This article is a discussion of the critical remarks raised by Kristian Bankov in a notion called Bankov’s razor, about some foundational elements of the biosemiotic paradigm. The elaborated form of the “razor” includes three main questions on biosemiotic ideas, namely: 1) the philosophical grounds of the biosemiotic discourse, 2) the scientific output of biosemiotics, and 3) the ethical consequences of some biosemiotic presumptions (this latter, given its scopes and extension, is left for a future occasion). Such questions are commented (...) and challenged by Dario Martinelli, from a point of view that is primarily that of the zoosemiotician, therefore an insider of biosemiotics. In order to set the readers’ expectations in the right direction, it shall perhaps be fair to inform them that the style of the article is rather sui generis, and can hardly be classified within the genre of academic essays. Tones and terminology are more reminiscent of a philosophical pamphlet written in dialogical form. Hopefully, this choice will not compromise the scientific content of the article. (shrink)

To fight against the spread of the coronavirus disease, more than 3 billion people in the world have been confined indoors. Although lockdown is an efficient solution, it has had various psychological consequences that have not yet been fully measured. During the lockdown period in France, we conducted two surveys on two large panels of participants to examine how the lockdown disrupted their relationship with time and what this change in their experiences of time means. Numerous questions were asked about (...) the experience of time but also the nature of life during the lockdown: the emotions felt, boredom, the activities performed, sleep quality, and the daily rhythm. The participants also completed a series of self-reported scales used to assess depression, anxiety, and impulsivity. The results showed that time seemed to pass more slowly during the lockdown compared to before. This feeling of a slowing down of time has little to do with living conditions during the lockdown and individual psychological characteristics. The main predictor of this time experience was boredom and partly mediated by the lack of activity. The feeling of being less happy and the presence of sleep disturbance also explained this specific experience of time albeit to a lesser extent. (shrink)

This article offers a novel account of a key concept in Hannah Arendt’s political thought: amor mundi. In political theory’s ethical turn, theorists have increasingly turned to amor mundi as a source of ethical guidance and inspiration for politics. However, in doing so, they have elided Arendt’s distinct understanding of care. This article recovers Arendt’s understanding of amor mundi as care for the world by reconstructing the central concerns of her dissertation, Der Liebesbegriff bei Augustin, and tracing them to the (...) “Crisis” essays of Between Past and Future. It shows that amor mundi emerges in the dissertation as part of a question: if love is our fundamental orientation toward the world, how can we love the world without instrumentalizing it? The two “Crisis” essays provide the following answer: if love is to avoid—and perhaps militate against—the instrumentalization of the world, it must take the form of care. Following this analysis, this article contends that the contribution of amor mundi to the ethical turn is best understood, not as the ethos needed to guide action in the political realm, but as a key pre- or nonpolitical ethos needed to conserve the world where politics takes place—and thus the very possibility of politics. (shrink)

Lucien Pelletier | Résumé : Cet article montre comment la philosophie du jeune Ernst Bloch, sous l’inspiration de Nietzsche, de Simmel et des mouvements de libre pensée du début du 20e siècle en Allemagne, s’est constituée comme une refonte de la conception eckhartienne de la naissance de Dieu dans l’âme. Diverses psychologies descriptives qui s’élaboraient alors, et la logique de l’origine de Hermann Cohen telle que relue par Oswald Weidenbach, ont procuré à Bloch des moyens conceptuels pour repenser la (...) mystique de Maître Eckhart sous une forme non théiste. |: This article describes how the young Ernst Bloch, under the inspiration of Nietzsche, Simmel and the free thought movements in early 20th-C. Germany, elaborated his philosophy as a recasting of the Eckhartian conception of the birth of God in the soul. Various descriptive psychologies that were then arising, and Hermann Cohen’s logic of the origin such as re-read by Oswald Weidenbach, gave Bloch conceptual means to re-think Meister Eckhart’s mysticism in a non-theistic form. (shrink)

This essay addresses the interrelations between philosophy and experimental sciences that lie at the heart of Carl Stumpf’s epistemology. Following a biographical exposé demonstrating how Stumpf succeeded in acquiring a dual competence in both philosophical and scientific fields, we examine the vast array of academic disciplines encompassed by his research. Such a biographical treatment aims, indeed, to better promote the thrust of Stumpf’s assertion that philosophical enquiries should always be carried out in close connection with scientific practices, and underlines how (...) philosophico-scientific interactions established his work as a central pillar in the history of late nineteenth- and early twentieth-century German thought. (shrink)

Many nineteenth-century psychologists assume that the measurement of psychic intensity is a prerequisite to the development of a truly scientific psychology. In the first edition of the Psychology from an empirical point of view, Brentano deals with this question. He assumes that all psychic phenomena admit of a certain intensity. Later on, Brentano retreats this doctrine and claims that only sensible phenomena admit of an intensity, whereas intellectual presentations do not. As a consequence, Brentano introduces a radical gap between sensible (...) and noetic consciousness. By contrast, Stumpf maintains a continuity between sensations and presentations. The main difference between them is the degree of their intensity. The essay provides a discussion and a comparison of the above mentioned points of view. (shrink)

Le concept d’ Aufhebung, repris par Marx de Hegel et réélaboré par lui, pose un problème notoire de traduction. Lucien Sève conteste le principe de sa traduction systématique par « abolition », pratique aujourd’hui constante, et plaide pour le recours en nombre de cas au mot « dépassement », position que Patrick Theuret dénonce dans un livre comme un révisionnisme sémantique et politique. Étudiant de près la question telle qu’elle se pose dans les Grundrisse, Lucien Sève montre que (...) la traduction par dépassement est maintes fois imposée par le texte même. Sémantiquement, il n’est pas vrai que dépassement fasse perdre de vue le « travail du négatif ». Politiquement, réduire la conception marxienne de la révolution à une abolition la mutile gravement. Question de vive actualité, quand l’obsolescence patente du capitalisme en appelle non à une révolution à l’ancienne mais à un dépassement de nouvelle sorte. (shrink)

Hegel’s treatment of character in §395 of Encyclopedia is considered together with the commentaries given in his lectures. In these texts Hegel addresses some philosophical problems concerning character. In Hegel’s view, in fact, human character has a “natural basis” and yet depends on a free individual choice. Attention is drawn at Kant’s treatment of the same subject matter in Anthropology form a pragmatic point of view, which is the source of Hegel’s tripartite arrangement of Naturell, temperament and character. Diverging from (...) Kant, however, Hegel introduces a dialectic development within the development of character. (shrink)

Il presente lavoro considera le tesi kantiane sul carattere esposte nella prima Critica e nell’Antropologia pragmatica. Il problema filosofico principale sollevato dal concetto di carattere è quello della sua controversa mutabilità: noi ereditiamo un carattere invariabile, oppure l’educazione o altri fattori possono influenzarlo? La risposta di Kant, altamente complessa, coinvolge la metafisica e l’antropologia. La prima afferma che il carattere è la regola dell’azione causale, che altrimenti sarebbe casuale e imprevedibile. La seconda stabilisce che il carattere non è né ereditario (...) e immutabile, né influenzabile dall’educazione. Kant pensa invece a una improvvisa rivoluzione che conduce alla formazione del carattere morale. Grazie allo studio del carattere empirico dell’uomo, considerato senz’altro come essere libero, l’antropologia indirizza pragmaticamente la ricerca al miglioramento dell’essere umano, dal singolo alla specie. (shrink)

This essay is about the Wolfgang Köhler’s philosophical ideas expressed in his The Place of Value in a World of Facts of 1938. Köhler, who strongly supports a scientific world view, considers the question as to whether science is able to cope with human values, besides natural facts. Relying upon phenomenological analyses, and on his previous researches in natural philosophy, Köhler introduces his doctrine of “epistemological dualism”. From a historical point of view, this theory exhibits some similarity with the philosophical (...) ideas expressed by Köhler’s Berlin mentor Carl Stumpf. It is argued that Köhler’s epistemological dualism actually supports ontological monism and aims at offering a unified view of natural facts and human values. (shrink)

The work of Theodor Waitz is an important but hitherto unnoticed source of Dilthey’s concept of ‘human sciences’. Waitz was an outstanding philosopher and psychologist who, in the late 1850s, devoted himself wholeheartedly to empirical anthropology. In this field Waitz distinguished himself for his defence of the unity of humankind against mainstream polygenic and racial doctrines. Waitz inspired Dilthey’s articulation of psychology into two branches: the ‘descriptive’ one and the ‘explanative’ one. Even more remarkably, in a work reviewed by Dilthey (...) in warmly favourable terms, Waitz explicitly mentioned and defined the ‘sciences which treat of the spirit ’. Some of Dilthey's most interesting ideas are thus prefigured in Waitz’s long underrated work. (shrink)

Praised as a panacea for resolving all societal issues, and self-evidently presupposed as technological innovation, the concept of innovation has become the emblem of our age. This is especially reflected in the context of the European Union, where it is considered to play a central role in both strengthening the economy and confronting the current environmental crisis. The pressing question is how technological innovation can be steered into the right direction. To this end, recent frameworks of Responsible Innovation (RI) focus (...) on how to enable outcomes of innovation processes to become societally desirable and ethically acceptable. However, questions with regard to the technological nature of these innovation processes are rarely raised. For this reason, this paper raises the following research question: To what extent is RI possible in the current age, where the concept of innovation is predominantly presupposed as technological innovation? On the one hand, we depart from a post-phenomenological perspective to evaluate the possibility of RI in relation to the particular technological innovations discussed in the RI literature. On the other hand, we emphasize the central role innovation plays in the current age, and suggest that the presupposed concept of innovation projects a techno-economic paradigm. In doing so, we ultimately argue that in the attempt to steer innovation, frameworks of RI are in fact steered by the techno-economic paradigm inherent in the presupposed concept of innovation. Finally, we account for what implications this has for the societal purpose of RI. (shrink)

Oswald Külpe’s original interpretation of Kant’s philosophy influenced Külpe’s own philosophical thought. On the one hand, Külpe is critical of his illustrious predecessor. For him, in fact, Kant wrongly denies that human thought can address itself to truly non-intuitive objects; furthermore, his transcendental aesthetics is uterly misleading. Interestingly, both claims are supported by Külpe with reference to the psychological research of the time. On the other hand, however, Külpe is highly sympathetic with one of Kant’s central assumptions, namely the unreliability (...) of the internal sense. Against Wundt and other psychologists of his time, Külpe conceives of the epistemological foundations of psychology in accordance with the rehabilitation of this Kantian claim. (shrink)

O presente artigo tem por escopo tecer considerações a respeito de qual é a importância de se conhecer a língua original em que foi escrito o Novo Testamento e o seu ensino nas instituições teológicas.

The concept of innovation defines our age. It fuels the global economy, promises a sustainable future, and stands at the heart of our interconnected society. On the one hand, the concept of innovation is widely presupposed in terms of the commercial value it generates. As claimed in the tradition of economic analysis, innovation is characterized by its competitive dynamics and primarily directed at developing marketable products and services. On the other hand, the reality of today’s global issues, such as climate (...) change and food security, urges innovation to generate societal value beyond mainstream economic incentive. To this end, the EU policy discourse has paved the way for Responsible Innovation. The core idea here is to steer innovation processes towards societally desirable outcomes, specifically in response to the ‘grand challenges’ of our time. Under the sway of ‘science with and for society’, the hypothesis is that innovation can only respond to the needs and ambitions of society by including all its actors throughout the process. However, while much effort is dedicated to governing innovation, little thought goes to what innovation itself means conceptually. What understanding of innovation underpins the framework of RI? What implications, if any, does this have for the ambition to achieve RI? These are important questions to raise as they enable critical reflection on the relation between responsibility and innovation, broadly speaking. Does the ‘R’ in RI entail an application of ethical keys to an already existing concept of innovation, or does it require us to rethink the concept of innovation altogether? After providing a general introduction in chapter 1 on the context of the dissertation and its main research objectives, chapter 2 shows how RI emerged from a longer history of efforts to incorporate ethical dimensions in new and emerging technologies, such as Technology Assessment and Science and Technology Studies. While similar to its precursors in prioritizing ethical concerns, RI clearly distinguishes itself by shifting from an ethics of constraints to an ethics of construction. The chapter continues to show that such an approach comes with an epistemic challenge, a political challenge, and a conceptual challenge. Through an extensive analysis of policy documents and academic literature, chapter 3 breaks open the concept of innovation in the RI discourse. Firstly, it demonstrates that the RI discourse tends to presuppose a techno-economic concept of innovation, as coined by the terms ‘technological innovation’ and ‘commercialized innovation’. Secondly, it provides a historical analysis to show that the concept of innovation was originally politically oriented and had little to do with the way in which it is commonly understood today. Thirdly, it discusses the implications of a techno-economic concept of innovation for achieving the ideal of RI and brings into question whether the political origins of innovation may inspire an alternative route. Chapter 4 engages with the philosophy of technology to assess the feasibility of RI at both an ontic and ontological level. While innovation at the ontic level refers to concrete innovative artefacts, innovation at the ontological level refers to the mode through which these artefacts are seen, understood, and created. At the ontic level, RI is shown to play a significant role in steering emerging technologies towards societally desirable outcomes. Even so, at the ontological level, the question is whether the ideal of RI is feasible insofar its scope is limited to governing a techno-economic concept of innovation. Parallel to Martin Heidegger’s view of technology as Enframing, this chapter denotes that in trying to govern a techno-economic concept of innovation, the RI discourse remains subject to its dominance. This in turn explains why, at the operational level, RI is often employed for mere strategic and instrumental purposes, while falling short on its promoted ambitions. Chapter 5 articulates an orientation shift from a techno-economic concept of innovation towards a political concept of innovation in the RI discourse. To this end, the chapter distinguishes between weak RI, which seeks to govern a techno-economic concept of innovation through an applied set of ethical dimensions; and strong RI, which seeks to conceive a political concept of innovation beyond techno-economic ideology and practice. Inspired by the work of Hannah Arendt, the chapter establishes a political concept of innovation that actualizes the human capacity for speech and action, inspires radical novelty, and empowers the public sphere. In doing so, the chapter concludes that strong RI is principally a plural undertaking which guards individual opinion from collective opinion; enables a physical and symbolic openness that genuinely activates citizenry; and stimulates performative speech. The final chapter, chapter 6, briefly recaps the main research objectives and takes stock of the insights gained. It concludes that the contribution of this dissertation does not reside in the concern with the techno-economic ideology of innovation as such – a concern which RI in fact already expressed when it first emerged – but more so in the ontological critique to the idea that this ideology can somehow be overpowered through governance and regulation. The rehabilitation of an ontological dimension in RI in turn provides a new perspective to the philosophy of technology, which over the years has taken a course away from ontological viewpoints. Moreover, the chapter elaborates on how a political concept of innovation adds depth to the foundational claims of RI. Based on these conclusions, the chapter reflects on a range of broader insights, particularly in relation to the philosophy of innovation and the ethics of socially disruptive technologies. In sum, this dissertation politicizes the RI discourse precisely in the way it was originally envisioned, that is, through conceptualizing innovation as a fundamentally political matter. In this view, politics is not merely an extension of RI but is itself the condition of RI; it is what enables innovation to genuinely serve the public good. (shrink)

In this landmark work of economic sociology, Lucien Karpik introduces the theory and practical tools needed to analyze markets for singularities. Singularities are goods and services that cannot be studied by standard methods because they are multidimensional, incommensurable, and of uncertain quality. Examples include movies, novels, music, artwork, fine wine, lawyers, and doctors. Valuing the Unique provides a theoretical framework to explain this important class of products and markets that for so long have eluded neoclassical economics. With this innovative (...) theory--called the economics of singularities--Karpik shows that, because of the uncertainty and the highly subjective valuation of singularities, these markets are necessarily equipped with what he calls "judgment devices"--such as labels, brands, guides, critics, and rankings--which provide consumers with the credible knowledge needed to make reasonable choices. He explains why these markets are characterized by the primacy of competition by qualities over competition by prices, and he identifies the conditions under which singularities are constructed or are in danger of losing their uniqueness. After demonstrating how combinations of the numerous and multiform judgment devices can be used to identify different market models, Karpik applies his analytical tools to the functioning of a large number of actual markets, including fine wines, movies, luxury goods, pop music, and legal services. (shrink)

In this paper, we try to build a semiotics of stereotypes through the key idea of enunciation. We investigate stereotypes of Persons with Disabilities in the context of social media networks (e.g., Facebook, Instagram) by adopting a semiotic perspective. The mainstream idea about stereotypes is that they are necessarily something negative, that must be avoided to maximize inclusivity and fairness. However, in our view, stereotypes are the background of our perception of the world, and we cannot escape from them, because (...) when we leave behind a stereotype, it is only for adopting a new one built on a different basis. Therefore, it is crucial to understand stereotypes and the way they are expressed, since they are one of the enunciating instances that circulate in the space of the Encyclopedia. Through a semiotic point of view, we will follow how stereotypes transform, showing the way they change the modes of existence of meanings, shifting between the virtualized, the potentialized, the actualized, and the realized. Analyzing a huge corpus of social network messages built by the partners of the European project MeMe (Me & the Media: Fostering Social Media Literacy competences through Interactive Learning Settings for Adults with Disabilities), we will show how the advent of social media affected the research field of disability studies. Later, we will point out the variations of the classic stereotypes that have been addressed in the new participatory context of social media through the semiotic theory of enunciation. (shrink)

The novel gives us access to fictional universes in a fundamentally unfinished mode, which allows the reader to give free rein to his or her imagination, in a freedom that is nevertheless monitored and controlled by rules. This article tries to understand the nature of this incompleteness, by discussing some classical readings. How does this specific dimension of fiction relate to Umberto Eco’s concept of the “open work” or to the idea, developed by the phenomenologist Roman Ingarden, that literary works (...) are “schemas” destined to be “concretized” in the consciousness of the reader? How does Hans Robert Jauss’s aesthetics of reception help us to think about the incompleteness of the work in the proper time of its different readings? Through the fruitful dialogue of these different theories, it is a question of highlighting two important points. First, these theories, while discussing the respective roles of the author and the reader, neglect a a third character who is nevertheless essential to the fictional narrative, the narrator. However, taking into account the latter sheds light on the problems encountered. Secondly, this relationship between the incompleteness of the narrative and the narrator’s position is not in itself specific to fiction. It is not absent from scientific texts, when they are thought of as narratives about reality susceptible of different readings in their history. (shrink)

Recent research on thick terms like “rude” and “friendly” has revealed a polarity effect, according to which the evaluative content of positive thick terms like “friendly” and “courageous” can be more easily canceled than the evaluative content of negative terms like “rude” and “selfish”. In this paper, we study the polarity effect in greater detail. We first demonstrate that the polarity effect is insensitive to manipulations of embeddings (Study 1). Second, we show that the effect occurs not only for thick (...) terms but also for thin terms such as “good” or “bad” (Study 2). We conclude that the polarity effect indicates a pervasive asymmetry between positive and negative evaluative terms. (shrink)

Ehrenfels, Höfler and Witasek competently contributed to a musical aesthetics based upon the principles of the Graz school. In spite of a shared general psychological framework, they deeply differ in applying it to the aesthetics of music. A double tendency can be pointed out. Ehrenfels and Höfler enthusiastically supported Richard Wagner and vindicated the aesthetic value of his music. Accordingly, they made large use of analogies between musical and organic Gestalten. In a platonic vein, Höfler also thinks of melodies as (...) timeless objects, which are discovered rather than created by great artists. On the contrary, Witasek’s approach is quite rationalistic. Avoiding any intrusion of metaphysics, he describes the intellectual and emotional processes involved in hearing a piece of music. Wholly independently of Wagnerism, Witasek explains the complexity of musical experience in the general terms of Meinongian psychology. (shrink)

Dans quelle mesure les techniques des instruments modernes d'observation et d'imagerie optique ou numérique développées en physique, biologie et médecine transforment-elles les conceptions philosophiques de l'observation, et le rapport entre cette dernière et la théorie? La philosophie des sciences a conduit ces dernières décennies une réflexion sur le rôle des instruments dans l'observation en s'appuyant essentiellement sur des appareils traditionnels comme les microscopes et télescopes. Le...

Comprendre ce que les philosophes du XVIIe siècle entendaient par représentation est essentiel à l'intelligence de leurs conceptions des idées et de la vérité. Ce livre renouvelle notre approche du problème à travers des lectures de Descartes, Leibniz, Locke, Pascal, en reliant leurs analyses philosophiques à leurs textes scientifiques. Les figures de la Dioptrique et de la Géométrie éclairent chez Descartes le contenu de l'idée sensible, le rapport du clair et du confus, la nature de la couleur et celle de (...) l'existence. Les anamorphoses de l'Essai sur l'entendement humain de Locke donnent à voir comment les idées renvoient aux choses. Et l'hexagramme pascalien raconte l'herméneutique des Pensées. La représentation classique s'avère l'effet d'une transformation qui affecte en même temps la science et la philosophie. À l'encontre des lectures qui ont insisté sur les filiations avec les pensées médiévales et tenté de réduire la nouveauté de la pensée classique, ce livre retrouve une thèse essentielle de Michel Foucault dans Les Mots et les Choses sur la rupture inaugurant l'âge classique. Mais il découvre dans cette rupture l'effet d'une opération matérielle, qui conduit à un nouveau mode d'existence concret des images et des signes dans les textes du savoir, analysable à l'intérieur de dispositifs textuels. Ce qui l'amène enfin à déplacer profondément les analyses de Foucault et à interroger les présupposés de son archéologie du savoir. (shrink)