This book offers a critical re-appraisal of what is perhaps Merleau-Ponty’s most widely read text, the Preface to his Phenomenology of Perception. Although open and enigmatic text, the Preface is still often used to introduce phenomenology in general and Merleau-Ponty’s work specifically to students, scholars in disciplines other than philosophy, and art practitioners. Taking advantage of the fact that many of his course notes have been posthumously published in the last few decades, this book situates the Preface to the Phenomenology (...) of Perception in the context of Merleau-Ponty's later work and shows how it contains many of the threads on which Merleau-Ponty would later pull. In doing so, the book chapters elaborate key themes in the Preface: “Phenomenology and its Paradoxes,” “Phenomenology and its Method,” “Phenomenology and its Incompletion,” “Phenomenology and Non-Phenomenology." Readers will learn about the radicality of Merleau-Ponty’s early articulation of phenomenology, how much it already suggests the profound transformation of phenomenology usually associated with his more mature work. (shrink)

Abstract The purpose of this paper is to empirically analyse the developmental stages of non-financial reporting in corporations, by interpreting the views of interviewees from major ethical corporations on the six major dimensions of non-financial reporting (identified in the literature) within each stage of the five-stage model of non-financial reporting (developed in this paper). This study is part of a series of papers on Triple Bottom Line reporting (TBL), and its relevance to corporate reporting practices. The TBL is perhaps the (...) pioneer for getting corporations thinking about non-financial reporting. While literature has been done extensively on the TBL framework, empirical data linking TBL and how it has helped, or even hindered corporations progressing through different stages in their non-financial reporting processes is missing. In order to facilitate this analysis, 40 interviews were conducted over 1 year, with 40 corporations selected from various sustainability indexes, focusing on corporations that adopt best practices in this area, and also have a TBL approach to non-financial reporting. The results of the analysis show that TBL certainly got corporations started in the journey of non-financial reporting but has not pushed them far enough to develop a more integrated approach to reporting nor clearly aligning their non-financial reporting performance with their financial performance and business strategy. Content Type Journal Article Category Original Paper Pages 1-33 DOI 10.1007/s13520-011-0010-4 Authors Kaushik Sridhar, Macquarie Graduate School of Management, Macquarie University, Sydney, Australia Journal Asian Journal of Business Ethics Online ISSN 2210-6731 Print ISSN 2210-6723. (shrink)

One of the central tenets of mainstream economics is Adam Smith's proposition that, given certain conditions, self-interested behavior by individuals leads them to the social good, almost as if orchestrated by an invisible hand. This deep insight has, over the past two centuries, been taken out of context, contorted, and used as the cornerstone of free-market orthodoxy. In Beyond the Invisible Hand, Kaushik Basu argues that mainstream economics and its conservative popularizers have misrepresented Smith's insight and hampered our understanding (...) of how economies function, why some economies fail and some succeed, and what the nature and role of state intervention might be. Comparing this view of the invisible hand with the vision described by Kafka--in which individuals pursuing their atomistic interests, devoid of moral compunction, end up creating a world that is mean and miserable--Basu argues for collective action and the need to shift our focus from the efficient society to one that is also fair. Using analytic tools from mainstream economics, the book challenges some of the precepts and propositions of mainstream economics. It maintains that, by ignoring the role of culture and custom, traditional economics promotes the view that the current system is the only viable one, thereby serving the interests of those who do well by this system. Beyond the Invisible Hand challenges readers to fundamentally rethink the assumptions underlying modern economic thought and proves that a more equitable society is both possible and sustainable, and hence worth striving for. By scrutinizing Adam Smith's theory, this impassioned critique of contemporary mainstream economics debunks traditional beliefs regarding best economic practices, self-interest, and the social good. (shrink)

Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic considers Merleau-Ponty's later ontology of language in the light of his "figured philosophy," which places the work of art at the centre of its investigation. Kaushik argues that, since for Merleau-Ponty the work of art actualizes a sensible ontology that would otherwise be invisible to the history of dialectics, it undermines the fundamental difference between being and linguistic structures. Art, Language and Figure in Merleau-Ponty takes up the radical task of (...) the figured philosophy to render sensible and linguistic spaces prior to the thought of their separation. Kaushik situates Merleau-Ponty's criticisms of Saussure's linguistic system, as well as a more general repudiation of the act of inscribing in favour of an abstracted textual meaning, in this context. Following the artists most important to Merleau-Ponty's own writings on art, such as Paul Klee and his fascination with hieroglyphics, and extending these analyses to more recent 21st Century artists such as Cy Twombly, Kaushik takes an excursion into the places where art and language, image and text, drawing and writing, figure and discourse, are interlaced in Merleau-Ponty's last ontology. In view of these intersections, Kaushik ultimately argues, the work of art gives us the spaces where the possibilities of philosophy, both past and future, reside. As the first sustained treatment into the relationship between art and language, this is an important contribution to Meleau-Ponty's philosophy and scholars of aesthetics. (shrink)

Given its non-invasive nature, there is increasing interest in the use of transcutaneous vagus nerve stimulation across basic, translational and clinical research. Contemporaneously, tVNS can be achieved by stimulating either the auricular branch or the cervical bundle of the vagus nerve, referred to as transcutaneous auricular vagus nerve stimulation and transcutaneous cervical VNS, respectively. In order to advance the field in a systematic manner, studies using these technologies need to adequately report sufficient methodological detail to enable comparison of results between (...) studies, replication of studies, as well as enhancing study participant safety. We systematically reviewed the existing tVNS literature to evaluate current reporting practices. Based on this review, and consensus among participating authors, we propose a set of minimal reporting items to guide future tVNS studies. The suggested items address specific technical aspects of the device and stimulation parameters. We also cover general recommendations including inclusion and exclusion criteria for participants, outcome parameters and the detailed reporting of side effects. Furthermore, we review strategies used to identify the optimal stimulation parameters for a given research setting and summarize ongoing developments in animal research with potential implications for the application of tVNS in humans. Finally, we discuss the potential of tVNS in future research as well as the associated challenges across several disciplines in research and clinical practice. (shrink)

This paper begins by pointing to an obvious difficulty in Merleau-Ponty’s late philosophy: undoing the decisive separation between linguistic connotation and the denotated, undoing the decisive separation between linguistic meaning and the sensible world. This difficulty demands that we understand how the sensible and the symbolic have a sort of spontaneous relation. How can this be? The history of this problem is then traced back to Husserl, and in particular to his The Origin of Geometry. For Husserl, ‘abstract geometry’ is (...) understood to be a self-constituting field that cuts itself off from a ‘pre-geometry.’ The latter sort of geometry has to do with a symbolic and phantasy consciousness that makes differences in an otherwise uniform sensible plenum. Merleau-Ponty is at odds with the idea of an abstract geometry that constitutes its own field. His phenomenology would have this abstract geometry reduced to pre-geometry, and this pre-geometry further reduced to the sensible, which is then not uniform at all. The problem becomes more precisely how the separations of the sensible and the differences between things are already symbolic.The paper suggests that a way to think through Merleau-Ponty’s problem can be found in a January 1960 Working Note to The Visible and the Invisible called “The Invisible, the negative, vertical Being.” This note, with its references to “joints and members” and “disjunction and dis-membering” is very likely a reference to, and correction of, Heidegger’s 1943 essay on Heraclitus. The point for Merleau-Ponty seems to be a radicalization of the Heraclitean coinstantiation of opposites. His reading allows him to resist understanding the sensible as a self-identity and replace it instead with disarticulation, disintegration, or even perhaps disruption. To show this very disruption is, the paper finally argues, to show the sensible with its phantasmagorical character. Finally, by way of conclusion, the paper takes a turn to sculpture precisely to discuss how we might grasp a sensible that is not uniform but always being shaped and differentiated; and how the symbolic is exactly in, enjambed with, this spacing apart. Ce texte commence par signaler une difficulté évidente dans l’oeuvre tardive de Merleau-Ponty : défaire la séparation décisive entre la connotation linguistique et la dénotation, défaire la séparation décisive entre la signification linguistique et le monde sensible. Cette difficulté requiert de comprendre comment le sensible et le symbolique se trouvent dans une sorte de relation spontanée. Comment cela se fait-il? L’histoire de ce problème remonte à Husserl et à son Origine de la géométrie. Pour Husserl, la « géométrie abstraite » est comprise comme un champ qui se constitue lui-même et qui se détache d’une « pré-géométrie ». Cette dernière sorte de géométrie est liée à une conscience symbolique et imaginative qui fait des différences dans un espace sensible autrement uniforme. Merleau-Ponty n’est pas favorable à l’idée d’une géométrie abstraite qui constitue son propre champ. Sa phénoménologie vise à réduire la géométrie abstraite à la pré-géométrie, et cette dernière au sensible, qui dès lors n’est plus du tout uniforme. Le problème consiste alors à montrer comment les séparations du sensible et les différences entre les choses sont toujours déjà symboliques.La contribution ici suggère qu’une solution peut être trouvée dans la note de travail du Visible et l’invisible de janvier 1960, intitulée « L’Invisible, le négatif, l’Être vertical ». Cette note, qui parle de « jointure et membrure » et de « dis-jonction et dé-membrement », est sans doute une référence à, et une correction l’essai de Heidegger de 1943 sur Héraclite. Le propos de Merleau-Ponty semble être une radicalisation de la co-instantiation héraclitéenne des opposés. Son interprétation lui permet de résister à la conception du sensible comme identité à soi et de la remplacer par la désarticulation, la désintégration ou même peut-être le bouleversement (disruption). Le fait de montrer ce bouleversement consiste précisément à montrer le sensible avec son caractère fantasmatique. Finalement, en guise de conclusion, le texte se tourne vers la sculpture pour discuter une notion du sensible comme étant non uniforme mais toujours déjà formé et différencié, et une notion de symbolique comme étant exactement dans cet espacement. Questo testo inizia portando l’attenzione su un evidente problema nella filosofia dell’ultimo Merleau-Ponty: annullare la separazione decisiva tra connotazione linguistica e ciò che viene denotato, annullare la separazione decisiva tra significato linguistico e mondo sensibile. Questo problema richiede una comprensione della relazione spontanea tra sensibile e simbolico. Come ciò è possibile? La storia di questo problema risale fino ad Husserl, ed in particolare al suo L’origine della geometria. Per Husserl, la ‘geometria astratta’ è da concepire come un campo che si costituisce da sé, distaccandosi da una ‘pre-geometria’. L’ultima tipologia di geometria ha a che fare con una coscienza simbolica e immaginativa, che crea delle differenze in un altrimenti uniforme plenum sensibile. Merleau-Ponty non concorda con l’idea di una geometria astratta che costituisca il proprio campo. La sua fenomenologia intende piuttosto riportare la geometria astratta alla pre-geometria, e quest’ultima al sensibile, che quindi è tutto fuorché uniforme. Il problema diventa allora, più precisamente, come mostrare che le separazioni del sensibile e delle differenze tra le cose siano già simboliche. Questo testo suggerisce che una soluzione per pensare questo problema in Merleau-Ponty possa essere trovata in una nota di lavoro al Visibile e l’invisibile del gennaio 1960, intitolata “L’invisibile, il negativo, l’essere verticale”. Questa nota, con i suoi riferimenti a “spazio topologico e il tempo di congiunzione e di membratura”, e ancora “di dis-giunzione e dis-membramento”, è molto probabilmente un riferimento, ed insieme una correzione, al saggio di Heidegger su Eraclito del 1943. Il punto, per Merleau-Ponty, sembra essere una radicalizzazione del concetto eracliteo di compresenza degli opposti. La sua lettura gli permette di resistere alla comprensione del sensibile come un’auto-identità, per rimpiazzarla invece con una disarticolazione, disintegrazione, o perfino interruzione. Mostrare quest’interruzione è, come argomentiamo in questo testo, mostrare il sensibile con il suo carattere fantasmagorico. Infine, tirando le conclusioni, questo testo si rivolge alla scultura, per discutere come sia possibile afferrare un sensibile che non sia uniforme, ma sempre in-formato e in differenziazione, e come la simbolica sia sempre in – e intrecciata con – questa spaziatura, questa distanziazione. (shrink)

This paper concerns a basic ambiguity in Merleau-Ponty’s ontology between the reversibility of flesh and its écart. Where the former suggests continuity between the sensing and the sensible, the latter suggests their separation. It is difficult to know from reading The Visible and the Invisible which is to be prioritized or how one is to be read alongside the other. I argue that such a relation comes to light by thinking through the negation that is, for Merleau-Ponty, always constellated with (...) being. This becomes more explicitly an ontology of differentiation or difference itself which does not prioritize identity. Such an ontology is, I argue, prefigured in Merleau-Ponty’s work on passivity and its symbolic formation. The idea is that the dynamic between negation and being and of symbolic formation happens at the level of, or even in, the body. The final section is thus a consideration of “the implex,” a term Merleau-Ponty borrows from Paul Valéry along with “chiasm.”. (shrink)

Abstract There is increasing evidence suggesting that environmental and social criteria are impacting the market in complex ways. The corporate world has demonstrated a willingness to respond to public pressure for improved performance on non–economic issues by embracing Triple Bottom Line (TBL) principles. TBL reporting has been institutionalized as a way of thinking for corporate sustainability. However, institutions are constantly changing and improving, while TBL has been fairly conservative in its approach to change. The more balanced focus on the (...) economic, the environmental and the social has provided a framework for institutions and markets around the world who want to focus indicators towards a sustainable future. This paper presents a criticism of the TBL approach that adds to the limited information on the pervasiveness of this approach. Content Type Journal Article Category Original Paper Pages 1-21 DOI 10.1007/s13520-012-0019-3 Authors Kaushik Sridhar, Net Balance Management Group, 332, Kent Street, Sydney, NSW 2000, Australia Grant Jones, Australian Catholic University, 8/20 Napier Street, NR House, North Sydney, NSW, Australia 2060 Journal Asian Journal of Business Ethics Online ISSN 2210-6731 Print ISSN 2210-6723. (shrink)

Social media-related nutritional decisions influencers and commercial postings on social media have a significant impact on people's eating habits, purchasing decisions, and decisions about food in general. It also shapes people's dietary practices and overall nutrition. Investigating dietary habits through social media can be disadvantageous to the potential for biased or inaccurate information, as sensational content can lead to unreliable nutritional advice. The 160 participants' nutritional choices using social media influence data are collected, and random questionnaires are collected. There are (...) some factors depicted in this study that are social media engagement, perceived credibility of nutrition information, influence of social media on food choices, and change in eating habits. The study utilized SPSS-29 for statistical analysis, descriptive statistics, multivariate regression, correlation analysis, and Mann-Whitney U test and Spearman's rank correlation coefficient were used to determine statistical significance. Social media use and food choices are found to be significantly correlated, with more credibility impacting consumption patterns. The most important effect of social media on eating decisions is revealed by multivariate regression. The study interaction with social media significantly influences dietary decisions, affecting credibility perceptions and highlighting the need for rigorous assessment of online nutritional information, as influence often leads to dietary modifications. (shrink)

Rajiv Kaushik’s Art, Language and Figure in Merleau-Ponty continues the work begun last year in Art and Institution by exploring the ontological grounds upon whichMerleau-Ponty locates the continuity of philosophy with the visual arts. The mission and the privilege of art are to allow the invisible to appear in its own terms. As such, artpossesses the potential of completing the endeavors of philosophy by bringing the world to expression without abusively bringing it to visibility. Kaushik’s analyses of Merleau-Ponty’s (...) concept of “figural philosophy,” of the relevance of Merleau-Ponty’s reading of Saussure for his philosophy of art, and of the dynamic and ontological potential contained in the tracing of a line are profound and each makes decisive contributions to the study of Merleau-Ponty’s aesthetics. In addition to these, Kaushik’s analysis of artworks and artists such as Cy Twombly allow him to make this more than a book about Merleau-Ponty’s philosophy or a book about art; it is a book that enacts their continuity as it describes it, in true hyper-dialectical fashion. (shrink)

Within anthropology, as elsewhere in the human sciences, there is a tendency to divide knowledge making into two separate poles: conceptual (theory) vs. empirical (ethnography). In Theory Can Be More than It Used to Be, Dominic Boyer, James D. Faubion, and George E. Marcus argue that we need to take a step back from the assumption that we know what theory is to investigate how theory—a matter of concepts, of analytic practice, of medium of value, of professional ideology—operates in (...) anthropology and related fields today. They have assembled a distinguished group of scholars to diagnose the state of the theory-ethnography divide in anthropology today and to explore alternative modes of analytical and pedagogical practice. Continuing the methodological insights provided in Fieldwork Is Not What It Used to Be, the contributors to this volume find that now is an optimal time to reflect on the status of theory in relation to ethnographic research in anthropology and kindred disciplines. Together they engage with questions such as, What passes for theory in anthropology and the human sciences today and why? What is theory's relation to ethnography? How are students trained to identify and respect anthropological theorization and how do they practice theoretical work in their later career stages? What theoretical experiments, languages, and institutions are available to the human sciences? Throughout, the editors and authors consider theory in practical terms, rather than as an amorphous set of ideas, an esoteric discourse of power, a norm of intellectual life, or an infinitely contestable canon of texts. A short editorial afterword explores alternative ethics and institutions of pedagogy and training in theory. Contributors: Andrea Ballestero, Rice University; Dominic Boyer, Rice University; Lisa Breglia, George Mason University; Jessica Marie Falcone, Kansas State University; James D. Faubion, Rice University; Kim Fortun, Rensselaer Polytechnic Institute; Andreas Glaeser, University of Chicago; Cymene Howe, Rice University; Jamer Hunt, Parsons The New School for Design and the Institute of Design in Umea, Sweden; George E. Marcus, University of California, Irvine; Townsend Middleton, University of North Carolina at Chapel Hill; Deepa S. Reddy, University of Houston–Clear Lake; Kaushik Sunder Rajan, University of Chicago. (shrink)

In this paper, I revisit the question of how and in what sense can individuals comprising a group be held responsible for morally reprehensible behaviour by that group. The question is tackled by posing a counterfactual: what would happen if selfish individuals became moral creatures? A game called the Samaritan’s Curse is developed, which sheds light on the dilemma of group moral responsibility, and raises new questions concerning ‘conferred morality’ and self-fulfilling morals, and also forces us to question some implicit (...) assumptions of game-theory. (shrink)

Much of economics is built on the assumption that individuals are driven by self-interest and economic development is an outcome of the free play of such individuals. On the few occasions that the existence of altruism is recognized in economics, the tendency is to build this from the axiom of individual selfishness. The aim of this paper is to break from this tradition and to treat as a primitive that individuals are endowed with the ‘cooperative spirit’, which allows them to (...) work in their collective interest, even when that may not be in their self-interest. The paper tracks the interface between altruism and group identity. By using the basic structure of a Prisoner's Dilemma game among randomly picked individuals and building into it assumptions of general or in-group altruism, the paper demonstrates how our selfish rationality interacts with our innate sense of cooperation. The model is used to outline circumstances under which cooperation will occur and circumstances where it will break down. The paper also studies how sub-groups of a society can form cooperative blocks, whether to simply do better for themselves or exploit others. (shrink)

Mainstream economics was founded on many strong assumptions. Institutions and politics were treated as irrelevant, government as exogenous, social norms as epiphenomena. As an initial gambit this was fine. But as the horizons of economic inquiry have broadened, these assumptions have become hindrances rather than aids. If we want to understand why some economies succeed and some fail, why some governments are effective and others not, why some communities prosper while others stagnate, it is essential to view economics as embedded (...) in politics and society. Prelude to Political Economy is a study of this embeddedness; it argues for an 'inclusive' approach to institutions and the state.Modern economics recognizes that individuals' pursuit of their own selfish ends can result in socially suboptimal outcomes -- the Prisoner's Dilemma being the stark example. It has been suggested that what we need in such an eventuality is 'third-party' intervention, which can take the form of imposing punishment on players. Kaushik Basu objects to this method of wishing third parties out of thin air. He argues that if a third party that could impose its will on others were available, then it should have been modeled as a player to start with.The adoption of such an inclusive approach has implications for our conception of the state and the law. It means that the law cannot be construed as a factor that changes the game that citizens play. It is instead simply a set of beliefs of citizens; and, as such, it is similar to social norms. What the law does for an economy, so can social norms. The book discusses how the nature of policy advice and our conception of state power are affected by this altered view of the state and the law.As corollaries, the book addresses a variety of important social and philosophical questions, such as whether the state should guarantee freedom of speech, whether determinism is compatible with free will, and whether the free market can lead to coercion. (shrink)

Merleau-Ponty states in his Institution and Passivity lectures that he wants to "consider criticism itself as a symbolic form" as opposed to doing "a philosophy of symbolic form." This statement seems counterintuitive for Merleau-Ponty, who has been called "the philosopher of the sensible." In this book, Kaushik investigates this question, arguing that Merleau-Ponty has raised the stakes of his ontology such that it is no longer a matter of finding a solution to the difference between "the real and the (...) fictive" but rather, of constellating and matrixing them. This ontological matrix amounts to a psychoanalysis of the philosophy of identity. Kaushik argues that philosophies of reflection, in which reflection seeks to coincide with its origins, are in fact uncritical because they miss the form of differentiation that limits them. His analyses of the matrices between space-imagination, light-dark, awake-asleep, repression-expression, etc., subvert these philosophies and reveal the symbolic form in terms of its lack of precise origin or destination. Drawing from recently published course materials of Merleau-Ponty's, and attentive to his reliance on literary phrases for phenomenological insights, Kaushik brings out the living force of Merleau-Ponty's thought and develops his radical insight of the primacy of the symbolic form, even in an ontology that claims to be about the sensible and its elements. (shrink)

In a Working Note to The Visible and the Invisible, Merleau-Ponty uses the fine phraseology of an “architectonic past” and a “mythical time” to describe Proust’s remembrances of things past. This paper first considers how this architectonic past sheds light on Merleau-Ponty’s ontology, and second how this results in a mythical time, which is an originary encounter with this past. Paying also attention to Merleau-Ponty’s final, completed reflections on “Swann’s Way,” Volume One of Remembrances of Things Past, I suggest that (...) by exposing the inner-connection between the two senses of time, Proust is highly significant for Merleau-Ponty’s thesis of “reversibility”. Proustian remembrances are used by Merleau-Ponty not to expose an inwardness, but something that is withdrawn and behind the sensible. The way in which these remembrances operate in myth time bespeaks of a memorial dimension of the past of being itself. (shrink)

The Indian philosophy of warfare remains terra incognita. Most Western commentators emphasize the underdeveloped nature of military theory in ancient India, while two American political scientists...

This volume of essays, written in honor of Amartya Sen, covers the range of contributions that Sen has made to knowledge. They are written by some of the world's leading economists, philosophers and social scientists, and address topics such as ethics, welfare economics, poverty, gender, human development, society, and politics.

This two volume set of essays, written in honor of Amartya Sen, covers the range of contributions that Sen has made to knowledge. They are written by some of the world's leading economists, philosophers and social scientists, and address topics such as ethics, welfare economics, poverty, gender, human development, society, and politics.

In this chapter, the author models alternative structures in the informal credit market as devices for extracting surplus from the borrowers, and show how extremely exploitative moneylenders may have some superficial resemblance to markets with perfectly competitive moneylenders.

In the second decade of the new millennium, artificial intelligence (AI) became a catchword among senior politicians and the military officers of India. Indian military officers have raised concerns about the potential use of AI-enabled weapon systems by China and by insurgents supported by Pakistan in the subcontinent. This article portrays the complex interlinkages between AI, strategic planning about future warfare and the role of ethics in India. The article, divided into three sections, deals with the role of AI and (...) ethics in India’s grand strategy, in military strategy and in command culture. Finally, the article also offers some policy recommendations. For cultural reasons, India follows a defensive strategy. India is attempting to integrate the AI weapons within its dharmayuddha (just war) format. Indian military strategy emphasises that on no account should these intelligent machines be autonomous. Atman (self-consciousness) must not be subordinated to yantras (machines). (shrink)

The purpose of this paper was to determine whether the individual attributes of locus of control, gender, major in college and years of job experience affect the acceptability of certain workplace behaviors. A total of 198 college students of a mid-sized southeastern university formed the sample for this study. Locus of control, gender and years of job experience were found to have some affect on whether an individual considered a certain behavior acceptable or unacceptable.

This paper seeks to develop the connection in Merleau‑Ponty’s later ontology between the gesture and language. There is a concerted effort in Merleau‑Ponty’s “middle period” to illustrate that a linguistic system of signs is internally constellated by the body and its movement. This effort seems to give way to an ontology of flesh in the later period. On closer consideration, however, this ontology and the linguistic system of signs—both “diacritical”—are mutually imbricated. This highlights the crucial importance of separation, deviation, and (...) difference in Merleau‑Ponty’s ontology. A question remains, however: how can the body, and in particular the gesture, be the very site of separation rather than of an initiation or identification? I argue that, for Merleau‑Ponty, every gesture contains something internally antagonistic to it, something that cannot be grasped or moved. In this sense, the gesture is an “implex,” both internally resistant to and productive of signification. It is, in short, the site of a symbolization. In light of this, in the conclusion I reconsider the final passages from “Cézanne’s Doubt” where Merleau‑Ponty discusses Freud’s “hermeneutical musings” on Leonardo, and the passages from “Indirect Language and the Voices of Silence” and the nature lectures where he discusses the painter’s brushwork. (shrink)

In this article, I view the dynamic capabilities of a social venture by examining organizational spaces through the means of qualitative engagement. Through the explication of one such organizational space, the WCB Bank, dynamic capability is understood as inhering in the purpose, the constructed memory and selves of human actors in the organization, and the collective endeavours that make the organization through deliberative processes. Such a view of organizations, while transcending the nuance of resources, provides an idea of capability as (...) emerging from the varied meanings that human actors make in organizations. An understanding of these meanings leads to comprehending dynamic capabilities as epistemological elements which lead to accessing the knowledge of the organization for the moment. (shrink)

This book traces the evolution of Hindu theories of warfare in India from the dawn of civilization.

Introduction -- Matisse in slow motion -- Art and natural being -- Proust and the significant event -- Reversibility between the arts -- Concluding remarks.

This paper examines the relationship between Merleau-Ponty's lectures on institution and his lectures on passivity. I argue that the relationship depends on Merleau-Ponty's internal critique of institution as outlined in Husserl's ouevre. That is, institution is not only human institution, which rests on temporality and time-consciousness, but also animal, biological and even virological, which rests on a certain, non-euclidian space of the body. Merleau-Ponty's focus in the course is animal institution: animal morphology, menstruation, puberty, etc. These are what tie institution (...) and passivity together, and especially the passivity that Merleau-Ponty calls the "symbolic matrix," the touchstone of which is the "implex." While the paper discusses, Merleau-Ponty's critique of Husserl and the consequent understanding of a passivity in institution, it opens the possibility that the virological may be yet another kind of passivity that has instituted a new trajectory in human institution. This is highlighted in the very word "pandemic.". (shrink)

This paper considers the move from passivity to a generative passivity in Merleau-Ponty’s ontology. In The Visible and the Invisible Merleau-Ponty calls this generative passivity a “secondary passivity” and in his passivity lectures he describes it as “passivity without passivism.” The paper argues that this secondary passivity must be understood in terms of an écart within the phenomena. That is, in terms of a separation and distance which is matrixed and configured within what appears. This is the basis for Merleau-Ponty’s (...) statement in his passivity lectures that “the touchstone of a theory of passivity,” is a “notion of oneiric symbolism,” and why for him passivity is intimately connected to a “primordial symbol.” If the symbolic is so associated with passivity, the symbolic also does not concern origins but is both the ontological limit and divergence in phenomena. This association forces Merleau-Ponty to consider what it means for phenomenological reflection retrace its steps back to an initial event of expression and even whether phenomenology is ultimately served by description. Finally, this paper considers Merleau-Ponty’s attitude toward the literary usages of language as a means of doing a phenomenology of the secondary passivity. (shrink)

Conventions and leaders are believed to be the two pillars of justice and order in society. This paper evaluates this proposition and draws attention to two intriguing ways in which these pillars can malfunction. The argument is constructed by creating two new games, Greta’s Dilemma and the Incarceration Game. An awareness of these problems can help us use our ‘moral intention’ to reexamine our own collective behavior and to design prior conventions, which limit the power of the leader.

The struggle to “adapt” to the presence of the corpse serves as the central turning point for this investigation into the theatrical encounters with the corpse in the early modern anatomy theatre. Beginning with novelist W.G. Sebald’s claim, in The Rings of Saturn, that the art of anatomy was a way of “making the reprobate body invisible,” Alvarez queries how the corpse as the central “gure of this theatrical space challenges conventional modes of theatrical looking and how the particular viewing (...) procedures invited by the anatomy theatre, as a theatrical space, effectively make the body “unseen.” Using Restoration diarist Samuel Pepys’ documented encounter with a corpse and the early phenomenologist Aurel Kolnai’s writings On Disgust, Alvarez attempts to account for the “perceptual and interpretive black hole” that the corpse presents in this schema. The corpse’s “radical actuality” and, paradoxically, its “surplus of life” act as a cipher that cuts through the virtual space constructed by the anatomical demonstration, undermining the gravitas of the scientific gaze that has acquired its weight in contradistinction to the theatricality of the event. But the corpse’s “radical actuality” and its “surplus of life” introduces a danse macabre of theatrical looking that moves between absorption and repulsion, reversing the otherwise consumptive gaze of the onlooker. (shrink)

This paper examines Jean-Michel Basquiat’s obsession with the marginal and the obscene - understood literally as the ob-scene. The context of a graffiti art, and particularly the glyphic character of graffiti art, allows the work to defy the ordinary logic of the picture frame in order to figure, rather than represent, indeterminate into it. Thus, Basquiat characterizes death and the dead body not in the light of a transcendent space but as prolonged into the depths of an alterity, an ob-scene (...) in the sense of an alter-side that belongs to the scene. (shrink)

This paper examines the ways Merleau-Ponty and Nancy think about light, a central theme in Western philosophy closely tied with form and intelligibility. The first section of this paper points out that each thinker replaces the “highest moment of light,” where it is relieved of its weight and materiality, with darkness, where light instead emerges from some apophantic depth indissociable from the material. The second section of this paper gives a critique of darkness in Nancy from Merleau-Ponty’s perspective. According to (...) the latter’s view, Nancy’s claim that darkness is distinct from the structures of intentionality and instead has to do with a presentation of the inappropriable fact of things would be untenable. The difference between the thinkers relates to how each thinks about negation after their very similar critiques of light and form. Still, I argue, the same critique of presentation in Nancy ought to also be applied to Merleau-Ponty, or at least to the usual way he is thought to favour the sensible instead of intelligibility. In the third section of this paper I consider one of Merleau-Ponty’s phrases, “there is no painting before painting,” a statement I take to be about how explicit formal structures, and thus also light and line, comes from a sensible register that does not lack variation and is not totally “deformed,” to use Nancy’s word that describes the homogeneity of a sensible field. Cet essai examine les différentes façons qu’ont Merleau-Ponty et Nancy de penser la lumière, un thème central de la philosophie occidentale, et qui est étroitement lié avec les idées de forme et d’intelligibilité. La première section montre que les deux penseurs remplacent le « plus haut moment de la lumière », qui est sans poids ni matérialité, par l’obscurité, si bien que la lumière émerge d’une profondeur apophantique indissociable de la matérialité. La deuxième section propose un critique de l’obscurité chez Nancy d’une perspective merleau-pontienne. Pour Merleau-Ponty, l’affirmation de Nancy selon laquelle l’obscurité se distingue des structures de l’intentionalité et a plutôt affaire à la présentation du fait inappropriable de la chose serait tout à fait intenable. La différence entre les deux penseurs concerne la façon dont chacun pense la négation à partir d’une critique similaire de la lumière et de la forme. J’avance pourtant que la même critique de la présentation chez Nancy devrait aussi être appliquée à Merleau-Ponty, ou du moins à la façon dont il est habituellement vu comme préférant le sensible contre l’intelligible. Dans la troisième section, j’évalue la phrase de Merleau-Ponty, « la peinture n’existe pas avant la peinture », phrase qui selon moi concerne la façon dont les structures formelles explicites, et donc la forme et la ligne, proviennent d’un registre sensible qui n’est pas sans variations et donc pas totalement « déformé », pour utiliser le mot que Nancy emploie pour décrire l’homogénéité du champ sensible.Questo articolo prende in esame i modi in cui Merleau-Ponty e Nancy riflettono sulla luce, un tema centrale nella filosofia occidentale e strettamente connesso a quelli della forma e dell’intelligibilità. La prima sezione dell’articolo mostra come entrambi i pensatori sostituiscano “il più alto momento della luce”, che la libera dal suo peso e dalla sua materialità, con l’oscurità, in cui invece la luce emerge da una profondità apofantica indissociabile dalla sfera materiale. La seconda sezione offre una critica del concetto di oscurità in Nancy dal punto di vista di Merleau-Ponty. Secondo una prospettiva merleau-pontiana, la tesi di Nancy che l’oscurità sia distinta dalle strutture dell’intenzionalità e sia invece connessa a una presentazione dell’aspetto inappropriabile delle cose sarebbe insostenibile. La differenza tra i due pensatori riguarda il modo in cui ciascuno di essi elabora l’idea di negazione, a partire da due analisi della luce e della forma molto simili. Tuttavia, come cerco di mostrare, la stessa obiezione all’idea di presentazione in Nancy dovrebbe essere applicata anche a Merleau-Ponty, o quantomeno al modo in cui di norma si ritiene egli prediliga il sensibile piuttosto che l’intelligibile. Nella terza sezione, prendo in esame una frase di Merleau-Ponty, “non c’è pittura prima della pittura”, che a mio avviso si riferisce a come le strutture formali esplicite, e dunque anche la luce e la linea, provengano da un registro sensibile che non è privo di variazioni e che non è totalmente “deformato”, per impiegare un termine di Nancy che descrive l’omogeneità di un campo sensibile. (shrink)

Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher's relevance for contemporary (...) thinking. Covering a diverse range of topics, including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art, the editors gather representative voices from North America and Europe, including both Merleau-Ponty specialists and thinkers who have come to the philosopher's work through their own thematic interest. (shrink)

Recent research highlights the relationship between perceived brand ethicality (PBE), consumer purchase intention, and the consumer–brand relationship. Existing empirical studies offer mixed findings on whether these three relate positively, negatively, or not at all. Moreover, their relationships have not been the primary focus of existing meta-analytic reviews. Therefore, we conducted a meta-analysis to provide an empirical consensus to this debate by studying the magnitude of the association between PBE and consumer responses (purchase intention, brand trust, and brand loyalty). Moreover, we (...) examined the moderating effects of self-accountability and brand experience to expand our understanding of this relationship. After a thorough literature review from major databases and cross-referencing of the relevant articles, we selected 31 peer-reviewed articles for this meta-analysis. The results reveal that consumer response to PBE positively influences attitude formation towards the brand and purchase intentions. Additionally, moderation analyses reveal the crucial roles of self-accountability and brand experience in influencing the effects of PBE on consumer–brand relationships and purchase intention. Crucial theoretical and practical implications are discussed regarding these relationships, followed by limitations and future research directions. (shrink)

Transplant centers and physicians in the United States have limited guidance on the information which they can and cannot provide to transplant candidates regarding donors of potential organs. Patients may refuse organs for a variety of reasons ranging from pernicious requests including racism to misinformation about emerging medicine as with the COVID-19 vaccine and infection. Patient autonomy, organ stewardship, and equity are often at odds in these cases, but precedent indeed exists to help address these challenges. This work uses such (...) cases to highlight the urgent need for uniform, national policy prohibiting informational requests unrelated to well-established risks. (shrink)

Complex systems can be characterized by classes of equivalency of their elements defined according to system specific rules. We propose a generalized preferential attachment model to describe the class size distribution. The model postulates preferential growth of the existing classes and the steady influx of new classes. According to the model, the distribution changes from a pure exponential form for zero influx of new classes to a power law with an exponential cut-off form when the influx of new classes is (...) substantial. Predictions of the model are tested through the analysis of a unique industrial database, which covers both elementary units (products) and classes (markets, firms) in a given industry (pharmaceuticals), covering the entire size distribution. The model's predictions are in good agreement with the data. The paper sheds light on the emergence of the exponent tau approximately 2 observed as a universal feature of many biological, social and economic problems. (shrink)