In his new book, La société automatique, Bernard Stiegler departs from a philosophical tradition that opposes autonomy and automatization so as to position automatization at the core of biological, social, and technical forms of life. Responding to the rise of the digital—as the increasing automatization of processes of selection through computational means—Stiegler’s project challenges us to recognize contemporary life as automatic. This shift in approach inevitably recalibrates the ontogenetic grounds of contemporary culture, and necessitates a reconsideration of sociocultural practices from (...) the standpoint of the digital modes of algorithmic existence that are enacted within our midst. -/- Anaïs Nony: Thank you very much, Bernard Stiegler, for having me in Paris today, in your Institute for Research and Innovation. You just finished a new book titled La société automatique. Can you explain what you mean by “automatic society,” and especially that element of it that refers to the self, autos (αὐτός) in Greek? What does it mean to apply this concept to the social order? -/- Bernard Stiegler: Thank you for these questions. First I must say that what I call automatic society is produced by the technology of automatism that is digital technology. (shrink)

Western countries are ignorant of true Islamic values, says Nonie Darwish. Darwish is an Egyptian-American, former-Muslim human rights activist who is frustrated with mainstream America's talk of tolerance and assimilation. In Wholly Different, Darwish sets non-Muslims straight about tenets of Islam that are incompatible with free society. For the first time, Darwish tells the whole story of her personal break with Islam, starting with the brutal physical violence and rigid class system she witnessed and culminating with the spine-tingling visit (...) she received from President Nasser after her father, fedayeen commander Mustafa Hayez, was assassinated by Israeli Defense Forces. She lays out the "seventh-century values" of Islam that religious extremists are so intent on protecting through global warfare values that set Islam apart from the other Abrahamic religions." --Publisher's description. (shrink)

In this book, the author explores how video-image technology shapes our psychic and social environments from an art historiographical perspective. We know media technology is dramatically shaping our political and epistemological landscape: this book foregrounds the emergence of performative video images as a key factor in the revaluation of culture and politics. -/- Performative Images draws upon the work of video artists and activists in France between the 1970s and the early 2020s and focuses on significant practices with technology. Video (...) art and video activism are analysed together in the book to revaluate key concepts in media studies and foreground a performative approach to the theory of image technology. -/- The book engages works in visual culture, performance studies, digital studies, critical race theory, and feminist methodologies to account for the changes brought about by video technology in social and psychic life. Performative Images is about art and activists’ engagement in video technology—an engagement that unsettles the hegemonic narrative of dominant media, as well as the apparently politically neutral dimension of communication technology. (shrink)

Responding to the power of algorithms to operate within our daily lives, this article proposes to think of our contemporary moment as that of a society of preemption. Preemption defines the action of taking away something before an opportunity emerges or is actualized. By coupling anticipatory algorithms and preemptive technologies—like the premeditation of future events prior to their occurrence, as exemplified in popular culture by Minority Report (Massumi, Hansen)—state apparatuses force upon their subjects a modality of control that forestalls behaviors (...) according to a massive system of data-mining and digital profiling. In this society of preemption, data are not simply voluntary exteriorized onto technical supplements (Stiegler); they are extracted from individuals by devices that preempt events and program behavior. Such a society calls for a noopolitics of the milieu, a politics that focuses on the relation between psychic and collective individuals. Whereas noopolitics has mainly been understood as a pejorative term for the hegemonic operations of power on knowledge production (Lazzarato, Terranova, Hauptmann), this article proposes a more nuanced definition of noopolitics, reconceptualized from a power that controls to a power that operates on people’s memory, behaviors, and desire. Such a noopolitics takes place in a milieu (Canguilhem, Simondon) whose relational ontology and technicity now crucially address today’s society of preemption. (shrink)

This article draws on Bernard Stiegler and Gilbert Simondon’s work to further interrogate the psychic, social, and political problems raised by the development of Artificial Intelligence. Stiegler’s political philosophy of time-consciousness reveals three concomitants urgencies: human memory is conditioned by industrial supplements that are increasingly disruptive, capitalism has produced an entropic condition where life on earth is threaten by toxic systems, the deployment of technologies of spirits has striped individuals of their psychic and collective individuation. I read media theory along (...) with Simondon’s philosophy to elucidate the question of mediation in today’s reticulated AI-driven society. (shrink)

To Stiegler’s notion of pansable (curable), one might also need to add that penser (to think) relates to the Latin penso, the frequentative of pendo, to hang, suspend. The pansable (that which can be healed) is as much the pensable (that which can be thought) and the suspensible (that which can be hung). Stiegler’s final act revealed that which was always already there: an unhealed pharmacological shadow that preceded him. While he entered philosophy with the argument of technics as the (...) impensé (unthought) of continental philosophy, he concluded in a final acting out, an impansable (uncurable) that ended his life. He, who believed that life is about cultivating rêveries and protentions capable of promise. Protention means both a capacity to invent and an ability to project oneself into the future through the practice of imagination and desire. He, who pondered about the retentions we have and the various forms of memory they take, and how to make them become the true modes of being-in-the-world. I know now that his fatal transgression is as much an accident as a departure, an emotional ceasefire and a bifurcative ending. Somehow, he found a way to remain faithful to the originary beginning of his thinking in act. (shrink)

Prior to being a body present in time, the Other is a mountainous relief in the landscape of a common world, a perspective shape that the “I” chooses to welcome or not. This relief—if it has often been considered from the point of view of an authority deciding where It should stand—will become, we hope, the possible zone of an encounter. When this relief comes out of the ground and enters the world, when the Other becomes simultaneously something that feels (...) and is felt, its expression opens up to become a zone of contact, a mobile and permeable layer of exchange. In this surrounding zone, the Other strips and exposes itself as evanescence. It is this unattainable geometric point that inscribes an atmospheric change by its presence: tempest, thunder, earthquake, but also heat, humidity, and evaporation. The Other is an organic sounding board reflecting our modes of being together. It is this person— per-sonare—through which the world resonates, who transforms, in the same fashion, the thermal sensations into energizing transfers, into dynamic emotions. A sensorial choice is always inscribed at the threshold of an encounter. (shrink)

AI-powered technology can both promote accuracy and hide the standards of measurement and circulation of information. It can also produce models that are opaque and hard to access. As such, the new paradigm of AI asks to pounder about societal values and sets of priorities we want to promote, especially as these technologies are further deployed in times of warfare. The systemic tracking of people’s life and the opaqueness of the models designate a new paradigm in the formation of truth, (...) as censorship is enabled on a new scale. (shrink)

This article reevaluates the historical conditions of the concomitant rise of computational systems and DNA-coding in the 1950s and addresses the implementation of behavioral psychology and cybernetic technologies of control after the Second World War. From this historical perspective, this article interrogates the intersectional relation that automatic systems of control share with models of segregation and structures of knowledge oppression. It engages with the work of French philosopher Gilbert Simondon and poses Simondon’s cybernetic theory as an opportunity to question systems (...) of knowledge imposed on ontological domains. Finally, it reveals how cybernetics reproduces a model of cultural understanding based on exclusion/inclusion and addresses the difficulty of creating new critical paradigms from within the informational technologies of neo-colonial episteme. -/- Too often, technologies of scientific knowledge such as machine learning and informational networks are used as alibi for the imple- mentation of neo-colonial values that dictate the epistemological trajectory of societies. Scientific projects that, for example, promote the testing of pharmaceuticals on individuals in third world countries privilege beings based on categorical understandings of race, class, gender, and ability. Such projects not only legitimize structural hierarchies among subjects, as seen in the use of cephalometric technologies in imperial systems of exploration; they also sustain the cultural framework of values that segregate collective beings on a global scale. (shrink)

This issue is devoted to a nootechnics of the digital, which defines the importance given to both life and thought in the technogenesis of objects (both artefac- tual and technical). If the ontogenesis once resided in the relation between form and matter, we are now moving toward the question of a nootechno- genesis that resides in the relation between noos and techné. Nootechnogene- sis does not separate the emergence of technics and life. Instead, it offers a mode for thinking about (...) the genesis of both noos (intuition, intelligence, flair, intention) and techné (technique, craft, art) as the condition and the conse- quence of our cultural condition, of our ability to mediate and negotiate dif- ferent realms of reality. Nootechnics refers to the psycho-cultural practices of care and empowerment. It supposes the wiring of a transductive unity between beings and technical objects. This transductive unity is what allows noos and techné to operate in a relational mediation toward one another and to restructure the dynamic relations between elements within a system. For that matter, nootechnics refers to care and empowerment as structural oper- ations; they promote a relational ontology of mediation needed to implement changes. (shrink)

Ce numéro spécial de La Deleuziana est né d’une indignation à l’encontre de notre situation politique actuelle dans laquelle notre responsabilité d’êtres vivants partageant une planète commune est en proie à un manque cruel de soin à l’égard des autres. La notion de désir comme puissance de vie et force de création à la source de toute invention possible ainsi que de renouvellement de l’ordre établi s’est vite imposée à nous comme une nécessité théorique et pratique. Pourtant, le désir est (...) ce qui aujourd’hui semble aller le moins de soi. Tantôt confisqué par une société de consommation à outrance, relayée par des slogans vulgaires et le jeu des rencontres en ligne, tantôt dévoré par un état généralisé de dépression et d’anxiété qui dégénère dans la passivité voire l’indifférence, le désir prend de plus en plus la forme des personnages beckettiens épuisés. Saisi par l’évidence de sa palpable inefficacité tant théorique que pratique, ce numéro se donne pour objectif de réinvestir la question du désir afin de renouveler la question du vivre ensemble. L’intention initiale était d’analyser l’évolution des pratiques théoriques sur le désir en philosophie contemporaine et en psychanalyse avec une attention particulière portée aux transformations subjectives collectives opérées par les nouvelles technologies numériques. Il s’agissait d’ouvrir la voie à une compréhension du désir qui ne soit plus conçu comme une image (le désir d’être et ses structures d’identifications), ni comme un objet (le désir d’avoir et ses structures d’objectification), mais comme un milieu (le désir et ses dynamiques de relation). En effet, à la suite de Deleuze, nous posons que le désir est intransitif : il ne s’agit pas du désir de quelque chose (génitif objectif), ni du désir de quelqu’un (génitif subjectif). Le désir est un processus qui possède une existence empirique autonome et se réalise dans des entités concrètes. Ce sont ces entités qui bouleversent les milieux du désir. La question devient de savoir ce que serait un milieu désiré, désirant et désirable afin de comprendre ce qui peuple nos modalités d'être au monde. (shrink)

The battlefield of the Anthropocene is a tragic one. It begins at the end. It emerges out of melancholy, in the locality of being not-dead-yet. As an Epoch dating the human impact on earth, the Anthropocene looks like a graveyard-to-come, one in which the story of humankind is writing its own epitaph in real time. The tragedy of our moment, or the tragic moment of our action means having to act despite knowing it is too late, searching for hope in (...) the dark. This tragedy produces the sensation that humankind must necessarily face its own limits. And these limits are telling a story that is not a happy one: we cannot keep up with the pace of such an entropic boneyard. When it comes to the massive eradications of people and species, no one can justify the feelings of sympathy that proliferate against a back- ground of intellectual numbness. The battlefield of the Anthropocene is one that demands action. (shrink)

In Zizek and Politics, Geoff Boucher and Matthew Sharpe go beyond standard introductions to spell out a new approach to reading Zizek, one that can be highly critical as well as deeply appreciative. They show that Zizek has a raft of fundamental positions that enable his theoretical positions to be put to work on practical problems. Explaining these positions with clear examples, they outline why Zizek's confrontation with thinkers such as Derrida, Foucault and Deleuze has so radically changed how we (...) think about society. They then go on to track Zizek's own intellectual development during the last twenty years, as he has grappled with theoretical problems and the political climate of the War on Terror. This book is a major addition to the literature on Zizek and a crucial critical introduction to his thought. (shrink)

Video-objects are often discussed in terms of their ability to reflect upon the speed of our narcissistic culture, but less acknowledged is video’s agency to perform electronic events outside of human experience. This article engages in scholarship interested in the space of video operations where lived and imagined, real and virtual phenomena are experienced at the threshold of perception. Bringing into this conversation a discussion of The Waves (2003), an interactive installation by video pioneer and media critic Thierry Kuntzel, the (...) article moves away from the time/movement nexus grounded in a filmic understanding of the image to position video-memory as the emergence of a volume of time. Different from the time-image and movement-image of cinema, the volume-image of video defines a mode of engaging with multiple temporalities within the continuum of the video itself. Constituted progressively through layers of ever-changing signal processes, the volume-image of video technology is an open field, a transductive zone where multiple intensities create new representational rhythms, which disrupt the durational model of time so often attached to human experience. (shrink)

With the concept of the technical image, Flusser indicates a historical shift in the structure of Western society.1 Technical images, as found in photographs, films, videos, computer terminals, and television screens, designate images produced by an apparatus designed to create programmed information. Contrary to traditional images which carry significance through representation as seen in paintings, technical images are surfaces that operate according to “inverted vectors of meaning.”2 The meaning of a technical image is not found in what the image signifies (...) but in what it projects. In other words, technical images are less about the representation of the world and more about modeling the subject’s relation to and vision of reality. As such, technical images are “instructional programs” designed to inculcate significance, shape behavior, and direct subjects on how to make sense of the world.3 The surfaces of technical images move away from a mimetic representation of the real to inscribe concepts as connotative, as opposed to denotative, forms of signification. However, traditional images and technical images are not entirely disconnected from one another. Together they shape the posthistorical phase of humanity, a phase in which humans’ relationship to reality is increasingly conditioned and modulated by embedded codification. This codification is produced by apparatuses that calculate probability. These apparatuses are opaque because they no longer require the knowledge of their operation by the subject that handles them. In other words: traditional images are “observations of objects,” while technical images are “computation of concepts.”4. (shrink)

La réalité ne suffit plus, il faut l’augmenter ! Tel un slogan qui sonnerait le glas de l’ennui, cette phrase s’inscrit au cœur du spectacle de la plasticienne américaine Claudia Hart, figure centrale des nouvelles expérimentations entre scène interactive, computer-art et performance aux États-Unis. Dans The Alices (Walking), un spectacle créé en collaboration avec le compositeur Edmond Campion et présenté pour la première fois en 2014 au Eyebeam Center for Art + Technology de New York, il s’agit de questionner les (...) mutations du visuel et de l’écrit dans un monde de plus en plus perçu à travers le filtre des technologies digitales. Dans ce spectacle aux allures de défilé de mode, ces mutations prennent la forme de costumes « site internet » (website dresses). Cinq acteurs défilent sur le plateau et circulent entre porte-manteaux vides et chaises momentanément occupées par des spectateurs invités à venir décrypter les codes incrustés dans la matière plastique des costumes. Les spectateurs se connectent à une application via leur téléphone ou tablette et scannent les costumes lorsque les acteurs défilent devant eux. Ces costumes sont de formes sculpturales diverses, à géométrie et couleurs variables, dans lesquelles des codes informatiques ont été incrustés. Ces codes détiennent du contenu visuel (textes et images en mouvement) qui n’est accessible qu’à travers un écran programmé pour déchiffrer en réseau les codes numériques de ces robes du futur. (shrink)

To speak about revolution, either as an event or as a concept, must appear presumptuous at a moment when racial discrimination, fascist politics, and the totalitarian war against women and minorities are amplified by a market economy based on systemic division. In the digital present, the systematization of division is magnified by newly algorithmic structures of machinic capitalism. In that context, the more the intellect aims to grasp the depth of revolutionary actions, the less the latter seem to make sense. (...) In other words, both the failure and the promise of revolution have created a modern paradigm to address the political struggles of our times, one that is cyclically repeating itself to challenge the limits of humankind. And yet, one can always find reasons to interrogate the symptoms of revolutionary tragedies that proliferate against a background of intellectual numbness. (shrink)

Les écrans imprègnent la quasi totalité de nos modes de vivre ensemble. Comme autant d'aimants ils produisent une adhérence senso- rielle dont il devient difficile de se détacher. -/- Il apparait que la marche des sociétés humaines s'effectue désormais se- lon le mode unique de la computation numérique. -/- Cherchons le contre- courant de ce que nous imposent les interfaces.

L’Autre, avant d’être un corps présent dans le temps, est d’abord un relief dans le paysage d’un monde commun, une forme perspective que le "je" choisit ou non de recevoir. Ce relief, s’il a longtemps été pensé depuis une autorité déterminant la place à laquelle et depuis laquelle l’Autre devait répondre, deviendra, on l’espère, l’espace possible d’une rencontre. Lorsque ce relief se présente au monde, lorsque l’Autre devient simultanément cette chose voyante et visible, son espace d’expression s’ouvre pour devenir un (...) entourage, une enveloppe mobile et pénétrable. (shrink)

Noology is the technical life of ideology. It works at the formal and technical production of knowledge, rather than focusing on the content displayed by a specific system of thought. There are two reasons why the notion of noology must play a role in today’s critical and political debates. First, the concept of ideology has lost its relevance since its everyday meaning is far removed from the original meaning Karl Marx gave it; today ideology mainly means “political doctrine,” right-wing, left-wing, (...) or the entire spectrum of shades between the two. Expressions such as “an ideology” or “ideologies” are used in critical analysis, while for Marx “ideology” has always come without any pronoun. Ideology now presents itself as an “inversion of causalities producing illusions.”1 The second reason has to do with the changes in the modes of production since the 1970s, and the rise of the post-Fordist economy, or “neoliberalism.” Since the 1970s, the end of ideologies has been proclaimed (epitomised by Daniel Bell). Given this context, noology critique demonstrates that the work of ideology in today’s economy plays out at an infrastructural level, in social organs that materially institutionalise thought and ideas, and not simply at the level of the immaterial culture of political parties and discourses (superstructure). (shrink)

'Most of us are still groping for answers about what makes life worth living, or what confers meaning on individual lives', writes Charles Taylor in Sources of the Self. 'This is an essentially modern predicament.' Charles Taylor's latest book sets out to define the modern identity by tracing its genesis, analysing the writings of such thinkers as Augustine, Descartes, Montaigne, Luther, and many others. This then serves as a starting point for a renewed understanding of modernity. Taylor argues that modern (...) subjectivity has its roots in ideas of human good, and is in fact the result of our long efforts to define and attain the good. The modern turn inwards is far from being a disastrous rejection of rationality, as its critics contend, but has at its heart what Taylor calls the affirmation of ordinary life. He concludes that the modern identity, and its attendant rejection of an objective order of reason, is far richer in moral sources that its detractors allow. Sources of the Self provides a decisive defence of the modern order and a sharp rebuff to its critics. (shrink)

This book is a collection of specifically commissioned articles on the key continental European philosophical movements since 1914. It shows how each of these bodies of thought has been shaped by their responses to the horrors set in train by World War I, and considers whether we are yet ‘post-post-war’. The outbreak of World War I in August 1914,set in chain a series of crises and re-configurations, which have continued to shape the world for a century: industrialized slaughter, the end (...) of colonialism and European empires, the rise of the USA, economic crises, fascism, Soviet Marxism, the gulags and the Shoah. Nearly all of the major movements in European thinking were forged in, or shaped by, attempts to come to terms with the global trauma of the World Wars. This is the first book to describe the development of these movements after World War I, and as such promises to be of interest to philosophers and historians of philosophy around the world. (shrink)

The available resources for global health assistance are far outstripped by need. In the face of such scarcity, many people endorse a principle according to which highest priority should be given to the worst off. However, in order for this prioritarian principle to be useful for allocation decisions, policy-makers need to know what it means to be badly off. In this article, we outline a conception of disadvantage suitable for identifying the worst off for the purpose of making health resource (...) allocation decisions. According to our total advantage view: the worst off are those who have the greatest total lifetime disadvantage; advantage foregone due to premature death should be treated in the same way as other ways of being disadvantaged at a time; how badly off someone is depends on the actual outcomes that will befall her without intervention, not her prospects at a time; and all significant forms of disadvantage count for determining who is worst off, not just disadvantage relating to health. We conclude by noting two important implications of the total advantage view: first, that those who die young are among the globally worst off, and second, that the epidemiological shift in the global burden of disease from communicable to non-communicable diseases should not lead to a corresponding shift in global health spending priorities. (shrink)

Bernard Stiegler est né en philosophie comme l’on construit un édifice de sable à marée montante : toujours déjà un sacrifice. D’emblée l’expérience de la beauté et de sa perte. Son suicide marque la fin d’une vie qui n’aura eu de cesse de lutter contre les faux-semblants, les sur-codages, les symptômes accablant de vérités toutes faites. Pour quelqu’un qui, comme moi, a eu la chance de côtoyer Bernard, il est difficile de ne pas se rendre compte de la force qu’il (...) nous laisse après son départ. Lui qui s’attela contre les effets de l’industrialisation de nos mémoires et de la synchronisation accélérée de nos consciences,1 lui qui lutta pour que l’âme soit l’axiome de nos politiques industrielles et digitales,2 lui qui pensa la transmission et l’adoption quand d’autres prônaient la transaction et l’adaptation. Bernard nous a quittés. Comme un marin quitte son navire. Seul. (shrink)

In the 11th chapter of the second book of Samuel, we read how King David saw Bathsheba in the evening: ‘v.2. And it came to pass in an eveningtide, that David arose from off his bed, and walked upon the roof of the king's house: and from the roof he saw a woman washing herself; and the woman was very beautiful to look upon.’.

Assuming Martin's Axiom, we compute the value of the cofinality of the symmetric group on the natural numbers. We also show that Martin's Axiom does not decide the value of the covering number of a related Mycielski ideal.

Animalism is the view that human persons are human animals – biological organisms that belong to the species Homo sapiens. This paper concerns a family of modal objections to animalism based on the essentiality of personhood (persons and animals differ in their persistence conditions; psychological considerations are relevant for the persistence of persons, but not animals; persons, but not animals, are essentially psychological beings). Such arguments are typically used to support constitutionalism, animalism’s main neo-Lockean rival. The problem with such arguments (...) is that they wrongly assume that animalism is incompatible with our essentially being psychological beings. In this paper, I discuss a formulation of animalism, what I call psychologically-serious animalism, according to which human persons are essentially human animals and essentially persons. I show how the availability of this neglected formulation of animalism undermines objections based on the essentiality of personhood. (shrink)

Slavoj Žižek Slavoj Žižek is a Slovenian-born political philosopher and cultural critic. He was described by British literary theorist, Terry Eagleton, as the “most formidably brilliant” recent theorist to have emerged from Continental Europe. Žižek’s work is infamously idiosyncratic. It features striking dialectical reversals of received common sense; a ubiquitous sense of humor; … Continue reading Žižek, Slavoj →.

In this note I have presented the essentials of a view of how laws are falsified, a view which has been held by some notable philosophers but which is radically opposed to that of Professor Popper. I have not scrupled to ?improve? upon it, so the view of no one philosopher is presented. I try to show that an interesting and convincing account of scientific simplicity is implicit in the theory and I conclude by suggesting how we can bring the (...) argument to bear on the problem of the logical status of laws of nature, showing that through their manner of falsifiability, laws share some characteristics with necessary statements as well as with empirical generalizations. (shrink)

In this paper, we study the relationship between the cofinalityc(Sym(ω)) of the infinite symmetric group and the minimal cardinality $$\underset{\raise0.3em\hbox{$\smash{\scriptscriptstyle\thicksim}$}}{b} $$ of an unbounded familyF of ω ω.