VAN PRAAG (Paul), Introduction : le Père Henri Bosmans, histo­rien des mathématiques (pp. 7-16). SAUVAGE (Pierre), Notice biographique du Père Henri Bosmans (pp. 17-25). HERMANS (Michel), Henri Bosmans : sa formation et ses réseaux de rela­tions (pp. 27-72). DELANGHE (Richard), Quelques aspects de la vie et de l’œuvre de Paul Mansion (1844-1919) (pp. 73-82). BRIGAGLIA (Aldo), Saccheri vu par Corrado Segre en Italie et par Mansion et Bosmans en Belgique / traduit de l’italien par Bruna GAINO et Patricia RADELET-DE GRAVE (...) (pp. 83-104). MAWHIN (Jean), La tentative belge d’édition des œuvres complètes d’Euler vue par Henri Bos­mans (pp. 105-133). GOLVERS (Noël), Henri Bosmans, s.j., et la mission jésuite en Chine / traduit du néerlandais par Anne-Sophie MEURICE (pp. 135-152). ROMANO (Antonella), Henri Bosmans, jésuite et historien des mathéma­tiques dans la Belgique du premier XXe siècle (pp. 153-168). SAUVAGE (Pierre), Le Père Henri Bosmans et l’historiographie au tournant du XXe siècle (pp. 169-187). RADELET-DE GRAVE (Patricia), Le fonds Henri Bos­mans / avec un ajout de Michel HERMANS (pp. 189-215). MANSION (Paul), Correspondance de Paul Mansion adres­sée à Henri Bosmans / introduction, trans­cription et annotation par Michel HERMANS (pp. 217-251). HEEFFER (Albrecht) – HERMANS (Michel) – STOFFEL (Jean-François), Bibliographie d’Henri Bosmans (pp. 253-298). (shrink)

The conventional approach to interpreting biological vision systems and experimenting with computer vision systems has been overwhelmingly dominated by a representational view of information. Even more recent connectionist approaches, though embodying a substantial change in viewpoint, have only involved a change of the type of representation, to one of a distributed nature. An alternative view is the notion of information as being constructed and codependent rather than instructional and referential. This is an interpretation based on the more embracing viewpoint of (...) the complementary causal descriptions and symbolic descriptions playing clearly defined interrelated and dual roles, rather than mutually exclusive, or even muddled roles. This paper examines this radical change in perspective and compares it with a causality framework and with a position on the nature of perception which is based on the idea of universals. (shrink)

Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in (...) having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us want to be horrified? (shrink)

This paper explores two pedagogical virtues (intellectual virtues of a teacher) that arise from the insight that non-epistemic situational factors can affect students’ epistemic judgments and behavior. First, a virtuous teacher must be sensitive enough to these factors in order to take advantage of how they boost student learning. However, while cultivating a situationally and epistemically favorable environment for learning sounds good, teachers should also not spoil their students by making them too dependent on these beneficial external factors. The virtuous (...) teacher must also realize that these are only scaffolds; while these do help students initially, they must be eventually removed to promote the students’ intellectual autonomy. This characterizes a second pedagogical virtue: the competence to facilitate the students’ growth so that they become more capable in future opportunities of knowledge acquisition. (shrink)

At the beginning of his message for World Mission Sunday 2019 Pope Francis wrote: For the month of October 2019, I have asked that the whole Church revive her missionary awareness and commitment as we commemorate the centenary of the Apostolic Letter Maximum Illud of Pope Benedict XV. Its farsighted and prophetic vision of the apostolate has made me realize once again the importance of renewing the Church's missionary commitment and giving fresh evangelical impulse to her work of preaching and (...) bringing to the world the salvation of Jesus Christ, who died and rose again. (shrink)

Discusses the translation of Hobbes's De cive, which was published in England in 1651 under the title Philosophicall Rudiments. A few surviving copies include a dedicatory epistle by the translator, signed ‘C. C.’ In this essay, evidence is presented for identifying this translator with the young poet Charles Cotton. His indirect connections with both Hobbes and Lady Fane are explored, and attention is paid to the way in which Hobbes's text was assimilated to a moral and political position that combined (...) quasi‐Stoic moralism with fervent Royalism. (shrink)

The widely recognized impasse in legal theory, which requires an account of law as “both a social fact and a framework of reasons for action” has been most interestingly addressed in recent years by writers characterizing law as convention in the sense of a solution to a game theoretical “coordination problem.” As critics have neutralized most of these proposals, the author advances an account of conventionalism, drawing on economic and sociological theory, which he claims makes the bridge between positivist and (...) naturalist theories of law without compromising the basic insights of either. The result is a unified theory of law, politics and society. (shrink)

Connolly, Noel Pope Francis in Evangelii Gaudium defines the church as a 'community of missionary disciples'. We have to be missionary to be called disciples. He dreams of 'a missionary option' that will transform everything. For Francis, mission is clearly essential to the church. He is continuing a movement that began with Ad Gentes, the missionary document of Vatican II. The fathers at the council insisted, 'The pilgrim Church is missionary by her very nature. For it is from the (...) mission of the Son and the mission of the Holy Spirit that she takes her origin, in accordance with the decree of God the Father'. This was reiterated by Paul VI in Evangelii Nuntiandi: 'Evangelizing is in fact the grace and vocation proper to the Church, her deepest identity. She exists in order to evangelize'; and by John Paul II in Redemptoris Missio: 'the Church is missionary by her very nature'. (shrink)

The application of extended Theory of Planned Behaviour (eTPB) has been demonstrated in various studies. The successful implementation of the extended Theory of Planned Behaviour (eTPB) will require better understanding of the rationales for the application in context. The paper presentation emerges from an interpretive and descriptive study which generated qualitative data through systematic literature review and document analysis. Thematic analysis was deployed to identify emerging and dominating themes as a focus for the interpretation. The analysis confirmed that extended theory (...) of planned behaviour explains behaviour through attitudes, subjective norms, and perceived behavioural control and is capable of predicting and understanding human behaviour across various domains. However, the use of Theory of planned behaviour has been extended to enhance the predictive power of the model in understanding and influencing behaviours. Additional variables have emerged on top of the usual variables known as attitude towards the behaviour, subjective norms towards the behaviour, and perceived behaviour control. Still, the paper argues that although the diversity in variables exist among authors showing flexibility of the theory, this may create some confusion which may influence the capability of predicting and understanding human behaviour across various domains. The Theory of planned behaviour trend reflects that the choice of Theory of planned behaviour variables is determined by appropriateness and according to the context. Therefore, the paper argues that there are many variables for theory of planned behaviour but the dominant to be considered are clear knowledge and understanding ahead of all variables. (shrink)

Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.

The paradoxes act as restraints on undisciplined or erroneous reasoning and so perform a valuable role. The fact that they have resisted solution for so long suggests that the current systems of logic are defective. The paradoxes of set theory, in my opinion, completely condemn all the current forms of set theory and their associated definitions of the natural numbers. Nothing short of a complete review of the whole area seems capable of remedying the situation.

Drawing on his knowledge of the worlds of art, criticism, and philosophy, Noèel Carroll argues that appraisal and evaluation of art are an indispensable part of the conversation of life.

Noel Malcolm, one of the world's leading experts on Thomas Hobbes, presents a set of extended essays on a wide variety of aspects of the life and work of this giant of early modern thought. Malcolm offers a succinct introduction to Hobbes's life and thought, as a foundation for his discussion of such topics as his political philosophy, his theory of international relations, the development of his mechanistic world-view, and his subversive Biblical criticism. Several of the essays pay special (...) attention to the European dimensions of Hobbes's life, his sources and his influence; the longest surveys the entire European reception of his work from the 1640s to the 1750s. All the essays are based on a deep knowledge of primary sources, and many present striking new discoveries about Hobbes's life, his manuscripts, and the printing history of his works. Aspects of Hobbes will be essential reading not only for Hobbes specialists, but also for all those interested in seventeenth-century intellectual history more generally, both British and European. (shrink)

Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in (...) having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us want to be horrified? (shrink)

According to spacetime state realism, the fundamental ontology of a quantum mechanical world consists of a state-valued field evolving in four-dimensional spacetime. One chief advantage it claims over rival wave-function realist views is its natural compatibility with relativistic quantum field theory. I argue that the original density operator formulation of SSR cannot be extended to QFTs where the local observables form type III von Neumann algebras. Instead, I propose a new formulation of SSR in terms of a presheaf of local (...) state spaces dual to the net of local observables studied by algebraic QFT. 1Introduction2Spacetime State Realism in Quantum Field Theory 2.1Equivalence thesis3Entanglement and the Type III Property 3.1No-Go Lemma 13.2No-Go Lemma 24State Space Axioms for Quantum Field Theory 4.1Revised equivalence thesis5Discussion. (shrink)

The aim of this book is to explain human rationality. The fundamental principles of human thought are stated in terms of Balzer's Principles, and their operations in everyday life are illustrated. The natural numbers are defined and explained in a fresh fashion. Paradoxes, including those of class theory and material implication, which have signaled that all is not well in our logical systems, are laid to rest here. The explanation of human rationality has more than logical interest, for it touches (...) upon the human values embedded in our rationality. The book carries the message that all human beings are fundamentally equal. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:On the Historical Significance and Structure of Monroe Beardsley's AestheticsAn AppreciationNoël Carroll (bio)IntroductionMonroe C. Beardsley's Aesthetics: Problems in the Philosophy of Criticism, published in 1958 by Harcourt, Brace and World Inc.,1 was a watershed event in the history of analytic aesthetics—a climax of sorts with respect to what preceded it and, at the same time, the opening of a new, more intricately developed and defended research program in aesthetics (...) than what had been previously on offer. Beardsley's Aesthetics, and developments therefrom,2 consolidated and crystallized a tendency in aesthetics that had begun to emerge at least by the time of the publication of Francis Hutcheson's An Inquiry Concerning Beauty, Order, Harmony, Design,3 which tendency, following Beardsley, we can call the aesthetic theory of art. Assembled out of parts and suggestions from Hutcheson, Kant, Schopenhauer, and Bell, among others, the aesthetic theory of art—of which Beardsley's version is one of the most accomplished, if not the most accomplished—has shown remarkable resilience, continuing to command allegiance from many distinguished, contemporary proponents, including Nick Zangwill, Gary Iseminger, and, with certain important modifications, Alan Goldman and Malcolm Budd.Part of what I would like to do in this essay is not only to trace the evolution of the aesthetic theory of art from its origins through to Beardsley's Aesthetics (and his subsequent tinkering with this masterwork) but also to show how the structure of the aesthetic theory of art, as crafted by Beardsley, is simultaneously so elegant, comprehensive, and systematic that it is understandable that Beardsley preferred constantly to repair it after each attack rather than to abandon it for the kinds of alternatives being proffered by Goodman, Danto, Wollheim, Dickie, Wolterstorff, and then Walton. In other words, Beardsley's reluctance to give up was genuinely motivated. [End Page 2] For, if only the kinks could have been smoothed out of it, the aesthetic theory of art, of the sort initiated in Aesthetics and elaborated subsequently by Beardsley, was itself a thing of beauty: exceedingly economical in its foundational principles and powerful in its reach. Thus, whereas typically I address the shortcomings of the aesthetic theory of art, in this essay I would like to talk about its strengths, strengths that I believe encouraged Monroe Beardsley to stick with it through thick and thin—that is, through a thick swarm of often thin counterexamples.In the next part of this essay, I will try to place Aesthetics historically in the course of Western aesthetics. Then in the final section, I shall attempt to explain how the structure of the sort of aesthetic theory of art incipient in Beardsley's Aesthetics and pursued by him in later works is so almost irresistibly attractive that virtually no number of anomalies can shake its friends out of the faith that such problems can be ultimately controlled, if not entirely overcome.On the Historical Significance of Beardsley's AestheticsBeardsley's Aesthetics is the culmination of certain tendencies that had been coalescing in various ways in Western aesthetics since the eighteenth century. One of Beardsley's most significant and influential twentieth-century predecessors was Clive Bell, who in his book Art, as is well known, defined art as that which possessed significant form. Significant form, in turn, was characterized as that which caused an aesthetic emotion. Bell's notion of an aesthetic emotion, I conjecture, derived from Schopenhauer's claim that what an artwork does is to lift us out of our everyday concerns—out of the world of striving. The aesthetic emotion, according to Bell, is a matter of being carried "out of life into ecstasy."4 The aesthetic experience, according to the Schopenhauer-Bell line of thought, involves the release of the individual from the pressures of life—from the pursuit of an endless process of desiring in Schopenhauer's lingo.This notion of aesthetic experience as detachment owes something to Kant's hypothesis that an authentic aesthetic judgment is disinterested, which, of course, itself is descended historically from Hutcheson's contention that beauty amounts to an experience of disinterested pleasure. However, whereas for Hutcheson and Kant disinterestedness is a... (shrink)

Grounded in scholarly analysis and personal reflection, and drawing on a multi-sited and multi-method research design, Momentous Mobilities disentangles the meanings attached to temporary travels and stays abroad and offers empirical evidence as well as novel theoretical arguments to develop an anthropology of mobility. Both focusing specifically on how various societies and cultures imagine and value boundary-crossing mobilities “elsewhere” and drawing heavily on his own European lifeworld, the author examines momentous travels abroad in the context of education, work, and spiritual (...) quests and the search for a better quality of life. (shrink)

Few today can escape exposure to mass art. Nevertheless, despite the fact that mass art provides the primary source of aesthetic experience for the majority of people, mass art is a topic that has been neglected by analytic philosophers of art. The Philosophy of Mass Art addresses that lacuna. It shows why philosophers have previously resisted and/or misunderstood mass art and it develops new frameworks for understanding mass art in relation to the emotions, morality, and ideology.

Standard approaches to ontological simplicity focus either on the number of things or types a theory posits or on the number of fundamental things or types a theory posits. In this paper, I suggest a ground-theoretic approach that focuses on the number of something else. After getting clear on what this approach amounts to, I motivate it, defend it, and complete it.

In this essay, then, I would like to address what I believe are the most compelling epistemic arguments against the notion that literature (and art more broadly) can function as an instrument of education and a source of knowledge.

In _Comedy Incarnate_, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.