Abstract

This essay discusses Sloterdijk’s anthropotechnical framework as it relates to recent contributions that deal with the inherent opacities of digital technology and processes of blackboxing. I argue that Sloterdijk’s philosophy is a precious case of affirmative, non-nihilistic technophilic thinking that espouses the technogenic provenance of mankind, and leaves space for technologically engendered incomprehensibility while tracing a horizon for human beings’ resoluteness. In the first section of my essay I tackle Sloterdijk’s reflections on the philosophical transition from wonder to horror in the twentieth century, and I put it in dialogue with his concept of the monstrous as defined by boundlessness, complexity, and excess. Here, I discuss how the human being shows both monster-slayer and monstrous tendencies. Secondly, after having revisited the question “what happened in the twentieth century” from this perspective, I discuss how Sloterdijk’s analysis of the monstrous provides a coherent genealogy for an assessment of the individual’s relation to current “monstrous” technologies, as they are tied to algorithmic processing. I conclude by arguing that Sloterdijk’s anthropotechnics and onto-anthropology allow for an acrobatic confrontation with the possibility of untethering technological advancement from illusory promises of absolute clarity, and promote the immunological value of darkness.