24 found
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  1. Proletarianization of the Mind:A Media Theory of Artificial Intelligence after Simondon and Stiegler.Anaïs Nony - 2024 - Tropos. Rivista di Ermeneutica e Critica Filosofica 16 (1):116-136.
    This article draws on Bernard Stiegler and Gilbert Simondon’s work to further interrogate the psychic, social, and political problems raised by the development of Artificial Intelligence. Stiegler’s political philosophy of time-consciousness reveals three concomitants urgencies: human memory is conditioned by industrial supplements that are increasingly disruptive, capitalism has produced an entropic condition where life on earth is threaten by toxic systems, the deployment of technologies of spirits has striped individuals of their psychic and collective individuation. I read media theory along (...)
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  2. Care as Invention. A Tribute to Bernard Stiegler.Anaïs Nony - 2024 - In Buseyne Bart, Memory for the Future. Thinking with Bernard Stiegler. Bloomsbury Press. pp. 53-62.
    To Stiegler’s notion of pansable (curable), one might also need to add that penser (to think) relates to the Latin penso, the frequentative of pendo, to hang, suspend. The pansable (that which can be healed) is as much the pensable (that which can be thought) and the suspensible (that which can be hung). Stiegler’s final act revealed that which was always already there: an unhealed pharmacological shadow that preceded him. While he entered philosophy with the argument of technics as the (...)
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  3. Performative Images. A Philosophy of Video Art Technology in France.Anaïs Nony - 2023 - Amsterdam: Amsterdam University Press.
    In this book, the author explores how video-image technology shapes our psychic and social environments from an art historiographical perspective. We know media technology is dramatically shaping our political and epistemological landscape: this book foregrounds the emergence of performative video images as a key factor in the revaluation of culture and politics. -/- Performative Images draws upon the work of video artists and activists in France between the 1970s and the early 2020s and focuses on significant practices with technology. Video (...)
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  4.  63
    The Instrumentarian Power of Artificial Intelligence in Data-Driven Fascist Regimes.Anaïs Nony - 2024 - la Furia Umana 1 (1):1-16.
    AI-powered technology can both promote accuracy and hide the standards of measurement and circulation of information. It can also produce models that are opaque and hard to access. As such, the new paradigm of AI asks to pounder about societal values and sets of priorities we want to promote, especially as these technologies are further deployed in times of warfare. The systemic tracking of people’s life and the opaqueness of the models designate a new paradigm in the formation of truth, (...)
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  5. Technology of Neo-Colonial Epistemes (Special Issue on Gilbert Simondon).Anaïs Nony - 2019 - Philosophy Today 63 (3):731-744.
    This article reevaluates the historical conditions of the concomitant rise of computational systems and DNA-coding in the 1950s and addresses the implementation of behavioral psychology and cybernetic technologies of control after the Second World War. From this historical perspective, this article interrogates the intersectional relation that automatic systems of control share with models of segregation and structures of knowledge oppression. It engages with the work of French philosopher Gilbert Simondon and poses Simondon’s cybernetic theory as an opportunity to question systems (...)
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  6.  91
    Nootechnics of the Digital.Anaïs Nony - 2017 - Parallax 23 (2):129-146.
    This issue is devoted to a nootechnics of the digital, which defines the importance given to both life and thought in the technogenesis of objects (both artefac- tual and technical). If the ontogenesis once resided in the relation between form and matter, we are now moving toward the question of a nootechno- genesis that resides in the relation between noos and techné. Nootechnogene- sis does not separate the emergence of technics and life. Instead, it offers a mode for thinking about (...)
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  7. From Dividual Power to the Ethics of Renewal in the Anthropocene.Anaïs Nony - 2017 - Azimuth. International Journal of Philosophy 9:134-147.
    The battlefield of the Anthropocene is a tragic one. It begins at the end. It emerges out of melancholy, in the locality of being not-dead-yet. As an Epoch dating the human impact on earth, the Anthropocene looks like a graveyard-to-come, one in which the story of humankind is writing its own epitaph in real time. The tragedy of our moment, or the tragic moment of our action means having to act despite knowing it is too late, searching for hope in (...)
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  8.  91
    Improviser le corps. Inventer une autre manière d'être au monde.Anaïs Nony - 2013 - In Borges Marc, Soldes Almanach 3. Paris: Les Presses du Réel. pp. 66-71.
  9.  84
    VOLUME-IMAGE: The Future as Memory in Thierry Kuntzel's Video Installation.Anaïs Nony - 2019 - Intermediality: History and Theory of the Arts, Literature and Technologies 33:1-22.
    Video-objects are often discussed in terms of their ability to reflect upon the speed of our narcissistic culture, but less acknowledged is video’s agency to perform electronic events outside of human experience. This article engages in scholarship interested in the space of video operations where lived and imagined, real and virtual phenomena are experienced at the threshold of perception. Bringing into this conversation a discussion of The Waves (2003), an interactive installation by video pioneer and media critic Thierry Kuntzel, the (...)
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  10.  83
    Technical Image. Opaque Apparatus of Programmed Significance.Anaïs Nony - 2022 - In Jaffe Aaron, Understanding Flusser Understanding Modernism. London: Bloomsbury Academic. pp. 302-304.
    With the concept of the technical image, Flusser indicates a historical shift in the structure of Western society.1 Technical images, as found in photographs, films, videos, computer terminals, and television screens, designate images produced by an apparatus designed to create programmed information. Contrary to traditional images which carry significance through representation as seen in paintings, technical images are surfaces that operate according to “inverted vectors of meaning.”2 The meaning of a technical image is not found in what the image signifies (...)
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  11.  71
    De la scène augmentée à la poétique de l’hypermatière : le digital dans The Alices (Walking) de Claudia Hart.Anaïs Nony - 2018 - In Naugrette Catherine, Les nouveaux matériaux du théâtre. Paris: Presses de la Sorbonne Nouvelle. pp. 101-106.
    La réalité ne suffit plus, il faut l’augmenter ! Tel un slogan qui sonnerait le glas de l’ennui, cette phrase s’inscrit au cœur du spectacle de la plasticienne américaine Claudia Hart, figure centrale des nouvelles expérimentations entre scène interactive, computer-art et performance aux États-Unis. Dans The Alices (Walking), un spectacle créé en collaboration avec le compositeur Edmond Campion et présenté pour la première fois en 2014 au Eyebeam Center for Art + Technology de New York, il s’agit de questionner les (...)
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  12.  69
    Dividual Revolution: What Can Philosophy Do in The Digital Present?Anaïs Nony - 2019 - Cultural Critique 105:179-198.
    To speak about revolution, either as an event or as a concept, must appear presumptuous at a moment when racial discrimination, fascist politics, and the totalitarian war against women and minorities are amplified by a market economy based on systemic division. In the digital present, the systematization of division is magnified by newly algorithmic structures of machinic capitalism. In that context, the more the intellect aims to grasp the depth of revolutionary actions, the less the latter seem to make sense. (...)
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  13.  63
    L'interface et le vivant.Anaïs Nony - 2021 - In Borges Marc, Soldes Almanach. Paris: Les Presses du Réel. pp. 42-45.
    Les écrans imprègnent la quasi totalité de nos modes de vivre ensemble. Comme autant d'aimants ils produisent une adhérence senso- rielle dont il devient difficile de se détacher. -/- Il apparait que la marche des sociétés humaines s'effectue désormais se- lon le mode unique de la computation numérique. -/- Cherchons le contre- courant de ce que nous imposent les interfaces.
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  14.  57
    Bernard Stiegler on Automatic Society. As told to Anaïs Nony.Anaïs Nony - 2015 - The Third Rail Quaterly 5:16-17.
    In his new book, La société automatique, Bernard Stiegler departs from a philosophical tradition that opposes autonomy and automatization so as to position automatization at the core of biological, social, and technical forms of life. Responding to the rise of the digital—as the increasing automatization of processes of selection through computational means—Stiegler’s project challenges us to recognize contemporary life as automatic. This shift in approach inevitably recalibrates the ontogenetic grounds of contemporary culture, and necessitates a reconsideration of sociocultural practices from (...)
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  15.  55
    Introduction: Noology and Technics.Dillet Benoit & Anaïs Nony - 2016 - London Journal of Critical Thought 1 (1):26-37.
    Noology is the technical life of ideology. It works at the formal and technical production of knowledge, rather than focusing on the content displayed by a specific system of thought. There are two reasons why the notion of noology must play a role in today’s critical and political debates. First, the concept of ideology has lost its relevance since its everyday meaning is far removed from the original meaning Karl Marx gave it; today ideology mainly means “political doctrine,” right-wing, left-wing, (...)
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  16.  52
    Against Walt Disney’s Corporate Education: Walter Breckenridge’s Nature Film as Scientific Investigation.Anaïs Nony - 2019 - The Moving Image 19 (1):302-304.
  17.  34
    Géologie de l’Autre: la rencontre comme tremblement de la chair.Anaïs Nony - 2016 - In Borges Marc, Soldes Almanach 4. Les Presses du Réel. pp. 8-11.
    L’Autre, avant d’être un corps présent dans le temps, est d’abord un relief dans le paysage d’un monde commun, une forme perspective que le "je" choisit ou non de recevoir. Ce relief, s’il a longtemps été pensé depuis une autorité déterminant la place à laquelle et depuis laquelle l’Autre devait répondre, deviendra, on l’espère, l’espace possible d’une rencontre. Lorsque ce relief se présente au monde, lorsque l’Autre devient simultanément cette chose voyante et visible, son espace d’expression s’ouvre pour devenir un (...)
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  18.  94
    Anxiety in the Society of Preemption. On Gilbert Simondon and the Noopolitics of the Milieu.Anaïs Nony - 2017 - la Deleuziana 6:102-110.
    Responding to the power of algorithms to operate within our daily lives, this article proposes to think of our contemporary moment as that of a society of preemption. Preemption defines the action of taking away something before an opportunity emerges or is actualized. By coupling anticipatory algorithms and preemptive technologies—like the premeditation of future events prior to their occurrence, as exemplified in popular culture by Minority Report (Massumi, Hansen)—state apparatuses force upon their subjects a modality of control that forestalls behaviors (...)
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  19.  12
    Les milieux du désir.Jeanne Etelain & Anaïs Nony - 2017 - la Deleuziana 6:1-9.
    Ce numéro spécial de La Deleuziana est né d’une indignation à l’encontre de notre situation politique actuelle dans laquelle notre responsabilité d’êtres vivants partageant une planète commune est en proie à un manque cruel de soin à l’égard des autres. La notion de désir comme puissance de vie et force de création à la source de toute invention possible ainsi que de renouvellement de l’ordre établi s’est vite imposée à nous comme une nécessité théorique et pratique. Pourtant, le désir est (...)
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  20.  13
    Adam Linder interviewed by Anaïs Nony.Anaïs Nony - 2016 - la Deleuziana 3:141-148.
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  21.  8
    De l’image à l’écriture de la pensée: quand la scène devient philosophème.Anaïs Nony - 2014 - la Deleuziana 1:85-102.
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  22.  7
    Geology of the Other: The Encounter as Vibration of the Flesh.Anaïs Nony & Dani Robison - 2017 - la Deleuziana 5:187-194.
    Prior to being a body present in time, the Other is a mountainous relief in the landscape of a common world, a perspective shape that the “I” chooses to welcome or not. This relief—if it has often been considered from the point of view of an authority deciding where It should stand—will become, we hope, the possible zone of an encounter. When this relief comes out of the ground and enters the world, when the Other becomes simultaneously something that feels (...)
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  23. Tout contre. Tombeau de Bernard Stiegler.Anaïs Nony - 2020 - Ars Industrialis.
    Bernard Stiegler est né en philosophie comme l’on construit un édifice de sable à marée montante : toujours déjà un sacrifice. D’emblée l’expérience de la beauté et de sa perte. Son suicide marque la fin d’une vie qui n’aura eu de cesse de lutter contre les faux-semblants, les sur-codages, les symptômes accablant de vérités toutes faites. Pour quelqu’un qui, comme moi, a eu la chance de côtoyer Bernard, il est difficile de ne pas se rendre compte de la force qu’il (...)
     
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  24.  56
    Un féminisme décolonial par Françoise Vergès. [REVIEW]Anaïs Nony - 2020 - The French Review 94 (2):252-253.
    This book stands as a critique of racial capitalism and heteropatriarchy. Vergès, a Réunion-born independent scholar, defends a decolonial feminist approach to fight against the coloniality of power and advocates for a maroon political disobedience grounded in the possibility of futurity (38). Her book, soon to be translated in English, calls for a depatriarchalizing of revolutionary struggles (19) and questions the privilège de la blanchité (49) in the making of a civilizational feminism that continues to dismiss the experiences of racialized (...)
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