Results for ' ornament'

366 found
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  1. Ornamentality in the New Media.Eran Guter - 2010 - In Anat Biletzki (ed.), Hues of Philosophy. Essays in Memory of Ruth Manor. College Publications. pp. 83-96.
    Ornamentality is pervasive in the new media and it is related to their essential characteristics: dispersal, hypertextuality, interactivity, digitality and virtuality. I utilize Kendall Walton's theory of ornamentality in order to construe a puzzle pertaining to the new media. the ornamental erosion of information. I argue that insofar as we use the new media as conduits of real life, the excessive density of ornamental devices which is prevalent in certain new media environments, forces us to conduct our inquiries under conditions (...)
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  2.  54
    Paleolithic ornaments: implications for cognition, demography and identity.Steven L. Kuhn & Mary C. Stiner - 2007 - Diogenes 54 (2):40 - 48.
    Beads and other ‘body ornaments’ are very widespread components of the archaeological record of early modern humans (Homo sapiens). They appear first in the Middle Stone Age in Africa, and somewhat later in the Early Upper Paleolithic of Eurasia. The manufacture and use of ornaments is widely considered to be evidence for significant developments in human cognition. In our view, the appearance of these objects represents the interaction of evolved cognitive capacities with changing social and demographic conditions. Body ornamentation is (...)
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  3.  49
    Do early body ornaments prove cognitive modernity? A critical analysis from situated cognition.Duilio Garofoli - 2015 - Phenomenology and the Cognitive Sciences 14 (4):803-825.
    The documented appearance of body ornaments in the archaeological record of early anatomically modern human and late Neanderthal populations has been claimed to be proof of symbolism and cognitive modernity. Recently, Henshilwood and Dubreuil (Current Anthropology 52:361–400, 2011) have supported this stance by arguing that the use of beads and body painting implies the presence of properties typical of modern cognition: high-level theory of mind and awareness of abstract social standards. In this paper I shall disagree with this position. For (...)
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  4. Mass Ornament and Ritournelle.Alex Taek-Gwang Lee - 2025 - Deleuze and Guattari Studies 19 (1):29-52.
    This article discusses Kracauer’s analysis of mass ornament in light of Deleuze’s concept of ritournelle. Kracauer was interested in the spectacle of Tiller Girls and found the principle of the capitalist production process in its ornamental formations. Capitalism destroys any natural organisms for its means and excludes any resistance from its effective procedure. This operation necessarily comes along with calculation and mechanisation. All individuals have scaled up statistics charts and scrambled with machines completely. People have turned into masses who (...)
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  5. Ornamental Behaviours: Mechanisms of Repetition in Urban Communities.Lenka Lee - 2025 - Deleuze and Guattari Studies 19 (1):53-71.
    The interplay between urban and rural lifestyles in the modern era, influenced by globalisation, technological advancements and societal shifts, underscores a complex fusion of cultures and behaviours. This convergence reshapes communal dynamics and territorial perceptions. Drawing from Deleuze and Guattari's philosophical framework, particularly concepts of territory, deterritorialisation and reterritorialisation, this study explores the emergence of urban subcultures resembling rural communities. Through ornamental behaviour and the repetition of cultural events, urban spaces undergo a transformative process akin to ritornello, establishing distinct territories (...)
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  6.  25
    Ornamented Worlds and Textures of Feeling: The Power of Abundance.Jaan Valsiner - 2008 - Outlines. Critical Practice Studies 10 (1):67-78.
    Human development takes place in an ornamented – redundantly patterned and highly repetitive – world. The emergence of knowledge takes the form of episodic unpredictable synthetic events at the intersection of the fields of internal and external cultural meaning systems – through the mutually linked processes of constructive internalization and externalization. Patterns of decorations – ornaments – are relevant as redundant “inputs” into the internalization/externalization processes. Ornaments can be viewed not merely as "aesthetic accessories" to human activity contexts but as (...)
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  7.  53
    Ornamentalism: A Feminist Theory for the Yellow Woman.Anne Anlin Cheng - 2018 - Critical Inquiry 44 (3):415-446.
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  8. Ornamental aesthetics: the poetry of attending in Thoreau, Dickinson, and Whitman.Theo Davis - 2016 - New York: Oxford University Press.
    Introduction: To ornament -- Thoreau: an ornament to nature -- Dickinson: ornamentation and the open -- Whitman: ornamental distinction.
     
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  9.  13
    Ornament and the feminine.Llewellyn Negrin - 2006 - Feminist Theory 7 (2):219-235.
    While ornament during the period of modernism was much maligned as inessential, superficial, deceptive and irrational, it has been rehabilitated by a number of feminist theorists in recent times such as Norma Broude and Naomi Schor. In their defence of ornament, these theorists have exposed the derogation of the feminine implicit in the devaluation of ornament, which has traditionally been conceived as a feminine domain. Yet this feminist espousal of ornament largely fails to challenge the modernist (...)
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  10.  29
    Übergänge – Ornamente und Diagramme zwischen Text, Buchstabe und Bild in Handschriften des Frühmittelalters.Patrizia Carmassi - 2017 - Das Mittelalter 22 (2):408-430.
    Starting from the concept and definition of littera in the Grammar treatises of the Late Antiquity and the Early Middle Ages, the contribution analyzes common graphic elements which were used by the scribes to create initials, ornamental patterns and the layout of the manuscript page. These elements and their functions were partly described in encyclopaedic works, e. g. of Isidor of Sevilla and Martianus Capella in the chapters about Geometry. Not only were these features well known through the study of (...)
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  11.  11
    Das Ornament in der Kunsttheorie des 19. Jahrhunderts.Frank-Lothar Kroll & Heinrich Lützeler - 1987
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  12.  16
    Hungarian Cubes: Subversive Ornaments in Socialism.Katharina Roters (ed.) - 2014 - Park Books.
    "Hungarian Cubes" proposes an aesthetical typology of the ornamentation of cubic houses from the 1960s 70s in Hungary. The book is based on the artistic project Magyar Kocka Hungarian Cube, which German-Hungarian artist Katharina Roters is pursuing since 2005. The origins of the Hungarian Cube, a standardized type of residential house, date back to the 1920s, when the cube as prototype of a radically functional design first appeared in plans for single-family homes in Budapest s suburbs and also in social (...)
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  13.  11
    The Flower Ornament Scripture: A Translation of The Avatamsaka Sutra.Thomas Cleary - 1993 - Shambhala.
    Known in Chinese as Hua-yen and in Japanese as Kegon-kyo, the Avatamsaka Sutra, or Flower Ornament Scripture, is held in the highest regard and studied by Buddhists of all traditions. Through its structure and symbolism, as well as through its concisely stated principles, it conveys a vast range of Buddhist teachings. This one-volume edition contains Thomas Cleary's definitive translation of all thirty-nine books of the sutra, along with an introduction, a glossary, and Cleary's translation of Li Tongxuan's seventh-century guide (...)
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  14.  39
    Indic Ornaments on Javanese Shores: Retooling Sanskrit Figures in the Old Javanese Rāmāyaṇa.Yigal Bronner & Helen Creese - 2021 - Journal of the American Oriental Society 139 (1):41.
    The Old Javanese Rāmāyaṇa Kakawin, the earliest known Javanese literary work, is based on the sixth-century Sanskrit Bhaṭṭikāvya. It is an outcome of a careful and thorough project of translation and adaptation that took place at a formative moment in the cultural exchange between South and Southeast Asia. In this essay we explore what it was that the Javanese poets set out to capture when they rendered the Bhaṭṭikāvya into Old Javanese, what sort of knowledge and protocols informed their work, (...)
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  15. Introduction to Thinking in Ornaments: Gilles Deleuze on Territoriality and Repetition.Michaela Fišerová & Jakub Mácha - 2025 - Deleuze and Guattari Studies 19 (1):1-5.
    This introduction presents the rationale for the special issue and outlines the main motives discussed in the following essays. The special issue redefines the concept of ornamentation based on Gilles Deleuze's philosophy. It presents ornaments as potent instruments for forming social bonds through repetition and a ruminative mental mindset. Essays by various authors explore the connection between ornaments, social bonds and affective integration, drawing on Deleuze's concepts of repetition and folds. This reinterpretation offers new insights into the aesthetic and social (...)
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  16. The Ornamental Edible Garden.Diana Anthony - 2013 - Philosophy East and West 63 (2).
     
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  17.  36
    The ornament of the middle way: a study of the Madhyamaka thought of Śāntarakṣita: including translations of Śāntarakṣita's Madhyamakālamkāra (The ornament of the middle way) and Gyel-tsab's dbU ma rgyan gyi brjed byang (Remembering "The ornament of the middle way").James Blumenthal - 2004 - Ithaca, N.Y.: Snow Lion Publications. Edited by Śāntarakṣita & Rgyal-Tshab Dar-Ma-Rin-Chen.
    This is the first book length study of the Madhyamaka thought of Shantaralshita in any Western language.
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  18.  50
    Early body ornamentation as Ego-culture: Tracing the co-evolution of aesthetic ideals and cultural identity.Antonis Iliopoulos - 2020 - Semiotica 2020 (232):187-233.
    While the “symbolic” meaning of early body ornamentation has received the lion’s share of attention in the debate on human origins, this paper sets out to explore their aesthetic and agentive dimensions, for the purpose of explaining how various ornamental forms would have led interacting groups to form a cultural identity of their own. To this end, semiotics is integrated with a new paradigm in the archaeology of mind, known as the theory of material engagement. Bridging specifically Peirce’s pragmatic theory (...)
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  19.  80
    Beauty, Ornament, and Style.Brian K. Etter - 1999 - The Owl of Minerva 30 (2):211-235.
  20.  35
    Ornaments' work: The efficacy of Kant's 'parerga'.Olivia Custer - 1998 - Tijdschrift Voor Filosofie 60 (3):554 - 571.
    How can one bring about virtuous behaviour? This question is all the more pressing for Kant as his definition of the virtuous act in terms of autonomy sets up a particularproblem. Indeed, it seems that any effort to provoke an act of autonomy is doomed: should it „succeed”, the act it provoked would no longer be autonomous but rather determined by something external. A possible solution to this logical conundrum is fleetingly adumbrated by Kant in §48 of the Metaphysics of (...)
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  21.  23
    Ornament, Fantasy, and Desire in Nineteenth-Century French Literature.Catherine Nesci, Rachael Siciliano & Rae Beth Gordon - 1995 - Substance 24 (3):130.
  22.  36
    Harmony, polyphony, ornamentation: Musical rhetoric in jonson's hymenaei and crashaw's “musicks duell ”.Adam Piette - 1998 - Angelaki 3 (2):119 – 132.
    (1998). Harmony, polyphony, ornamentation: Musical rhetoric in jonson's hymenaei and crashaw's “musicks duell”. Angelaki: Vol. 3, The love of music, pp. 119-132.
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  23. Repetition of Difference in Ornament.Jakub Mácha - 2025 - Deleuze and Guattari Studies 19 (1):121-142.
    This article gives a Deleuzian analysis of the concept of ornament, focusing primarily on Deleuze’s reversed platonism and his account of conceptual personae. It differentiates between three kinds of platonism – crude, straight and reversed – and argues that the latter two correspond to two general techniques of creating ornament: stamping and incising. The essay then argues that ornamental patterns are essentially signs. Their differences are not cancelled out, as in writing systems, but rather are ‘enveloped’ in intensive (...)
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  24. An Ornament of the Virtues. E. Bae - 2003 - Ancient Philosophy 23 (2):337.
  25.  17
    An Ornament for Jewels: Love Poems for the Lord of Gods, by Vedantadesika.Steven P. Hopkins - 2007 - Oup Usa.
    A thematically organized, annotated collection of translations from the Sanskrit, Tamil, and Maharastri Prakrit poetry of medieval South Indian Srivaisnava philosopher and saint-poet Venkatesa. Each translated poem forms a chapter in itself, along with an Afterword and detailed notes, with commentary.
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  26. The sensory value of ornament.Nikos A. Salingaros - 2003 - Communication and Cognition: An Interdisciplinary Quarterly Journal 36 (3/4):331-351.
    Ornament is a valuable component in any architecture of buildings and cities that aims to connect to human beings. The suppression of ornament, on the other hand, results in alien forms that generate physiological and psychological distress. Early twentieth-century architects proposed major stylistic changes — now universally adopted — without having a full understanding of how the human eye/brain system works.
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  27.  17
    Ornament, Fundament, Argument oder was sonst?: Zur Rolle der Bibel als Kanon in theologischer Ethik und in gemeinsamen katholisch-evangelischen Texten.Georg Steins & Marianne Heimbach-Steins - 2001 - Zeitschrift Für Evangelische Ethik 45 (1):95-108.
    In moral ethics the bible is often used selectively, providing examples of ideal behaviour or serving as a source of motivation. Thus, strictly speaking, one could do without the bible. However, in rediscovering the bible as a canon of a community of faith and practice andin working out a new approach, one can redefine the bible's role in ethics: A canonical contextualization is absolutely required for a thorough reference to the bible. The bible presents a complex concept of the world (...)
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  28.  41
    The Mass Ornament: Weimar EssaysCritical Realism: History, Photography, and the Work of Siegfried Kracauer.Lydia Goehr, Siegfried Kracauer, Thomas Y. Levin & Dagmar Barnouw - 1996 - Journal of Aesthetics and Art Criticism 54 (4):397.
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  29.  11
    Kracauer's Mass Ornament.Debra De Pryck - forthcoming - Rhuthmos.
    Ashort film about Kracauer's concept of the Mass Ornament - illustrated with Kracauer's orginal quotes on the subject. I made this for a Master Seminar on City Symphonies during my master's degree in documentary film at St. Lukas College University for Art and Design in Brussels, Belgium – Debra De Pryck. - 1er XXe siècle – Nouvel article.
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  30.  34
    Interrelationship Between Fractal Ornament and Multilevel Selection Theory.Olena Dobrovolska - 2018 - Biosemiotics 11 (2):287-305.
    Interdisciplinarity is one of the features of modern science, defined as blurring the boundaries of disciplines and overcoming their limitations or excessive specialization by borrowing methods from one discipline into another, integrating different theoretical assumptions, and using the same concepts and terms. Often, theoretical knowledge of one discipline and technological advances of another are combined within an interdisciplinary science, and new branches or disciplines may also emerge. Biosemiotics, a field that arose at the crossroads of biology, semiotics, linguistics, and philosophy, (...)
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  31.  51
    An Ornament of the Virtues.Eunshil Bae - 2003 - Ancient Philosophy 23 (2):337-349.
  32. Singularising the Ornamental: Death between the Repeatable and the Singular in Deleuze and Derrida.Krzysztof Skonieczny - 2025 - Deleuze and Guattari Studies 19 (1):105-120.
    The article analyses the practice of singularisation in the face of an ‘ornamental understanding of death’, taking cues from Deleuze's and Derrida's understanding of death and mourning. The ornamental understanding of death, on which we often fall back in the face of events such as wars or pandemics, privileges statistical generalisations and a focus on repeatability over singularity. Sustained by both Freud and Heidegger, this view is countered by Deleuze's and Derrida's texts, which are shown to propose a practice of (...)
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  33.  16
    Arts of Allusion: Object, Ornament, and Architecture in Medieval Islam By Margaret S. Graves.Marcus Milwright - 2020 - Journal of Islamic Studies 31 (2):268-269.
    Arts of Allusion: Object, Ornament, and Architecture in Medieval Islam By GravesMargaret S., xi + 339 pp. Price HB £55.00. EAN 978–0190695910.
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  34.  15
    Funktion und Ornament in der postmodernen Baukunst.Rolf Kühn - 2018 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 63 (1).
    Als Reaktion auf den Funktionalismus ergab sich in der postmodernen Architektur eine Doppelcodierung von Einfachheit und Komplexität sowie Tradition und Innovation. Damit konnte der Primat von Gebrauch und Nützlichkeit in der Städteplanung durchbrochen werden, aber die postmodernen Verwirklichungen blieben oft Einzelverwirklichungen, ohne das Erbe der alten ›europäischen Stadt‹ als Differenz und Einheit effektiv aufzugreifen. Teilweise wurden organische Verbindungen von Umgebung und Wohnnotwendigkeit berücksichtigt, und auch das Ornament gewann wieder als Zitat oder spielerische Ironie der Stile an Bedeutung. Bis heute (...)
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  35.  35
    The Making of the Ornaments: Further Thoughts on the Printing of the Third Edition of Leviathan.Noel Malcolm - 2008 - Hobbes Studies 21 (1):3-37.
    In a previous study the author proposed that the third edition of Leviathan was produced not long before 1702 . An alternative view, dating the edition to 1670 and suggesting that it incorporated corrections by Hobbes, was put forward by the late Karl Schuhmann; it was based on both typographical and textual evidence. This article considers Schuhmann's arguments and finds them unconvincing. It also adduces some new evidence , on the basis of which it proposes that this edition was produced (...)
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  36. "Die Ornament-Grotteske in der Italienischen Renaissance": Friederich Piel. [REVIEW]Michael Levey - 1963 - British Journal of Aesthetics 3 (2):189.
     
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  37.  22
    Book Review: Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. [REVIEW]Geoffrey Galt Harpham - 1995 - Philosophy and Literature 19 (2):364-365.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ornament, Fantasy, and Desire in Nineteenth-Century French LiteratureGeoffrey Galt HarphamOrnament, Fantasy, and Desire in Nineteenth-Century French Literature, by Rae Beth Gordon; xvii & 288pp. Princeton: Princeton University Press, 1992, $42.50.As Rae Beth Gordon notes in the introduction to her stimulating and original book, ornament, which is devoted to grace, charm, and attractiveness, becomes the object of suspicion and moralizing disdain when it exceeds what numerous commentators (...)
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  38.  2
    Neither Use Nor Ornament: A Conservationists' Guide to Care.Jane Howarth & British Association of Nature Conservationists - 1996 - Department of Philosophy, Lancaster University.
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  39.  21
    Will Vector Kill the Ornament?Serra Semi - forthcoming - History and Theory.
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  40.  38
    Replacing Epiphenomenalism: a Pluralistic Enactive Take on the Metaplasticity of Early Body Ornamentation.Duilio Garofoli & Antonis Iliopoulos - 2019 - Philosophy and Technology 32 (2):215-242.
    In the domain of evolutionary cognitive archaeology, the early body ornaments from the Middle Stone Age/Palaeolithic are generally treated as mere by-products of an evolved brain-bound cognitive architecture selected to cope with looming social problems. Such adaptive artefacts are therefore taken to have been but passive means of broadcasting a priori envisaged meanings, essentially playing a neutral role for the human mind. In contrast to this epiphenomenalist view of material culture, postphenomenology and the Material Engagement Theory have been making a (...)
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  41.  54
    An exalted theory of ornament: A study in indian aesthetics.Philip Rawson - 1967 - British Journal of Aesthetics 7 (1):31-40.
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  42. Composing and Decomposing: A Deleuzian Account of Ornamental Repetition.Michaela Fišerová - 2025 - Deleuze and Guattari Studies 19 (1):86-104.
    Based on Deleuze’s understanding of creative productivity as an expression of one’s mental desiring-machine, the paper proposes an innovative insight into the ambiguous – constructive and destructive – human need to repeat. To philosophically grasp the aesthetic and material results of such repetitive activity, I propose to complete the Deleuzian concept of assemblage with the concept of ornament, defined as a material result of a repetitive mindset generating arrangements of regularly returning acts and items. I argue that Deleuze’s immanent (...)
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  43. Wittgenstein, Loos, and the Critique of Ornament.Andreas Vrahimis - 2021 - Estetika: The Central European Journal of Aestetics 58 (2):144–159.
    Adolf Loos is one of the few figures that Wittgenstein explicitly named as an influence on his thought. Loos’s influence has been debated in the context of determining Wittgenstein’s relation to modernism, as well as in attempts to come to terms with his work as an architect. This paper looks in a different direction, examining a remark in which Wittgenstein responded to Heidegger’s notorious pronouncement that ‘the Nothing noths’ by reference to Loos’s critique of ornamentation. Wittgenstein draws a parallel between (...)
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  44.  74
    Use or ornament? Clinical ethics committees in infertility units: a qualitative study.Lucy Frith - 2009 - Clinical Ethics 4 (2):91-97.
    This paper examines the role of clinical ethics committees (CECs) in infertility clinics in the UK, focusing on whether they usefully support infertility clinicians' ethical decision-making. The overall aim of the study reported here was to investigate how infertility clinicians approached and handled ethical problems in their everyday practice and this paper reports on one aspect of these data – what they thought about the use of CECs. This paper gives an overview of what arrangements there are for such committees (...)
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  45.  37
    Ballade of Illegal Ornaments.Hilaire Belloc - 2007 - The Chesterton Review 33 (1/2):27-28.
  46.  86
    Victorian theory of ornament.Alf Böe - 1963 - British Journal of Aesthetics 3 (4):317-329.
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  47.  39
    The Ananalogy between Ornament and Music.Lars-Olof Åhlberg - 1994 - Nordic Journal of Aesthetics 7 (12).
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  48.  86
    The Uses of Colour Vision: Ornamental, Practical, and Theoretical.M. Chirimuuta & F. A. A. Kingdom - 2015 - Minds and Machines 25 (2):213-229.
    What is colour vision for? In the popular imagination colour vision is for “seeing the colours” — adding hue to the achromatic world of shape, depth and motion. On this view colour vision plays little more than an ornamental role, lending glamour to an otherwise monochrome world. This idea has guided much theorising about colour within vision science and philosophy. However, we argue that a broader approach is needed. Recent research in the psychology of colour demonstrates that colour vision is (...)
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  49. La crítica al exceso ornamental femenino en la comedia latina a partir de los recursos léxicos relativos a la Lex Oppia.F. GarcíaJurado - 1992 - Minerva 6:193-208.
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  50.  2
    Defining the boundaries of the meaning of ornamental compositions in the art of the Pazyryk culture.Григорьева А - 2024 - Philosophy and Culture (Russian Journal) 10:1-12.
    The article is devoted to the analysis of the semiotic field of the term "ornamental composition" in the context of definitions of ornament and composition in the art of the Pazyryk culture and its historiography. The subject of the study is ornamental compositions from elite burials of the Pazyryk culture of different periods of its development – the early Second Bashadar kurgan and the Tuekta burial ground and the late Pazyryk burial ground. In addition, the paper examines the specifics (...)
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