by examining artist Egle Oddo’s Performative Habitats project, it seeks to understand how art can influence the formation of new habits through both increased environmental awareness and repeated action, employing key theoretical (...) frameworks of Everyday Aesthetics. (shrink)

In this paper I provide a semantic analysis of non-specific uses of indexical expressions, such as "you" in typical utterances of "you just can't tell". My treatment employs independently motivated conceptual tools, such as the treatment of generics within Discourse Representation Theory, and the distinction between context of utterance and context of interpretation.

Supernumerary robotic limbs are innovative devices in the field of wearable robotics which can provide humans with unprecedented sensorimotor abilities. However, scholars have raised awareness of the ethical issues that would arise from the large adoption of technologies for human augmentation in society. Most negative attitudes towards such technologies seem to rely on an allegedly clear distinction between therapy and enhancement in the use of technological devices. Based on such distinction, people tend to accept technologies when used for therapeutic purposes (...) (e.g., prostheses), but tend to raise issues when similar devices are used for upgrading a physical or cognitive ability (e.g., supernumerary robotics limbs). However, as many scholars have pointed out, the distinction between therapy and enhancement might be theoretically flawed. In this paper, we present an alternative approach to the ethics of supernumerary limbs which is based on two related claims. First, we propose to conceive supernumerary limbs as tools that necessarily modify our psychological and bodily identity. At the same time, we stress that such a modification is not ethically bad in itself; on the contrary, it drives human interaction with the environment. Second, by comparing our view with the extended mind thesis, we claim that the mediation through tools is crucial for the formation of novel meanings and skills that constitute human interaction with the world. We will relate the latter claim to enactivism as a helpful theoretical perspective to frame issues related to artificial limbs and, more in general, to technologies for augmentation. Based on this approach, we finally sketch some suggestions for future directions in the ethics of supernumerary limbs. (shrink)

This collection of the writings of Paul Feyerabend is focused on his philosophy of quantum physics, the hotbed of the key issues of his most debated ideas. Written between 1948 and 1970, these writings come from his first and most productive period. These early works are important for two main reasons. First, they document Feyerabend's deep concern with the philosophical implications of quantum physics and its interpretations. These ideas were paid less attention in the following two decades. Second, the writings (...) provide the crucial background for Feyerabend's critiques of Karl Popper and Thomas Kuhn. Although rarely considered by scholars, Feyerabend's early work culminated in the first version of Against Method. These writings guided him on all the key issues of his most well-known and debated theses, such as the incommensurability thesis, the principles of proliferation and tenacity, and his particular version of relativism, and more specifically on quantum mechanics. (shrink)

v. 1. Scritti di gnoseologia. Scritti di filosofia prima -- v. 2. Scritti di fenomenologia. Scritti di ermeneutica.

With a preface by Gianni Vattimo, this book offers both an overview of contemporary Italian philosophy and a new interpretation of Nietzsche’s ‘God is Dead’ in connection with the notion of freedom as the original dynamic of the will to power.

Drawing on shared research experiences and collaborative projects, this book offers a broad and timely perspective on research on the hand and its current challenges. It especially emphasizes the interdisciplinary context in which researchers need to be trained in contemporary science. From language to psychology, from neurology to the social sciences, and from art to philosophy and religion, the chapters discuss various aspects involved in hand research and therapy. On the basis of concrete and validated case studies, they approach hand (...) function and gestures from different perspectives – not only neurological and medical, but also philosophical, evolutionary and anthropological. By highlighting the overlaps between different areas of research, the book seeks to foster better communication between researchers, and ultimately a better understanding of hand function and its recovery. It offers essential information and inspirations for students, researchers and practitioners in the fields of psychology, epistemology, bioengineering, neuroscience, anthropology and bioethics. (shrink)

Over the last few decades, research on auditory perception has increased a great deal, treating a wide range of topics from different perspectives. Empirical research has provided a detailed account of sound perception in neurobiological terms. From a different perspective, the phenomenology of music has focused on the experience of auditory perception, highlighting the conditions that allow for the perception of sounds. Starting from the work by Giovanni Piana, I argue that sound perception is rooted in the experiential, from which (...) arise the biological and cultural structures that allow for it, with no priority of one structure over another, but rather interconnections and reciprocal conditioning. I then introduce ‘biological constraints’ and ‘phenomenological rules’, as the key notions that any conceptual investigation on sound perception should focus on in order to achieve a more comprehensive understanding of musical listening. Biological constraints are ‘a priori’ conditions and are mainly due to the biology of the human perceiving system. Phenomenological rules emerge from the constitution of the auditory object according to subjective experience. Combining knowledge from neurosciences and phenomenology, my work aims also at fostering an innovative approach to the aesthetics of music that takes advantage of empirical progress in current research on auditory perception. (shrink)

The article focuses on the theme of the “End of Art” in the philosophy of Arthur C. Danto, a concept he developed in his writing in the mid-1980s. Departing from the historical framework developed since Analytical Philosophy of History (1965) and adopting an interpretive Hegelian approach to the construction of history, Danto’s thought grapples with several contradictions. These contradictions encompass the notion of the “End of Art”, ultimately leading to a reduction of art to an idealized level. Consequently, this highlights (...) the irreconcilability between Essentialism and Historicism, furthering the philosophical disenfranchisement of art. (shrink)