Patočka’s text from 1946, right after World War II and before the Communist takeover of Czechoslovakia, analyzes the important historical events he was living through from a philosophical perspective. Patočka describes the crisis in Enlightenment-based social humanism, which even though having won the war, was left battered and distrusted for not preventing the disaster. With this branch of social humanism being discredited, people turned towards its Eastern manifestation, i.e., Socialism or Communism. Patočka distinguishes the various aspects of Socialism that exist (...) undifferentiated within the term: the concept of Man, ideology, and the Idea. The liberation of the Idea is twisted when combined with a material concept of Man as just one force among other forces, which the ideology then uses and abuses for an external aim. (shrink)

In this essay, Domenico Jervolino summarizes twenty years of Ricoeur’s reading of Patočka’s work, up to the Neapolitan conference of 1997. Nowhere is Ricoeur closer to Patočka’s a-subjective phenomenology. Both thinkers belong, together with authors like Merleau-Ponty and Levinas, to a third phase of the phenomenological movement, marked by the search for a new approach to the relation between human beings and world, beyond Husserl and Heidegger. In the search for this approach, Patočka strongly underlines the relation between body, temporality (...) and sociality. Central to this new encounter of Patočka and Ricoeur is the discovery of an idea of inter-human community based on a a-subjective conception of existence. (shrink)

This book uncovers a logical structure that is common to many, if not all, of the kinds posited by scientific taxonomies. Specification relations, such as those holding between determinates and determinables (determination), are central to this logical investigation of kinds. The species–genus relation is a familiar specification relation for substantival kinds, but this book focuses on adjectival kinds—whose instances are properties—instead. Determination relations are then used to structure kinds at the same level of abstraction into property spaces, which in turn (...) leads to a theory for individuating properties (tropes). These determination relations are contrasted with realization relations, the latter being the favored way of understanding the connection between the mental and the physical. Particular attention is given to the distinction between multiple realizability and multiple determination, and it is argued that determination and realization are mutually exclusive. The claim that multiple realizability entails various senses of autonomy is defended from various reductionist challenges. These theories of determination and realization then provide general standards for establishing the autonomy of the special sciences or, conversely, their reduction. (shrink)

Fyodor Dostoyevsky expressed a strange and surprising sentiment through one of the characters of The Brothers Karamazov. A dying young man named Markel declares: Every one of us has sinned against all men, and I more than others." He later says: "...every one of us is answerable for everyone else and for everything." Markel's absurd claims have engendered many reflections on the nature of suffering and what it means to be responsible for someone else's suffering. The world has no shortage (...) of pain and evil; what exactly is the relationship between suffering and responsibility? Markel's declarations press forward a question that drives this essay collection: how responsible should we consider ourselves for the suffering of the world? This volume is a collection of essays that struggle in various ways to understand and respond to several philosophical, theological and practical problems. In each case the authors grapple with issues surrounding suffering, immorality, evil, exploitation and oppression. The contributors share a clear concern for the ways that philosophers and theologians should respond to the problems of suffering and evil. They also share a conviction that these remain intense and central problems for philosophy and theology. Evil is an obstacle for belief, for morality, for hospitality, and for hope. This book struggles to address the particular and strong sense of responsibility that falls on Christians when it comes to understanding and, more importantly, responding to the problems of suffering and evil in the world. (shrink)

This chapter contains section titled: “You're Right. There's No Earth. It's All a Legend” “I'm Not a Cylon!…Maybe, But We Just Can't Take That Chance” “You Have to Have Something to Live For. Let it be Earth” Notes.

The most up-to-date philosophical discussion of the quasi-historical fantasy television show Game of ThronesThe Ultimate Game of Thrones and Philosophy treats fans to dozens of new essays by experts who examine philosophical questions raised by the Game of Thrones story.

In this essay, I want to argue that the existence of gender most times translated as gender binary, is a biological fact. What is at stake is a framework for transcending unequal gender binary to gender complementarity. Here, I propose to use Chimakonam’s Ezumezu logic as a mechanism for disclosing gender complementarity. The illogical, irrational and subjective perspectives on lopsided gender differences between men and women will be challenged in this essay. I will analyze the thrust of Ezumezu logic, its (...) major principles, structures, and pillars of thought. I will also demonstrate its global and contextual relevance. I will submit that Ezumezu logic can ground gender complementarity across global cultures. I argue that regardless of the physical differences between males and females, it is illogical to exploit such differences to promote gender stereotype. Keywords: Gender equality, Ezumezu Logic, Gender Complementarity, Jonathan Chimakonam. (shrink)

Luther's struggle with the forces and influences of late medieval culture for what he believed contributed to the birth of a new age.

Writing on the heart is a frequent and often vivid image in medieval literature and art. Saints' legends describe martyrs receiving divine inscriptions in hearts that are later opened and read by others. Sermons and poems liken the heart to a book where the believer writes God's commands or where Christ writes the story of his own Passion. In the secular lyric and romance a different passion inscribes itself on lovers' hearts, sometimes by way of love letters and usually anticipating (...) the bodily writing of sexual intercourse. In the realm of visual art medieval painters depict hearts as books , and late-medieval scribes actually produced heart-shaped manuscript codices, examples of which still survive. (shrink)

The history of ancient chemistry has been virtually ignored. I examine the foundations of the chemical theories of the Peripatetics and Stoics, in an attempt to glean the motivations for their chemical theories, and how these theories relate to their greater natural philosophies. This involves a detailed examination of ancient theories of mixture. I attempt to relate Aristotle's theory of mixture to his theories of substantial change, the elements and matter. This entails a rejection of the notion of prime matter, (...) and a reevaluation of the status of the contrarieties. I also look at the understudied fourth book of the Meteorologica, which sheds new light on Aristotle's theory of matter. I then turn to Alexander of Aphrodisias, and his development of Aristotle's theory. Next I consider the Stoic theory of body, and how doxographers have misinterpreted this theory. While offering a radically new interpretation of the Stoic theory of mixture, much of Stoic natural philosophy is reconstructed, including their theory of categories and qualities. In the end a Stoic theory free from obvious paradox is presented. (shrink)

This dissertation considers the bases upon which ethical assessments of parental genetic trait selections for their children can be made. It argues that if parents engage in genetic trait selections, they must act to expand their child's range of open futures, not to constrict their child's range of open futures or to differentially shift their child's range of open futures. It contends that other proposed distinctions, including distinctions between normal and diseased states and between treatment selections and enhancement selections, do (...) not provide a sound basis for making ethical assessments of parental genetic trait selections. It contends that children have a right to an open future that parents hold in trust for their children and that parents must respect in making genetic trait selections.It considers examples of possible parental genetic trait selections regarding children's hearing, height and visual acuity. Finally, it addresses a number of concerns about and objections to this proposed basis for ethical assessment and to parental genetic trait selection generally but concludes that none of these concerns or objections are fatal the approach that if parents use parental genetic trait selection, they must do so in ways that expand their child's range of open futures. (shrink)

Neither of the explanations O'Brien & Opie offer to account for “subject unity” succeeds. Subject unity cannot arise from constructed personal narratives, because such narratives presuppose a prior unity of experience. Subject unity also cannot arise from projection of experiences to the same position in space, as reflection on pregnant women and the spatially deluded reveals.

During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as 'a gift from heaven.' Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by (...) Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating the most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music. (shrink)

One of the more ambitious and yet fruitful attempts in recent years to untangle general questions about the nature of aesthetic phenomena and their socially constituted nature rests in Lambert Zuidervaart’s critical hermeneutical theory of artistic truth. In this paper, I explore one part of Zuidervaart’s project, namely his conception of “aesthetic validity as a horizon of imaginative cogency.” I seek to develop Zuidervaart’s conception by bringing his thesis into dialogue with phenomenological analyses of “horizon” and the collective intentional approach (...) to institutional and social objects. Zuidervaart relies primarily on Gadamer’s view of horizon, but does not offer very much by way of clarification as to exactly what a horizon is. Phenomenological analysis of horizon should serve to add content to the idea of horizon. I contend that the Husserlian notion is both more informative and has more utility for Zuidervaart’s project. (shrink)