Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university.

This paper aims to make an anti-canonical reading of the avivakṣitavācya-variety of dhvani conceptualized by the ninth century Sanskrit literary critic Ānandavardhana in his seminal work Dhvanyāloka. In this paper, I argue that avivakṣitavācya-dhvani opens up a signifier to new significations that are not conventionally associated with it through a process of deterritorialization. In any language, convention functions as a structuring mechanism upon a signifier by clearly demarcating a rigid semantic ambit for it. By the term ‘conventional semantic ambit’, I (...) mean the boundary of signification set by convention for each signifier. The primary problem associated with the imposition of a definite territory upon a signifier is that it prevents an individual signifier from representing any new significations that are not conventionally attached to it. For example, in the conventional semantic ambit, the word ‘cat’ cannot represent the idea of a ‘dog’. In the act of mapping a fixed territory for each signifier, convention also structures the individual-user of the language by forcing him or her to confine to a specific plan of dealing with signifiers. Thus, the individual user of language within a conventional semantic ambit is rendered absolutely passive, as s/he has nothing new to contribute or create, other than reproducing an always-already existing plan of functioning. It is precisely this structuring tendency of convention that gets challenged in Ānanda’s avivakṣitavācya-dhvani. Such a mechanism is definitely a liberating experience for both the signifier and the individual-users of the language who are forced to accept the signifiers in a specific fashion. Along with the exposition of avivakṣitavācya-dhvani’s resistance to a signifier’s conventional semantic ambit, this paper also aims to conceptualize the figure of the reader that avivakṣitavācya-dhvani anticipates for itself. (shrink)

This author-meets-readers discussion centers Shuchen Xiang’s synopsis of her recent book _Chinese_ _Cosmopolitanism: The History and Philosophy of an Idea_ (2023a), which argues against assumptions that European global colonization and racial atrocities were consequences of human nature. Sungmoon Kim, Bryan W. Van Norden and Don J. Wyatt engage with Xiang about her thesis that historical China upheld a worldview that underscored cross-cultural exchange, mutual flourishing, and growth through cultural encounter. This worldview did not drive it to colonize the world. (...) In contrast, its European counterpart fought difference and therefore sought to conquer the world. (shrink)

The wording of major human rights texts—constitutions and international treaties—is very similar in those provisions, which guarantee everyone the right to family, privacy, protection against discrimination and arbitrary detention, and the right to access the court. However, judges of lower national courts, constitutional judges and judges of the European Court of Human Rights often read the same or seemingly the same texts differently. This difference in interpretation gives rise not only to disputes about the hierarchy of interpretative authorities, but to (...) more general disputes about limits of judicial construction and validity of legal arguments. How it may happen, that the national courts, which apply constitutional provisions or provisions of national legislative acts, which are seemingly in compliance with the international human rights standards, come to different results with the international judges? Do they employ different interpretative techniques, share different values or develop different legal concepts? Do international judges ‘write’ rather than ‘read’ the text of the Convention? Who is, in Plato’s terms, a name-giver and who has a power to define the ‘correctness’ of names? The answers to these questions from the rhetorical and semiotic perspectives are exemplified by the texts of the judicial decisions on the rights of persons with mental disabilities. (shrink)

This article explores the role of text cohesion in the comprehension and production of text. While most discourse models have considered the roles of the text features and the reader, the crucial role of writers’ epistemic stance has not been widely considered. The thesis explored here is that levels of cohesion emerge in text based on the epistemic stance of the author relative to the reader. Evidence is provided indicating that text genres show compensatory relationships between different features related to (...) text difficulty. For example, while science texts have more challenging words than do narratives, they tend to have higher cohesion and simpler syntax. These text profiles indicate that skilled writers have an awareness of readers’ needs. By contrast, less skilled writers seem to have less sensitivity to the interplay between textual dimensions and less audience awareness. For example, evidence is reviewed showing that more proficient essays are characterized by lower cohesion than less proficient essays: less skilled writers tend to use more cohesive cues than do more skilled writers. To the extent that an author understands the readers’ needs, the author has a more successful epistemic stance toward the reader. This stance is partially evidenced by the crucial role of cohesion in text comprehension and writing. (shrink)

Sandra Field, Jeffrey Flynn, Stephen Macedo, Longxi Zhang, and Martin Powers discussed Powers’ book China and England: The Preindustrial Struggle for Social Justice in Word and Image at the American Philosophical Association’s 2020 Eastern Division meeting in Philadelphia. The panel was sponsored by the APA’s “Committee on Asian and Asian-American Philosophers and Philosophies” and organized by Brian Bruya.

The exchange between Peter Park, Dan Flory and Leah Kalmanson on Park’s book Africa, Asia and the History of Philosophy: Racism in the Formation of the Philosophical Canon took place during the APA’s 2016 Central Division meeting on a panel sponsored by the Committee on Asian and Asian-American Philosophers and Philosophies. After having peer-reviewed the exchange, JWP invited Sonia Sikka and Mark Larrimore to engage with these papers. All the five papers are being published together in this issue.

A threat to women is obscured when we treat “abortion-as-evacuation” as equivalent to “abortion-as-killing.” This holds only if evacuating a fetus kills it. As technology advances, the equivalence will fail. Any feminist account of abortion that relies on the equivalence leaves moral room for women to be required to give up their fetuses to others when it fails. So an account of the justification of abortion-as-killing is needed that does not depend on the equivalence.

This is the first of an ongoing series of review essays in which the authors of significant new works of philosophy engage their readers. These inaugural two readings discuss Rein Raud’s important new reassessment of contemporary ontology, Being in Flux: A Post-Anthropocentric Ontology of the Self. They consider its accomplishments, both on its own terms and with reference to its East Asian and South Asian precursors. Raud then offers a response.

This article concentrates on a couple of semiotic approaches working out, on the one hand, the mediated character of reducing interpretative trajectories to the actual translation into the language of narratives (A. J. Greimas) or the language of textuality (F. Rastier), and, on the other, the direct, apparently unmediated passage to the visceral physicality of the verbal signifying system, which make semantic and syntactic components perfunctory to interpretation in a way (J. Kristeva). Greimassian universal narrative grammar dismantles signifying units, navigating (...) in the network of narrative utterances. Rastier's approach structures textual artifacts by unearthing semantic constituents crucial for semiotic analysis. Kristeva examines what is behind the curtain instead of sorting out the significance of the text's content as a special category and the possibility of procedure allowing its interpretation. These three authors are compared in the context of two approaches that come to grips with the author/reader pair. (shrink)

Many animals will invent new behaviour patterns, adjust established behaviours to a novel context, or respond to stresses in an appropriate and novel manner. This is the first ever book on the topic of 'animal innovation'. Bringing together leading scientific authorities on animal and human innovation, this book will put the topic of animal innovation on the map, and heighten awareness of this developing field.

All disciplines can count on a noble founder, and the representation of this founder as an authority is key in order to construe a discipline's identity. This book sheds light on how Plato and other authorities were represented in one of the most long-lasting traditions of all time. It leads the reader through exegesis and polemics, recovery of the past and construction of a philosophical identity. From Xenocrates to Proclus, from the sceptical shift to the re-establishment of dogmatism, from the (...) Mosaic of the Philosophers to the Neoplatonist Commentaries, the construction of authority emerges as a way of access to the core of the Platonist tradition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 165 arguments. He meets them head on, on their ground; whether or not he is deemed successful, he presents a challenge not only to the philosophers he adduces but also to anyone in the Thomistic tradition who has judged confrontation with contemporary critics to he fruitless. JANICE L. SCHULTZ Canisius College Buffalo, New York Authority and Leadership in the Church: Past Directions and Future Possibilities. By THOMAS (...) P. RAUSCH, S.J. Wilmington, Del.: Michael Glazier, 1989. Pp. 158. $15.95. Rather than offering a sustained study of the question of authority and leadership in the Church, Rausch presents a collection of essays related to the topic. The format reflects the book's genesis: much of the material was developed for the 23rd Faith and Order Conference of the Texas Conference of Churches on the subject "Authority in the Body of Christ." Although the title does not reflect the hook's ecumenical focus, readers who want a general introduction to the present status of agreement in ecumenical discussion of authority and ministry may find Rausch's hook helpful. In " Authority in the Ecumenical Dialogue " Rausch reviews and summarizes the ARCIC Final Report, the Lutheran-Roman Catholic Dialogue, the WCC Baptism, Eucharist and Ministry text, and the Consultation on Church Union. The emerging consensus on the value of ordained ministry in these documents indicates that this ministry is permanent, although the threefold ministry of bishop, presbyter, and deacon stands in need of reform. Rausch notes that the documents do not limit " valid " ministry to ordained ministry in communion with the historic episcopate. As for the shape of ministry in the church of tomorrow, not surprisingly, he identifies shared responsibility and collegiality as the marks of the future exercise of authority. Among the important issues still unresolved by the churches are Petrine ministry and primacy and the problem of the " reception " of ecumenical documents. The chapter on authority and reception, originally published in Theological Studies, may well be the most original contribution of the book. It broadens the discussion of reception from its historical " classical " understanding as " the acceptance by local churches of particular ecclesiastical or conciliar decisions " to an ecumenical understanding of the concept as " the acceptance by one church of a theo- 166 BOOK REVIEWS logical consensus arrived at with another church, and ultimately, the recognition of the other church's faith and ecclesial life as authentically Christian (p. 103)." He concludes that (1) reception is more properly understood as a process rather than as a juridical determination, (2) it also involves formal decisions on the part of church authorities, (3) it cannot be reduced to the acceptance of doctrinal formulations, and (4) the norm for recognizing a common faith is not agreement with a particular ecclesial position but agreement with the apostolic tradition. Ultimately, reception involves the whole church and is not the sole product of theologians or church authorities. Ecumenical dialogues will only be effective when they enter into the practical life of the churches. In "Imaging Tomorrow's Church: Models of Christian Unity" Rausch summarizes four models of church unity: organic union, conciliar fellowship, reconciled diversity, and communion of Churches. He opts for the fourth model. The chapter does not offer any new information to someone familiar with ecumenical discussions, but it does serve as an introduction for the neophyte. Rausch's image of authority in the future lies somewhere between a strictly hierarchical or institutional model and a more egalitarian model. His final chapter, " Authority in Tomorrow's Church," predicts that the church of the future will be " ordered " in the sense that it will combine an authoritative ordained ministry (based on the church's apostolic office) with a recognition of multiple and diverse charismatic gifts. He retrieves Karl Rahner's suggestion that recognition of charism for leadership in an individual may result in that person's " relative" ordination for a particular local community. Authority of the future will be collegial with a more participatory style of decision-making. The renewed papacy will encourage not only a more participatory style of decision-making but also a broader participation in the formulation of church teaching. He suggests that representatives of particular churches could elect the Bishop... (shrink)

This article presents two case-studies that shed light on the silent yet significant role an editor might play in the reception of Renaissance texts and the place of Thomas Aquinas therein. Both studies take up texts from fifteenth-century Italy. The first addresses the scholastic philosopher, Dominic of Flanders, suggesting that Dominic’s originality as a thinker may have been ‘corrected’ by an anonymous editor in order to maintain closer accord with Aquinas’s position; inquiry into the manuscript tradition uncovers instances of silent (...) intervention. The second addresses a Latin dialogue by the physician and humanist, Antonio de Ferraris (Galateo), drawing attention to a significant suppression of the interlocutor Thomas Aquinas, this time by a twentieth century editor. (shrink)

Through a commentary on the enriching experience of receiving feedback through the Brewing Legal Times author-meets-reader session in February 2018, this piece reflects on the intellectual generosity and scholarly labour that makes such sessions an important form of academic social reproduction.

All disciplines can count on a noble founder, and the representation of this founder as an authority is key in order to construe a discipline's identity. This book sheds light on how Plato and other authorities were represented in one of the most long-lasting traditions of all time. It leads the reader through exegesis and polemics, recovery of the past and construction of a philosophical identity. From Xenocrates to Proclus, from the sceptical shift to the re-establishment of dogmatism, from the (...) Mosaic of the Philosophers to the Neoplatonist Commentaries, the construction of authority emerges as a way of access to the core of the Platonist tradition. (shrink)

The notion of authorship has been widely discussed since the proclamation of the Death of the Author in mid 20th century. Authors are still writing, but a variety of new forms of authorship and new kinds of relations between authors, texts and readers have emerged. Many new forms of authorship are enabled by the use of digital media, which provide a new layer of hypertextual and interactive software in between the ‘author’ as a representation of the human (...) creator and the author as an indexical reference to a text. The paper present a number of these forms which are based on the use of ‘avatars’ as intermediaries between the human individuals and the stories told. It is argued that the use of digital media opens for new trajectories in the development of authorship forms, and that such new trajectories calls for new sorts of research questions and development of new methods. (shrink)

Several quantitative studies (e.g. Kidd & Castano, 2013a; Djikic et al., 2013) have shown a positive correlation between literary reading and empathy. However, the literary nature of the stimuli used in these studies has not been defined at a more detailed, stylistic level. In order to explore the stylistic underpinnings of the hypothesized link between literariness and empathy, we conducted a qualitative experiment in which the degree of stylistic foregrounding was manipulated. Subjects (N = 37) read versions of Katherine Mansfield's (...) 'The Fly', a short story rich in foregrounding, while marking striking and evocative passages of their choosing. Afterwards, they were asked to select three markings and elaborate on their experiences in writing. One group read the original story, while the other read a 'non-literary' version, produced by an established author of suspense fiction for young adults, where stylistic foregrounding was reduced. We found that the non-literary version elicited significantly more (p < 0.05) explicitly empathic responses than the original story. This finding stands in contradiction to widely accepted assumptions in recent research, but can be assimilated in alternative models of literariness and affect in literary reading (e.g. Cupchik et al., 1998). We present an analysis of the data with a view to offering more than one interpretation of the observed effects of stylistic foregrounding. (shrink)

How can we, perspicuously, explain the relation between a literary text and its interpretation by a reader in a way that supports the hypothesis that literature matters for moral reflection? In this article, based on a critical examination of some anglophone authors, who are more or less engaged in investigations related to the analytic philosophy of language, and who address the relation between philosophy and literature, we propose a distinction between two types of relations: the relation between the literary (...) work and its reception by a reader, and the empirical relation between the reception of the literary work and changes in the reader. For advances in moral reflection, this relation may not be an empirical one. Therefore, we propose a form of explanation for the relation between literary work and its reception by a reader, involving the writer and their literary work, the reader and their interpretative role, and the shared background between writer and reader. (shrink)

This paper brings together the work of Nicholas Wolterstorff and William Alston in speech-act theory with the aim of providing a deeper understanding of the nature of divine speaking through the medium of Scripture. Despite the fecundity of Wolterstorff's seminal work on the philosophical theology of Scripture, aspects of his speech-act centric account are underdeveloped and would benefit from the contributions of William Alston. In particular, his account of divine speech-acts could be fruitfully expanded by incorporating the concept of ‘taking (...) responsibility’ that is central to Alston's analysis of the nature of illocutionary acts. This would elucidate both the way in which readers of Scripture encounter divine practical authority in the reading process and the nature of the response of faith that is demanded of them. (shrink)

In Culture, Genre, and Literary Vocation, Michael Davitt Bell charts the important and often overlooked connection between literary culture and authors' careers. Bell's influential essays on nineteenth-century American writers—originally written for such landmark projects as The Columbia Literary History of the United States and The Cambridge History of American Literature—are gathered here with a major new essay on Richard Wright. Throughout, Bell revisits issues of genre with an eye toward the unexpected details of authors' lives, and invites us (...) to reconsider the hidden functions that terms such as "romanticism" and "realism" served for authors and their critics. Whether tracing the demands of the market or the expectations of readers, Bell examines the intimate relationship between literary production and culture; each essay closely links the milieu in which American writers worked with the trajectory of their storied careers. (shrink)

This contribution demonstrates the benefits of a transatlantic history of early modern mining that encompasses both a cross-pollination of approaches and a critical reexamination of the field’s underlying assumptions. It applies to Álvaro Alonso Barba’s 1640 El arte de los metales conceptual frameworks developed by historians of early modern European mining, by scholars of labor and science in the colonial Andes, and by theorists of reader reception and scholarly practice. This analysis offers a revised understanding of Pamela Long’s model of (...) the “trading zone” as a vision of knowledge production promoted by elite Europeans and shaped by the dialogic model of knowledge production taught at European universities. Parallels between Barba and the German humanist and metallurgical author Georg Agricola (1494–1555) underscore the applicability of these findings with respect to Barba for early modern mining more generally. (shrink)

In the second of his three prefaces to On Authority and Revelation , Kierkegaard writes: ‘“My reader”, may I simply beg you to read this book, for it is important for my main effort, wherefore I am minded to recommend it’ The question I will put to myself to begin my reflections on the book is: why should Kierkegaard recommend it so strongly? What is Kierkegaard doing in this book? One notices in his recommendation that it is addressed to his (...) reader who, presumably, is not simply the reader of this book but the reader of his other books as well. The Concluding UnscientUc Postscript was being published about the same time , and so the reader may well have been familiar with most of Kierkegaard's main philosophical works. The recommendation then is set in this context. The book is, on the face of it, so unlike the other works, concerned with certain odd claims to a revelation by a Danish pastor named Adler. Much of the book discusses the details of a deposition of Adler given to the local bishop and some details of later defences which Adler gave of his revelation in several works and sermons. It appears to be a local squabble of no general interest and certainly not the sort of thing that had occupied Kierkegaard's philosophical attention to this point. The book, then, stands in need of a recommendation to Kierkegaard's reader who is not otherwise prepared for this genre. But the recommendation does not say, ‘Try this, though quite different, you may like it.’ It says rather that the reader should read it, and later he adds read it carefully, because it is ‘important for my main effort’. So the book is to be seen as of a piece with the other main works of Kierkegaard. This is what I should like to understand in the following discussion: how is this book important for Kierkegaard's main effort? (shrink)

Although the influence of Homer on Western literature has long commanded critical attention, little has been written on how various generations of readers have found menaing in his texts. These seven essays explore the ways in which the Illiad and the Odyssey have been read from the time of Homer through the Renaissance. By asking what questions early readers expected the texts to answer and looking at how these expectations changed over time, the authors clarify the position (...) of the Illiad and the Odyssey in the intellectual world of antiqueity while offering historical insight into the nature of reading. The collection surveys the entire field of preserved ancient interpretations of Homer, beginning with the fictional audiences portrayed within the poems themselves, proceedings to readings by Aristotle, the Stoics, and Aristarchus and Crates, and culminating in the spritiualized allegorical reading current among Platonists of the fifth and sixth centuries C.E. The influence of these ancient interpretations is then examined in Byzantium and in the Latin West during the Renaissance. Contributors to this volume are Robert Browning, Anthony Grafton, Robert Lamberton, A.A. Long, James Porter, Nicholas Richardson, and Charles Segal. Robert Lamberton is Assistant Professor of Classics and John J. Keaney is Professor of Classics, both at Princeton University. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Horace and the Rhetoric of AuthorityKenneth J. ReckfordEllen Oliensis. Horace and the Rhetoric of Authority. Cambridge: Cambridge University Press, 1998. xii 1 241 pp. Cloth, $64.95.In a gratifying book, crafted with unusual care, Ellen Oliensis investigates Horace’s self-fashioning in his poetry. “Horace is present,” she argues, “in his personae... not because these personae are authentic and accurate impressions of his true self, but because they effectively construct that (...) self—for Horace’s contemporary readers, for us, and also for Horace himself” (2). As she carefully observes the “faces” Horace makes from early satires and epodes to late epistles, she never assumes that they simply screen a “real” Horace, ambitious and/or subservient, from the public gaze. Horace’s strategies are unmasked, and [End Page 313] his tact (together with some rudeness), and what Oliensis characterizes as a fine, shifting blend of authority and deference; but “the final sum of Horace’s calculations is the making of good poetry, by which I mean poetry that is not exhausted in or fundamentally compromised by the social exchanges in which it participates” (14). This is (as I see it) a rescue operation that succeeds most admirably.Chapter 1 is titled “Face-saving and Self-defacement in the Satires.” In book 1, Horace distinguishes himself from his satiric targets as a discriminating poet and person, worthy of his equally discriminating patron. While his defensive maneuvers ward off envious outsiders, they also and more importantly appeal to Maecenas’ judgment as “overreader.” Oliensis often argues negatively, in terms of what Horace does not do. (Cf. Sherlock Holmes and the dog that didn’t bark.) There is, for example, no mention in Satires 1.6 of the part played by Horace’s poetry in winning Maecenas’ approval, no suggestion that Horace’s father was eager to see him advance socially. So too, in 2.6, Horace’s travails are not attributed to Maecenas; his villa is not connected with Maecenas; there is no self-incriminating “thank you”; the city day does not end with dinner at Maecenas’ house. Horace’s tact, his self-effacement here, are remarkable. Yet even as his satires decry the pursuit of wealth and status, they mark and promote “the poet’s own progress from the obscure margins to the shining center of Roman society” (17). Satires 1.10 proclaims Horace’s newfound authority together with his acceptance into an aesthetic and social elite.In book 2, Oliensis argues, Horace retreats from the role of satirist, giving it (ostensibly) to others, displacing upon them (Ofellus in 2.2, Damasippus in 2.3, Ulysses in 2.5, Davus in 2.7, Nasidienus in 2.8) the attempt to “mend misfortune with art” (51–63). Only later, in Epistles 2.2.49–52, will he admit to his early ambitiousness. For now, “by displacing these autobiographical ‘facts’ onto a series of surrogates in Satires 2, he retroactively exposes the satirist of Book 1” (54). The picture is convincing. We see Horace growing in subtlety and assurance as he moves away from satire—or moves satire in a new direction? I would only ask: did the process begin earlier, with the partial rejection of diatribe satire in 1.3 and Lucilian satire in 1.4? How and where should we draw the line between Horace’s half-ironic denials of aggressive intent and his genuine self-education through satire writing?Chapter 2, on the Epodes, is distinguished by Oliensis’ regard for diversity, the ugly and low stuff along with the bright and lofty. To simplify a complex, intuitive argument: Horace associates himself deferentially with the new center of Octavian and Maecenas, and repels outsiders, but his project fails: because he is forced to recognize too much of himself in scapegoated figures like the upstart slave-tribune of Epodes 4; because attack breeds attack in an unending cycle of vengeance; and because Horace is finally impotent before the dark, irrational forces represented by Canidia. He fails signally to achieve closure in the expected ten-poem book, turning instead (mainly) to erotic subjects, [End Page 314] unsubdued passions. Dactyls compete symbolically with iambs. Finally Horace lets Canidia win—and triumphs... (shrink)

Present article tries to give insight into the ways in which Estonian haiku models its author and communicates with the reader. The author thinks that while Japanese haiku is a predominantly autocommunicative piece of literature, where even a fixed point of view is not recommended, Estonian literary conventions are oriented towards openly communicational texts, which convey a fixed axiology and rely on abundant use of pronouns and rhetorical questions, addresses and apostrophes. While there is a considerable amount of Estonian haiku (...) that depend on Estonian literary conventions, most of the Estonian haiku texts, however, are oriented to the Japanese model. These texts have been labelled “the catalogues of landscape”, as they are constituted by naming different landscape objects without developing a line of narration. Thereby every landscape element in poetry is granted its own voice, and through this multitude of voices inside the text, the reader is forced to enter an autocommunicative process of remodelling him/herself. (shrink)

One of the most celebrated Talmudic parables begins with a remarkably dry legal issue debated among a group of rabbis. A modern reader should think of the rabbis as a collegial court, very much like a secular appellate court, because the purpose of their debate is to generate edicts that will bind the community. The issue under debate concerns the ritual cleanliness of a baked earthenware stove, sliced horizontally into rings and cemented back together with unbaked mortar. Do the laws (...) of purity that apply to uncut stoves apply to this one as well? This stove is the so-called "oven of Akhnai". Presumably, its horizontal bands separated by mortar made it look like a coiled serpent; but according to the Talmud, it is the oven of Akhnai because the legal debate coiled the rabbis in serpentine arguments. Therein lies a remarkable tale. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Authority, Reading, Reflexivity: Pierre Bourdieu and the Aesthetic Judgment of KantKoenraad Geldof (bio)Translated by Alex Martin (bio)1. AuthorityFor some time now, Pierre Bourdieu has been a true author 1 —a producer, in other words, of an impressive number of theoretical and analytical discourses in a wide variety of research fields. 2 Whether in anthropology or ethnology, in the sociology of institutions or of the structure and workings of the (...) market of symbolic goods, or in the sociology of literature, the name Bourdieu imposes itself: it establishes authority. Contributing to this is another particularity quite typical of authority: it gets itself talked about; it generates, at accelerated speed, discourses that in one way or another (re-)produce and thus reinforce the authority of the author who was their point of departure and origin. The international proliferation of articles dealing with one aspect or another of Bourdieu’s thought, 3 essay collections, 4 and introductions to Bourdieu’s work 5 testifies to this. The intensity of metadiscursive production not only gives material form to the intrinsic analytic pertinence and richness of the discourse on which it comments—these are evident—but also shows, independent of the pieces’ intentions, that the proliferation is situated in a process of (re-)production of authority, that it is an integral part of a canonizing effort. The articles and introductions problematize, implicitly or explicitly, the direct accessibility of Bourdieu’s discourse. They make the oeuvre into a complex totality, difficult and diversified to the extreme, whose coherence can be revealed only with the help of a gradual, exegetic, and essentially submissive reading practice.To put it another way, and to examine the question more closely, the metadiscursive (re-)production of the authority of the author we call Pierre Bourdieu reveals itself to be [End Page 20] ambivalent: it is at once innovative—it invites the uninitiated to get to know a fascinating new universe of thought—and authoritarian, indeed even conservative. An introduction is never a simple mediation of discourse between an author and his or her potential readers: it provides a sort of user’s guide, it (re-)produces a reading habitus, an ideology of the correct interpretation the reader must learn and interiorize to be able to distinguish orthodox from false, heterodox, readings. Between the metadiscourse/commentary and the authority it discusses, a relationship of tautological circularity is established that surreptitiously transforms the discourse read into a legend (into what must be read): the possibility of an autonomous reading practice is erased by a pedagogy of legendary decoding. 6The authority of an author, that of Bourdieu for example, is consequently implicated in a dynamic of opening (the proliferation of metadiscourses) and closing (the tendency to discipline reading, to make it obey certain norms of legibility). It would be erroneous, however, to attribute the paradoxical aspect of authority simply to the ambivalent effect of metadiscourses/commentaries. This is because authors who establish authority can only rarely escape the canonizing efforts of which they are the object: in many cases, authors themselves participate in the production and reproduction of a mode of reading and interpretation judged to be legitimate. The fact that no authority can completely and exhaustively control its discursive and institutional space does not in any way contradict, therefore, that other distinctive and essential feature of authority: its intrinsic animation by a desire to control, by the desire to see itself respected. Authority wants to become Law and be recognized as such. Thus the tendency of certain authors to become actively involved in the modes of appropriation of their name and their discourses, to endeavor to make the reading of the author’s work not simply an act of connaissance but also a proof of reconnaissance. Authority detests being insufficiently or poorly known. Let us take the case of Bourdieu. As an author, he is first and foremost the one to whom we owe Raisons pratiques, La distinction, Homo academicus and Les règles de l’art, the producer, in other words, of a series of momentous works that, upon publication, established authority. Furthermore, Bourdieu is also the author of a considerable number of accompanying discourses, dominated by the... (shrink)

Hume's Dialogues Concerning Natural Religion may be read in the way Cleanthes reads Nature, as analogous to human artifice and contrivance. The Dialogues and Nature then are both texts, with an intelligent author or Author, and analogies may be started from these five facts of Hume's text: the independence of Hume's characters; the non-straightforwardness of the characters' discourse; the way the characters interact and live; the entanglements of Pamphilus as an internal author; and the ways in which a reader is (...) also involved in making a dialogue. These and other analogies should reflect upon the Author of Nature as they do upon Hume's authorship: They do not prove the existence of their respective authors, but may well shed some light on the nature of these disparate beings. (shrink)

In this article, we re-examine the oft-assumed link between theories of modernity and the “death of fortune”. It is often argued that recourse to “fortune” as a legitimate cause of events had declined substantially by the end of the seventeenth century, replaced by aetiologies based on the calculation of probabilities inspired by the techniques of the new science. Focusing on the reception of the Greek historian of the Hellenistic period, Polybius, in whose Histories tyche appears in a notorious variety of (...) roles, we argue that fortune was subtly replaced, but not as drastically as assumed, as a cause of events by a number of influential figures in the development of modern historiography, in particular, Bossuet (1627–1704) and Hegel (1770–1831). We argue that, far from seeing a “death of fortune” in the works of these authors, the reader is met with a radical transformation of this ancient rhetorical and ethical trope, albeit subordinated to particular theological and philosophical preoccupations. (shrink)

Monique Wittig's The Lesbian Body subverts the authority of the anatomy teaching text, and challenges its claim to objectivity, by writing to the texts of Andreas Vesalius. Vesalius, working in the late 15th century, is recognized as having set the precedent for how the anatomy of the human body is taught even today. By writing a ‘lesbian body’ in disarray, Wittig metaphorically topples the authority and order of the standard Vesalian anatomy. By writing that body as a desiring subject, she (...) also invites us to question the desire for knowledge and ownership of that knowledge, and the illusion of scientific objectivity. Indeed, she offers us a celebration of the subjectivity of the production of texts and identities. But in her rewriting, she must also adopt a particular subject position and guard that position from the ‘wrong’ interpretations. The Lesbian Body is then, despite its literary and political force, a text which fears the interpretive role of its reader. (shrink)

The Reader's Guide to Lesbian and Gay Literature identifies key resources for topics important to the theory and practice of lesbian and gay politics, literature, religion, and more. The book contains hundreds of entries that summarize key issues at stake and then identify (mostly) book-length analysis of this topics. The topics range from activism, to age of consent, to legal history as well as individual entries on key authors and regional areas.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Ovidian Heroine as Author: Reading, Writing, and Community in the HeroidesGenevieve LiveleyLaurel Fulkerson. The Ovidian Heroine as Author: Reading, Writing, and Community in the Heroides. Cambridge: Cambridge University Press, 2005. xii + 187 pp. Cloth, $75.Ovid's Heroides have traditionally received mixed reviews from readers and critics. John Dryden famously regarded them as Ovid's "most perfect piece" of poetry, but he too saw imperfections in the collection. (...) In the preface to his [End Page 286] own English translation of the Heroides, he suggested that Ovid's heroines are not altogether plausible as abandoned women, observing that they "are not too miserable to make puns" and that they frequently "speak more eloquently than the violence of their passion would admit." Grant Showerman, similarly writing "in appreciation of the Heroides," offered the type of qualified praise that has now become commonplace in contemporary criticism of the letters, claiming that "The Heroides are not a work of the highest order of genius. Their language, nearly always artificial, frequently rhetorical, and often diffuse, is the same throughout—whether from the lips of barbarian Medea or Sappho the poetess." L. P. Wilkinson, whose project to rescue Ovid's literary reputation in Ovid Recalled heralded the dawn of a modern renaissance in Ovidian studies, likewise damned the Heroides with faint praise. He notoriously described the work as a stodgy "plum pudding," declaring that "the first slice is appetizing enough, but each further slice becomes colder and less digestible."Cutting against this trend, Laurel Fulkerson's new book shows how tastes in the Ovidian world have changed. Building upon recent studies (specifically those by Efi Spentzou and Sara Lindheim) that have confirmed the status of the written women of Ovid's Heroides as reading and writing women, The Ovidian Heroine as Author offers a new approach to reading Ovid's heroines and their letters. Across seven chapters, with an appendix on "The authenticity (and "authenticity") of Heroides 15," bibliography, index, and index locorum, this slender volume sets out to reevaluate the Heroides as both an inter- and intratextual community of authors and readers.The Heroides are configured unequivocally as love letters from Penelope to Ulysses, Briseis to Achilles, and so on. Yet the heroines' letters frequently appear to be directed to other Heroidean readers: Oenone's letter to Paris posits Helen as a potential (mis)reader, Hermione's letter to Orestes also speaks directly to her mother Helen, and Hypsipyle's letter to Jason seems also to be addressed to her rival Medea. What is more, the heroines repeatedly write of their fears that their letters will never reach their "intended" (male) readers, that they will be deliberately intercepted or fall into the hands of the wrong (female) readers, that they will be misread or—worse still—not read. A love letter's direct and intimate exchange between its writer and addressee is compromised in each of the Heroides, complicating issues of (mis)reading and (mis)interpretation. Fulkerson is convinced that the Heroides deliberately and self-reflexively provoke questions about their own textual and intertextual status. She sees the heroines as puellae doctae who "self-consciously fashion themselves as alluding authors influenced by what they read" (2), namely, the other epistles in Ovid's collection. Fulkerson argues, like Kauffman, that the "correspondences between the correspondents" are key both to understanding the poetics of the Heroides and to redeeming Ovid and his heroines from charges of repetition and reduplication in their writing.Chapter 1 focuses on Heroides 2 and Phyllis' dangerous (mis)reading of the epistles of Dido, Ariadne, and Medea. Here, Fulkerson cleverly exploits Phyllis' own reading strategies (and her resultant self-positioning as an abandoned [End Page 287] heroine just like Dido et al.) to demonstrate the kind of external "misreading" that, Fulkerson claims, this epistle has traditionally invited. Readers who see Heroides 2 (and, indeed, the collection as a whole) as repetitive and imitative repeat Phyllis' reading mistakes: Phyllis erroneously reads her own situation as reduplicating that of Ovid's other hopeless heroines, blind to the subtle and positive differences among them. Phyllis, then, Fulkerson suggests, offers us "a model of how (not) to read the Heroides" (39).In... (shrink)

What responsibility does an author bear for his legacy? Do 'catastrophic' misreadings of authors, as we have seen with totaliatarian readings of Plato and fascist interpretations of Nietzsche, testify to authorial recklessness? These and other questions are the starting point for a new theory of authorial ethics. Continuing the mission of the 'returned author' begun in his pioneering book The Death and Return of the Author, Burke recommends the 'law of genre' as a contract drawn up between author and (...) reader to establish ethical responsibility. Criticism, under this contract, becomes an ethical realm and realm of the ethical. -- Back cover. (shrink)

Do the rich descriptions and narrative shapings of literature provide a valuable resource for readers, writers, philosophers, and everyday people to imagine and confront the ultimate questions of life? Do the human activities of storytelling and complex moral decision-making have a deep connection? What are the moral responsibilities of the artist, critic, and reader? What can religious perspectives—from Catholic to Protestant to Mormon—contribute to literary criticism? Thirty well known contributors reflect on these questions, including iterary theorists Marshall Gregory, James (...) Phelan, and Wayne Booth; philosophers Martha Nussbaum, Richard Hart, and Nina Rosenstand; and authors John Updike, Charles Johnson, Flannery O'Connor, and Bernard Malamud. Divided into four sections, with introductory matter and questions for discussion, this accessible anthology represents the most crucial work today exploring the interdisciplinary connections between literature, religion and philosophy. (shrink)

It is often said that the health promoter must be an expert in generalisation and Debates and Dilemmas in Promoting Health is an illustration of the vast range of issues influencing practice and policy health promotion today.The publication is part of The Open University undergraduate course “Promoting Health: Skills, Perspectives and Practice”. It presents a collection of articles by an impressive range of authors, and although the preface states that these aim to challenge preconceptions and evoke a critical understanding (...) of current health issues, some of these are drawn from other publications and are some years old.The book is divided into four sections and the introduction to each section from the editors attempts to summarise the key points and common themes. Overall, the reader should be left in no doubt about the complexity and lack of definitive answers in modern health promotion.In the years since the defining events of the 1970s and 1980s that gave rise to the Alma Ata Declaration and the Ottawa Charter, health promotion has been increasingly subject to debates, dilemmas, and criticisms. The knowledge base for health advice becomes seemingly ever more complex and the balance between individual, community, and government responsibility appears to be in continual flux. The all-embracing definitions of health with which we work present enormous challenges in a climate of increasing need to demonstrate output and cost effectiveness.The first section, “Key issues in health promotion”, aims to explore some of the current thinking at the heart of health promotion, and offers a number of different perspectives on this thinking. Charles Webster and Jeff …. (shrink)

Do the rich descriptions and narrative shapings of literature provide a valuable resource for readers, writers, philosophers, and everyday people to imagine and confront the ultimate questions of life? Do the human activities of storytelling and complex moral decision-making have a deep connection? What are the moral responsibilities of the artist, critic, and reader? What can religious perspectives—from Catholic to Protestant to Mormon—contribute to literary criticism? Thirty well known contributors reflect on these questions, including iterary theorists Marshall Gregory, James (...) Phelan, and Wayne Booth; philosophers Martha Nussbaum, Richard Hart, and Nina Rosenstand; and authors John Updike, Charles Johnson, Flannery O'Connor, and Bernard Malamud. Divided into four sections, with introductory matter and questions for discussion, this accessible anthology represents the most crucial work today exploring the interdisciplinary connections between literature, religion and philosophy. (shrink)

Following the much-vaunted ‘death of the author,’ this article investigates the re-emergence of the author's subjectivity (and the relation of this to readers' strategies) in electronic texts. Specifically, it looks at the design of ‘hypertextual transpositions’ — a particular kind of information-intensive hypermedial application presenting a ‘classic’ literary text by providing an electronic version and a series of multimedial added materials that can be used in reading, enjoying, and/or studying the literary text. By closely analyzing a sample of ‘hypertextual (...) transpositions,’ the article seeks to demonstrate the ways in which design considerations in the creation of these electronic artefacts are tantamount to a re-emergence of the author's subjectivity. The technology of ‘hypertextual transpositions’ facilitates devices and reading strategies that are simply not available to traditional print texts. Nevertheless, it will be shown that hypermedial versions of ‘classic’ texts reinstate customary principles of authorship while also introducing some new facets of authorial subjectivity. (shrink)

This paper explores the tension in Kierkegaard’s Christian discourses between Kierkegaard’s overt emphasis on Scriptural authority and Kierkegaard’s imaginative Scriptural use, through an analysis of the discourse series, “Thoughts That Wound from Behind—for Upbuilding.” The paper argues that Kierkegaard employs Scriptural language both imaginatively to create distanciation and directly to create confrontation, without differentiating how Scriptural authority functions in these two uses. The paper concludes that when Kierkegaard emphasizes Scriptural authority, he is really emphasizing the authority of “Christian concepts” stabilized (...) in Christian tradition, and that he utilizes Scripture freely and imaginatively to challenge readers with those authoritative concepts. (shrink)

Daniel H. Frank - Spinoza and the Irrelevance of Biblical Authority - Journal of the History of Philosophy 40:2 Journal of the History of Philosophy 40.2 263-264 Book Review Spinoza and the Irrelevance of Biblical Authority J. Samuel Preus. Spinoza and the Irrelevance of Biblical Authority. New York: Cambridge University Press, 2001. Pp. xvi + 228. Cloth, $54.95. This book is the history of ideas at its best. In lesser hands, volumes in the genre tend to be reductionist to the (...) point of redundancy and irrelevance, forcing the reader to wonder about the originality of the thinker under discussion and the ideas in question. If the relevant ideas are no more than those of others, then why should one take an interest in them ? Accounting for originality and genius bedevils the history of ideas. Preus is well aware of the problem of reductionism and redundancy throughout his book and works hard to show how Spinoza is.. (shrink)