This is a book about speech and the silencing of speech; about who gets to speak and who does not; about who is listened to and who is ignored. In this down-to-earth analysis of the democratic principle of freedom of speech, Betty McLellan insists that, if this prized democratic principle is to have any continuing credibility, free speech must be free for all.

Betty Powell; XII*—Descartes' Machines, Proceedings of the Aristotelian Society, Volume 71, Issue 1, 1 June 1971, Pages 209–222, https://doi.org/10.1093/aristot.

The common discourse on intellectual property rights rests mainly on utilitarian ground, with implications on the question of justice as well as moral significance. It runs like this: Intellectual property rights are to reward the originators for his/her intellectual labour mainly in monetary terms, thereby providing incentives for originators to engage in future innovative labouring. Without such incentives, few, if not none, will engage in creative activities and the whole human community will, thereby, suffer because of reduced inventions. However, such (...) utilitarian argument on piracy as de-motivation may not be necessarily justified. In fact, intellectual property arrangement is one among different institutions concerning how the society may handle new ideas and creative works. In reality, private ownership over one's intellectual product is merely a modern western concept that is being ' advertised' as being normative, which, by itself, is highly debatable. Alarming still, such normative argument assumes both justness and moral dimensions. This article will analyse whether such argument is philosophically sound. (shrink)

This study asked managers with different educational backgrounds and experience from a variety of industries of a variety of sizes representing both genders and various predominant managerial functions at different levels to “describe the skills they think are necessary to perform their jobs effectively”. In particular, they were asked to rank 178 behavioral skills presented under 22 different categories that described different aspects of management. Data were then examined first to determine the importance of ethics or integrity overall in the (...) group of managerial activities and then to explore how specific ethical activities of managers differ across various managerial and organizational characteristics. Findings indicate that ethics is still considered one of the least important skills necessary in managers’ daily work. However, once specific ethical activities are analyzed separately, significant differences are found across characteristics of managers, as well as those of the organizations at which they work. (shrink)

In timing perception studies, the timing of one event is usually manipulated relative to another, and participants are asked to judge if the two events were synchronous, or to judge which of the two events occurred first. Responses are analyzed to determine a measure of central tendency, which is taken as an estimate of the timing at which the two events are perceptually synchronous. When these estimates do not coincide with physical synchrony, it is often assumed that the sensory signals (...) are asynchronous, as though the transfer of information concerning one input has been accelerated or decelerated relative to the other. Here we show that, while this is a viable interpretation, it is equally plausible that such effects are driven by shifts in the criteria used to differentiate simultaneous from asynchronous inputs. Our analyses expose important ambiguities concerning the interpretation of simultaneity judgement data, which have hitherto been underappreciated. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ovid’s Literary Loves: Influence and Innovation in the AmoresBetty Rose NagleBarbara Weiden Boyd. Ovid’s Literary Loves: Influence and Innovation in the Amores. Ann Arbor: University of Michigan Press, 1997. xii 1 252 pp. Cloth, $39.50.The “literary love affair” (130) in the Amores is as much (or more) an affair conducted with literature as it is one represented in literature. Although Barbara Boyd never puts it that way, this (...) is the essence of her argument. In her reading, this three-book collection of amatory elegies is the narrative of Ovid’s early career as a poet. This novel use of the genre—for literary autobiography—is one of the ways in which Ovid expands its boundaries. In Ovid’s Literary Loves Boyd intends to help readers appreciate the originality of the Amores, in part by showing in it the beginnings of that interest in redefining generic boundaries which in the past decade we have come to recognize, through the work of Stephen Hinds and others, as a hallmark of Ovid’s whole corpus.In her introduction, “The Isolation of Ovid’s Amores,” Boyd digests and assesses the current opinion about Ovid’s collection. Its “literary isolation” has resulted from the combined effects of the “generic fallacy” and what she calls the “progressive fallacy.” The latter (her own coinage) is the critical position which holds either that “what comes first is worst” or that “what comes last is worst” (5); accordingly, the Amores are early Ovid and hence inferior, and Ovid is the last of the elegists and hence inferior. As an antidote to the “generic fallacy” Boyd proposes James Zetzel’s “challenge of generic freedom,” itself the latest variation of Kroll’s “Kreuzung der Gattungen.” [End Page 468]Chapter 1, “Reused Language: Genre and Influence in the Interpretation of the Amores,” takes its point of departure from a comparison of the two propemptica Am. 2.11 and Propertius 1.8a. Boyd sets out “both to simplify and to clarify a method for reading imitation in the Amores” (19), and in doing so she makes a substantial contribution to the typology of imitation in Latin literature as a whole. She does this by bringing together two unlikely bedfellows, integrating G. P. Goold’s ideas about Ovid’s “formulae” and “instinctive” versification with G. B. Conte’s concepts of “poetic memory” and poetic language as “reused language.” She also employs Conte’s distinction between “exemplary model” (verbatim imitation) and “code model” (the system of generic rules familiar beforehand) and Richard Thomas’s preference for the term “reference” instead of “imitation.” For her purposes she distinguishes (30–31) between a “parallel,” which may “simply be a common topos” (30) rather than an actual imitation; a “formula,” which may be “a very precise mark of a poetic tradition” (30) without making a specific reference; and a “reference,” which is likely to engage with a whole tradition rather than simply allude to a single source. Finally, she distinguishes (47) “external allusion” (to another poet) from “self-imitation,” which in turn is differentiated into “’internal reference’ proper” (to an earlier poem in the same collection) and “self-imitation” (“reference across works”). These latter may well be, as she claims, “two different, though related, phenomena” (47), but “self-imitation” is not relevant to Boyd’s own discussion until her last chapter. In posing the question “How do we recognize ‘imitation’?” she distinguishes between imitation of “form and theme” (33) and imitation of “content” (34), using the latter term rather idiosyncratically to include “precise features, such as style, diction, and metrical character” (34).Chapter 2, “Literary Means and Ends: Ovid’s Ludus Poeticus,” continues the treatment of imitation in considering Ovid’s practice of “multiple allusion” (67, 89), according to Boyd “an aspect of his style that is far too little recognized and understood” (67). The goal is to clarify how Ovid views his literary past and what meaning his sources have for his use of them—in brief, as she neatly summarizes, “to move beyond equating Ovid’s inspiration and purpose with Propertius and parody, respectively” (50). She shows how in creating Sulmo as a literary landscape (Am. 2.16... (shrink)

Amongst the multiple key philosophers who have addressed critical issues pertaining to music education since the mid-1900s, Bennett Reimer was one voice that began a systematic examination of the nature and value of music and music education as a foundation for a philosophy of music education. With the musical experience at the center of his philosophy, Reimer sought to explain how music articulates feeling, a core of who we are as human beings. Over the sixty years of writing, Reimer’s thinking (...) continued to be influenced by other disciplines including the literature on creative thinking and cognitive neuroscience. The impact of his writing on the field is multifarious, including philosophy, advocacy, curriculum, and the role of music in school-based programs. (shrink)

While it is widely assumed that greater diversity in corporate governance will enhance a firm’s corporate social performance, this study considers an alternative thesis which relates managerial control to corporate philanthropy. The study empirically evaluates both board diversity and managerial control of the board as possible predictors of corporate philanthropy. The demonstration of a positive relationship between managerial control and corporate philanthropy contributes to our understanding that corporate social performance results from a complex set of economic and social motives. Possible (...) future research and managerial implications are discussed. (shrink)

Le monde occidental s'interroge aujourd'hui sur la passion de la mort qui pousse de jeunes terroristes au suicide et au crime. Le présent essai traite d'une autre fascination, non moins troublante : celle qui travaille sourdement les grands textes de notre modernité. Après Alexandre Kojève, l'écriture de Georges Bataille, de Maurice Blanchot, de Jacques Derrida ou de Jacques Lacan, laisse transparaître un lyrisme de la destruction, un engouement pour l'abîme, qu'il faut savoir reconnaître sous la rigueur de la pensée. D'où (...) vient cette esthétique du malheur? Quels enjeux recouvre-t-elle? Au fil d'une minutieuse lecture, l'auteur s'attache à dénuder un complexe de valeurs et d'affects qui remontent aux origines symboliques de notre civilisation. On entrevoit peu à peu que cette revendication de la mort pourrait bien n'être que le signe inversé de la grande protestation humaine, de sa soif d'infini et de son désir d'être. Betty Rojtman, née à Paris, a dirigé le département de littérature française à l'université hébraïque de Jérusalem. Elle situe sa recherche au carrefour de la pensée contemporaine et de l'exégèse juive traditionnelle. Parmi ses publications : Feu noir sur feu blanc. Essai sur l'herméneutique juive (1986); Une grave distraction (préface de Paul Ricoeur, 1991) ; Une rencontre improbable (2002) et Moïse, prophète des nostalgies (2007). (shrink)

The stories of the remarkable women who have bravely met two challenges: the risk of space travel and the struggle to succeed in a man's world.

This article compares Alexander von Humboldt 's and John Ruskin's writings on landscape art and natural landscape. In particular, Humboldt 's conception of a habitat's essence as predominantly composed of vegetation as well as judgment of tropical American nature as the realm of nature of the highest aesthetic enjoyment is examined in the context of Ruskin's aesthetic theory. The magnitude of Humboldt 's contribution to the natural sciences seems to have clouded our appreciation of his prominent status in the field (...) of art history. In addition to his position as scientist, Humboldt 's role as aesthetician is demonstrated in this paper. Unlike Ruskin, who comfortably resides in the canon of art history relative to his minor significance in the field of geology, Humboldt has not been recognized for his impact on the world of art; his tremendous scientific importance seems to have overshadowed an appreciation of it. (shrink)

The “American Dream” and “Working Class Promise” ideologies are ubiquitously dispersed in American society. These ideologies posit values of equality and opportunity. In this paper, I deconstruct these two ideologies in order to examine the effects these ideologies have on income inequality, social inequality, and social immobility. I argue these ideologies create a paradox in society whereby the more these ideologies are believed, the more the ideologies exacerbate income inequality, social inequality, and social immobility.

We propose a new method for the history of ideas that has none of the shortcomings so often ascribed to this approach. We call this method the model approach to the history of ideas. We argue that any adequately developed and implementable method to trace continuities in the history of human thought, or concept drift, will require that historians use explicit interpretive conceptual frameworks. We call these frameworks models. We argue that models enhance the comprehensibility of historical texts, and provide (...) historians of ideas with a method that, unlike existing approaches, is susceptible neither to common holistic criticisms nor to Skinner's objections that the history of ideas yields arbitrary and biased reconstructions. To illustrate our proposal, we discuss the so-called Classical Model of Science and draw upon work in computer science and cognitive psychology. (shrink)

An investigation of Benjamin’s conception of the subject as fractured via a reading of Benjamin’s use of Freud, this book engages Benjamin’s writing on sovereignty and myth in the Baroque and analyzes these themes in the context of Benjamin’s writing on the 19th century.

Institutional ethics committees in health care facilities now create moral policy, provide moral education, and consult with physicians and other health care workers. After sketching reasons for the development of IECs, this paper first examines the predominant moral standards it is often assumed lECs are now using, these standards being neo-Kantian principles of justice and utilitarian principles of the greatest good. Then, it is argued that a feminine ethics of care, as posited by Carol Gilligan and Nel Noddings, is an (...) unacknowledged basis for /EC discussions and decisions. Further, it is suggested that feminine ethics of care can and should provide underlying theoretical tools and standards for lECs. (shrink)

Jean-Paul Sartre’s failures in Black Orpheus have been widely and rightly explicated by a number of theorists, most notably Frantz Fanon and Aimé Césaire. Sartre has rightly been criticized for imposing a white gaze onto his reading of colonized African poetry. It would seem that his work offers us no tools for anti-racist work today. For this article, I read his failures in the text alongside his work in The Imaginary and Being and Nothingness to argue that we can learn (...) from his failures and that his failures do offer us conceptual tools for anti-racist work today. I argue that Sartre’s main contribution ought to be understood as a provocation to white people. He is provoking white people to confront how whiteness works in their imaginary. The imaginary is nothing but what one puts into it, and what one puts into it is imbued with the historical, social and cultural. The image is imbued with the individual’s experiences within a historical, social and cultural situation. If this is the case, then the confrontation with and critique of the image is a political act. In confronting and critiquing the image, one is confronting and critiquing the situation in which the image emerges. The hope is that in doing so, white people could transcend the facticity of their whiteness in particular situations for the better, which in turn would have positive consequences for the larger sociopolitical situation. (shrink)

The paper [Tarski: Les fondements de la géométrie des corps, Annales de la Société Polonaise de Mathématiques, pp. 29—34, 1929] is in many ways remarkable. We address three historico-philosophical issues that force themselves upon the reader. First we argue that in this paper Tarski did not live up to his own methodological ideals, but displayed instead a much more pragmatic approach. Second we show that Leśniewski's philosophy and systems do not play the significant role that one may be tempted to (...) assign to them at first glance. Especially the role of background logic must be at least partially allocated to Russell's systems of Principia mathematica. This analysis leads us, third, to a threefold distinction of the technical ways in which the domain of discourse comes to be embodied in a theory. Having all of this in place, we discuss why we have to reject the argument in [Gruszczyński and Pietruszczak: Full development of Tarski's Geometry of Solids, The Bulletin of Symbolic Logic, vol. 4, no. 4, pp. 481—540] according to which Tarski has made a certain mistake. (shrink)

This volume represents the first collection of work to address, empirically and conceptually, the topic of individual differences in theory of mind.