An analysis of student learning with the LISP tutor indicates that while LISP is complex, learning it is simple. The key to factoring out the complexity of LISP is to monitor the learning of the 500 productions in the LISP tutor which describe the programming skill. The learning of these productions follows the power‐law learning curve typical of skill acquisition. There is transfer from other programming experience to the extent that this programming experience involves the same productions. Subjects appear to (...) differ only on the general dimensions of how well they acquire the productions and how well they retain the productions. Instructional manipulations such as remediation, content of feedback, and timing of feedback are effective to the extent they give students more practice programming, and explain to students why correct solutions work. (shrink)

Philosophical theories of fairness propose to divide a good that several individuals have a claim to in proportion to the strength of their respective claims. We suggest that currently, these theories face a dilemma when dealing with a good that is indivisible. On the one hand, theories of fairness that use weighted lotteries are either of limited applicability or fall prey to an objection by Brad Hooker. On the other hand, accounts that do without weighted lotteries fall prey to three (...) fairness paradoxes. We demonstrate that division methods from apportionment theory, which has hitherto been ignored by philosophical theories of fairness, can be used to provide fair division for indivisible goods without weighted lotteries and without fairness paradoxes. (shrink)

It is well known that John Henry Newman’s Essay on the Development of Christian Doctrine contains strong autobiographical elements. Equally, the essay is an important 19th century contribution to the development of the history of theology. Another fact is lesswell known: in the case of Newman, biography and the history of ideas go hand in hand. This article aims to explain how Newman’s personal search for a spiritual home influenced his conception of the development of Christian thought. This is (...) done by analysing Newman’s own writing as well as looking at the critical appraisal of Newman’s thought by Rowan Williams. Both authors share an interest in the development of theological ideas but differ in their opinion on the necessity of continuity in this development. (shrink)

In contrast to the views put forth by Stein & Glasier, we support the use of inbred strains of rodents in studies of the immunobiology of neural transplants. Inbred strains demonstrate homology of the major histocompatibility complex (MHC). Virtually all experimental work in transplantation immunology is performed using inbred strains, yet very few published studies of immune rejection in intracerebral grafts have used inbred animals.

Under the sumptuous immensity of the sky, the snow covered the endless forests, the frozen rivers, the plains of an immense country, obliterating the landmarks, the accidents of the ground, levelling everything under its uniform whiteness, like a monstrous blank page awaiting the record of an inconceivable history.Increased interest in the experience of space in literature in recent decades has resulted in numerous commentaries on such topics as colonial space, geographical space, gendered space, liminal space, psychic space, and signifying space. (...) In fact, Con Coroneos suggests that Homi Bhabha’s “DissemiNation”1 considers as many as forty different types of space.2Conrad studies have not been silent during this... (shrink)

This book offers a sustained engagement with the writings of the increasingly influential French philosopher and writer on literature, Gilles Deleuze, offering an introduction to his fascinating body of work and emphasizing its multiple possibilities for literary study. Deleuze offers a 'philosophy of becoming' whose many aspects are gaining increasing importance in a variety of disciplines both on the Continent and in Anglo-American circles. Accordingly, the first part of the book stresses the distinctiveness of Deleuze's work, setting out its provenance (...) and recurrent concerns, and developing an account of its relevance for literary theory and literary criticism. The second part of the book provides, in these latter contexts, close readings of several late nineteenth- and early twentieth-century works of fiction by Hardy, Gissing, Conrad and Woolf. Above all, Deleuze's work opens up ways of reading that enable an articulation of fundamental ethical and effective issues explored and staged within literary texts. (shrink)

This article examined the story of the beheading of John the Baptist according to the Gospel of Mark (6:14–29) and drew lessons for the situation of politically motivated violence perpetrated by the youth in Zimbabwe. Politically motivated violence in Zimbabwe is a well-documented problem that negatively impacts on human rights. The article used the historical-critical method in its re-reading of the text in question and the ‘youth bulge theory’ as theoretical framework. Documentary analysis was employed to solicit data from (...) various reports, documents and the Internet. Results showed that it was mostly the poor and unemployed youth who engaged in acts of politically motivated violence and did so on behalf of political parties and leaders. Based on these findings, it is argued that just as both Herod and Herodias abused their power by manipulating the daughter of Herodias in their plot to eliminate John the Baptist, so did powerful Zimbabwean politicians and leaders manipulate economically and socially vulnerable youth for their own political expediency. Contribution: Drawing from Mark 6:14–29, this article presents an application of the New Testament text of Mark 6:14–29 to the politically motivated violence in Zimbabwe in order to promote responsible leadership for a peaceful and tolerant Zimbabwean society. It also contributes to the argument that New Testament texts are intrinsically political documents, which scholars should try to unpack. (shrink)

We present the first comprehensive theory of fairness that conceives of fairness as having two dimensions: a comparative and an absolute one. The comparative dimension of fairness has traditionally been the main interest of Broomean fairness theories. It has been analysed as satisfying competing individual claims in proportion to their respective strengths. And yet, many key contributors to Broomean fairness agree that ‘absolute’ fairness is important as well. We make this concern precise by introducing the Fairness formula and the absolute (...) priority rule and analyse their implications for comparative fairness. (shrink)

_The Literary Wittgenstein_ is a stellar collection of articles relating the philosophy of Ludwig Wittgenstein to core problems in the theory and philosophy of literature. Amid growing recognition that Wittgenstein's philosophy has important implications for literary studies, this book brings together twenty-one articles by the most prominent figures in the field. Eighteen of the articles are published here for the first time. _The Literary Wittgenstein_ applies the approach of Wittgenstein to core areas of literary theory, including poetry, deconstruction, the ethical (...) value of literature, and the nature and logic of fictional discourse. The literary dimension of Wittgenstein's own writings is also explored, such as the authorial strategy of the _Tractatus_, and writing and method in the _Philosophical Investigations_. Major literary figures discussed in the book include William Faulkner, Joseph Conrad, and Friedrich Hölderlin. By mapping out the foundations of a new approach to literature, _The Literary Wittgenstein_ is essential reading for anyone interested in the relevance and application of Wittgenstein's thought to literary theory, aesthetics, and the philosophy of language and logic. (shrink)

The most striking aspect of Dr. Demetracopoulos’ contribution is the evidence for how unoriginal was Scholarios’ Aristotelian scholarship. The chief source of Scholarios’ commentary on the Parva naturalia was Theodore Metochites, whose ultimate source in turn was Michael of Ephesus. So once the Aldine Press had published the text of Michael of Ephesus’ commentary in 1527 and once Conrad Gesner’s Latin translation of Michael of Ephesus’s commentary was printed in 1541 and Gentian Hervet’s translation of Theodore Metochites’ commentary in (...) 1559, the Renaissance had rendered Scholarios’ commentary otiose. (shrink)

Why was the road to EMBL 'more difficult than anticipated', as Francois Jacob put it? The standard account, advanced by scientists, is that it was because molecular biology did not require big, complex and expensive equipment like high-energy physics. European governments therefore lacked the incentive to pool their efforts and to build together a supranational laboratory 'modeled on CERN'. This account is one-sided. It overlooks the fact that many scientists themselves were less than enthusiastic about building a European molecular biology (...) laboratory in the early 1960s. Taking John Kendrew and Conrad Waddington as representative of two different and opposing views on how best to promote molecular biology in Europe at this time, I argue that a supranational laboratory project could only come to fruition once the field had been entrenched in national institutional niches (or after determined efforts to do so had failed). Until that time, the usual fear that a European laboratory would drain essential human and financial resources away from incipient or planned programmes in universities and national research centres dominated the horizons of most molecular biologists in Europe. Hence their preference to first establish EMBO to coordinate existing activities and only later to set up a supranational laboratory. (shrink)

Albert Einstein read philosophy. It was not an affectation of a celebrity-physicist trying to show his adoring public that he was no mere technician, but a cultured thinker. It was an interest in evidence from the start. In 1902, Einstein was a poorly paid patent examiner in Bern seeking to make a few extra Francs by offering tutorials in physics. Maurice Solovine answered the advertisement. The tutorials quickly vanished when they discovered their common fascinations in reading and talking. They were (...) soon joined in their raucous meetings by Conrad Habicht, completing what they dubbed their “Olympia Academy.” Their explorations where wide-ranging, devouring texts and sausages with gusto. They read the philosophers and philosophically-minded scientists of the day, including Pearson, Mach, Hill, Hume, Spinoza, Avenarius, Cifford and Poincaré. (shrink)

This article considers the capacity of the military body to appropriate various modes of power, personnel and material, in terms of the tache. In particular we examine the (post)colonial military body, especially in Southeast Asia, and its intimate relations to the detachment of the colonial state from the colonial body and attachment to the global regimes of Cold War and neo-liberal post Cold War processes. We do so through a wide range of ‘texts’– including a Conrad novella, a Singaporean (...) documentary series, transformers (toys), and international money laundering – in which the defining logic that the (post)colonial military body deploys is its capacity to attach and detach at will. A series of related and homologous attachments and detachments proceed from this capacity: the power of sovereignty, the generation and circulation of capital, and the transformation of the colonial military body into the postcolonial military body. However, it is also the logic of this empowering connectivity that imposes intractable limits on the desire for ultimate control, as the tache always indicates something beyond the corpus, something outside the locus of control. (shrink)

Medieval discussions on rights. Bonaventure -- Godfrey of Fontaines -- Peter John Olivi -- Hervaeus Natalis -- William Ockham -- Richard Fitzralph -- Jean Gerson -- Antoninus of Florence -- The right of the individual. Right as power -- Right as dominion -- Right as a relation -- The species of dominion. The six-fold dominion -- Natural dominion -- Property rights. Justification of private property -- The rights of use (usus) and usufruct (usufructus) -- Ownership (proprietas) and possession (possessio).

C .H. Waddington was one of the founders of the Theoretical Biology Club at Cambridge in the 1930s whose members advanced a philosophy of biology, “organicism,” that would offer an alternative to the reductionism of mechanistic materialism and the obscurity of vitalism in coming to terms with the dynamic, interdependent, and purposeful character of life. This view was embraced in one form or another by E. S. Russell, John Scott Haldane, C. Lloyd Morgan, Lawrence J. Henderson, C. D. Broad, (...) and Alfred North Whitehead. Waddington, in particular, was devoted to the integration of genetics, development, and evolution within the context of theoretical biology. This article explains the influence of Alfred North Whitehead's philosophy of organism on C. H. Waddington's work. (shrink)

Conrad Gessner was town physician and lecturer at the Zwinglian reformed lectorium in Zurich. His approach towards the world and mankind was centred on his preoccupation with the human soul, an object of study that had challenged classical writers such as Aristotle and Galen, and which remained as important in post-Reformation debate. Writing commentaries on Aristotles De Anima was part of early-modern natural philosophy education at university and formed the preparatory step for studying medicine. This article uses the case (...) study of Gessners commentary on De Anima to explore how Gessners readers prioritised De Animas information. Gessners intention was to provide the students of philosophy and medicine with the most current and comprehensive thinking. His readers responses raise questions about evolving discussions in natural philosophy and medicine that concerned the foundations of preventive healthcare on the one hand, and of anatomically specified pathological medicine on the other, and Gessners part in helping these develop. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Preliminary remarksSince John Capistran is among the most relevant figures of the fifteenth century, not only for the Franciscan Order but more generally for political and religious life , the very substantial corpus of his correspondence has a long history as well as a long historiography. The approximately seven hundred letters he sent or received beginning in 1418 until his death in 1456, were discovered and studied one (...) at a time over the centuries, for quite different reasons and with different aims.Certainly the gradual process of discovering and studying these documents is marked by some milestones. For example, there is the celebration of his canonization process in 1623 , as well as the works of the so-called Capistran Commission. This commission was a team established in 1952 in Rome by the leadership of the Franciscan Order , which was located first in Grottaferrata, College of Quaracchi, then in the Antonianum, and was managed by friars Ottokar Bonmann and Paulis Bédrune.The research archive of Capistrano materials that is housed at the Franciscan Institute at St. Bonaventure University was brought together through the efforts of Gedeon Gál, OFM. Gedeon had been heading up work on the critical edition of the theological and philosophical writings of William of Ockham at the Institute. His interest in John Capistran came from the fact that he was a member of the Hungarian Franciscan Province of St. John Capistran. The greater part of the material came from the research files of Ottokar Bonmann who died before being able to start any actual editing work for an edition of Capistran. Knowing of Bonmann's work Gedeon asked Conrad Harkins, O.F.M., then director of the Franciscan Institute, to request that Bonmann's research be shipped to the Institute from Rome where it was being stored. Also while Conrad was on sabbatical in Italy, Gedeon asked him to photocopy the manuscript of Capistran's letters copied in the 1600s by Antonio Sessa of Palermo that resides in the library of the Basilica di Santa Maria in Aracoeli in Rome. That being done the copies were sent to the Franciscan Institute and joined with the Bonmann materials to form the archive. It is a heritage that deserves to be retrieved by scholars, in order to accomplish the work according to modern criteria, where accomplish means to create a final edition.Bonmann was very familiar with the earlier research on these letters and his work reinforces the fact that the edition was an obstacle course. This is the case not only because scholars' sensibilities regarding these kinds of documents changed throughout the centuries, previously viewed as a relic of a saint or an attestation of his sainthood, and – more recently – as a precious source about European history in the first half of the fifteenth century. Despite scholarly interest in the correspondence, it remains unpublished.In fact, the first to have the intention to publish all of the correspondence was Lucas Wadding, who received some materials about these letters at St. Isidore College in Rome, but he could not complete his project although he mentions it in his Annales Minorum. After Wadding many scholars tried to work on the same project but using criteria that – in several cases – are no longer helpful because their methods are out-of-date.For example, as we will soon see, collections such as those provided by Antonio Sessa in the seventeenth or by Atanasio Masci in the eighteenth century, are inspired by hagiographical criteria or, at least, not philological criteria. All of these collections were acquired by the Capistran Commission and then by Ottokar Bonmann who wrote an article on the subject in which.. (shrink)

My basic supposition is that the destruction of the little Jew's face and hands in Vandover and the Brute images the irruption of mere materiality within the scene of writing-that instead of Crane's double process of eliciting and repressing that materiality, what is figured in the shipwreck scene is a single, unstoppable process of materialization, involving both the act of representation and the marking tool and actual page , the result of which can only be the defeat of the very (...) possibility of writing .Here it might be objected that such a reading derives whatever plausibility it has from the comparison with Crane, and in a sense this is true: my claim is precisely that it's only against the background of Crane's seemingly bizarre but, in this regard, normative or centric enterprise that the wider problematic of late nineteenth- and early twentieth-century literary "impressionism" can be made out. In another sense, however, the comparison with Crane involves an appeal to issues—notably that of materialism—which have long been basic to Norris criticism and which the recent work of Walter Benn Michaels has brought to a new level of conceptual sophistication and historical refinement. Specifically, the title essay in Michaels's book, The Gold Standard and the Logic of Naturalism, interprets both McTeague and Vandover and the Brute in terms of a conflict between materiality and representation that found contemporary expression both in the debates over the gold and silver standards versus paper money and in the vogue for trompe l'oeil painting ." In this regard a crucial moment in Vandover's regression from man to beast is his discovery that, as a painter, he has lost the ability to represent nature three-dimensionally; Michaels treats this development as equivalent to "replac[ing] the painting with nature itself" , and goes on to remark: "But this ... is ultimately a distinction without a difference. Vandover the artist can so easily devolve into Vandover the brute precisely because both artist and brute are already committed to a naturalist ontology—in money, to precious metals; in art, to three-dimensionality. The moral of Vandover's regression, from this standpoint, is that it can only take place because . . . it has already taken place. Discovering that man is a brute, Norris repeats the discovery that paper money is just paper and that a painting of paper money is just paint" . My reading of the shipwreck passage would thus be consistent with what Michaels calls Norris's "trompe l'oeil materialism" , though the nearly sadomasochistic violence of that passage may be taken to imply that materialism's consequences for writing threaten to be even more disastrous than they are for painting. But rather than analyze the role of writing as such in Vandover, which would involve an intricate discussion not just of that novel and McTeague but also of Michaels's essay, I want to turn to another, lesser-known book by Norris, in which a thematic of writing plays a conspicuous and more nearly univocal role: A Man's Woman . Michael Fried is J. R. Herbert Boone Professor of Humanities and director of the Humanities Center at the Johns Hopkins University. His most recent book is Courbet's Realism . He is currently at work on a book to be titled Manet's Modernism. (shrink)

In this anthology, distinguished scholars--Thomas Nagel, T.M. Scanlon, John Rawls, Robert Nozick, Samuela Scheffler, Conrad D. Johnson, Bernard Williams, Peter Railton, Amartya Sen, Philippa Foot, and Derek Parfit-- debate arguments for and against the moral doctrine of consequentialism to present a complete view of this important topic in moral philosophy.

This paper considers the applicability of standard accounts of causation to living systems. In particular it examines critically the increasing tendency to equate causal explanation with the identification of a mechanism. A range of differences between living systems and paradigm mechanisms are identified and discussed. While in principle it might be possible to accommodate an account of mechanism to these features, the attempt to do so risks reducing the idea of a mechanism to vacuity. It is proposed that the solution (...) to this problem requires the development of a philosophical account of process adequate to apply to living systems. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"New" Media, Art, and Intercultural CommunicationBart Vandenabeele (bio)It is fairly common — but perhaps not altogether innocent — to avoid addressing new media and intercultural aspects of communication in one and the same essay. Here, however, both issues are treated together. I shall investigate, in a perhaps somewhat unusual way, the phenomenon of "new" artistic media and some related issues such as virtual reality, computer and telecommunications technology, and (...) cyberspace. I offer some philosophical remarks, especially of an epistemological kind, that are important to every debate in which terms like multimedia art, "new" media art, and screen based art occur. I argue that the novelty of some changes in the use of artistic media tends to be overemphasized and dramatized. Furthermore, I shall point to the lack of interest in intercultural aspects of artistic communication and to the relevance an intercultural orientation can have for reflection on the phenomenon of so-called "new" media in art.1It has often been claimed that art is the best possible window into another community. Art would be a universal language and contact with works of art supposedly offers the best direct or immediate internal access to another community. This is purported to be a kind of access that cannot possibly be matched by knowledge about the geography, religion, and history. Even John Dewey believes that "au fond, the aesthetic quality is the same for Greeks, Chinese, Americans."2 This idea is surprisingly reminiscent of Clive Bell's "discovery" of Significant Form in so-called primitive art.3 Dewey says thatbarriers are dissolved, limiting prejudices melt away, when we enter into the spirit of Negro or Polynesian art. This insensible melting is far more efficacious than the change effected by reasoning, because it enters directly into attitude."4To this contention one could object in the following way. Immediate contact with for example, Congolese Nkisi nkondi fetish statues (in the museum of [End Page 1] African Art and History in Tervuren), which are bristling with nails are quite shocking to Europeans — such as Joseph Conrad in the Congo.5 Only by acquaintance with facts that are external to the artwork can one get real access to and understanding of them. One has to know that the nails are meant to seal dispute resolutions and that the statues "were considered so powerful that they were sometimes kept outside the village."6 Only when I know this, will my first perception be seriously altered. It is an objection that is often made against the privilege enjoyed by the immediate contact with the senses: knowledge of the "context" can enhance our appreciation of the art of the foreign community.Both the universalist view and the objection are flawed.7 First of all, we have to ask whether we can make such a sharp distinction between internal and external information and, second, whether it is correct to presuppose a typical proper aesthetics to make artistic communication possible. Is not every form of life already the (not fully definable) outcome of conscious or unconscious influence by other forms of life? What would be the so-called "own" internal aesthetics by which we should judge the famous "Turkish" Iznik tiles that reflect especially the Ottoman rulers' interest in Chinese porcelain, or the "Japanese" aesthetics of Zen Buddhism that is the result of a century-long historical interaction between Japanese culture and the new, foreign religion of Buddhism, which traveled from Japan to India via China and Korea? What would be the "typical" English garden, which was realized on the basis of travel reports from the Far East? And what of the Eastern influence on so-called typical Western painters as Matisse, Whistler, and Degas or composers such as Debussy, Messiaen, Ravel, Rimski-Korsakow and Puccini? What is clear is that it is completely unclear what is "own," "typical," or "authentic." Live communities are never isolated islands developing by themselves. It is as impossible to demarcate strictly the "proper" from the "foreign" as it is to find a universal language that would make artistic communication possible in an absolutely definitive way.Just as it is not necessary to share a language to communicate8 — this holds both for people... (shrink)

This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with (...) true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning. (shrink)

Nel Medioevo tante volte presentato dalla letteratura come un grande romanzo di avventure, un posto decisamente particolare spetta alla vicenda di Tommaso Becket, prima cancelliere di re Enrico II e poi arcivescovo di Canterbury, assassinato nella sua cattedrale nel 1170. Si tratta di una vicenda che presenta i motivi fondamentali di ogni racconto epico e tragico. Ispirandosi a questa convinzione l’articolo ripercorre alcune delle maggiori opere letterarie che hanno raccontato da diversi punti di vista lo scontro tra Becket e il (...) suo re: alcune delle agiografie medievali, Alfred Tennyson, Conrad Ferdinand Meyer nel XIX secolo, e – nel XX – Thomas Stearns Eliot, Christopher Fry e Jean Anouilh. Del _vero_ Tommaso Becket è assai difficile riuscire a farsi un’idea precisa, mentre sembra realizzarsi la grande metafora, proposta da Giovanni di Salisbury, suo stretto collaboratore, della vita e della storia come rappresentazione teatrale in cui hanno importanza decisiva solo i ruoli che gli uomini sono chiamati a interpretare. _In the Middle Ages, so often depicted in literature as a great adventure novel, a very special place belongs to the story of Thomas Becket, firstly chancellor of King Henry II and later Bishop of Canterbury, murdered in his cathedral in 1170. _ _This episode presents the fundamental motifs of every epic and tragic tale. Inspired by this conviction, this article examines some of the most significant literary works that have described the conflict between Becket and his king from different points of view: some of the medieval hagiographies, Alfred Tennyson, Conrad Ferdinand Meyer in the 19th century, and – in the 20th – Thomas Stearns Eliot, Christopher Fry and Jean Anouilh._ _It is very difficult to get a precise idea of the _real_ Thomas Becket, while the great metaphor proposed by John of Salisbury, his close collaborator, of life and history as a theatrical representation in which only the roles that men are called to play are of decisive importance, seems to have been realized._. (shrink)

Nineteen obituaries of recently deceased Fellows of the British Academy: W S Allen; George Anderson; A C de la Mare; John Flemming; James Harris; John Hurst; Casimir Lewy; Donald MacDougall; Colin Matthew; Edward Miller; Michio Morishima; Brian Reddaway; Marjorie Reeves; C Martin Robertson; Conrad Russell, and Arnold Taylor.

Nineteen obituaries of recently deceased Fellows of the British Academy: W S Allen; George Anderson; A C de la Mare; John Flemming; James Harris; John Hurst; Casimir Lewy; Donald MacDougall; Colin Matthew; Edward Miller; Michio Morishima; Brian Reddaway; Marjorie Reeves; C Martin Robertson; Conrad Russell, and Arnold Taylor.

_The Ethics of Cultural Appropriation_ undertakes a comprehensive and systematic investigation of the moral and aesthetic questions that arise from the practice of cultural appropriation. Explores cultural appropriation in a wide variety of contexts, among them the arts and archaeology, museums, and religion Questions whether cultural appropriation is always morally objectionable Includes research that is equally informed by empirical knowledge and general normative theory Provides a coherent and authoritative perspective gained by the collaboration of philosophers and specialists in the field (...) who all participated in this unique research project. (shrink)

"Cult of ugliness," Ezra Pound’s phrase, powerfully summarizes the ways in which modernists such as Pound, T. S. Eliot, Wyndham Lewis, and T. E. Hulme—the self-styled "Men of 1914"—responded to the "horrid or sordid or disgusting" conditions of modernity by radically changing aesthetic theory and literary practice. Only the representation of "ugliness," they protested, would produce the new, truly "beautiful" work of art. They dissociated the beautiful from its traditional embodiment in female beauty, and from its association with Walter Pater (...) and Oscar Wilde. Their cultivation of ugliness displaced misogyny and homophobia. Higgins takes in texts such as John Ruskin’s art criticism, Eliot’s literary journalism, Lewis’s pro-fascism pamphlets, and the poetry of Pound, Conrad Aiken, and Langston Hughes. She demonstrates that even vigorous champions of beauty were committed to aesthetic practices that disempowered female figures in order to articulate new truths of male artistic mastery. (shrink)