"The day would fail me," Pontianus observes in Athenaeus' Deinosophistae, "if I were to proceed enumerating all those men who were abused by the philosopher [scil., Plato]...." For "Plato was in fact hostile towards everyone," and displayed "malice towards all"; he had "the reputation of being jealous and of having by no means a good name so far as his character was concerned"; and "besides of being malicious,... [he] also was eager for fame"--characteristics which, if true, certainly would not endear (...) him to others. Aristoxenus, for instance, maintains that perhaps from sheer envy or malice Plato "wanted to burn all of the writings of Democritus." When he failed in this, Aristoxenus continues, Plato, "who mentions almost all the early philosophers, never once alluded to Democritus, not even where it would be appropriate to take issue with him, obviously because he knew that he would have to compete against the greatest of all philosophers." Plato was also accused of being jealous of Xenophon, refusing to mention him in his Phaedo, and of making it a deliberate issue to contradict Xenophon's statement that from his earliest childhood King Cyrus had been thoroughly educated in all the traditional branches of learning. As a matter of fact, Plato insisted that Cyrus "had never given much thought to education." Plato, according to these reports, also denied in a spirit of resentment the truth of Xenophon's description of Menon's foul treachery, calling the whole account an outright fabrication deliberately invented to discredit Menon--in Plato's opinion an upright and praiseworthy person. It might be contended, therefore, that in the final analysis the reasons for the many ancient "anti-platonica" may be looked for in Plato himself, especially in the many violent and often unrestrained polemics which he hurled, often indiscriminately, against practically every author. "He [scil., Plato] was the first philosopher... to attack the views of almost all of his predecessors.". (shrink)

Cognitive archaeologists attempt to infer the cognitive and cultural features of past hominins and their societies from the material record. This task faces the problem of _minimum necessary competence_: as the most sophisticated thinking of ancient hominins may have been in domains that leave no archaeological signature, it is safest to assume that tool production and use reflects only the lower boundary of cognitive capacities. Cognitive archaeology involves selecting a model from the cognitive sciences and then assessing some aspect of (...) the material record through that lens. We give examples to show that background theoretical commitments in cognitive science that inform those models lead to different minimum necessary competence results. This raises an important question: what principles should guide us in selecting a model from the cognitive sciences? We outline two complementary responses to this question. The first involves using _independent_ lines of evidence to converge on a particular capacity. This can then influence model choice. The second is a broader suggestion. Theoretical diversity is a good thing in science, but is only beneficial over a limited amount of time. According to recent modelling work, one way of limiting diversity is to introduce extreme priors. We argue that having a broad spectrum of views in the philosophy of cognitive science may actually help cognitive archaeologists address the problem of minimum necessary competence. (shrink)

To determine what the speaker in a cooperative dialog meant with his assertion, on top of what he explicitly said, it is crucial that we assume that the assertion he gave was optimal. In determining optimal assertions we assume that dialogs are embedded in decision problems (van Rooij 2003) and use backwards induction for calculating them (Benz 2006). In this paper, we show that in terms of our framework we can account for several types of implicatures in a uniform way, (...) suggesting that there is no need for an independent linguistic theory of generalized implicatures. In the final section, we show how we can embed our theory in the framework of signaling games, and how it relates with other game theoretic analyses of implicatures. (shrink)

Parsa-Parsi et al bring attention to the World Medical Association (WMA) and transparency to its International Code of Medical Ethics (ICoME) revisions.1 We value their report and the revised ICoME but explain here that the ICoME cannot reflect consensus among all WMA members, or the wider medical profession, given structural and epistemic injustices that restrain low-income and middle-income country (LMIC) physicians from participating in activities such as WMA revisions. Such injustices overlook experiences and contributions of those from LMICs and marginalised (...) groups, hindering their access to and influence within medicine.2 They also undermine access to information about, and from, the WMA. Recruiting new members from, and better engaging members in, LMICs would strengthen the WMA and its influence across the medical profession, and better elevate environmental sustainability as a biomedical and bioethical concern. This would be beneficial because there is controversy among physicians, bioethicists and other stakeholders about the relevance of environmental sustainability to medicine.3 4 That its addition to the ICoME was ‘uncontentious’ hints at structural and epistemic injustices in the revision process and homogeneity of those most involved in the revisions. Based on our observations as medical educators, it appears that few medical students and physicians at our institution, and few across the Caribbean and …. (shrink)

In this paper we are going to show that error coping strategies play an essential role in linguistic pragmatics. We study the effect of noisy speaker strategies within a framework of signalling games with feedback loop. We distinguish between cases in which errors occur in message selection and cases in which they occur in signal selection. The first type of errors affects the content of an utterance, and the second type its linguistic expression. The general communication model is inspired by (...) the Shannon–Weaver communication model. We test the model by a number of benchmark examples, including examples of relevance implicatures, quantity implicatures, and presupposition accommodation. (shrink)

In their landmark 2010 paper, “The weirdest people in the world?”, Henrich, Heine, and Norenzayan outlined a serious methodological problem for the psychological and behavioural sciences. Most of the studies produced in the field use people from Western, Educated, Industrialised, Rich and Democratic (WEIRD) societies, yet inferences are often drawn to the species as a whole. In drawing such inferences, researchers implicitly assume that either there is little variation across human populations, or that WEIRD populations are generally representative of the (...) species. Yet neither of these assumptions is justified. In many psychological and behavioural domains, cultural variation begets cognitive variation, and WEIRD samples are recurrently shown to be outliers. In the years since the article was published, attention has focused on the implications this has for research on extant human populations. Here we extend those implications to the study of ancient _H. sapiens_, their hominin forebears, and cousin lineages. We assess a range of characteristic arguments and key studies in the cognitive archaeology literature, identifying issues stemming from the problem of sample diversity. We then look at how worrying the problem is, and consider some conditions under which inferences to ancient populations via cognitive models might be provisionally justified. (shrink)

Music is a deeply entrenched human phenomenon. In this article, I argue that its evolutionary origins are intrinsically intertwined with the incremental anatomical, cognitive, social, and technological evolution of the hominin lineage. I propose an account of the evolution of Plio-Pleistocene hominins, focusing on traits that would be later implicated in music making. Such traits can be conceived as comprising the musicality mosaic or the multifaceted foundations of musicality. I then articulate and defend an account of protomusical behaviour, drawing theoretical (...) licence from the social brain framework of Robin Dunbar and colleagues, as well as the evolutionary framework for human culture and cooperation developed by Kim Sterelny. The role of gene-culture co-evolution and niche construction is brought to the fore in articulating the evolutionary account. Finally, I defend the view that music subsequently developed via processes of social learning and cumulative culture. (shrink)

Previous research on scalar implicature has primarily relied on meta-linguistic judgment tasks and found varying rates of such inferences depending on the nature of the task and contextual manipulations. This paper introduces a novel interactive paradigm involving both a production and a comprehension side and a precise conversational goal. The main research question is what is reliably communicated by some in this communicative setting, both when the quantifier occurs in unembedded and embedded positions. Our new paradigm involves an action-based task (...) from which participants’ interpretation of utterances can be inferred. It incorporates a game-theoretic design, thereby including a precise model to predict participants’ behaviour in the experimental context. Our study shows that embedded and unembedded implicatures are reliably communicated by some. We propose two cognitive principles that describe what can be left unsaid. In our experimental context, a production strategy based on these principles is more efficient than a strategy based on literal descriptions. (shrink)

The debate concerning the ontological status of musical works is perhaps the most animated debate in contemporary analytic philosophy of music. In my view, progress requires a piecemeal approach. So in this article I hone in on one particular musical work concept – that of the classical Western art musical work; that is, the work concept that regulates classical art-musical practice. I defend a fictionalist analysis – a strategy recently suggested by Andrew Kania as potentially fruitful – and I develop (...) a version of such an analysis in line with a broad commitment to philosophical naturalism. (shrink)

The study considers the problem of ensuring electromagnetic compatibility of EMI-based functional destruction means with other radioelectronic equipment as part of a complex for countering unmanned aerial vehicles. To solve this problem, it is proposed to create a methodology that combines a set of diverse approaches and methods. This study focuses on the use of hollow and thin passive conductors, the use of a magnetodielectric in a reflection symmetric modal filter, the use of reflection symmetric structures for decomposing the train (...) of ultrashort pulses, and the use of a meander line as a protective means against USPs. The main results that are expected to be obtained using the proposed approaches and methods are outlined. (shrink)

To determine what the speaker in a cooperative dialog meant with his assertion, on top of what he explicitly said, it is crucial that we assume that the assertion he gave was optimal. In determining optimal assertions we assume that dialogs are embedded in decision problems (van Rooij 2003) and use backwards induction for calculating them (Benz 2006). In this paper, we show that in terms of our framework we can account for several types of implicatures in a uniform way, (...) suggesting that there is no need for an independent linguistic theory of generalized implicatures. In the final section, we show how we can embed our theory in the framework of signaling games, and how it relates with other game theoretic analyses of implicatures. (shrink)

Today, music is ubiquitous, highly valued in all known cultures, playing many roles in human daily life. The ethnographic study of the music of extant human foragers makes this quite apparent. Moreover, music is ancient. Sophisticated bird-bone and ivory flutes dated from 40 kya reveal an even earlier musical-technological tradition. So is music likely to be an entrenched feature of human social life during the long passage to behavioral modernity—say, by 150 kya—or earlier? In this article I sketch an evolutionary (...) model that focuses on hominin vocal musicality and communication in the Pleistocene, tracking between series of phenotypes and changes in ecological, social, cognitive, and informational contexts. The model links musicality and protomusic to a bigger picture of hominin socio-cognitive evolution, making some connections clearer, motivating further theorizing and the search for new evidence. (shrink)

Recently theorists have developed competing accounts of the origins and nature of protolanguage and the subsequent evolution of language. Debate over these accounts is lively. Participants ask: Is music a direct precursor of language? Were the first languages gestural? Or is language continuous with primate vocalizations, such as the alarm calls of vervets? In this article I survey the leading hypotheses and lines of evidence, favouring a largely gestural conception of protolanguage. However, the “sticking point” of gestural accounts, to use (...) Robbins Burling’s phrase, is the need to explain how language shifted to a largely vocal medium. So with a critical eye I consider Michael Corballis’s most recent expression of his ideas about this transition. Corballis’s view is an excellent foil to mine and I present it as such. Contrary to Corballis’s account, and developing Burling’s conjecture that musicality played some role, I argue that the foundations of an evolving musicality provided the means and medium for the shift from gestural to vocal dominance in language. In other words, I suggest that an independently evolving musicality prepared ancient hominins, morphologically and cognitively, for intentional articulate vocal production, enabling the evolution of speech. (shrink)

In this article I critique F. R. S. Lawson's evolutionary theorising about music that appeared in a recent issue of Ethnomusicology Forum. Moreover, I argue that asking whether music is an adaptation or technology, as Lawson does, artificially splits the interwoven, dynamic co-evolutionary forces at work. In my view, in cases of complex, dynamic co-evolution, the distinction between the ‘biological’ and the ‘cultural’ is undermined. I suggest that human musicality is one such example, calling into question the adaptation/technology distinction that (...) frames Lawson's theorising about music. In place of that research framework, I offer a niche construction perspective, with reference to several brief ethnographic examples, and a ‘socio-cognitive niche’ picture of the evolution of music that takes seriously co-evolution and the project of developing empirically constrained, phylogenetically plausible scenarios for the evolution of music, in a general context of hominin evolution. I identify areas of research where ethnomusicology can weigh in on debates concerning the evolutionary career of music, including, importantly, data for phylogenetic modelling and analysis. (shrink)

This essay reviews one of the most recent books in a trend of new publications proffering evolutionary theorising about aesthetics and the arts—themes within an increasing literature on aspects of human life and human nature in terms of evolutionary theory. Stephen Davies’ The Artful Species links some of our aesthetic sensibilities with our evolved human nature and critically surveys the interdisciplinary debate regarding the evolutionary status of the arts. Davies’ engaging and accessible writing succeeds in demonstrating the maturity and scope (...) of the field and his critique is timely and unparalleled. A laudable effort, however it may have benefited from espousing a co-evolutionary model more explicitly. Moreover there may be reason to question the usefulness of the standard set of distinctions (‘adaptation’, ‘spandrel’, ‘technology’) that Davies appeals to. (shrink)

In A Million Years of Music, Gary Tomlinson develops an extensive evolutionary narrative that emphasises several important components of human musicality and proposes a theory of the coalescence of these components. In this essay I tie some of Tomlinson’s ideas to five constraints on theories of music’s evolution. This provides the framework for organising my reconstruction of his model. Thereafter I focus on Tomlinson’s description of ‘entraining’ Acheulean toolmakers and offer several criticisms. I close with some tentative proposals for further (...) theorising. (shrink)

According to pluralism about some concept, there are multiple non-equivalent, legitimate concepts pertaining to the ontological category in question. It is an open question whether conceptual pluralism implies anti-realism about that category. In this article, I argue that at least for the case of music, it does not. To undermine the application of an influential move from pluralism to anti-realism, then, I provide an argument in support of indifference realism about music, by appeal to music archaeological research, via an analogy (...) with Adrian Currie’s indifference realism about species licensed by paleobiological research. (shrink)

Musical flutes constructed from bird bone and mammoth ivory begin to appear in the archaeological record from around 40,000 years ago. Due to the different physical demands of acquiring and working with these source materials in order to produce a flute, researchers have speculated about the significance—aesthetic or otherwise—of the use of mammoth ivory as a raw material for flutes. I argue that biological signaling theory provides a theoretical basis for the proposition that mammoth ivory flute production is a signal (...) of increasing social differentiation in Upper Palaeolithic human life. (shrink)

Pepper Culpepper’s seminal Quiet Politics and Business Power has revitalized the study of when business elites can shape policies away from public scrutiny. This article takes the concept of quiet politics to a new, and surprising, set of actors: trade union leaders. Focusing on the case of Denmark, it argues that quiet politics functions through political elite networks and that this way of doing politics favors a particular kind of corporatist coordination between the state, capital, and labor. Rather than showing (...) macrocorporatist coordination between the two classes and governments, it identifies representatives of business and labor that hold privileged positions in political elite networks. Representatives of segments are found in industries important for the Danish economy, specifically, the exporting manufacturing sector. Being at the core of the network requires not only a key position in the Danish economy but also an understanding that politics is often done best without politicians and voters. The analysis shows that trade union and business association representatives work closely on a wide number of issues through quiet politics, using their extensive network to broker and foster agreement between different stakeholders. (shrink)

Theorists have recently defended rival analyses of sound. The leading analyses reduce sound to sensations or mental representations, longitudinal compression waves, or sounding objects or events. Participants in the debate presuppose that because the features of the world targeted by these reductive strategies are distinct, at most one of the analyses is correct. In this article I argue that this presupposition is mistaken, endorsing a polysemy analysis of ‘sound’. Thus the ‘What is sound?’ debate is largely merely verbal, or so (...) I argue. All participants in this debate agree that there are the various reductions, they simply differ over which of them ‘is sound’. Yet there is no reason to think that, say, psychologists studying auditory sensations/representations, audio physicists studying sound waves, and anthropologists/ethnomusicologists studying sounding objects/events aren’t just studying different reductions of ‘sound’ despite the different explananda of their research. According to the polysemy theory of sound, we do not need to uniquely identify sound with one of these various explananda, outside of some context. (shrink)

Review of: Fiona MacDonald: Individualising risk (Singapore: Palgrave Macmillan, 2021, 223 pp, 130€ HB). MacDonald advances several claims. First, the ‘gig economy’ and ‘cash-for-care’ marketisation of social care and health support work come with major pitfalls: These are explored with reference to specific cases in Australia and England. Second, processes that underlie the individualisation of care need to be identified and critically evaluated. For when risk and responsibility are shifted onto individual workers, what we can expect to see, given the (...) evidence, is a marked decrease in the quality of care that the elderly and people with disability receive. [...]. (shrink)

This volume explores various themes at the intersection of archaeology and philosophy: inference and theory; interdisciplinary connections; cognition, language and normativity; and ethical issues. Showcasing this heterogeneity, its scope ranges from the method of analogical inference to the evolution of the human mind; from conceptual issues in assessing the health of past populations to the ethics of cultural heritage tourism. It probes the archaeological record for evidence of numeracy, curiosity and creativity, and social complexity. Its contributors comprise an interdisciplinary cluster (...) of philosophers, archaeologists, anthropologists, and psychologists, from a variety of career stages, of whom many are leading experts in their fields. Chapter 3 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. (shrink)

The book illustrates the concept of action in three different contexts - the justification of actions, people's life history, and pragmatism.Because of ...

Mehr et al. seek to explain music's evolution in terms of a unitary proper function – signalling cooperative intent – which they cash out in two guises, coalition signalling and parental attention signalling. Although we recognize the role signalling almost certainly played in the evolution of music, we reject “ultimate” causal explanations which focus on a unidirectional, narrow range of causal factors.

We are going to explain partial blocking as the result of diachronic processes based on what we will call associative learning. Especially, we argue that the task posed by partial blocking phenomena is to explain their emergence from unambiguous and fully expressive languages. This contrasts with approaches that presuppose underspecified semantic meanings or ineffability like Bidirectional Optimality Theory (Bi–OT) and some game theoretic explanations. We introduce a formal framework based on learning, speaker’s preferences and pure semantics for describing diachronic strengthening (...) of meaning. Moreover, we show how the diachronic development of systems of semantically co–extensive forms can be described in terms of a complete system of diachronic laws. (shrink)

This article seeks to interpret how the scientific study of individualization, broadly construed, is conceived from within. It presents and discusses an analysis of qualitative data gained from performing semi-structured expert interviews. By way of a thematic-analytic approach to interpreting this data, this article seeks to investigate the attitudes and opinions of a sample of scientific experts who study individualization, across a wide range of scientific fields, with regard to key concepts, phenomena, motivating factors, and open questions. Centering its analysis (...) on discussion of four themes, this paper (1) emphasizes the importance for science of individuals and individuality, (2) reflects on matters pertaining to language and interdisciplinary communication, (3) distinguishes between nine meanings of the word “individualization,” stressing their significant features, and (4) considers ideas about the consequences of individualization and ongoing methodological concerns. (shrink)

English summary: In this work, Anton Friedrich Koch develops a hermeneutical realism using methods of analytic philosophy, i.e. the thesis that although the real is independent from individual beliefs and perceptions, it is, however, not independent of there being beliefs and perceptions at all. We, the finite spatiotemporally embodied subjects, are therefore not a 'cosmic coincidence' but rather necessary for the existence of the material system of space-time, which, on the other hand, encompasses us and is in no way (...) a fiction or construction (subjectivity thesis). This brand of realism is hermeneutical because it treats knowing as a special case of reading and translating - of things into spoken language - (readability thesis), and in giving room to the discovery that completeness and consistency, as in mathematics, are likewise incompatible in the description of the world (antinomy thesis). German description: Anton Friedrich Koch begrundet und entwickelt in diesem Werk mit Mitteln der analytischen Philosophie einen hermeneutischen Realismus: die philosophische Lehre, dass das Reale zwar von einzelnen Meinungen und Wahrnehmungen unabhangig ist, nicht aber davon, dass es uberhaupt Meinungen und Wahrnehmungen gibt. Wir, die endlichen, raumzeitlich verkorperten Subjekte, sind also kein Zufall, sondern notwendig fur die Existenz des materiellen Raum-Zeit-Systems, das uns andererseits weitraumig umgibt und keineswegs unsere Konstruktion oder Fiktion ist (Subjektivitatsthese). Hermeneutisch ist dieser Realismus, weil er das Erkennen als einen Sonderfall des Lesens und Ubersetzens - der Dinge in Wortsprache - begreift (Lesbarkeitsthese) und weil er der Entdeckung Raum gibt, dass Vollstandigkeit und Widerspruchsfreiheit, wie in der Mathematik, so auch in der Weltbeschreibung unvertraglich sind (Antinomiethese). (shrink)

It is my contention that understanding natural phenomena such as vocal mimicry can bolster theories of the evolution of language and music as well as inform evolutionary and naturalistic aesthetics more generally. In this commentary I present this phenomena as a case study in order to stimulate further aesthetic theorising.

In 'How to create a cultural species: Evaluating three proposals', Nichols, Mackey, and Moll deliver a thoughtful and detailed assessment of three recent publications on human cultural evolution [from Cecilia Heyes, Kevin Laland, and Michael Tomasello]. Of these, NMM are most critical of Heyes. In this commentary, we interrogate four of those critcisms.

Darren Hudson Hick has recently presented a fascinating puzzle case for theories of co-authorship: Micro. However, contrary to his goal, Hick fails to establish Michael Crichton as a co-author of Micro. Here, I explain why. Consequently, Micro is not a counterexample to the theories of co-authorship.

This paper introduces a Special Issue of Topoi entitled "Archaeology and philosophy".

Explorations in Archaeology and Philosophy grew out of an interdisciplinary conference on the Upper Palaeolithic, “Digging Deeper: Archaeological and Philosophical Perspectives”, held on Miami Beach, Florida, in December 2017. The previous decade had seen increasing numbers of publications on topics of interest to both philosophers and archaeologists, so the time was ripe for a conference which served to generate constructive dialogue between researchers from both disciplines. Themes discussed included art, music, the mind, symbols, mortuary practices, and archaeological methodology. This volume (...) draws from several contributors to that conference as well as other leading researchers at the forefront of the intersection of archaeology and philosophy. Its scope is expanded from the Upper Palaeolithic to archaeological research in general—adopting a broad conception inviting many perspectives from philosophy and interdisciplinary evolutionary studies to the table—and is organized by topics into four sections: Theory and Inference; Interdisciplinary Connections; Cognition, Language and Normativity; Ethical Issues. (shrink)

We investigate whether risky choice framing, i.e., the preference of a sure over an equivalent risky option when choosing among gains, and the reverse when choosing among losses, depends on redundancy and density of information available in a task. Redundancy, the saliency of missing information, and density, the description of options in one or multiple chunks, was manipulated in a matrix setup presented in MouselabWeb. On the choice level we found a framing effect only in setups with non-redundant information. On (...) the process level outcomes attracted more acquisitions than probabilities, irrespective of redundancy. A dissociation between acquisition behavior and choice calls for a critical discussion of the limits of process-tracing measures for understanding and predicting choices in decision making tasks. (shrink)

We contribute to the empirical debate on whether we understand and predict mental states by using simulation (simulation theory) or by relying on a folk psychological theory (theory theory). To decide between these two fundamental positions, it has been argued that failure to predict other people's choices would be challenging evidence against the simulation view. We test the specific claim that people prefer the rightmost position in choosing among equally valued objects, and whether or not this position bias can be (...) correctly predicted. A series of experiments shows that the bias appears only in a specific spatial arrangement and that it can be correctly predicted given adequate imaginative input. In concert with other recent findings on the correct prediction of choices these findings do actually strengthen, rather than challenge, the simulation account on the prediction of mental states. (shrink)