This paper argues that the Husserlian notion of “passive synthesis” can make a substantial contribution to the understanding of aesthetic experience. The argument is based on two empirical cases of qualitative interview material obtained from museum visitors and a world-renowned string quartet, which show that aesthetic experience contains an irreducible dimension of passive undergoing and surprise. Analyzing this material through the lens of passive syntheses helps explain these experiences, as well as the sense of subject–object fusion that occurs in (...) some of the most intense forms of aesthetic experience. These analyses are then contrasted with a potentially contradicting take on aesthetic experience from a recent trend in cognitive science, namely enactive aesthetics, which insists on the active subjective construction and sense-making of aesthetic experience. Finally we show that the two positions are in fact compatible. (shrink)

The main problems faced by a conception of perception as passive will be introduced through a critical examination of John McDowell's account of 'empirical thinking'. Overcoming these difficulties will lead to a conception of perception as involving an active cognitive participation of the perceiver, and an account of how observational judgment is warranted that is focused on the conditions of experience. In both cases, analogies to inquiry in scientific experimental practice will be explored.

In the section ‘Unity and Objectivity’ of The Bounds of Sense, P. F. Strawson argues for the thesis that unity of consciousness requires experience of an objective world. My aim in this essay is to evaluate this claim. In the first and second parts of the essay, I explicate Strawson's thesis, reconstruct his argument, and identify the point at which the argument fails. Strawson's discussion nevertheless raises an important question: are there ways in which we must think of our (...) class='Hi'>experiences if we are to self-ascribe them? In the third part of the essay, I use Kant's remarks concerning the passivity of experience to suggest one answer to this question: in self-ascribing experiences, we must be capable of thinking of them as passive to their objects. This can be used to provide an alternative route from unity to objectivity. (shrink)

Heidegger's critique of metaphysics is well-known, resulting of the conception the end of philosophy. For the author, thought announces itself poetically, through the pen of poets who sensed and felt what should be thought. This new era of Being, in the future, would be in preparation, and it is towards this task that his post-turn thinking is directed, on the confluent path of Poetry and Philosophy. In this article, we revisit a rare text in the Heideggerian bibliography, composed in verse (...) and aphorism in 1947, "On the Experience of Thinking" ("Aus der Erfahrung des Denkens"), seeking to reflect on how the understanding of experience present in this text is linked to the focus on poetize and poets present in many Heideggerian texts in the following years, suggesting that thought (as a to poetize and to philosophy) evokes a radical experience in relation to Metaphysics: passivity, as waiting and listening in a topology of Being. (shrink)

Recent phenomenological research has picked up on the old claim that sometimes artworks seem to take possession of the perceiver. Simon Høffding and Tone Roald have argued that Edmund Husserl’s not...

This research centers on an empirical exploration of the athlete’s experience grounded in Merleau-Ponty’s Body Phenomenology. Employing a phenomenological analysis, the study illuminates the agency of the body-subject and the profound significance of world-construction through embodiment in athletic situations. By delving into the lived experiences of athletes, this investigation unveils the dynamic interplay between the athlete’s body, subjective agency and the perceptual construction of the sporting environment. The recognition of the agency of the body-subject and the active role of (...) the body schema provides a nuanced perspective on the phenomenology of athletic performance. Insights gleaned from this study contribute to a deeper understanding of the intricate relationship between the athlete, their embodied experiences and the constructed world of sports. The implications extend to sports training methodologies, emphasizing the importance of holistic approaches that consider the athlete as an embodied and perceiving subject. And the same time, this research enhances our comprehension of the philosophical foundations underlying the athlete’s engagement with the sporting world. (shrink)

This research centers on an empirical exploration of the athlete’s experience grounded in Merleau-Ponty’s Body Phenomenology. Employing a phenomenological analysis, the study illuminates the agency of the body-subject and the profound significance of world-construction through embodiment in athletic situations. By delving into the lived experiences of athletes, this investigation unveils the dynamic interplay between the athlete’s body, subjective agency and the perceptual construction of the sporting environment. The recognition of the agency of the body-subject and the active role of (...) the body schema provides a nuanced perspective on the phenomenology of athletic performance. Insights gleaned from this study contribute to a deeper understanding of the intricate relationship between the athlete, their embodied experiences and the constructed world of sports. The implications extend to sports training methodologies, emphasizing the importance of holistic approaches that consider the athlete as an embodied and perceiving subject. And the same time, this research enhances our comprehension of the philosophical foundations underlying the athlete’s engagement with the sporting world. (shrink)

“Passive fear” denotes a certain type of response to a perceived threat; what is distinctive about the state of passive fear is that its behavioral outlook appears to qualify the emotional experience. I distinguish between two cases of passive fear: one is that of freezing in fear; the other is that of fear-involved tonic immobility. I reconstruct the explanatory strategy that is commonly employed in the field of emotion science, and argue that it leaves certain questions about the nature of (...) passive fear unanswered. I subsequently propose an account of passive fear that builds upon a phenomenological theory of emotions, placing emphasis on the interpretation of current research into human tonic immobility. (shrink)

According to sensorimotor theory perceiving is a bodily skill involving exercise of an implicit know-how of the systematic ways that sensations change as a result of potential movements, that is, of sensorimotor contingencies. The theory has been most successfully applied to vision and touch, while perceptual modalities that rely less on overt exploration of the environment have not received as much attention. In addition, most research has focused on philosophically grounding the theory and on psychologically elucidating sensorimotor laws, but the (...) theory’s ramifications for neuroscience still remain underexamined. Here we sketch the beginnings of a research program that could address these two outstanding challenges in terms of auditory perception. We review the neuroscience literature on passive listening, which is defined as listening without overt bodily movement, and conclude that sensorimotor theory provides a unique perspective on the consistent finding of motor system activation. In contrast to competing theories, this activation is predicted to be involved not only in the perception of speech- and action-related sounds, but in auditory perception in general. More specifically, we propose that the auditory processing associated with supplementary motor areas forms part of the neural basis of the exercise of sensorimotor know-how: these areas’ recognized role in facilitating spontaneous motor responses to sound and supporting flexible engagement of sensorimotor processes to guide auditory experience and enable auditory imagery, can be understood in terms of two key characteristics of sensorimotor interaction, its “alerting capacity” and “corporality”, respectively. We also highlight that there is more to the inside of the body than the brain: there is an opportunity to develop sensorimotor theory into new directions in terms of the still poorly understood active processes of the peripheral auditory system. (shrink)

Whether active and passive, top-down and bottom-up, or endogenous and exogenous, attention is typically divided into two types. To show the relationship between attention and other functions (sleep, memory, learning), one needs to show whether the type of attention in question is of the active or passive variety. However, the division between active and passive is not sharp in any area of consciousness research. In phenomenology, the experience of voluntariness is taken to indicate activity, but this experience is often confused (...) with others. In psychology, task-dependent behavior is taken to indicate activity, but is often conflated with complex automatic behavior. In neuroscience, top-down processes are taken to exclusively indicate activity despite the fact that both top-down and bottom-up activations are always present in the brain. Moreover, work in attention has shown that the results of so-called passive and active processes are sometimes inseparable. Carrasco, et al. (2004), for example, show that active attention results in the same change in perceptual contrast that is enacted by bottom-up mechanisms. Likewise, Reynolds and Desimone (2003) show that top-down and bottom-up attention effect neural contrast in the same way. Thus, the passive-active distinction does not seem to neatly separate two types of attention. Perhaps a more convincing model of attention combines active and passive processing into a single mechanism of control. One such potential model is what we call the Unitary Saliency Map Model, first suggested by Koch and Ullman (1985) and developed by Treue (2003). In such a model, top-down and bottom-up processes each feed into the same saliency map, from which attention is controlled. We argue that this makes sense of the phenomenological, psychological, and neuroscientific data. Finally, the acceptance of such a model will force us to review some of our previous findings on attention and its relation to consciousness. (shrink)

I am grateful to Markate Daly for forcing me to clarify my concept of the relationship between experience and know-how. She may be correct in saying that "None of the passive endurings and sufferings, loves, enjoyments and imaginings of Dewey's conception can be characterized as a part of 'knowing how' as it is currently understood." But I think that there is a similarity between passive experience and active coping that distinguishes them both from the allegedly "objective" sense data that Dewey (...) was rejecting. Experiences of love and suffering don't simply present themselves to us as independent entities. They are richly interwoven with each other and with the world, in much the same way as the connections between muscles and perceptual affordances. I tried to explain why I saw both emotions and knowing-how affordances to be governed by the same principles in the section of the paper dealing with Gibson, but of course there is still a great deal more to be said. (shrink)

This paper examines how to best be with women during birth, based on a phenomenological description of the birth experience. The first part of the paper establishes birth as an uncanny experience, that is, an experience that is not only entirely unfamiliar, but even unimaginable. The way in which birth happens under unknowable circumstances creates a set of anxieties on top of the fundamental anxiety that emerges from the existential paradox by which it does not seem possible for a body (...) to give birth to another body. Would homebirth provide a remedy to the uncanniness? The result yielded by medical studies is confirmed by the phenomenological perspective taken here: homebirth might be reassuring for some, but not for everybody; choice of birth place is important. Once the birth process starts happening, another layer of strangeness is added: it turns out to be an experience of radical passivity and waiting, normally. The question thus becomes how to best care for somebody who is exposed to uncanniness, passivity, and waiting. Martin Heidegger’s concepts of care and discourse prove useful in examining how to facilitate rather than interrupt this process. It becomes necessary to think beyond verbal communication towards a wider concept of communication that involves silence and intercorporeality. Birth requires a special kind of being-with as being-there. (shrink)

The distinction between activity and passivity has a deep and fundamental role in scientific and philosophical conceptual frameworks, going back to ancient Greek thinking about society and nature. I briefly indicate the importance of the activity-passivity distinction in the phenomenology of Merleau-Ponty, in relation to Husserl. I then advance a transcendental phenomenological argument that the distinction is, however, not as simple or obvious as it might appear, specifically that it cannot be wholly and determinately defined via a purely (...) abstract, conceptual-discursive procedure, since specifying which of two interacting terms is the active one entails (I argue) an implicit reference to pre scientific, affective experience. But, as I argue, specifying this distinction is nonetheless conceptually fundamental for scientific thinking about nature, especially in biology, despite scientific efforts to abstract from it. Together these arguments amplify, within science itself, Husserl’s and Merleau-Ponty’s point that life, as intrinsically involving affect, is a transcendental condition of science. (shrink)

This article considers the simultaneously passive and active character of moods (Stimmungen) in Heidegger, focussing on two different periods of his thought: the end of the 1920s and the middle of the 1930s. Through the study of the language used by Heidegger, I show that the ideas of passivity and activity are expressed in three different levels of his description of moods: the more concrete level of one’s experience of a mood, the level of philosophical analysis insofar as it (...) is based on moods and deals with moods, and the transcendental or constitutive level of experience. Moreover, I show that in each of these levels passivity and activity are constitutively intertwined and that Heidegger’s conception of moods both in the 1920s and the 1930s can only be understood if we take into consideration the three levels and the way each of them is characterized by both passivity and activity. (shrink)

The aim of this article is to demonstrate the phenomenologically grounded dynamics of hearing and listening as a possible approach to our sonic experience. Its starting point is the studies of contemporary urban spaces devoted to their sonic experience. The results of these studies and their interpretation will serve as a starting point for the introduction of dynamics of hearing and listening. In the next part of this article, I will focus on the elaboration of this relationship with regard to (...) the critique of Husserl’s concept of activity and passivity in his late work Experience and Judgment and Merleau-Ponty’s concept of being-in-the-world. Based on this, in the end, certain common features will be shown, connecting the thematization of activity and passivity with the relationship of hearing and listening. (shrink)

In the early modern period, many authors held that sensation or sensory reception is in some way passive and that perception is in some way active. The notion of a more passive and a more active aspect of perception is already present in Aristotle: the senses receive forms without matter more or less passively, but the “primary sense” also recognizes the salience of present objects. Ibn al-Haytham distinguished “pure sensation” from other aspects of sense perception, achieved by “discernment, inference and (...) recognition,” which included perception of properties such as size and distance as well as similarity, difference, and beauty. Descartes regarded light and color as experiences passively caused in the mind by bodily processes, but he also included distance, perceived through accommodation and convergence, as an immediately caused sensory idea. On the perception side, most theorists held that size and distance perception occurs through unnoticed psychological operations, whether mediated by judgment or associative processes. Association is, in a sense, passive, as it occurs through nonreflective habit formation. But such habits mark a contribution of the subject to perception and are in that way active. The decision of whether sensation and perception are active or passive is highly sensitive to what counts as activity and to what is included as sensation or perception. There is no simple formula, but the generalization that sensation is for the most part passive and perception for the most part active may stand as an imprecise summary of early modern thought on the topic. (shrink)

Cette étude est née de la remarque troublante d’un roman dans lequel un personnage relit Anna Karénine et se rend compte qu’il a tout oublié de sa première lecture : l’histoire, les émotions vécues alors, tout cela paraît n’avoir pas laissé de traces. Je me suis donc interrogée sur la nature de l’expérience esthétique et le type de souvenir qu’elle engendre. Une expé­rience peut-elle ne pas laisser de traces ? mais alors est-elle encore une expérience ? ou bien peut-on envisager (...) des traces qui ne soient pas des souvenirs disponibles, mobilisables à volonté ? et comment alors les conce­voir ? Il s’agissait donc de cerner à la fois le type d’expérience que forme l’expérience esthétique et le type de souvenirs qui s’y constituent. Partant de Husserl, l’analyse a permis de définir l’expérience esthétique comme expé­rience menée dans la neutralité, sur le mode du quasi ; ce faisant cela paraît accréditer la possibilité qu’il n’y ait pas de réels souvenirs mais seulement des quasi-souvenirs. Néanmoins parce que cette thèse reste paradoxale, j’ai cherché le moyen de concilier à la fois la neutralité existentielle de cette expérience dans l’appréhension de l’objet esthétique et la possibilité d’une affection réelle voire d’une transformation en profondeur du sujet. J’ai alors poursuivi l’examen en m’appuyant sur un texte de Roman Ingarden ( Vom Erkennen des literarischen Kunstwerks , § 24) et sur les leçons des synthèses passives de Husserl. L’enjeu de cette recherche engage donc la place et le rôle de l’expérience esthétique dans la constitution de la personnalité. (shrink)

The aim of this dissertation is to defend the view that vision is a noninferential way of acquiring knowledge about what takes place in one's immediate vicinity. This direct approach to vision is opposed to the widely-held Cartesian idea that in perception items of consciousness function as epistemic intermediaries. ;In Chapter One I argue that the content of experience is the same as the content of the judgments we would make on the basis of experience, were we to take experience (...) at face value. The representational content of experience, like that of judgment, is fully conceptual. In Chapter Two I examine and criticize the view that experience has, in addition to representational content, irreducibly subjective, nonconceptual, phenomenal content. ;The upshot of these discussions is that experience is an epistemic notion. To have an experience is not just passively to have sensations; it requires the exercise of understanding. The relation between experience and reality is not causal, but normative: to have an experience is to take things to be some way or other, and how things are gives us reasons for taking them to be that way. In Chapter Three I argue that the Causal Theory of Perception misdescribes the place of causation in an account of perception and that it relies on an unsatisfactory conception of experience. In this connection I evaluate the so-called Argument from Illusion. ;In the remainder of the dissertation I take up a different set of issues. First, I defend the reality of appearances by arguing that how something looks--in particular, what color it is--is a fully mind-independent, higher-order property of the thing. Second, I consider the view that contemporary cognitive theories of vision, which explain vision in terms of inference, computation and construction, pose a threat to direct realism. Against this I argue that computational theories provide abstract characterizations of subpersonal processes which causally enable vision. In particular, they describe these blind causal processes as if they involved inference and construction. But the subpersonal processes subserving vision, while causally important, are themselves epistemically irrelevant. (shrink)

Any attempt to elucidate the nature and mechanism of passivity phenomena, i.e., experiences that one’s conscious actions or thoughts have not been ‘willed’ by oneself, requires an integrative philosophical–neurobiological approach. The model proposed here adopts some fundamental positions that have long been advocated by philosophers and theoretical psychologists and have now found support from functional neuroanatomy. First, we experience our actions not from the standpoint of the executive but through the perception of its effects. Second, the ‘self’ is (...) not an agent of behaviour. Third, behaviour is energised and integrated by basic drives . Fourth, the view that the experience of an acting self is related to drive reduction associated with voluntary actions is perhaps less well developed. The model thus proposes that passivity phenomena are actions that are induced by the perception of salient events but that are not integrated with or conducive to the overall motivational state of the organism. It has been suggested that, following the perception of salient events, competition arises between automatic response tendencies seeking expression. The prefrontal cortex appears to play an important role not only in determining which events are to be perceived but also which of the corresponding response dispositions is to be selected and actualised in overt behaviour. Thus, action selection is the outcome of competition between response tendencies in the context of prefrontal biasing signals that represent drives and strivings for goals. Action selection may be uncoupled from drives and strivings as a result of a lowering of the threshold for action selection—as is suggested to be the case in schizophrenic passivity phenomena—or due to disconnection from prefrontal regions—as may be the case in the alien limb syndrome. (shrink)

Virtual reality (VR) through a head-mounted display (HMD) can provide new experiences. However, it remains unclear how the characteristics of HMDs affect users’ memory. To use HMDs more effectively and appropriately in several applied fields, including education, it is necessary to clarify what characteristics of HMDs affect users’ memory. A head-tracking function mounted on an HMD helps to detect the user’s head direction to enable a simulation experience akin to the real world. When we experience a simulation on an (...) HMD, we actively perceive the visual world. In this study, we assessed how active/passive viewing affects users’ memory of VR content. We conducted a psychological experiment in which participants watched a movie on an HMD. In the active viewing condition, the presented view changed depending on the participant’s head direction. In the passive viewing condition, the presented view was a recorded movie that was shown to the participants in the active viewing condition. All participants took a memory test about the content presented in the movie on the day of viewing and two weeks later. The results showed that performance on the memory test in the active viewing condition was significantly lower than that in the passive viewing condition after two weeks. This result indicated that active viewing in VR inhibited users’ memory compared to passive viewing. The current study contributes to the development of new VR techniques, such as educational learning. (shrink)

Many people have recently argued that we need to distinguish between experiences and seemings and that this has consequences for views about how perception provides evidence. In this article I spell out my take on these issues by doing three things. First, I distinguish between mere sensations like seeing pitch black all around you and perceptual experiences like seeing a red apple. Both have sensory phenomenology in presenting us with sensory qualities like colors, being analog in Dretske's sense, (...) and being fine-grained. However, only the latter have furthermore a perceptual phenomenology characterized by objectification and related dualities of perspectivality/completion and variation/constancy. Second, I elaborate on the reasons for thinking that both mere sensations and perceptual experiences need to be distinguished from accompanying seemings that passively assign things into conceptual categories and thereby tell you something about them. For example, when you look at a red apple and have the relevant recognitional abilities it will also normally seem to you that this is an apple. Finally, I argue that the best version of the popular dogmatist view about evidence is one which claims that it's neither experiences nor seemings by themselves, but rather the right sorts of composites of experiences and seemings that provide evidence. (shrink)

Open peer commentary on the article “Homeostats for the 21st Century? Simulating Ashby Simulating the Brain” by Stefano Franchi. Upshot: Franchi argues that Ashby’s homeostat can be usefully understood as a thought experiment to explore the theory that life is fundamentally heteronomous. While I share Franchi’s interpretation, I disagree that this theory of life is a promising alternative that is at odds with most of the Western philosophical tradition. On the contrary, heteronomy lies at the very core of computationalism, and (...) this is precisely what explains its persistent failure to construct life-like agents. (shrink)

Grodzinsky's general approach to the neuroscience of language is interesting, but the evidence currently available has problems with pragmatic infelicity in experiments involving Japanese scrambling and the interpretation of experimental results on Japanese indirect passives. I will suggest a more direct way of testing the Trace-Deletion Hypothesis (TDH).

Both Schelling and Husserl reveal that any attempt to ground objective cognition in subjectivity would encounter the problem of constitution of original experience. They also endorse similar solutions to this very problem. The constitution of original experience is depicted as passive synthesis, i. e., it is the pre-conscious activity of the original ‘I’ (Ur-Ich). However, unlike Schelling’s interpretation of passive synthesis, understood as a theory of quasi-conscious willing (Wollen), Husserl relocates passive synthesis in the transition from instinct to habituality. The (...) constitution of original experience, as well as the activity of the original ‘I’, uncovers the dynamic structure of Being. Owing to this, transcendental philosophy must become a transcendental ontology. (shrink)

It is an intimate experience for us to think, to understand and to perceive things as being identical to themselves, and to suppose, consequently, that things are truly “what” they are. Something is always conceived as itself. The given is given full of itself in all its modifications. For instance, I can think or perceive partially some lips, I can see them almost in their whole or in some of their aspects, or just see them disappear. But it does not (...) seem to be possible to think or to perceive a given as almost itself, as an aspect or as part of itself. It is the aim of this work to study the assumptions and conditions for the original position of sameness in experience, just as it occurs in the synthesis of the datum singular and distinct. The polarization of single tone (einstimmig) intentional rays in an αvτó already contains the aporiae peculiar to the experience of the identical, whose revelation shall lead us, on the one hand, to one of the nuclei of the analysis of passive synthesis, and, on the other hand, to point up how critical revision of the numerical or extensional model of self-identity is for the unity of meaning. Then, it will be a question of pointing out the reasons why in a phenomenology of identity, the renunciation of the phenomenological legitimacy of the αvτó as a guarantee for the different positions of identity must be observed. DOI: 10.1007/978-94-011-3464-4_13 . (shrink)

Elsewhere I have suggested that the B-theory includes a notion of passage, by virtue of including succession. Here, I provide further support for that claim by showing that uncontroversial elements of the B-theory straightforwardly ground a veridical sense of passage. First, I argue that the B-theory predicts that subjects of experience have a sense of passivity with respect to time that they do not have with respect to space, which they are right to have, even according to the B-theory. (...) I then ask what else might be involved in our experience of time as passing that is not yet vindicated by the B-theoretic conception. I examine a recent B-theoretic explanation of our ‘illusory’ sense of passage, by Robin Le Poidevin, and argue that it explains away too much: our perception of succession poses no more of a problem on the B-theory than it does on other theories of time. Finally, I respond to an objection by Oreste Fiocco that a causal account of our sense of passage cannot succeed, because it leaves out the ‘phenomenological novelty’ of each moment. (shrink)

These lectures are the first extensive application of Husserl's newly developed genetic phenomenology to perceptual experience & to the way in which it is connected to judgments & cognition. Students of phenomenology will find this work indispensable.

In the present book, Pauline Phemister argues against traditional Anglo-American interpretations of Leibniz as an idealist who conceives ultimate reality as a plurality of mind-like immaterial beings and for whom physical bodies are ultimately unreal and our perceptions of them illusory. Re-reading the texts without the prior assumption of idealism allows the more material aspects of Leibniz's metaphysics to emerge. Leibniz is found to advance a synthesis of idealism and materialism. His ontology posits indivisible, living, animal-like corporeal substances as the (...) real metaphysical constituents of the universe; his epistemology combines sense-experience and reason; and his ethics fuses confused perceptions and insensible appetites with distinct perceptions and rational choice. In the light of his sustained commitment to the reality of bodies, Phemister re-examines his dynamics, the doctrine of pre-established harmony and his views on freedom. The image of Leibniz as a rationalist philosopher who values activity and reason over passivity and sense-experience is replaced by the one of a philosopher who recognises that, in the created world, there can only be activity if there is also passivity; minds, souls and forms if there is also matter; good if there is evil; perfection if there is imperfection. (shrink)

Abstract:This paper seeks to understand the rise and fall of passive voice in the publications of the Royal Society from 1665 to 2020. Though it came to be seen as the very voice of scientific objectivity, passive voice remained in the clear ascendency for just over a century. The rise of passive voice coincided with the progressively diminished role of an observer who directly apprehends the world through the senses. The recent re-emergence of active voice is more of a puzzle. (...) I argue that the unsettled history of voice reflects the unsettled relationship of science to agency and conscious experience. (shrink)

Upshot: The target article suggested that Ashby’s device, the homeostat, embodies and illustrates a conception of life as a passive-contingent phenomenon. It advocated renewed experiments with updated and extended versions of his device that would allow us to understand better what passive-contingent life “would be like.” In assessing the proposal, we should be particularly careful when dealing with the concept of “passivity,” and we should not mistake the proposed theoretical exploration for a substantial metaphysical thesis about life in general.

Background: Increasing interest in empirical ethics has enhanced understanding of healthcare professionals’ ethical problems and attendant decision-making. A four-stage decision-making model involving ethical attention, reasoning, intention and action offers further insights into how more than reasoning alone may contribute to decision-making.Aims: To explore how the four-stage model can increase understanding of decision-making in healthcare and describe the decision-making of an under-researched professional group.Methods: 23 purposively sampled UK community pharmacists were asked, in semi-structured interviews, to describe ethical problems in their work (...) and how they were resolved. Framework analysis of transcribed interviews utilised the four decision-making stages, together with constant comparative methods and deviant-case analysis.Results: Pharmacists were often inattentive and constructed problems in legal terms. Ethical reasoning was limited, but examples of appeals to consequences, the golden rule, religious faith and common-sense experience emerged. Ethical intention was compromised by frequent concern about legal prosecution. Ethical inaction was common, typified by pharmacists’ failure to report healthcare professionals’ bad practices, and ethical passivity emerged to describe these negative examples of the four decision-making stages. Pharmacists occasionally described more ethically active decision-making, but this often involved ethical uncertainty.Discussion: The four decision-making stages are a useful tool in considering how healthcare professionals try to resolve ethical problems in practice. They reveal processes often ignored in normative theories, and their recognition and the emergence of ethical passivity indicates the complexity of decision-making in practice. Ethical passivity may be deleterious to patients’ welfare, and concerns emerge about improving pharmacists’ ethical training and promoting ethical awareness and responsibility. (shrink)

Maximus the Confessor distinguishes three stages in the spiritual becoming of man: vita passibilis i.e. the way of life in that man is living under the reign of the bodily passions, apatheia as state of liberation from the reign of the lower passions, and vita passiva as modus vivendi in which the human makes the personal experience of the revelation and the presence of God. Thereby being man means according to Maximus suffering under the rule of someone - divine or (...) demonic - or something. The human condition is especially passive. Even contemplation (theōria) becomes in this approach a kind of passion: the passive experience of the presence of God. Although there is an old tradition in the classical Greek culture concerning the equivalency mathein-pathein (from Aeschylus to Aristotle and until Neo-Platonist thinkers like Proclus) which is received in the Christian tradition first of all by Denys the Areopagite, Maximus the Confessor is one of the first Christian theologians who tries to reconstruct the classical conception concerning the typology of the human ways of life (vita activa-vita contemplativa) as being based on passion: passion of lower impulses, passion of the demonic temptations and sins, but also passion of the overwhelming divine presence. Man can only lead a passionate life as slave of the lower passions (pathēmata) and as such of the devil or as slave of God in the Holy Spirit. (shrink)

The increasing availability of passively observed data has yielded a growing interest in “data fusion” methods, which involve merging data from observational and experimental sources to draw causal conclusions. Such methods often require a precarious tradeoff between the unknown bias in the observational dataset and the often-large variance in the experimental dataset. We propose an alternative approach, which avoids this tradeoff: rather than using observational data for inference, we use it to design a more efficient experiment. We consider the case (...) of a stratified experiment with a binary outcome and suppose pilot estimates for the stratum potential outcome variances can be obtained from the observational study. We extend existing results to generate confidence sets for these variances, while accounting for the possibility of unmeasured confounding. Then, we pose the experimental design problem as a regret minimization problem subject to the constraints imposed by our confidence sets. We show that this problem can be converted into a concave maximization and solved using conventional methods. Finally, we demonstrate the practical utility of our methods using data from the Women’s Health Initiative. (shrink)

Referring to a passage from Blanchot’s novel Thomas l’Obscure, the paper questions the clear contours between literature and philosophy as disciplines. The point where the clear distinction breaks down is the phenomenon of reading. In a decisive moment of each authentic reading, the author tries to introduce a “phenomenology of reading”, in which we ourselves as readers are being transformed to the ones who are read. Light, truth, clarity – all these are notions, which in Blanchot are opposed by (...) class='Hi'>passivity, night, and absence. Underlined in particular is the absence of meaning, of any light in perpetuated occidental theoretical discourse, which is nothing more than one’s apology of oneself. Not to betray Blanchot means to abandon pure commentaries of his philosophy and to find another ways of its interpretation. Thus the questions of reading, interpretation, and translation might become the questions of life and death. To articulate this alternative approach is one of the aims of the paper. (shrink)

Voices are a complex and rich acoustic signal processed in an extensive cortical brain network. Specialized regions within this network support voice perception and production and may be differentially affected in pathological voice processing. For example, the experience of hallucinating voices has been linked to hyperactivity in temporal and extra-temporal voice areas, possibly extending into regions associated with vocalization. Predominant self-monitoring hypotheses ascribe a primary role of voice production regions to auditory verbal hallucinations. Alternative postulations view a generalized perceptual salience (...) bias as causal to AVH. These theories are not mutually exclusive as both ascribe the emergence and phenomenology of AVH to unbalanced top-down and bottom-up signal processing. The focus of the current study was to investigate the neurocognitive mechanisms underlying predisposition brain states for emergent hallucinations, detached from the effects of inner speech. Using the temporal voice area localizer task, we explored putative hypersalient responses to passively presented sounds in relation to hallucination proneness. Furthermore, to avoid confounds commonly found in in clinical samples, we employed the Launay-Slade Hallucination Scale for the quantification of HP levels in healthy people across an experiential continuum spanning the general population. We report increased activation in the right posterior superior temporal gyrus during the perception of voice features that positively correlates with increased HP scores. In line with prior results, we propose that this right-lateralized pSTG activation might indicate early hypersensitivity to acoustic features coding speaker identity that extends beyond own voice production to perception in healthy participants prone to experience AVH. (shrink)

There has recently been emphasis put on providing two-factor accounts of monothematic delusions. Such accounts would explain (1) whether a delusional hypothesis (e.g. someone else is inserting thoughts into my mind) can be understood as a prima facie reasonable response to an experience and (2) why such a delusional hypothesis is believed and maintained given its implausibility and evidence against it. I argue that if we are to avoid obfuscating the cognitive mechanisms involved in monothematic delusion formation we should split (...) the first factor (1 above) into two factors: how abnormal experience can give rise to a delusional ‘proto-hypothesis’ and how a ‘proto-hypothesis’ in consort with normal experiences and background information, can be developed into a delusional hypothesis. In particular I will argue that a schizophrenic is faced with the unusual requirement of having to identify an introspectively accessible thought as one's own, and that this requirement of identification is the central experiential abnormality of thought insertion, auditory verbal hallucination, and alien control (i.e. passivity symptoms). Additionally, I will consider non-experiential factors which are required for the formation of a delusional hypothesis. (shrink)

A passive brain–computer interface based upon functional near-infrared spectroscopy brain signals is used for earlier detection of human drowsiness during driving tasks. This BCI modality acquired hemodynamic signals of 13 healthy subjects from the right dorsolateral prefrontal cortex of the brain. Drowsiness activity is recorded using a continuous-wave fNIRS system and eight channels over the right DPFC. During the experiment, sleep-deprived subjects drove a vehicle in a driving simulator while their cerebral oxygen regulation state was continuously measured. Vector phase analysis (...) was used as a classifier to detect drowsiness state along with sleep stage-based threshold criteria. Extensive training and testing with various feature sets and classifiers are done to justify the adaptation of threshold criteria for any subject without requiring recalibration. Three statistical features along with six VPA features were used. The average accuracies for the five classifiers are 90.9% for discriminant analysis, 92.5% for support vector machines, 92.3% for nearest neighbors, 92.4% for both decision trees, and ensembles over all subjects’ data. Trajectory slopes of CORE vector magnitude and angle: m and m are the best-performing features, along with ensemble classifier with the highest accuracy of 95.3% and minimum computation time of 40 ms. The statistical significance of the results is validated with a p-value of less than 0.05. The proposed passive BCI scheme demonstrates a promising technique for online drowsiness detection using VPA along with sleep stage classification. (shrink)

Le dedans intentionnel (das intentionnale Innen) est en même temps le dehors (Aussen). (E. Husserl, Intentionnalité et être-au-monde, Hua. XV, p. 549-556 (§ 8), tr. fr. in D. Janicaud (éd.), L?intentionnalité en question entre phénoménologie et recherches cognitives, Paris, Vrin, p. 145.) En introduisant l?enracinement de l?expérience (et surtout de la logique) dans « le sol universel du monde », Husserl affirme, de façon très claire, dans Expérience et jugement , que « toute saisie d?objet singulier et toute activité ultérieure (...) de connaissance se jouent sur le sol du monde, ce fait indique quelque chose de plus que le caractère qu?a cette activité d?être dirigée vers le domaine de ce qui est pré-donné dans la certitude passive » 1 . Ensuite, Husserl s?exprime ? en italiques ? de façon bien plus nette, comme s?il voulait formuler une sorte de principe : « Toute expérience a son horizon propre » 2 . Lorsqu?on travaille en phénoménologie au décryptage des structures qui président à notre approche à la phénoménalité, on est toujours constitu­tivement appelé à se placer à un méta-niveau, consistant dans la réflexion spéculative sur la phénoménologie, c?est-à-dire sur ses points problématiques fondamentaux et sur ses principes de base. Cela équivaut à affirmer que l?approche descriptive de la phénoménologie doit toujours être implémentée, malgré nos penchants pour la description pure. (shrink)

U tekstu se polazi od problemske konstatacije prema kojoj je kapitalizam kao način života toliko postao dominantan da sustavno prožima cjelokupno vrijeme pojedinca, i radno i slobodno vrijeme. Dakle, sustav je čovjekovo vrijeme u totalu stavio u zavjetrinu ekonomije. I njime upravlja i vlada .Dalje se u tekstu postavlja pitanje koliko će još proći »vremena da se deblokiraju potencijali čovjekove prirode zapreteni u ekonomiji slobodnog vremena« . U suprotnom »svaki napredak u proizvodnji s pasivnom proizvođačkom klasom može samo pospješiti izdvajanje (...) i jačanje nove gornje klase« . Tako nastaje dublja problemska situacija u kojoj se pojedinci pretvaraju u pasivne grupe i društvene zajednice i time cijelo društvo čine pasivnim i osrednjim.Rješenje se, prema Supeku, nalazi u izoštravanju »samosvijesti građanina« kojom bi se uspješno otklanjala pasivnost i nekritičnost čovjekove svijesti. Cijeli bi se taj proces mogao razvijati iz temeljne »usamljenosti« građanina, koja pretpostavlja sigurnu distancu od tržišnog konzumerizma. Samosvijest nastala usred vlastite usamljenosti, tj. usred kritičkog odmaka od svakodnevice, bila bi osnažena i kritički otvorena prema sebi i prema sredini u kojoj živi. I tada bi mogla »djelovati kako hoće«, a ne kako je diktirano odozgor.Ta temeljna i kritički distancirana usamljenost građanina razumijevala bi se kao kvalitetno novo iskustvo vremena u neovisnom i autonomnom prostoru slobode u kojem se konačno može ostvariti vlastito slobodno vrijeme bitno drugačije od pasivne besposlice.The initial concept of this text is the problem conclusion which claims that capitalism as a way of life has become so dominant that it systematically permeates the individual’s complete time, their working hours as well as their free time. In other words, man’s free time has been overtaken by the system and completely subjected to economy. And it is run by the government .Further in the text a question arises: How long “will it take to deliver the potentials of human nature which are entwined in the economy of free time” . Otherwise “every progress that is made in production using passive production classes can only help facilitate the separation and strengthening of the new upper class” . This leads to a deeper problem situation in which individuals are being turned into passive groups and social communities, which makes the entire society passive and mediocre.According to Supek, the solution is in sharpening the “citizens’ self-consciousness”, which could bring success in removing passivity and non-critical human consciousness. The entire process could be developed from the foundational “loneliness” of the citizen, which implies a safe distance from market consumerism. Self-consciousness, caused by personal loneliness, i.e., critical detachment from everyday life, would be strengthened and critically open toward itself and the society in which the person lives. And then it would be able to “do as it pleased”, and not as it has been ordered from a higher instance.This foundational and critically detached loneliness of citizens could be understood as a good and fresh experience of time in an independent and autonomous space of freedom, where a person could finally be able to achieve their own free time in a way that is largely different than just mere passive doing nothing. (shrink)

This paper aims to pay tribute to Figal’s comprehensive and innovative analysis of the artwork and beauty, while challenging both his realist position on the immediacy of meaning and his monist stance that reduces sublimity to beauty. To enquire into the origin of aesthetic feelings and sense, and thus, to break the hermeneutic circle, we first trace the origin of this reduction to the reception of Burke’s concept of the sublime by Mendelssohn and Kant. We then recur to Husserl and (...) Dufrenne to trace the origin of the sense of the feeling of sublimity in the realm of affectivity or sensuousness. This genesis takes place in passive experience, where we identify an excess of sensuous sense over categorial meaning that is constitutive of the affective sense that our bodily sensations give to hyletic material. It is argued that this sensuous excess evokes a sublime experience in the phenomenological sense, involving an affective and disruptive bodily experience and an endless process of sense formation. Affective or sensuous sense is thus an event that irreversibly affects the bodily surface. To elucidate this phenomenon, we draw on the theoretical framework of Breton and Bataille, positing it as a form-transgressive ‘convulsive’ sublime, which we then illustrate in the architectural works of Tschumi and Eisenman. In short, we have retrieved the origin of aesthetic experience and redefined the feeling of the sublime as a phenomenological ‘convulsive’ sublimity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Experience or Interpretation:"What You See Is Not What You Read"Klaus OttmannMuseums of modern and contemporary art are growing at an unprecedented rate. New museums are being founded and existing ones are expanding exhibition spaces and acquiring more and more works of art. Concurrently, cultural institutions compete with a growing number of art fairs, biennials, galleries, and public collection spaces.Since the 1980s the focus of museums increasingly has been on (...) education and interpretation, which among other things has created a boom for audio guides and scholarly exhibition catalogs at the expense of the unmediated experience of works of art. Perhaps what is needed are exhibitions that present art again primarily as "experience," with minimal curatorial and didactic intervention. [End Page 13]I have borrowed the title of my essay from a lecture that was given by Nicolas Serota, the director of the Tate galleries in London, in 1996. His lecture was subtitled "The Dilemma of Museums of Modern Art."But the question of the presentation of art, and specifically, that of experience vs. interpretation, by no means originated in the last decades. It is at least as old a question as modern art itself, going as far back as the nineteenth-century French intellectual dispute on the museum between the poet Paul Valéry and the novelist Marcel Proust, as recounted with a sympathetic voice by the German philosopher and cultural critic Theodor Adorno in a short essay with the minimalist title "Valéry Proust Museum."There is much to be learned from reading this small text. Paul Valéry criticized the museum of his time (the Louvre) for creating confusion in the mind of the spectator by reducing the experience to the level of information only. No one would want to listen to ten orchestras at once, he argued, yet we are forced to apprehend, at the same moment, a seascape, a portrait, and a still-life, or worse, painting styles completely incompatible with each other. He warned that excess of information would lead to impoverishment of the senses, as art was becoming a matter of education. Valéry's view could be regarded as the conservative position.Marcel Proust's view was more modernist: he regarded the museum as the best place to view art. Devoid of décor and other commonplace distractions, its galleries symbolized for him the inner spaces into which the artist withdraws to create works of art.Both Valéry and Proust emphasized that art should be enjoyed. But while for Valéry art lost its vitality in the museum and effectively "died," Proust saw an afterlife of art in the museum and in the subjective stream of consciousness of the viewer.For Adorno, both views were too one-sided and extreme. Valéry's absolute unwavering contemplation of pure art takes the risk of neutralization, unless the work can point beyond itself toward a social context. Thus, a work of art is neither an embodiment of a Platonic idea, as Valéry believed, nor is it exclusively a reflection of the soul, as Proust understood it. Rather, in Adorno's view, art is a "force field" between the art and the viewer, both passive and active.In his 1931 lectures on "Art as Experience," the American philosopher John Dewey said:The trouble with existing theories [of art] is that they start from ready-made compartmentalization, or from a conception of art that "spiritualizes" it out of connection with the objects of concrete experience. The alternative, however, to such spiritualization is not a degrading... materialization of works of fine art, but a conception that discloses the way in which these works idealize qualities found in common experience.1 [End Page 14]In my book The Genius Decision: The Extraordinary and the Postmodern Condition, I describe the creative act as an active-passive leap that the artist is impelled to make and the viewer is challenged to repeat.Wittgenstein often spoke about the inexpressible, that which is beyond the limits of language. He called it "running against the boundaries of language." It is something any poet, musician, or painter is familiar with; they all run against boundaries of language, sound, or color... (shrink)

All accounts of language acquisition agree that, by around age 4, children’s knowledge of grammatical constructions is abstract, rather than tied solely to individual lexical items. The aim of the present research was to investigate, focusing on the passive, whether children’s and adults’ performance is additionally semantically constrained, varying according to the distance between the semantics of the verb and those of the construction. In a forced‐choice pointing study (Experiment 1), both 4‐ to 6‐year olds (N = 60) and adults (...) (N = 60) showed support for the prediction of this semantic construction prototype account of an interaction such that the observed disadvantage for passives as compared to actives (i.e., fewer correct points/longer reaction time) was greater for experiencer‐theme verbs than for agent‐patient and theme‐experiencer verbs (e.g., Bob was seen/hit/frightened by Wendy). Similarly, in a production/priming study (Experiment 2), both 4‐ to 6‐year olds (N = 60) and adults (N = 60) produced fewer passives for experiencer‐theme verbs than for agent‐patient/theme‐experiencer verbs. We conclude that these findings are difficult to explain under accounts based on the notion of A(rgument) movement or of a monostratal, semantics‐free, level of syntax, and instead necessitate some form of semantic construction prototype account. (shrink)

This book is a good example of Husserl’s phenomenology at work. It contains three parts, each filled with interesting analyses. Part One examines prepredicative experience and describes how certain aspects come to prominence against others, how similarities arise, how a prepredicative sense of attribution occurs. It discusses the difference between the ego’s being affected and his act of attention, explores prepredicative modalities, and the elementary state of relations in experience. In Part Two Husserl moves to explicit predication as his theme, (...) shows how it differs from the passivity that underlies it, explores relations, predicates and sets, and several dimensions to be found in categorial objectivities: states of affairs, propositions, core-forms, modalities, and affair-complexes. The theme of temporality is often mentioned in Parts One and Two. In Part Three the problem of different kinds of generalities is examined. Husserl distinguishes associative similarities, empirical essences, and pure essences. He describes the different kinds of subsumptions or relations to individuals that such generalities permit. In this book Husserl fills out some of the terse analyses of Formal and Transcendental Logic. It was edited for style by Ludwig Landgrebe, and so is more relaxed in expression than Husserl’s other works. The translation is easy to read and proved accurate in places where I compared it to the German. However on page 208, line 13, "this synthesis" should, I think, be "this unity," and on line 16, "they" should be "it." The emendation made on page 325 seems incorrect. Evidenz is translated by "self-evidence," but perhaps "evidence" would be better if it is understood that Husserl gives a special meaning to the term. In his Afterword, Eley uses themes from Kant, Hegel, Heidegger and Lorenzen to criticize Husserl’s attempt to get beyond language in the description of experience.—R.S. (shrink)

Thought experiments are fictional narratives that widen our cognitive horizons both in the sciences and in philosophy. In the present paper we argue that they can perform this function by bringing one’s perspective into view. Despite being traditionally conceived as devices that transmit true propositions to their readers, thought experiments are also particularly apt to express a specific theoretical perspective through the use of imagination. We suggest that this is a significant epistemic feature that is often overlooked in the debate. (...) After presenting our analysis of thought experiments (Section 2) and of the role that imagination plays in them (Section 3), we revisit Galileo Galilei’s use of imaginary cases in light of our account (Section 4). We show that the main aims of Galileo’s thought experiments are to highlight how different perspectives endorsed by fictional characters affect imagination and to invite readers to actively engage in perspectives that are different from their own. This results in a clash of perspectives which plays a crucial epistemic role (Section 5). Readers of thought experiments do not passively absorb information, but critically assess the other’s perspective. In the final part of the paper, we individuate different ways in which readers can react to thought experiments. (shrink)

Research suggests that perceptual experience of our movements adapts together with movement control when we are the agents of our actions. Is this agency critical for perceptual and motor adaptation? We had participants view cursor feedback during elbow extension–flexion movements when they actively moved their arm, or had their arm passively moved. We probed adaptation of movement perception by having participants report the reversal point of their unseen movement. We probed adaptation of movement control by having them aim to a (...) target. Perception and control of active movement were influenced by both types of exposure, although adaptation was stronger following active exposure. Furthermore, both types of exposure led to a change in the perception of passive movements. Our findings support the notion that perception and control adapt together, and they suggest that some adaptation is due to recalibrated proprioception that arises independently of active engagement with the environment. (shrink)

If a certain primacy of possibility (existential possibility or egological potentiality) can be acknowledged in both Husserl and Heidegger, the French reception of phenomenology deploys one of its important means of accomplishing its radicalization gesture by putting forward the experiences of the impossible, as the case of Michel Henry and of Jean-Luc Marion shows. Michel Henry elaborates a radicalized phenomenology, which deals with the radical immanence of life, whose passivity and finitude reveal an impossibility that only an infinite, (...) absolute Life can overcome. For Jean-Luc Marion, the givenness of the phenomenon discloses its extreme possibility, that of its saturation, which makes its subjective constitution impossible and paves the way for the phenomenological possibility of divine revelation. Our inquiry attempts to show that both these endeavours can be ultimately regarded as radicalizations of the finitude of the living (or human) being. (shrink)

최근 현상학과 인지과학의 학제적 융합을 시도하는 연구들이 늘어나고 있다. 이 연구들 중 대부분은 메를로 퐁티나 하이데거의 현상학을 인지과학의 철학적 토대로 인용하고 있다. 상대적으로 현상학의 창시자인 에드문트 후설의 현상학을 생물학이나 신경과학 등과 연결하여 인지현상학(cognitive phenomenology)의 학문적 가능성을 연구하는 것에는 다소 인색한 편이다. 이러한 경향은 후설의 현상학을 1인칭의 자서전적인 현상학으로 규정하는데서 비롯된 것이다. 후설의 현상학을 의식으로 환원해 들어가는 일종의 내재주의 혹은 내성철학으로 성급하게 재단하는 데 익숙하기 때문이다.BR 후설의 현상학에 대한 이러한 평가를 논거로 하여, 바렐라(F. Varela)와 데넷(D. Dennett)은 후설의 현상학을 인지과학과 - 방법론적으로든 (...) 내용적으로든 - 연결할 수 있는 고리를 확인하기 힘들다고 주장한다. 그들은 후설의 현상학을 1인칭의 자기(auto)현상학 혹은 유아론으로 규정한다. 이들은 후설의 현상학을 ‘안’의 현상학으로 규정하여, 타 학문, 특히 인지과학과의 연결을 원천적으로 봉쇄하는 자의적인 전략에 익숙해져 있다.BR 본 연구는 후설의 현상학을 1인칭의 ‘안’의 현상학으로 규정하지 않는다. 초기의 이러한 입장이 후기의 발생적 현상학으로 가면서 현상학 자체가 자연화된다. 이 자연화의 과정을 통해 심리학이나 생물학과 연결할 수 있는 고리를 형성한다. 이 고리는 체화된 마음으로서의 몸이다. 몸은 메를로 퐁티에 의해 더욱 구체화되기 이전 후설의 후기 사상의 핵심적인 주제로 등장한다. 고전적 인지과학이 극복할 수 없었던 의식과 인지의 간극을 메울 수 있는 접점이 후설 현상학의 주제들 속에서 발견된다. 본 연구는 ‘수동적 지향성’(passive intentionality)을 통로로 후설의 현상학과 인지과학이 상호 협력 혹은 상호제약할 수 있는 가능성을 검토한다.BR 본 연구는 후설의 현상학이 안의 현상학으로부터 바깥의 현상학으로 전개되어 가는 과정을 검토함으로써 인지현상학의 가능성을 검토한다. 이러한 연구의 배경은 후설의 현상학과 인지과학의 간극을 메우려는 긍정적인 연구들이다. 특히 갤러거(S. Gallagher)와 자하비(D. Zahavi) 그리고 톰슨(E. Thompson)의 연구가 대표적이다. 톰슨은 바렐라와 로쉬와 공동저술한 책(THE EMBODIED MIND: COGNITIVE SCIENCE AND HUMAN EXPERIENCE, 1991)에서는 후설의 현상학을 유아론으로 규정했다. 하지만 바렐라와 공동으로 저술하던 중 바렐라가 갑자기 세상을 떠나는 바람에, 결국 16년 후 톰슨 개인의 저술로 발표한 책(MIND IN LIFE, Biology, phenomenology, and the Science of Mind)에서는 후설을 유아론으로 비판하고, 그 대안으로 불교와 인지과학의 학제적 연대의 가능성을 연구했던 이전의 책에서와는 전혀 다른 입장을 취한다. 톰슨은 후설 현상학, 특히 후기 발생적 현상학의 주제들인 몸, 습관, 상호주관성이론, 생활세계 등에 대한 분석을 통해 신경현상학의 길을 열어 놓고 있다. 본 연구는 이러한 최근의 학문적 동향을 고려하면서, 후설의 발생적 현상학에 방점을 두어 인지과학과의 학제적 연대를 긍정적으로 검토할 것이다. (shrink)