This essay extends the observations made in E. Johanna Hartelius’ The rhetoric of expertise about the nature of expertise in digital contexts. I argue that digital media introduce a scale of communication—many-to-many—that reshapes how the invention of knowledge occurs. By examining how knowledge production on Wikipedia occurs, I illustrate how many-to-many communication introduces a new model of “participatory expertise.” This model of participatory expertise challenges traditional information routines by elevating procedural expertise over subject matter expertise and opening up knowledge production (...) to the many. Additionally, by hosting multiperspectival conversations on Wikipedia, the participatory model of expertise introduces epistemic turbulence into traditionally tranquil encyclopedia culture. (shrink)

Several contributions in the book show how these principles apply to contemporary problems and moral issues.

In this book the author considers data from both early and later schools of Buddhism in an attempt to provide an overall characterization of the structure of Buddhist ethics. The importance of ethics in the Buddha's teachings is widely acknowledged, but the pursuit of ethical ideals has up to now been widely held to be secondary to the attainment of knowledge. Drawing on the Aristotelian tradition of ethics the author argues against this intellectualization of Buddhism and in favour of a (...) new understanding of the tradition in terms of which ethics plays an absolutely central role. In the course of this reassessment many basic concepts such as karma, nirvana, and the Eightfold Path, are reviewed and presented in a fresh light. The book will be of interest to readers with a background in either Buddhist studies or comparative religious ethics. (shrink)

The latter half of the twentieth century witnessed a growing interest in Buddhism, and it continues to capture the imagination of many in the West who see it as either an alternative or a supplement to their own religious beliefs. Numerous introductory books have appeared in recent years to cater to this growing interest, but almost none devotes attention to the specifically ethical dimensions of the tradition. For various complex cultural and historical reasons, ethics has not received as much attention (...) in traditional Buddhist thought as it has in the West. Written by Damien Keown, one of the few experts worldwide who specializes in the area, Buddhist Ethics illustrates how Buddhism might approach a range of contemporary morals ranging from abortion to euthanasia, sexuality to cloning, and even war and economics. (shrink)

Since the 1990s, there has been a growing tendency to interpret Diderot as a radical who first put into question absolutism in the Encyclopédie and then became a fierce opponent of any kind of ‘despotism’, even the ‘enlightened’ one, and a fervent partisan of democratic revolutions in the 1770s. It is argued here that the narrative that cuts Diderot’s life into different phases obscures continuities in his political thought, and misrepresents partly the political vision he had in the 1770s. Diderot’s (...) political thought may have been more coherent than usually acknowledged, and this coherence is to be found in his ideal of a paternalistic monarchy taking advice from its subjects and respecting their rights, that is the constitution of the realm. This idea is not to be mixed up with a democratic programme of government by the people, nor with the endorsement of political change via a revolution. Rather, when towards the end of his life Diderot lost hope that the constitutional order of the French monarchy would be respected, he both feared civil war and hoped that these tumults might bring about the regeneration of the French monarchy. This vision derived from a classical cyclic view of history. (shrink)

Despite the very obvious differences between looking at Manet’s _Woman with a Parrot_ and listening to Elgar’s Cello Concerto, both experiences provoke similar questions in the thoughtful aesthete: why does the painting seem to express reverie and the music, nostalgia? How do we experience the reverie and nostalgia in such works of art? Why do we find these experiences rewarding in similar ways? As our awareness of emotion in art, and our engagement with art’s emotions, can make such a special (...) contribution to our life, it is timely for a philosopher to seek to account for the nature and significance of the experience of art’s emotions. Damien Freeman develops a new theory of emotion that is suitable for resolving key questions in aesthetics. He then reviews and evaluates three existing approaches to artistic expression, and proposes a new approach to the emotional experience of art that draws on the strengths of the existing approaches. Finally, he seeks to establish the ethical significance of this emotional experience of art for human flourishing. Freeman challenges the reader not only to consider how art engages with emotion, but how we should connect up our answers to questions concerning the nature and value of the experiences offered by works of art. (shrink)

Thinking and acting in favor of sustainable development is internationally recognized; it is necessary but societies and individuals are slow to adopt an appropriate behavior. International organizations such as World Commission on the Ethics of Scientific Knowledge and Technology recommend to opt for frugality, a principle emphasized to avoid over-consumption and consequently the depletion of natural resources. This article thus examines the principle of frugality by proving that it is not necessarily related to consumption as it is understood since the (...) Enlightenment: we have to take into account the Asian perspective that changes the relationship between humankind and nature, first taking into consideration the good of the whole community. I argue that frugality is not necessarily in conflict with economy but certainly challenging it as expressed by the Indian terms Jugaad or Gandhian: a way of thinking and creating new projects that lead to fruitful solutions for the majority. Therefore I intend to provide a positive definition of frugality as a way of creating new projects that lead to fruitful solutions for the majority. (shrink)

The article starts by offering a definition of fake kindness focused on the dissociation between the behavioural components of kindness and the intent to sincerely pay some heed to the needs of others. Using the sociological theory of Pierre Bourdieu, this definition is then used to articulate how fake kindness can be conceptualized as a specific form of symbolic violence. Such a view allows explanations as to how and why the prevalence and effectiveness of fake kindness vary according to microsociological (...) norms and values. The generic definition and conceptualization of fake kindness as a form of symbolic violence are then used to discuss how nursing’s enthrallment with the concept of caring and its operationalization as a moral compass likely fosters the growth of fake kindness within the profession. In this view, the institutional enforcement of propriety and well-behaved professionalism is more likely to lead to toxic environments than to healthy workplaces. We hope that being able to understand how professional norms and institutional rules are sometimes turned into social tools to enforce obedience and existing hierarchies can empower victims of those phenomena to resist them more effectively. It might also contribute to increasing the awareness of well-meaning nurses or people in position of authority who have been socialized in environments where fake kindness is normalized. (shrink)

Burt's critique of using polygenic scores in social science conflates the “scientific costs” of sociogenomics with “sociopolitical and ethical” concerns. Furthermore, she paradoxically enlists recent advances in controlling for environmental confounding to argue such confounding is scientifically “intractable.” Disinterested social scientists should support ongoing efforts to improve this technology rather than obstructing progress and excusing genetically confounded research.

Part 1 What Do Teachers Need to Know? Part 2 What Makes a Good Teacher? Part 3 Being a Teacher?

L’utopie politique et artistique des Méditateurs s’est concrétisée à travers les habits de la liberté qu’ils et elles ont portés, sur fond d’évènements politiques postrévolutionnaires. Quelles étaient leurs pratiques performatives visant à réunir l’art et la vie, pour se réinventer soi-même. Guidés par l’idéal antique, les artistes Maurice Quay et Lucile Franque deviennent les héros romantiques d’un nouvel âge, dont le vêtement est la plus parfaite expression.

The author had had a plan for a kind of melodrama constructed around two orders of motivation. In the foreground of the stage, there was to be a series of realistic incidents, dealing with typical human situations, such as family quarrels, scenes at a business office, lovers during courtship, a public address by a spell-binder, etc. In the background, like a set of comments on this action, there was to be a primeval forest filled with mythically prehistoric monsters, marauding and (...) fighting in silent pantomime. These two realms were to have no overt connection with each other. The monsters in the "prehistoric" background would pay no attention to the everyday persons of the... (shrink)

Damien Tissot | : Les mouvements féministes transnationaux se sont développés ces dernières décennies pour éviter les impasses des logiques de revendications nationales, internationales et pour combattre de manière générale la rhétorique de l’universel. Afin de lutter contre la mise en place de discours hégémoniques dont le pouvoir est souvent hérité d’une histoire coloniale et patriarcale, les théoriciennes des mouvements féministes transnationaux ont souvent cherché à définir les conditions d’une politique de la traduction qui permettrait de lutter contre la (...) mise en place d’un discours de l’universel, unifié et dominant. Une politique de la traduction semble alors recouvrir deux choses. Elle désigne tout d’abord les implications politiques de la pratique de la traduction. Elle désigne ensuite la traduction en tant que paradigme pour penser le politique, compris comme l’ensemble des implications politiques du rapport à l’autre. C’est dans ce cadre que l’oeuvre de Ricoeur propose des solutions théoriques importantes. Sans renoncer à la catégorie de l’universel, Ricoeur la pense « en traduction ». Ses propositions théoriques permettent ainsi de réconcilier les critiques théoriques qui ont été adressées à l’universalisme, notamment par les féministes, avec le projet d’une politique féministe de la traduction. Or cette réconciliation passe, dans l’oeuvre de Ricoeur, par la formulation d’une véritable éthique de la traduction, au coeur de laquelle se trouve une éthique de la sollicitude à rapprocher des éthiques du care. Cet article se propose de montrer comment la mise en oeuvre d’une éthique de la traduction fondée sur des valeurs de caring et de sollicitude permet de repenser une politique féministe de la traduction ouverte sur l’universel. Après avoir montré comment le féminisme transnational s’est construit contre l’universel, cet article explore la possibilité de penser celui-ci « en traduction », pour articuler une politique et une éthique de la traduction dont les termes peuvent être définis avec Ricoeur par un principe d’hospitalité qui trouve son complet déploiement dans une éthique du care. | : In the last few years, transnational feminist movements have developed considerably in order to avoid national and international political strategies and, more broadly, to challenge claims of universalism. In order to fight the hegemonic discourses that have been inherited from a colonial and patriarchal past, theorists of feminist transnational movements have accessed possibilities offered by the politics of translation. The politics of translation refers to the political implications of translating, but also to translation as a paradigm for conceiving of “politics”—namely, rights, policy, or institutions. Using translation as a paradigm would, according to this claim, put into question unified, dominant, and universalistic claims. In this context, Ricoeur provides us with important theoretical solutions. Not only does he maintain the concept of universality, but he moreover offers a useful framework in which to conceive of it as “in translation.” Therefore, Ricoeur reconciles the feminist critiques of the universal with the feminist project of thinking through of a politics of translation. In Ricoeur’s theory, this reconciliation is elaborated within an ethics of translation based on an ethics of care, or solicitude. This article explores the ways in which an ethics of translation based on the values of caring and solicitude allows us to conceive of a politics of translation that includes a renewed concept of the universal. First, I will show how transnational feminism has developed against the idea of the universal. Second, I will suggest that we can define the universal “in translation” to think through both a politics and an ethics of translation. Third, I will sketch the outlines of this ethics of translation, which, while maintaining the possibility of the universal, includes a principle of hospitality, which is fully developed through an ethics of care. (shrink)

Issues such as abortion, embryo research and euthanasia have been discussed exhaustively from the standpoint of Western philosophy and religion, but so far the voice of Buddhism has been little heard in the debate. Although widely respected for its benevolent and humanistic values, Buddhism has not so far shown how its ethical principles can be applied in a consistent manner to contemporary moral dilemmas. Drawing on both ancient and modern sources, this book sets out the basis of a Buddhist response (...) to the major ethical questions posed by modern medicine. (shrink)

This paper defends a reading of eikasia—the lowest kind of cognition in the Divided Line—as a kind of empirical cognition that Plato appeals to when explaining, among other things, the origin of ethical error. The paper has two central claims. First, eikasia with respect to, for example, goodness or justice is not different in kind to eikasia with respect to purely sensory images like shadows and reflections: the only difference is that in the first case the sensory images include representations (...) of value properties. Second, eikasia is not the bare awareness of images or simply a label for an error (mistaking image for original) but a kind of empirical, image-confined cognition, and one that has an important part to play in characterising the cognitive abilities of the non-rational parts of the soul. (shrink)

This study analyzes key concepts in al-Fārābī’s cosmology and provides a new interpretation of his philosophical development through an analysis of the Greco-Arabic sources and a contextualization of his life and thought in the cultural and intellectual milieu of his time.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Into the Jaws of Yama, Lord of Death: Buddhism, Bioethics, and DeathDamien KeownInto the Jaws of Yama, Lord of Death: Buddhism, Bioethics, and Death. By Karma Lekshe Tsomo. Albany: State University of New York Press, 2006. Pp. 270.An anecdote recounted in this work gives an insight into the present state of Buddhist bioethics. The author relates how she asked the spiritual director of a Tibetan centre in Honolulu (...) whether he thought it was a good idea to donate one’s organs at the time of death. He immediately replied in the affirmative. When asked if the removal of the organs would disturb the dying process, he responded that it would be okay since the doctors could “wait for a few days.” On being informed that the organs had to be removed immediately to save the life of the recipient he “expressed alarm” and changed his mind, advising that for an ordinary Buddhist practitioner organ donation might not be advisable after all (p. 160).The fact that Tibetan lamas are giving ethical advice on organ donation without even a layman’s knowledge of the medical procedures involved suggests that Buddhist teachers have a lot to learn about adapting traditional teachings to modern contexts. If the problem were simply that many lack scientific knowledge, this could probably be resolved in the short to medium term. The deeper problem, however, is that Buddhism as a tradition lacks the ethical infrastructure needed to address moral dilemmas, particularly those of the complex kind presented by contemporary scientific and medical developments. Despite their undoubted acumen in certain branches of philosophy (notably metaphysics), Buddhist thinkers of the past have consistently failed to probe the moral foundations of their teachings or to establish a theoretical foundation in terms of which moral dilemmas can be analyzed. Not a single treatise on moral philosophy was produced by any of the classical scholars cited in this volume as authorities. Not surprisingly, the legacy of this neglect is that the voice of Buddhism has been almost completely silent with respect to the kinds of ethical issues addressed in this book.The present work commendably seeks to remedy this absence of information on Buddhist bioethics. This is only the second book ever to attempt such a task, the first being my Buddhism and Bioethics, published over ten years ago in 1996 (reissued by Palgrave in 2002). In the intervening period there have been many scientific [End Page 157] advances, such as cloning and genetic engineering, both of which receive attention in the volume under review. While my own approach sought to build bridges by translating Buddhist concepts into the vocabulary of contemporary bioethics, the present volume holds more tightly to the traditional teachings of Tibetan Buddhism. Accordingly, while the concepts and terminology used will be familiar to those inside the tradition, I am not sure to what extent it will facilitate dialogue with bioethicists and clinicians, for whom the colorful and somewhat medieval facets of these teachings may at times seem esoteric.Before discussing the ethical issues further, it should be pointed out that less than half of the book (chapters 8–11) is devoted directly to bioethics. The first seven chapters are for the most part an account of topics in Mahayana philosophy (such as no-self, dependent origination, and emptiness) and descriptions of the beliefs and practices of Tibetan Buddhism surrounding death. These include meditational practices relating to death and the notion of the post-mortem intermediate state (bardo). Somewhat oddly, chapter 5, titled “Foundations of Buddhist Ethics,” has almost nothing to say about ethics: after a short but potentially interesting section titled “Buddhist Definitions of Life and Death,” it veers off into a lengthy summary of Madhyamaka, Vijnanavada, and Tathagatagarbha doctrines.Tibetan teachings about death have been summarized in numerous popular volumes in recent years, and it is unclear why such an extended treatment of them is presented again here. The opening sentence of chapter 8 suggests this was necessary to “set the stage for an exploration of bioethical issues from Buddhist points of view,” but the bulk of this material has little connection with bioethics. In particular, it is not clear how it is... (shrink)

Journal of International Political Theory, Ahead of Print. Harmony is a generally agreed-upon idea in international and diplomatic discourse. A common theme in multiple traditions of thought, Platonist and Confucian among others, it underlies today’s significant investments in musical activism, cultural diplomacy, conflict resolution and peace building. Yet despite this wide currency and long history, the idea of harmony seldom receives more than liminal attention in political theory. In the context of Western thought, an essay written in the 1830s by (...) the French philosopher Jean Reynaud offers a striking point of departure: Reynaud defines diplomacy as ‘the science of harmony among states’. This article, drawing from Reynaud’s text as well from the wider history of music, art and political thought, maps a series of conceptual fault lines that touch on the concept’s function in international thought; the inscription of difference, dissonance, conflict and even war within the idea of harmony; the hegemonic and imperial temptations harmony encompasses and legitimizes; and the theoretical sources of harmony in nature and artifice. In effect, the concept of harmony offers less a blueprint than a forum for imagining peace. (shrink)

As an Apollo-like Jason leaves home to start the long journey in quest of the Golden Fleece a strange incident occurs: The first thing to be said about this scene is that it is almost certainly an invention of Apollonius Rhodius.

Dans la galerie des monstres que l’histoire tératologique de la politique développera, une dimension constamment rémane : la sursexualisation du Prince, la déification de et par la puissance virile. Le membre dressé du Prince devient la métaphore euphorique de l’érection d’un pouvoir, son porte-bonheur. Symbole de sa toute-puissance, lieu privilégié de son affirmation, le sexe..

Paul Ricoeur used to raise the question From where do you speak? at the beginning of his seminars as a way of inaugurating a new space of discussion while questioning immediately the theoretical foundations from which this conversation would rise. The question is not How are you doing? or Who are you? but From where do you speak? as preliminary to any discussion, as a precondition to a true encounter, as if Ricoeur wanted to have the best and most complete (...) understanding of where his interlocutor was in order to make sure that communication was even possible. The assumption behind the question is that the more precise our understanding of the place from where one speaks is, the more accurate our understanding of... (shrink)

Summary‘Among the fine arts, I clearly see something to say only about architecture, sculpture, painting. As for music, dance […], I see nothing’. Tocqueville's observation in the Rubish for the second volume of Democracy in America is not only startling, but theoretically important: it ratifies the liberal (and nowadays oft-assumed) separation between musical life and political constitution. This, however, should give us cause to wonder. While in America, Tocqueville and Beaumont had multiple occasions to hear music in public festivals and (...) private spaces. Though other European and highbrow observers also declared American music to be ‘in its infancy’, music nonetheless played a significant part in antebellum social and political life. Nor was Tocqueville insensitive to sound in his relation to others. Indeed, Tocqueville perhaps saw in the demise of music as the art of ‘making harmony’ a symptom of the democratic era. However, like Montesquieu, Tocqueville refused to consider music a constitutive principle of democratic regimes—including in the context of Ancient Greek political theory. In doing so, Tocqueville sharply dissociated himself from republican political theory, but failed to raise the question of music's contribution to the culture and exercise of freedom in the modern era. (shrink)

This paper discusses ethical issues related to social work practice in the area of mental health. It does so via the use of a case study taken from my practice whilst I was on placement. Ethical issues are explored within a practice context that is becoming increasingly proceduralised and risk averse, and where protectionist responses contribute to undermining the rights of service users to self-determination. The paper explores the relationship between utilitarian and Kantian ethical theory and ethical decision-making as well (...) as commenting on the usefulness of an anti-oppressive ethical perspective. (shrink)

Ce volume, issu d’un colloque qui s’est tenu à Anvers en mars 2007, est consacré à l’étude de la construction de l’autorité spirituelle féminine, entre le xiie et le xviie siècle, dans un contexte ecclésiastique de mise à l’écart croissante des femmes religieuses (mulieres religiosae) dans l’espace clos du monastère. Il faut saluer en premier lieu la qualité de l’introduction générale, rédigée par les directrices du volume qui exposent avec une grande clarté leur projet et les résultats que d...