After a quarter of a century in print, Capra's groundbreaking work still challenges and inspires. This updated edition of The Tao of Physics includes a new preface and afterword in which the author reviews the developments of the twenty-five years since the book's first publication, discusses criticisms the book has received, and examines future possibilities for a new scientific world.

This essay discusses Sloterdijk’s anthropotechnical framework as it relates to recent contributions that deal with the inherent opacities of digital technology and processes of blackboxing. I argue that Sloterdijk’s philosophy is a precious case of affirmative, non-nihilistic technophilic thinking that espouses the technogenic provenance of mankind, and leaves space for technologically engendered incomprehensibility while tracing a horizon for human beings’ resoluteness. In the first section of my essay I tackle Sloterdijk’s reflections on the philosophical transition from wonder to horror in (...) the twentieth century, and I put it in dialogue with his concept of the monstrous as defined by boundlessness, complexity, and excess. Here, I discuss how the human being shows both monster-slayer and monstrous tendencies. Secondly, after having revisited the question “what happened in the twentieth century” from this perspective, I discuss how Sloterdijk’s analysis of the monstrous provides a coherent genealogy for an assessment of the individual’s relation to current “monstrous” technologies, as they are tied to algorithmic processing. I conclude by arguing that Sloterdijk’s anthropotechnics and onto-anthropology allow for an acrobatic confrontation with the possibility of untethering technological advancement from illusory promises of absolute clarity, and promote the immunological value of darkness. (shrink)

Fritjof Capra, scientist, educator, activist, and accomplished author, presents the evolution of his thought over five decades in Patterns of Connection. First introduced in the late 1950s to the work of Werner Heisenberg, a founder of quantum mechanics, Capra quickly intuited the connections between the discoveries of quantum physics and the traditions of Eastern philosophy--resulting in his first book, the bestselling The Tao of Physics. This synthesis, representative of the change from the mechanistic worldview of Descartes and Newton (...) to a systemic, ecological one, went on to inform Capra's thinking about the life sciences, ecology, and environmental policy. (shrink)

This paper revisits Plato’s and Aristotle’s views on mimesis with a special emphasis on mythos as an integral part of it. I argue that the Republic ’s notorious “mirror argument” is in fact ad hominem : first, Plato likely has in mind Agathon’s mirror in Aristophanes’ Thesmoforiazusae, where tragedy is construed as mimesis ; second, the tongue-in-cheek claim that mirrors can reproduce invisible Hades, when read in combination with the following eschatological myth, suggests that Plato was not committed to a (...) mirror-like view of art; third, the very omission of mythos shows that the argument is a self-consciously one-sided one, designed to caricature the artists’ own pretensions of mirror-like realism. These points reinforce Stephen Halliwell’s claim that Western aesthetics has been haunted by a «ghostly misapprehension» of Plato’s mirror. Further evidence comes from Aristotle’s “literary” discussion: rather than to the “mirror argument”, the beginning of the Poetics points to the Phaedo as the best source of information about Plato’s views on poetry. (shrink)

Burning fossil fuel in the North American continent contributes more to the CO2 global warming problem than in any other continent. The resulting climate changes are expected to alter food production. The overall changes in temperature, moisture, carbon dioxide, insect pests, plant pathogens, and weeds associated with global warming are projected to reduce food production in North America. However, in Africa, the projected slight rise in rainfall is encouraging, especially since Africa already suffers from severe shortages of rainfall. For all (...) regions, a reduction in fossil fuel burning is vital. Adoption of sound ecological resource management, especially soil and water conservation and the prevention of deforestation, is important. Together, these steps will benefit agriculture, the environment, farmers, and society as a whole. (shrink)

Since the wide corpus of Chan 禪 literature includes a significant number and a consistent variety of ironic features such as puns, wordplay, extravagant acts, and so forth, a clarification of the role and functions of irony is especially relevant to this framework. The idea of the present essay is that irony works in Chan Buddhism as a functional strategy purposely employed in textual compositions and oral communication. Analysing the Blue Cliff Record, one of the most influential and significant texts (...) in the history of East Asian Buddhism, I individuated three functions of irony that clarify its role in the wider context of Chan rhetoric. Specifically, these functions consist in performing a rhetoric of self-desecration, inducing amusement, and instilling doubt. Upon defining the notion of irony, the current essay expounds on these functions with reference to the text, then the role of irony in the Blue Cliff Record is finally identified as a hermeneutic device. (shrink)

Evenus of Parus plays a surprisingly important role in Plato’s account of the life and death of Socrates: in both the Apology and the Phaedo he works as a negative foil for the philosopher at two key moments, namely when he converts, respectively, to the practice of elenchus and to the composition of poetry. Evenus’ importance in Socrates’ life, I argue, reflects Plato’s appropriation of a number of his poems, which Plato reshapes so as to adapt the sophist’s relativism and (...) values, arguably modelled on Protagoras’, to his own truth-oriented agenda. Plato’s Phaedrus echoes Gorgias’ Encomium of Helen along similar lines, that is by replacing doxa with aletheia. A pattern emerges: Plato appropriates the writings of the sophists by placing them in a markedly truth-oriented context. This helps explain a discussed piece of information, according to which Protagoras’ Antilogiai was a major influence on Plato’s Republic. (shrink)

This article outlines a genealogical profile of an elusive doctrinal concept that, after being discussed in several Mahāyāna sutras, had a significant impact on East Asian Buddhist traditions. This notion is known as ‘playful samādhi’, in Chinese youxi sanmei 遊戲三昧, which translates to Sanskrit vikrīḍita samādhi. The compound youxi 遊戲 (‘playful’ – ‘at play’) was cited in Chinese sutras and Buddhist documents, in renowned and widely diffused collections of gongans/kōans 公案, was expounded and commented on by Dōgen Zenji 道元禅師 (1200–1253) (...) in its Japanese version yuge 遊戲 and was explored by modern scholars and interpreters as Ryōsuke Ōhashi 大橋良介 and Wu Rujun 吳汝均, who compares youxi 遊戲 with Schiller’s Spieltrieb. Given the significance of ‘playful samādhi’ across different epochs and cultures, I believe a clarification of the term is especially needed. Furthermore, explicit reference to contemporary scholarship on play studies can help uncover its philosophical implications, shedding new light on a complex notion that defies a univocal interpretation and reunites in its semantic field both the aesthetic and religious dimensions. (shrink)

Abstract:This essay establishes a cross-cultural comparison between Kierkegaard's ironist and the figure of the Chan master, with specific reference to Kierkegaard's dissertation The Concept of Irony and the renowned gongan collection Blue Cliff Record (Biyan lu 碧巖錄). The main thesis is that the comparison makes explicit significant aspects of Chan orthopraxis, since Chan masters, as presented in the Blue Cliff Record, exemplify Kierkegaard's portrayal of the ironist. In particular, these aspects pertain to the progressive detachment from the discriminating action of (...) karmic consciousness and self-centered thinking, toward the cultivation of a selfless stance. The first section focuses on Kierkegaard's ironist. The following sections analyze relevant gongan narratives from the Blue Cliff Record with the purpose of expounding on the relation between performative irony and the discriminating mind, playfulness, and selflessness. The final section considers the major incommensurable differences that mark the present cross-cultural dialogue. (shrink)

This paper makes the following claims: 1) early playwrights (especially Cratinus and Epicharmus, with a new reading of frr. 23B1-2 DK = 275-276 PCG) were keen on lampooning Eleatism; 2) through literary and linguistic devices that were obvious for Plato's original public, Plato revived this tradition in the Parmenides; 3) the Parmenides portrays the Eleats as catastrophically counterproductive philosophers. In sharp contrast with Socratic logoi, Eleatism, far from promoting philosophy (protreptic), eventually alienates all possible disciples ('apotreptic'), thus undermining the very (...) notion of Platonic philo-sophia. (shrink)

Fritjof Capra's The Tao of Physics, one of several popularizations paralleling Eastern mysticism and modern physics, is critiqued, demonstrating that Capra gives little attention to the differing philosophies of physics he employs, utilizing whatever interpretation suits his purposes, without prior justification. The same critique is applied and similar conclusions drawn, about some recent attempts at relating theology and physics. In contrast, we propose the possibility of maintaining a cogent relationship between these disciplines by employing theological hypotheses to account (...) for aspects of physics that are free from interpretive difficulties, such as the ability to create mathematical structures with extraordinary predictive success. (shrink)

Study of the Tao of physics by Fritjof Capra, work on philosophy of physics.

Farts have not received the metaphysical attention they deserve. Bill Capra has opened the batting in his recent study of this ubiquitous rectal phenomenon. Spurred on by his sterling effort, JJ and I have added our own two bob's worth, disagreeing with much of what Bill says, and defending the buttocks-first conception of farts.

It’s a Wonderful Life (Capra, 1946) presents a plausible theory of the meaning of life: One's life is meaningful to the extent that it promotes the good. Although this theory is credible, the movie suggests a problematic refinement in the Pottersville sequence. George's waking nightmare asks us to compare the actual world with a world where he did not exist. It tells us that we are only responsible for the good that would not exist had we not existed. I (...) argue that this is a bad test. It fails when there are redundant causes. (shrink)

Aaron Smuts argues that the holiday film It's a Wonderful Life should be understood as both an illustration and a cinematic vindication of objective list theories of worth. This article argues that he is right about the first point but wrong about the second. It's a Wonderful Life is an excellent illustration of objective list theories. However, it also exposes a problem for them – their susceptibility to sceptical anxieties about whether we can know if our lives are worth living. (...) More specifically, I argue that It's a Wonderful Life shows how our lives are vulnerable to two sceptical anxieties, one arising from our potential inability to confirm our successes in promoting the good, the other from our potential inability to ascertain which goods can properly be said to be in our lives due to gaps in our self-knowledge and our potential for self-deception. (shrink)

Löwe and von Hartel have drawn attention to the striking similarity between R's contents and those of a lost manuscript bequeathed by Philippe d' Harcourt to the library at Bee. This manuscript is described in a twelfth-century catalogue as follows:7 ‘in alio Seneca de naturalibus questionibus et Adelermus Batensis [Adhelardus Bathonensis Becker), Proba vates, Aurea Capra, et liber Hildeberti Turonensis archiepiscopi de dissensione interioris et exterioris hominis, et sermones eius et uita ipsius.’.

David Bohm's thinking has become widely publicized since the 1982 performance of a form of the Einstein‐Podolsky‐ Rosen (EPR) experiment. Bohm's holomovement theory, in particular, tries to explain the nonlocality that the experiment supports. Moreover, his theories are close to his metaphysical and religious thinking. Fritjof Capra's writings try something similar: supporting a theory (the bootstrap theory) because it is close to his religious beliefs. Both Bohm and Capra appear to use their religious ideas in their physics. Religion, (...) their source for physical hypotheses, provides the motivation to develop and uphold them. (shrink)

ABSTRACT In Frank Capra’s Mr. Deeds Goes to Town, Stanley Cavell says, the film camera, a “somatogram,” reads fits and fidgets as a post-Cartesian cogito of embodied thinking. Giorgio Agamben sees the cameras of motion studies at Salpêtrière in the 1880s as dehumanizing normalizers of gesture, but Georges Didi-Huberman claims that what they recorded as hysteria was solicited by them and sometimes refused. Which is it? Does the camera humanize, normalize, or solicit gesture? I consider the question with Anna (...) Rose Holmer’s The Fits. Like Mr. Deeds, The Fits foregrounds non-sovereign body movements, but its protagonist, Toni, agonistically engages the camera’s gaze, extracting from it the respect she deserves. I argue that Toni may be seen as responding to Salpêtrière, and also to Thomas Eakins, in whose attic, in the 1880s, a young Black girl was photographed naked, on a couch. Is her stare a refusal of the white gaze or a coerced pose? Toni’s own stare suggests she avenges such historic wrongs in acts of cinematic agonism. In The Fits, the camera that might have been Toni’s reader/partner, betrayer, or groomer becomes a mystical mechanism of remediation and Toni, the ghost in its machine. (shrink)

In his article “It's a Wonderful Life,” Ronald Hall connects Wittgenstein's last words with Frank Capra's 1946 film. His analysis focuses on the concept of wonder, but he misses one of the most important aspects of both the film and Wittgenstein's last words: the significance of friendship. This is philosophically (and biographically) important because it raises questions about aspect-seeing, friendship and everyday life. Wittgenstein's final words provide a striking example of the philosophical complexity of his life and work.

In contrast to Capra’s interpretation of Maturana’s work, I argue that the autopoietic theory does not establish an intrinsic, necessary link between life and cognitive/mental phenomena, and that given its functionalist approach, the theory helps very little to overcome the Cartesian division between mind and body.

In the treatise called La nobiltà et l’eccellenza delle donne co’ diffetti et mancamenti de gli uomini Lucrezia Marinella claims that women are superior to men. She argues that men are excessively hot, and that heat in a high degree is detrimental to the intellectual and moral capacities of a person. The aim of this paper is to set out Marinella’s views on temperature differences in the bodies of men and women and the effects of bodily constitution on the capacities (...) necessary for political deliberation and rule. I situate Marinella’s argument in the context of an ongoing debate about physiological differences between the sexes, begun in antiquity and extending into the Renaissance. That debate is important for several reasons: as part of a broader discussion of the nature and worth of women, as determining influential interpretations of ancient authorities on matters of physiology, and as anticipating later discussions of the relation between the sexed body and political roles. This paper considers Marinella in dialogue with a number of interlocutors, elements of whose work can be found in her own: Aristotle, Mario Equicola, Galeazzo Flavio Capra, Ludovico Domenichi and Torquato Tasso. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Music Education and Spirituality:Philosophical Exploration IiAnthony J. PalmerMusic, beyond its pitches and rhythms, timbres and dynamics, has elusive qualities that many have difficulty identifying and discussing. In this regard Rabindranath Tagore speaks of the "ineffable":But when our heart is fully awakened in love, or in other great emotions, our personality is in its flood-tide. Then it feels the longing to express itself for the very sake of expression. Then (...) comes art, and we forget the claims of necessity, the thrift of usefulness; the spires of our temples try to kiss the stars and the notes of our music to fathom the depth of the ineffable.1Abraham Maslow points to a similar state of being:Transcendence refers to the very highest and most inclusive or holistic levels of human consciousness, behaving and relating, as ends rather than as means, to oneself, to significant others, to human beings in general, to other species, to nature, and to the cosmos.2 [End Page 143]One deep, the other beyond, both direct attention toward something richer, exceeding technical competence and excellent rendition of the score. Yet, the very realms where these qualities reside seem to be above our ability to assess other than to say, "we know it when we experience it."3 Is there some realization that we have transcended the mundane, passed over to another plane of existence and gone beyond an egocentric mind-frame? And could subjective reports satisfy any objective criteria that the event truly happened? Moreover, could one's experience be distinguished qualitatively from another's? This is one of the quandaries when attempting to assess experience of such an elusive nature. Although, these questions lie at the foundation of such an inquiry as this, answers await additional investigation at a later time. For the present, this study will be limited to laying the groundwork for these future explorations.A clarification of terms preceding this essay is imperative. To begin, the discourse will use 'spirituality' and 'transcendence' interchangeably. Various readings suggest that there is sufficient agreement that these terms describe the same noumenal experience. For example, physicist Fritjof Capra states that:Spiritual experience is an experience of aliveness of mind and body as a unity. Moreover, this experience of unity transcends not only the separation of mind and body, but also the separation of self and world. The central awareness in these spiritual moments is a profound sense of oneness with all, a sense of belonging to the universe as a whole.4This essay continues in this vein and that of my previous article on the subject5 that the religious and doctrinal are not part of the discussion. Therefore, an effort will be made to distance spirituality, as used here, from religion. In that light, a brief comparison will prove helpful.Spirituality has its roots in the Latin: "in + spirare (Latin to breathe). Archaic: to breathe or blow into or upon; to infuse (as life) by breathing."6 This "blowing upon" is no better illustrated than in the account in Genesis. Chapter 2, verse 4, line 7 reads: "Then the Lord God formed man of dust from the ground, and breathed into his nostrils the breath of life; and man became a living being."7 Psyche in Greek and atman in Sanskrit have essentially the same meaning of breath and being alive, that is, embodying an animating force.This animating force, in my view, is not of metaphysical origins, but rather inherent in the evolution of the human species. Spirituality is a human quality as a product of supreme levels of consciousness. Additionally, it has the quality of knowing that we are conscious. C. G. Jung's statement is appropriate in describing this seemingly incomprehensible characteristic.Were organized religion to disappear by some quirk of social process, the human community still cannot and must not do without cultivating the spiritual, [End Page 144] what Jung calls the "attitude peculiar to a consciousness which has been changed by experience of the numinosum."8Diane Ackerman supports the non-metaphysical origins of the impulse.Our sensitivity to religion means that at some stage in human history, our chance of mating and surviving increased... (shrink)

This article connects the theory of Hannah Arendt and the philosophy of Stanley Cavell to the questions of what thinking is and how it appears on film. It focuses on two theatrical trials: Adolph Eichmann’s trial (1961) and the ending sequence in Frank Capra’s Mr. Deeds Goes to Town (1936) in which the questions of thought and thoughtlessness are at stake. Whereas Arendt considers the ways that thinking poses challenges to representation (there is, she writes, a “scarcity of documentary (...) evidence”), Cavell turns to cinema and the camera’s “knowledge of the metaphysical restlessness” that becomes manifest when the mind thinks and the body fidgets. He goes so far as to argue that cinema may even “prove thinking.” Though they arrive at opposite conclusions, Cavell and Arendt share a critique of modern subjectivity that these trials bring to light: reason has replaced thinking and skepticism of the world has replaced consciousness in it. But film, as read through Cavell, may reveal a crisis of altogether different order. It is not that thinking cannot be represented, as Arendt argues; in the age of cinema, thinking cannot be concealed. If anything, thoughtlessness defies representation. (shrink)

Over the last ten years, „Theory U″, written by C.O. Scharmer in 2007, has earned broad international recognition. However, critical reviews of its grounding in social sciences and philosophy have been rare. After a brief introduction to Theory U this article examines its methodic approach in the context of its references to the universal history of Toynbee, and epistemological sources in the works of Nietzsche, Capra, Varela, Husserl, and Steiner. The investigation of Theory U’s historical and philosophical grounding comes (...) to the conclusion that it is evidently falling short of adequately capturing real world complexity and does not match widely accepted academic standards. Despite its evident deficiencies, Theory U deserves the merit of uniquely embracing non conventional schools of thought beyond the mainstream literature on leadership theories. (shrink)

Koje su mogućnosti čovjeka da preokrene putove razvoja prema mogućim civilizacijskim rješenjima, osnovno je pitanje na koje Fritjof Capra pokušava odgovoriti. Rad prikazuje na koji način Capra vidi krizu suvremenog društva i znanosti, te koje alternative vidi kao rješenja; njegov angažman pokazuje se u cjelini kao etički usmjeren na spoznaju načina odnosa u svijetu, čovjekove naravi i njegova najvišeg dobra, te je praktički usmjeren na razumijevanje konkretnog čovjekova opstanka. U radu se postavlja pitanje o mogućnosti uspoređivanja uvida istočnjačkih (...) mistika i suvremenih fizičara, onako kako to radi Fritjof Capra, te na koje se probleme nailazi kada se metode, nekada udaljenih kultura, postavljaju kao relevantni učesnici naše svakodnevne prakse. Caprini uvidi u uzroke krize, analizom mehanicističko-znanstvenog pristupa i prikaz posljedica koje je takav pristup prouzročio, pogađaju u srž problema. Njegove opservacije i primjedbe na stanje u svijetu razložne su i korisne široj stručnoj publici. Međutim, njegovo viđenje izlaska iz krize, odnosno njezino rješenje ili nadvladavanje zapada u svojevrsni religijsko-znanstveni sinkretizam, s jedne strane, a s druge u scijentizam i konstruktivizam.This work questions the possibility of comparing the insights of eastern mysticism and modern physical science in a way of Fritjof Capra and also tries to present the problems of stating the methods of once distant cultures as relevant factors in our daily practice. While arguing for such comparison we face a lot of questions: are mysticism and modern physical science on different levels of reality; is there any sense in considering these levels “restricted”; are mysticism and modern physical science operating inside separated realms of reality with non-existent trans-level concepts and relations; – these being only a few questions opened by this perspectival comparison. In the last case, for example, if two realms of reality exist, one is opened to symbolic consciousness and linguistically expressible, and the other one is opened to non symbolic consciousness and linguistically non-expressible. Though this Capra’s approach is in many aspects obscure and questionable in substantive level, it, however, on methodological level completely fits into orientational frame of bioethics as multi-perspectival area. (shrink)

This paper aims to demonstrate the relation between eroticism, perceptually expanded experience (dilated, brought forth by the intelligence of the body), and the notion of interconnectivity and global consciousness. I discern two tendencies: the self's positional relation via technology proposed by philosophers like Descartes; and the self's non-positional relation via technology that seems to be proposed by some philosophers such as Fritjof Capra. I draw my sources from the second category: my work is enriched by an anthropological approach where (...) I expand my experience by integrating several typical dances from different countries, as well as traditional spiritual dances from a Western point of view. My process refers to oriental philosophy - it presents the exterior world and the interior world as two aspects of the same fabric, and questions the very notion of surface and bodily borders in which every thread of every energy and phenomenon, of every form of consciousness and its objects are woven into one continuous tapestry of infinite and mutually conditioned relations. This brings forth a redefinition of the notion of limit, time and reality. The bodily experience, enriched by training from several different cultures transports us to an experience of interiority which leads to states of expanded consciousness. (shrink)

One of the causes of poor human-environment relations is the separation of the study of natural philosophy and human philosophy. The awareness to combine natural and human philosophy has been sparked by thinkers such as Henryk Skolimowski and Fritjof Capra. However, both are seen as not showing clear root values. Meanwhile, Sayyed Hossein Nasr has brought the concept of value in the combination of natural philosophy with human philosophy. However, he describes it as a mystical concept that is too (...) complex for many people to understand. Buya Hamka, with his monumental work on Al-Azhar commentary, has succeeded in combining natural and human philosophy based on clear values. Hamka is a multidimensional thinker with thinking characteristics that grow and blend into socio-cultural and religious so that many groups see it as more populist and can understand it. Hamka’s thinking way can be an alternative frame of reference for environmental problems. The Hamka concept constructs three main pillars: transcendent consciousness, caliphate and qana’ah. Transcendent consciousness is human appreciation based on religiosity. Caliphate is the role of humans to become mushlih (nature sustainer), preservers and guardians in efforts to beautify nature, and qana’ah encourages humans to take advantage of nature without exploiting it. Contribution: This research’s main contribution is offering an alternative concept of environmental philosophy construction based on religiosity. This concept is seen as a very accessible paradigm in most people’s minds and is not complicated. This paradigm can be disseminated and applied to many people, including in the junior high school environment, as a form of concern for the natural environment and sustainable life. (shrink)

In his philosophy of ethics and time, Emmanuel Levinas highlighted the tension that exists between the "ontological adventure" of immediate experience and the "ethical adventure" of redemptive relationships-associations in which absolute responsibility engenders a transcendence of being and self. In an original commingling of philosophy and cinema study, Sam B. Girgus applies Levinas's ethics to a variety of international films. His efforts point to a transnational pattern he terms the "cinema of redemption" that portrays the struggle to connect to others (...) in redeeming ways. Girgus not only reveals the power of these films to articulate the crisis between ontological identity and ethical subjectivity. He also locates time and ethics within the structure and content of film itself. Drawing on the work of Luce Irigaray, Tina Chanter, Kelly Oliver, and Ewa Ziarek, Girgus reconsiders Levinas and his relationship to film, engaging with a feminist focus on the sexualized female body. Girgus offers fresh readings of films from several decades and cultures, including Frank Capra's _Mr. Smith Goes to Washington_ (1939), Federico Fellini's _La dolce vita_ (1959), Michelangelo Antonioni's _L'avventura_ (1960), John Huston's _The Misfits_ (1961), and Philip Kaufman's _The Unbearable Lightness of Being_ (1988). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.3 (2002) 521-524 [Access article in PDF] Andrea Capra. Il "Protagora" di Platone tra eristica e commedia. Il Filarete: Pubblicazioni della Facoltà di Lettere e Filosofia dell'Università degli Studi di Milano, 197. Milan: LED, Edizioni Universitarie di Lettere Economia Diritto, 2001. 237 pp. Paper, 22.72. This is a book of two halves and Two Parts, perhaps, respectively, "literary" and "philosophical": one primarily concerned with (...) the form of the Protagoras, the other more concerned with the dialogue's argumentative content and context. More helpful, however, is the author's own subtitles for the Two Parts: "Plato 'persuades' his audience" and "Socrates 'persuades' the sophists." Capra is admirably conscious throughout of the need to distinguish between what Socrates is saying and what Plato is trying to achieve through what Socrates is saying; between the audience for whom the written artifact is composed, on the one hand, and the fictional audience that the character, Socrates, is addressing, on the other. Plato—so Capra claims—has constructed a dialogue for hearers or readers who would have been thoroughly familiar with the dramatic theater and its conventions and who would immediately have recognized the allusions to comedy in setting, action, even characterization. Why construct a dialogue in this extraordinary fashion? No other dialogue is so constructed, even if there are comic touches in many. Here is one of the most interestingly worked parts of Capra's overall thesis: It isn't just any comedy that the Protagoras resembles—it's the Clouds, which figures so centrally in Plato's account of Socrates' accusers in the Apology. Only everything is turned upside down, so that it's Socrates who's outside (the right side?), the sophists inside (the house of Callias), whereas in Clouds, it was Socrates inside (the phrontisterion/pensatoio), and Socrates was a sophist. So here is Plato, as it were, talking over the heads of his characters and replying to Socrates' critics by turning the tables on them.But that is only half of the picture, half of Capra's book (or a pretty inadequate description of half of the book), and, of course, rather less than half of the Protagoras itself. What about the conversation between Socrates and Protagoras that occupies by far the largest proportion of the pages? To say that it resembles a comic agon is of course only a beginning; if it is to be an effective riposte to Aristophanes and to those jurors he so fatally influenced, then Socrates has to win. And that, of course, he does hands down. But then we have the problem, or rather Capra has the problem, that he seems to win by taking over [End Page 521] the very method that his sophistic opponents use, i.e., eristic; and this is bizarre, given the way that the opening dialogue between Socrates (or Strepsiades) and Hippocrates (or Pheidippides) in Socrates' house emphasizes the distance, and difference, between what Socrates has to offer and what his opponents offer. What is afoot here? Capra's answer is that crossing the threshold of Callias' house, into the company of Protagoras and the rest, is like the philosopher's descent into the Cave in the Republic. Being with the prisoners, Socrates takes up their methods, their ways of doing things. But he has no option but to do that with an opponent like Protagoras in the other corner, for Protagoras denies the very basis of Socratic dialectic. There is, for him, no such thing as science, no such thing as objective knowledge; Socrates is therefore forced to fight by Protagoras' rules to get a grip on him at all. What emerges, paradoxically, near the end of the dialogue is the requirement—even on popular (the prisoners' own) premises—for a measuring art, which makes measuring not the prerogative of each and every Protagorean individual but rather a matter of technical expertise. And so (according to Capra's argument) we arrive back at that very realm of knowledge, which in the Republic is the means by which we shall raise... (shrink)

An inscription found in 1912 near Praeneste,1 and now easily accessible in the new edition of Vol. I. of the Corpus of Latin inscriptions , records a dedication in honour of Juno PALOS-CARIA , an epithet previously unknown, and not yet, I believe, satisfactorily explained. Rosenberg's attempted explanation will not secure many adherents, while that of Lommatzsch , who would connect the word with palus -udis, and see an allusion to the ‘paludes Pomptinae,’ involves us in serious, though not insuperable, (...) phonetic and morphological difficulties. If we were reduced to accepting the derivation from palus ‘marsh,’ I should prefer to see rather a reference to the festival of Juno on the Nonae Caprotinae , which took place near the Caprae palus in the Campus Martius. There would then be at least a definite connexion of the goddess with the palus, whereas there is no such connexion, so far as I know, of Juno with the Pomptine Marshes. (shrink)

The fifth poem in Horace's first book of Epistles takes the form of an invitation to Torquatus to attend a dinner which the poet is preparing for that evening, the eveof the Emperor's birthday. The fare will be simple but Horace will see to it that the furnishings, napkins, vessels and plates will be clean and bright and that the company and the seating-plan will be to Torquatus’ taste. Horace will get Butra and Septicius to be there, and Sabinus, too, (...) as long as he is not kept away by a prior dinner engagement or by a girl he'd rather spend the evening with. With Torquatus and Horace, that makes four or five diners, so that there is room for others before the triclinium is full, although there shouldn't be too many; or, as Horace puts it :locus est et pluribus umbris;sed nimis arta premunt olidae conuiuia caprae. (shrink)

El mito de Ifigenia ha sido reinterpretado con extraordinaria vitalidad en multitud de obras literarias y artísticas a lo largo de la historia. Este artículo pretende examinar la particular repercusión de Ifigenia en el debate de la _Querelle des femmes_ a partir de la recuperación del manuscrito de la tragedia de Eurípides a finales del s. XV, en autores como Galeazzo Flavio Capra, Ludovico Dolce o Lilio Gregorio Giraldi. La recepción de la tragedia griega desde Italia, al verterse en (...) dramas y tratados, irradió en la cultura moderna europea nuevos emblemas sobre la condición femenina, hacia un modelo de virtud cuya moral supera la crueldad de los dioses y los hombres, pues lucha por su propia libertad y dignidad. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 541 But the end result is what La Capra terms "a philosophical conservatism," a call to create a morality to counteract the disintegrating forces in modern society. Here too Durkheim joins hands with Weber, Freud, and Malinowski. "Excessive individualism was symptomatic of social disintegration" (p. 145). Its antidote is the formation of cooperative groups. So for Weber the individual, in order to be a genuine man, (...) must always stand in a state of tension between self-interest and selflessness. So too for Freud and Malinowski unbridled individualism, incest and rebellion, are the major threats facing society. In contrast to Weber, who foresaw that "not summer's bloom lies ahead of us, but rather a polar night of icy darkness and hardness.... "Durkheim's work stands in the more benign, less beclouded light of Cartesianism. La Capra stresses the philosopher rather than the sociologist in Durkheim, but in a comparative analysis with his great contemporaries that judgement may well stand. LUCIANC. MARQUIS Pitzer College and Claremont Graduate School The Li/e and Mind o/John Dewey. By George Dykhuizen. Introduction by Harold Taylor; edited by Jo Ann Boydston. (Carbondale, Illinois: Southern Illinois University Press, 1973. Pp. xxv + 429. $15.00) This detailed and documented account of the "life and mind" of John Dewey is the fruit of years of careful research by Professor Dykhuizen of the University of Vermont, and it is also the product of cooperation by many institutions and individuals whose records have been made available to the author. The book is a synthesis of biography, history, and philosophy; it is good reading matter as well as an excellent reference work, truly a magnum opus, a worthy record of the inseparability of Dewey's life and mind. The story begins in the obscurities of rural life and schooling in the 1860s, and it culminates in the complicated international affairs of the world since 1914. It is appropriate and inevitable that the public activities of Dewey should dominate the account of the last thirty years of his life. But it is remarkable that a philosopher should be devoted to so many and varied public affairs without being distracted by them. This fact is explained by the character of his philosophy: his philosophical devotion to "inquiry" made almost any public problem grist for his mill. He faced problems professionally as an analyst, not in order to solve them but in order to understand them concretely as obstacles to action. The biography gives abundant evidence of this fact, both in technical philosophical issues and in "the problems of men." Dewey confessed that his science of inquiry was unfortunately entitled "Logic." When he began his inquiries into the process of thinking, the German term logische Studien was still commonly used for any work on the theory of knowledge, and Dewey was not prepared for the revival and reconstruction of formal logic during his mid-career. I am reminded of a remark by his colleague, Professor Woodbridge, who said: "At first I could not figure out what Dewey's logic was about; then it suddenly occurred to me that he was telling us 'How We Think'." For Dewey and Mead the problem of knowledge was almost entirely the problem of thinking, "reflective thinking." At Columbia we tried to make textbooks on reflective thinking, much to Dewey's amusement and scorn: "You should use reflective thinking, not teach it as subject-matter. And as for formal logic, you should save that for graduate school; it corrupts young minds who mistake it for knowledge." Despite his emphasis on "reflective thinking" he disliked the term "reflection"; it had been too much abused by philosophers who engaged in speculation, meditation, and other forms of "day-dreaming." Dewey's preference for "imagination" instead of "consciousness" is related to this circumstance. He regarded "consciousness" as an abstraction; whereas imagining is a cenlxal 542 HISTORY OF PHILOSOPHY aspect of thinking. It implies not merely getting a suggestion in relation to a problem, but getting a suggestion whose consequences could be anticipated. Unless a suggestion anticipates consequences, it is not an idea; it has no meaning, no means to suggest for the problem or plan. Accordingly, for Dewey "acting consciously... (shrink)

A reconsideration of mill's theory of "higher pleasures," construed as a way of evaluating changes in preferences or character that result from changes in social environment. mill's account is criticized and partly reconstructed in light of modern preference theory, but viewed favorably as an illuminating attempt to address a fundamental problem in moral evaluation of social institutions. mill's advocacy of the higher pleasures is defended in particular against the charge that it is incompatible with his commitment to liberty.

Geoffrey Rose’s prevention paradox points to a tension between two prima facie plausible moral principles: that we should save the greater number and that weshould save the most at risk. This paper argues that a novel moral theory, ex-ante contractualism, captures our intuitions in many prevention paradox cases, regardless of our interpretation of probability claims. However, it goes on to show that it might be impossible to square ex-ante contractualism with all of our moral intuitions. It concludes that even if (...) ex-ante contractualism cannot furnish an entire ethics of risk, it does identify important considerations for any such theory. (shrink)

The aim of this paper is to distinguish between, and examine, three issues surrounding Humphreys's paradox and interpretation of conditional propensities. The first issue involves the controversy over the interpretation of inverse conditional propensities — conditional propensities in which the conditioned event occurs before the conditioning event. The second issue is the consistency of the dispositional nature of the propensity interpretation and the inversion theorems of the probability calculus, where an inversion theorem is any theorem of probability that makes explicit (...) (or implicit) appeal to a conditional probability and its corresponding inverse conditional probability. The third issue concerns the relationship between the notion of stochastic independence which is supported by the propensity interpretation, and various notions of causal independence. In examining each of these issues, it is argued that the dispositional character of the propensity interpretation provides a consistent and useful interpretation of the probability calculus. (shrink)

This review essay on R. Melvin Keiser's Roots of Relational Ethics: Responsibility in Origin and Maturity in H. Richard Niebuhr surveys selected works about Niebuhr, examines the strengths of Keiser's post-critical treatment of Niebuhr and raises questions about Keiser's views and about Niebuhr.