We offer an original argument for the existence of universal fictions—that is, fictions within which every possible proposition is true. Specifically, we detail a trio of such fictions, along with an easy-to-follow recipe for generating more. After exploring several consequences and dismissing some objections, we conclude that fiction, unlike reality, is unlimited when it comes to truth.

This paper is about non-fictional objects in fictions and their role as narrators. Two central claims are advanced. In part 1 it is argued that non-fictional objects such as you and me can be part of fictions. This commonsensical idea is elaborated and defended against objections. Building on it, it is argued in part 2 that non-fictional objects can be characters and narrators in fictional narratives. As a consequence, three fundamental and popular claims concerning narrators are rejected. In particular, it (...) is shown that some fictional narratives have non-fictional internal narrators, some have no internal fictional narrator, and, most controversially, that the author of a fictional narrative can be identical to its internal narrator. (shrink)

There appears to be a widespread belief that the social sciences during the 1950s and 1960s can be characterized by an almost unquestioned faith in a positivist philosophy of science. In contrast, the article shows that even within the narrower segment of Cold War social science, positivism was not an unquestioned doctrine blindly followed by everybody, but that quite divergent views coexisted. The article analyses two ‘techniques of prospection’, the Delphi technique and political gaming, from the perspective of a comprehensive (...) set of ideas attributed to ‘positivism’. Both techniques were developed in the early 1950s by researchers at the RAND Corporation, a Californian think tank with tight relations to the US Air Force. Despite the closeness of origin, the two techniques show considerable differences in their basic epistemologies. The article thus concludes that more important than positivism in uniting US Cold War social science was the shared sense of urgency and of the potential of social science to put decision-making in foreign policy on a rational basis. In this sense, as far as the Cold War social sciences were of a piece, they were made so by the sense of danger and urgency of action evoked by the image of the Iron Curtain. (shrink)

This book explores what science fiction can tell us about the human condition in a technological world, with the ethical dilemmas and consequences that this entails. This book is the result of the joint efforts of scholars and scientists from various disciplines. This interdisciplinary approach sets an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to (...) be human in a contemporary world of technology and which ethical dilemmas it brings along. One of the aims of this book is to demonstrate what can be achieved in approaching science fiction as a kind of imaginary laboratory for experimentation, where visions of human (or even post-human) life under various scientific, technological or natural conditions that differ from our own situation can be thought through and commented upon. Although a scholarly work, this book is also designed to be accessible to a general audience that has an interest in science fiction, as well as to a broader academic audience interested in ethical questions. (shrink)

Ever since the 1960s, media and communication studies have abounded in heated debates concerning the psychological and social effects of fictional media violence. Massive empirical research has first tried to tie film violence to cultivating either fear or aggressive tendencies among its viewership, while later research has focused on other media as well (television, video games). The present paper does not aim to settle the factual question of whether or not medial experiences indeed engender real emotional dispositions. Instead, it brings (...) into play the resources of genetic phenomenology in order to ask how the formation of such dispositions would be generally possible. Thus, it aims to further the discussion by overtly employing the framework of Husserl’s later genetic phenomenology to the field of emotional experience. By posing questions with regard to how fictional emotional experiences contribute to the formation of apperceptions and to the specificities of emotional sedimentation, it also points out some shortcomings in Husserl’s account by drawing from Freud’s dynamic theory of drives and emotions. (shrink)

Literature for children is often designed to stimulate imagination through variants of the “real” world that we inhabit, expanding their potential for construing different possible worlds – variants that include imaginary characters like animals with human traits or toys that are somehow animated and conscious. Here we will examine one version of Margery William’s classic nursery tale The Velveteen Rabbit, or How Toys Become Real, where the theme of “real” and imaginary characters and worlds is construed both linguistically and pictorially. (...) We will show how the theme is construed in both text and image, and how the two complement one another, together keeping the two worlds apart while at the same time representing the Velveteen Rabbit’s transformation from toy rabbit to real rabbit. (shrink)

This article draws out the political implications of some of the avatars of ancient skepticism in modern fiction. It relies on Martha Nussbaum’s claim that fiction can provide some of the best lessons in moral philosophy to refute her claim that ancient skepticism was a bad influence on morals. It surveys references to skepticism from Shakespeare through such diverse writers as Isabel de Charrière, Herman Melville, Mark Twain, Anatole France, and Albert Camus down to recent writers such as (...) Orhan Pamuk and Michel Houellebecq. The most substantial treatment is of Naguib Mahfouz’sCairo Trilogy, which is interpreted in two ways: one, as an example ofisostheniaor equipollence in arguments on both sides of questions about gender in the Islamic world, and two, as the biography of a person who claims to be a self-conscious skeptic. Skepticism emerges as a multi-faceted concept in modern literature, but there are definite references back to the ancient skeptics, including mention of the name Pyrrhonism and knowledge of the writings of Sextus Empiricus. The political implications militate against dogmatic claims to truth and knowledge of a one-dimensional justice. (shrink)

Comment les philosophes peuvent-ils penser les mythes de la tradition biblique? Les " mythes " sont en effet d'abord des textes qui restent à interpréter pour faire sens, et non de simples fictions ; c'est pourquoi ils donnent à penser. Les contributions réunies ici sont les fruits de la réflexion de spécialistes internationaux qui examinent, hors de tout engagement religieux, les rapports, tant de compréhension que de tension, que la pensée philosophique entretient avec ces récits spécifiques que sont les mythes (...) de l'Ancien ou du Nouveau Testament. Leur attention s'attache tant aux contenus que la philosophie réfléchit qu'aux méthodes mises en œuvre pour " lire en philosophe ". C'est là que se dégagent les enjeux de ce travail d'interprétation de textes largement symboliques et pris dans les grandes religions monothéistes : confronter la raison à une intelligence " autre " tout en lui permettant d'accéder à une compréhension rationnelle et universelle. (shrink)

This study represents a comparison between two radical gestures of literary self-reflexivity: romantic irony and postmodernist metafiction. It examines the impact of early German romantic theory and its central concept of irony on German and English romantic narrative fiction and relates the same to postmodernist self-reflexive novels, including its British and American variants. A primary objective of this comparison is to account for the radical skepticism that postmodernist metafiction voices with respect to the paramount philosophical question of truth and (...) reality. The immanent tension between an absolute idealistic and a radically skeptic position which romantic irony articulates and enacts is conceived of as an important and instructive link to the understanding of postmodernism. (shrink)

Mathematicians often say that their theorems, proofs, and theories can be beautiful. They say mathematics can be like art. They know how to move creatively and freely in their domains. But ordinary people usually cannot do this and do not share this view. They often have unpleasant memories from school and do not have this experience of freedom and creativity in doing mathematics. I myself have been a mathematician, and I wish to highlight some of the creative aspects in doing (...) mathematics. I always had the feeling that there is much freedom in mathematics and that one can do as one pleases as long as one avoids contradictions (and one can even live with contradictions for a while). In mathematics one only needs to define something and there it is! Just imagine it, and it immediately exists. Where else, besides fiction, does one have such power? --- This essay has three parts. In the first, I lay out some historical facts and views that I will need later. Second, I insert an interlude with Kant, pointing out some of his claims and insights in aesthetics, and some aspects in mathematics that I think he overlooked or underestimated. Third, I will bring out some aspects of higher mathematics that I will show are similar to art. These aspects are in the doing and creating of mathematics, not in the finished theories. They are usually not found in textbooks. I want to show that a researcher in mathematics is like a painter or composer, exploring and creating. To see this, one has to adopt a first-person perspective. In this way I will show that aesthetics plays a role and leaves its traces also in mathematics. (shrink)

Ce livre traite du 11 septembre ; du triomphe de la télé réalité, des formes nouvelles de domination symbolique, du capitalisme culturel, mais il gravite autour d'un seul et même foyer : nous vivons une crise mondiale de narration, dont le symptôme le plus visible est une inflation narrative, la substitution de l'anecdote au récit. Qu'il emprunte la forme de l'essai ou du récit, ce livre décrit la situation d'un homme sans recours narratif face à l'expérience, qui ne sait plus (...) faire la distinction entre fait et fiction, et entre vrai et faux. Un homme qui représentait pour Hannah Arendt, "le sujet idéal du règne totalitaire". Un homme, en somme, sans récit. Face à l'empire, c'est le manque et l'impossibilité d'une contre-narration que Christian Salmon explore - et déplore - ici. i. (shrink)

The key to understanding Dionysius is the methodical acceptance of the literary fiction involved in reading an author who tries to recreate the immediateness of the first encounter of pagan wisdom and Christian doctrine. Dionysius’s method consists of the presentation of a Platonic ontology by way of biblical theonyms. These theonyms express whatever we can grasp of God by His self-communication toward us, yet they ultimately cannot reveal Him as He is. It is rewarding to compare biblical theonym and (...) author’s allonym at this point: the allonym “Dionysius Areopagita” expresses how the author wants to be read and received but not who he really is. Th us the Dionysian writings present themselves as if they were the communication of an early Christian author whose objective it is to proclaim the “unknown God” to philosophically educated Greeks, naming Him with the biblical theonyms and explaining them in a Platonic way. (shrink)

In this paper I examine the relationship between interpreting a fiction and specifying its content. The former plays a major role in literary studies; the latter is of central concern in the philosophical debate on truth in fiction. After elucidating these activities, I argue that they do not coincide but have interesting interdependencies. In particular, I argue that correct interpretations are metaphysically grounded in fictional content. I discuss this claim in detail and show why it is not in (...) tension with the evidential claim that correct interpretations give us epistemic access to fictional content, which I also endorse. (shrink)

Augustine was a writer who carefully observed and consciously tried to influence the reception of his own works. In order to achieve this he employed three different but closely interrelated means: 1) the text of the books itself; 2) their media, which, in Augustine’s time, primarily means the codex; but oral elements are also important, because the usual way of book production was dictation and readers were usually listeners; 3) the public advertising of the writings in Augustine’s letters. In the (...) case of De civitate Dei, a rigid textual structure, a carefully planned distribution of the immense text on a fixed number of codices and the exceptional method of publication in installments combine to create the impression of an authoritative, all-encompassing and conclusive account of Christian apologetics that literally appears to be codified from the outset. By contrast, De trinitate is inscribed into the literary tradition of the maieutic dialogue. Augustine goes to great lengths to give the written text an air of orality and to make it appear as a joined enterprise of himself and his reader the results of which need, and are subjected to, continuous revision. When, after the first twelve books had been published against his will, a great portion of the text was no longer open to correction, Augustine largely abandoned the fiction of orality and shifted the emphasis from the process of inquiry to the results achieved. (shrink)

Ellen Ripley stands out from the ordinary, stereotypical women in horror and science fiction movies up until the release of Alien in 1979. It isn't hard to interpret Ripley's fight against the Xenomorphs as a metaphor for the feminist struggle against sexual violence directed at women, or to see her actions as violent opposition to those who would deny her sexual self‐determination. Proponents of care‐focused approaches observe that women have a special way of moral reasoning, whereas status‐oriented thinkers seek (...) to overcome gender‐based inequalities and unjust social relationships through criticizing status differences between men and women, like stereotypes and differences in pay for the same work. Two brief examples from Aliens illustrate the difference between these approaches. This chapter considers whether Ripley exercises a feminist ethics of care. In the last scene of Alien, Ripley's strong identification with her professional role shows itself again when she makes a final entry in the Nostromo's log. (shrink)

Research on destructive leadership has largely focused on leader characteristics thought to be responsible for harmful organizational outcomes. Recent findings, however, demonstrate the need to examine important contextual factors underlying such processes. Thus, the present study sought to determine the effects of an organization's climate and financial performance, as well as the leader's gender, on subordinate perceptions of and reactions (i.e., whistle-blowing intentions) to aversive leadership, a form of destructive leadership based on coercive power. 302 undergraduate participants read through a (...) series of vignettes describing a fictional organization, its employees, and an aversive leader in charge of the company's sales department. They were then asked to envision themselves as subordinates of the leader and respond to several quantitative measures and open-ended questions. Consistent with Padilla and colleagues' (2007) toxic triangle theory, results suggest that both perceptions and reactions to aversive leadership depend on the three aforementioned factors. Specifically, aversive leaders were perceived more aversively and elicited greater whistle-blowing intentions in financially unstable organizations possessing climates intolerant of negative leader behavior. Moreover, female aversive leaders were perceived more aversively than their male counterparts under such conditions. Theoretical and practical implications as well as future research directions are also discussed. (shrink)

The essay discusses the claim and the attempt to theoretically grasp the entire artistic production of the present, the possibility of which is suggested by a philosophical concept of art in the singular. On the basis of Umberto Eco’s reconceptualization of the code of a language as a heuristic fiction, it analyzes various attempts of mapping and categorizing certain historic developments and fields in the arts and contemporary attempts of writing a global history of art and music, respectively. Finally, (...) it turns to theoretical projects that claim to be able to capture the heterogeneous field of contemporary art. Even though there is a fundamental difference between encyclopedic and clearly normative approaches, any totalization must be recognized as situated. In this sense, it is a speculative fiction that may be productive but is in danger of becoming ideologic if this situatedness is forgotten or obscured. (shrink)

This paper analyses in-depth Proclus’ testimonium to Crantor on Plato’s Atlantis (fr. 8 Mette). The expression ἱστορία ψιλή we read in the evidence should be interpreted in light of Proclus’ effort to classify the various readings of the Atlantis story (and of Platonic myths in general). From the elements at our disposal, we may tentatively infer that Crantor upheld a metaphorical (i. e. didactic) reading not only of the creation account of the Timaeus, but of the Atlantis myth as well. (...) This metaphorical reading did not deny the ‘truth’ of the fiction (in some way confirmed by the phrase λόγος ἀληθής in the Platonic lemma commented by Proclus), but we may guess it surely ruled out any plausibility of the ‘historicity’ of the Atlantis story. (shrink)

Il s’agit dans cet article d’analyser le travail de désingularisation relative de l’événement que Ricœur opère par couplage avec le récit dans Temps et récit au début des années 1980, puis la reprise de la question de la singularité et de l’unicité de l’événement dans La mémoire, l’histoire, l’oubli dans le cadre théorique recomposé de la représentation historienne mise à l’épreuve de “l’événement aux limites” qu’est la Shoah. Dans Temps et récit Ricœur entend dépasser, par l’entrecroisement entre histoire et (...) class='Hi'>fiction appliqué à des événements fondateurs d’identité collective comme la Shoah, l’aporie épistémologique de la dichotomie entre une histoire qui dissout l’événement dans l’explication et une attitude purement émotionnelle face aux événements à intensité éthique considérable. Cette narrativisation de l’événement se heurte cependant à la puissance traumatique de l’extra-textuel radical de l’événement-Shoah qui constitue ainsi un défi pour la représentation historienne du passé. C’est cette question que Ricœur reprend dans La mémoire, l’histoire, l’oubli, mais cette fois-ci cet examen a été largement reconfiguré par la dialectique de la mémoire et de l’histoire contribuant à la représentation du passé. Tout en distinguant l’incomparabilité absolue au plan moral de la Shoah et l’incomparabilité relative sur le plan historiographique, Ricœur maintient que l’enchevêtrement entre jugement historiographique et jugement moral est inévitable, ouvrant ainsi sur la grande question de la responsabilité sociale, politique et éthique de l’historien. (shrink)

Recently, Xhignesse has argued that the principle of poetic licence, which roughly states that any class of propositions is true in some possible fiction, ought to be rejected. Here, we defend PPL from Xhignesse’s objection by demonstrating that, properly understood, his purported counter-example case is either irrelevant or unproblematic. The upshot is that Xhignesse has given us no reason to reject PPL.

The study of corpography (corpographèse) in J.M. Coetzee’s Waiting for the Barbarians establishes a symptomatology of the body -linked to the experiences of torture and eroticism- that associates the illness with somnolence in the fictional text and the parasitization of the represented historical text. The tortured and undesired bodies of the protagonists undergo a process of objectification that manifests the acceleration of the fall of the Empire and the fragmentation of its discursive body as well as reinforces the secrecy and (...) illegibility of the text inscribed in the body of barbarism. This indecipherable text/body is defined by the paradox of the border labyrinth whose specularity gives rise to the illusion of control at the frontier between empire and barbarism. We will study, first of all, the writing of torture on the bodies, focusing on two organs - the eyes and the feet. Then, we will be interested in the erotic experience between the two protagonists. Finally, we will see how these vacuous bodies establish, at the border, a suspensive temporary bond with the historical and the memorial text. (shrink)

A contribution to a scholarly controversy that has been on-going for a quarter century now, this article provides a critical review of previous studies on the existence of post-traumatic stress disorders (PTSD) as a consequence of extreme violence in the ancient world. It highlights methodological difficulties in attempting to ‘diagnose’ psychological illnesses across a distance of more than two millennia by means of highly stylized literary texts. Simultaneously, it introduces crucial new evidence in the form of a late antique papyrus (...) originally published in 1924 (P.Oxy. 16/1873), which has hitherto been almost completely ignored by scholarship. The papyrus, a letter written by a man called Martyrios in sixth century Lycopolis and addressed to his father, recounts psychological war trauma as a result of an attack on his hometown. He does so in a first-person perspective, using a highly select and unusual vocabulary to describe his emotional impairment. Because of its syntactical and vocabulary extravagance, this letter is sometimes seen as a fictional literary reflex. The authors argue, on the contrary, that this letter is the only reliable documentary evidence for psychological war trauma from the ancient world known so far. (shrink)

Writing The History of the Sevarambians in the 1670s, the Huguenot Denis Veiras borrowed many ideas from Garcilaso de la Vega, also known as El Inca, whose Royal Commentaries of the Incas was published in 1609. Both works describe the history of an empire and justify it on the ground that it brought peace and unity. While Garcilaso’s book purported to be a history, his selection of facts reflected his goal of improving the treatment of the Incas by the Spanish. (...) Veiras’s story also claimed to be a history, but it was transparently a fiction, even to the point of lifting many elements from Garcilaso’s book. What both works equally emphasized was that empires could aim at, and could be justified by, the benefits they provided their subjects. Both tell stories of benevolent and paternalistic rulers who founded nearly ideal societies in the countries they conquered. These were models of empire for peace and unity rather than merely promoting toleration of differences or concord among differing parties. Veiras’s utopia thus offers an instructive case study of the effects of cross-cultural borrowings of literary and political ideas. (shrink)

Returning to the famous prologue to the book Difference and Repetition, in which Gilles Deleuze points out that the time is approaching when it would not be possible to write a philosophy book as before, we will try to think about the deleuzian evocation of the need to adopt a new tone and new rules for the exercise philosophical. We believe that resuming this philosopher's appeal would launch us into the heart of deleuzian and deleuze-guattarian conception of philosophy as experimentation. (...) The author suggesting that a philosophical treatise should sound as much like a kind of detective novel as it does like science fiction. This excursion, we argue, would not only help us in the deleuzian and deleuzo-guattarian understanding of philosophy as experimentation, but would also make it possible to outline some clues about the role of the history of philosophy at the heart of this conception. (shrink)

Empathy is an important human ability associated with successful social interaction. It is currently unclear how to optimally measure individual differences in empathic processing. Although the Big Five model of personality is an effective model to explain individual differences in human experience and behavior, its relation to measures of empathy is currently not well understood. Therefore, the present study was designed to investigate the relationship between the Big Five personality concept and two commonly used measures for empathy (Empathy Quotient (EQ), (...) Interpersonal Reactivity Index (IRI)) in four samples from China, Germany, Spain and the United States of America. This approach was designed to advance the way the Big Five personality model can be used to measure empathy. We found evidence of medium effect sizes for associations between personality and empathy, with agreeableness and conscientiousness as the most important predictors of affective and cognitive empathy (measured by the respective IRI subscales) as well as a for a one-dimensional empathy score (measured by the EQ). Empathy in a fictional context was most closely related to openness to experience while personal distress was first of all related to neuroticism. In terms of culture, we did not observe any distinct pattern concerning cultural differences. These results support the cross-cultural applicability of the Empathy Quotient and the Interpersonal Reactivity Index and indicate structurally similar associations between personality and empathy across cultures. (shrink)

On the art of perjury: the “ambiguous oaths” in the first French Novels. Every language possesses the elements intended to assert that what one says the truth, and specifically, formulas to take an oath. But the solemn oath is an act: perjury is punished as a crime. In medieval French, the linguistic formula of the oath is now well described: it is si m'aït Dieux (/se Dieus m'aït), always linked to a second utterance: in this binary structure, the first utterance (...) asserts the truth of the second one. Besides the linguistic constraints, the solemn oath requires a very precise gestural and social ritual: formula uttered aloud, hand laid on relics or on a manuscript of the Gospel, presence of witnesses and guarantors. This ceremonial is known by some juridical treatises (the Coutumes de Beauvaisis of Philippe de Beaumanoir, principally), but above all by some texts of fiction in French, novels or “chansons de geste”, which present juridical oaths.These fictional “solemn oaths” are caracterised by the fact that all of them are “ambiguous oaths”, and that the reader perceives them all, in some respects, as perjuries. Among the oldest texts of French literature, four texts, all written at the end of the XIIth century, show a process with an oath taken by the defendant or his champion: the Roman de Tristan of Béroul, the Chevalier de la charrette of Chrétien de Troyes, the “Branche I” of the Roman de Renart, and Ami et Amile. In the four instances, the process is about a woman's virtue: the oath is necessary to clear of suspicion a woman charged with adultery (queen Yseut, queen Guenièvre, Hersent the wolf) or impurity (Emperor Charlemagne's daughter); in the four instances, the question of truth is linked to the essential question of the purity of the lineage. But above all, in all the instances the oath can take place, with sometimes an ordeal or a judicial fight following it, and the woman charged is declared innocent, therefore chaste: but it is never the case. And yet these oaths are never really false oaths: “ambiguous oaths” rather. The logical and linguistic means by which the ambiguity is built up will be described: it plays, in all the instances, on a double reference.Literary texts do not show real perjuries: the oath scenes appear rather as presentations of the art of lying innocently, or to tell the truth while transfering one of the elements of the proposition. It is the awareness that truth is a linguistic matter, a purely linguistic matter, which is represented. (shrink)

Was wären die Menschen ohne ihre Werkzeuge? Was erzählen die unterschiedlichen Werkzeuge, technisch gestützten Praktiken und extensions des Menschen ins Unabsehbare über die menschliche Lebensform? Und wie verändert sich das menschliche Selbstverständnis unter dem Eindruck der zunehmenden Durchdringung und Gestaltung des Lebens durch Technik? Dies sind Fragen, die sich – wie öffentliche Diskurse über ‚autonomes Fahren‘, digitales Lernen oder den Fluch und Segen von Smartphones, Apps und Smartwatches zeigen − offenkundig nicht erst im Rahmen wissenschaftlicher Untersuchungen des Mensch-Technik-Verhältnisses stellen. Mithin (...) bieten Kunst und Literatur einen reichen Fundus an menschlichen Selbstentwürfen, Techno-Utopien und Science Fiction, in denen mal realistischere, mal spekulativere Szenarien des Menschseins durchgespielt werden. (shrink)

The current debate on artificial intelligence (AI) tends to associate AI imaginaries with the vision of a future technology capable of emulating or surpassing human intelligence. This article advocates for a more nuanced analysis of AI imaginaries, distinguishing “strong AI narratives,” i.e., narratives that envision futurable AI technologies that are virtually indistinguishable from humans, from "weak" AI narratives, i.e., narratives that discuss and make sense of the functioning and implications of existing AI technologies. Drawing on the academic literature on AI (...) narratives and imaginaries and examining examples drawn from the debate on Large Language Models and public policy, we underscore the critical role and interplay of weak and strong AI across public/private and fictional/non-fictional discourses. The resulting analytical framework aims to empower approaches that are more sensitive to the heterogeneity of AI narratives while also advocating normalising AI narratives, i.e., positioning weak AI narratives more firmly at the center stage of public debates about emerging technologies. (shrink)

BackgroundImplicit prejudice can lead to disparities in treatment. The effects of specialty and experience on implicit obesity and mental illness prejudice had not been explored. The main objective was to examine how specializing in psychiatry/general medicine and years of experience moderated implicit obesity and mental illness prejudice among Swiss physicians. Secondary outcomes included examining the malleability of implicit bias via two video interventions and a condition of cognitive load, correlations of implicit bias with responses to a clinical vignette, and correlations (...) with explicit prejudice. MethodsIn stage 1, participants completed an online questionnaire including a clinical vignette. In stage 2, implicit prejudice pre- and post- intervention was tested using a 4 × 4 between-subject design including a control group. In stage 3, explicit prejudice was tested with feeling thermometers and participants were debriefed. Participants were 133 psychiatrists and internists working in Geneva, hospital-based and private practice. Implicit prejudice was assessed using a Weight IAT and a Mental Illness IAT. Explicit feelings towards the obese and the mentally ill were measured using Feeling Thermometers. A clinical vignette assessed the level of concern felt for a fictional patient under four conditions: control, obese, depression, obese and depression. Linear regression was conducted to test for association of gender, experience, and specialty with responses to vignettes, pre-intervention IATs and explicit attitudes, and to test for association of interventions with post-intervention IATs and explicit attitudes. Reported effect sizes were computed using Cohen’s d. Two-tailed p < 0.05 was selected as the significance threshold. ResultsCompared to internists, psychiatrists showed significantly less implicit bias against mentally vs. physically ill people than internists and warmer explicit feelings towards the mentally ill. More experienced physicians displayed warmer explicit feelings towards the mentally ill and a greater level of concern for the fictional patients in the vignette than the less experienced, except when the patient was described as obese. ConclusionsSpecialty moderates both implicit and explicit mental illness prejudice. Experience moderates explicit mental illness bias and concern for patients. The effect of specialty on implicit prejudice seems to be based principally on self-selection. (shrink)

Explores the intersection between the philosophy of Simone Weil from Paris, France, and the fiction of Flannery O'Connor from the Southern state of Georgia, USA.

Can groups really be agents or is group agency just a fiction? Christian List and Philip Pettit argue influentially for group-agent realism by showing how certain groups form and act on attitudes in ways they take to be unexplainable at the level of the individual agents constituting them. Group agency is therefore considered not a fiction or a metaphor but a reality we must account for in explanations of certain social phenomena. In this paper, I challenge this defence (...) of group-agent realism by showing how it is undermined by individual-level analysis of how individuals interact within groups. While group agency can be a useful fiction, real agents are at the individual level, not the collective level. (shrink)

Steadman suggests that these poets, along with most other Renaissance poets, did not actually regard themselves as divinely inspired but, rather, resorted to a common fiction to create the appearance of having special insight into the truth.

Soren Kierkegaard a publié les Miettes philosophiques ou Une miette de philosophie à l’âge de 31 ans. Cette brochure n’est rien de moins qu’une réplique à l’Encyclopédie des sciences philosophiques de Hegel. C’est à partir de la mise en contraste de deux paradigmes, paradigme socratique et paradigme christique, ou à partir d’une fiction du christianisme, que se déploie cette réplique dont toute l’ampleur apparaît dans l’Interlude intercalé entre les deux derniers chapitres : placé sous la bannière de Leibniz, ce (...) morceau d’une technicité philosophique redoutable contient une éblouissante généalogie des catégories, conduisant le lecteur de la catégorie d’advenir (Tilblivelse) jusqu’à la catégorie de répétition (Gjentagelse) sans laquelle on ne peut penser correctement le devenir-chrétien. (shrink)

Meinong-Studies, Vol. 6, contains papers focusing on the connections between intentionality and nonexistent objects, presenting historical analyses on the background of Meinong’s philosophical position up to the Meinong-Russell-Debate. It also contains systematic studies of fictional characters, of Kripke’s alternative theory of fiction, and of the relevance of fictions playing the role of assumptions in scientific contexts. The volume is completed by biographical sketches of Christian von Ehrenfels, founder of Gestalt-theory and Meinong’s close friend, and of Ernst Mally, disciple of (...) Meinong and successor to his chair. (shrink)

The way that nonhuman animals and other nonhuman sentient beings are portrayed in the Christian-based Harry Potter series, C. S. Lewis's Narnia series, and Tolkien's Middle Earth stories is discussed from a Christian animal liberationist perspective.Middle Earth comes closest to a liberationist ideal, in that vegetarianism is connected with themes of power, healing, and spirituality. Narnia could be described as a more enlightened welfarist society where extremes of animal cruelty are frowned upon, but use of animals for food is acceptable. (...) In contrast, the more recent Harry Potter series portrays a less enlightened attitude toward human and nonhuman animals. Animals are treated merely as ends, vegetarianism is unheard of, and the view that even iconic species have intrinsic worth is ridiculed. (shrink)