The gift of death and the new magic of politics: Hegel and Tolkien on sorcery and secondary worlds -- The political theology of catastrophe: Plato's Athenian Atlantis, Tolkien's Númenoran Atalantë, and the Nazi Reich -- Burglar and bourgeois? Bilbo Baggins' dialectical ethics -- Hobbes, Hobbits, and the modern state of Mordor: myths of power and desire in Leviathan and Tolkien's Legendarium -- Middle-earth and the return of the common good -- Epilogue: from apocalypse to eucatastrophe: "The end of (...) history," happy endings, and the politics of narrative form. (shrink)

Dubourg and Baumard explain why fictional worlds are attractive to consumers. A complete account of fictional worlds, however, should also explain why some people create them. Creation is a costly and time-consuming process that does not resemble exploration but does resemble the culturally universal phenomenon of knowledge specialization.

Introduction: Middle-Earth, The lord of the rings, and international relations -- Order, justice, and Middle-Earth -- Thinking about international relations and Middle-Earth -- Middle-Earth and three great debates in international relations -- Middle-Earth, levels of analysis, and war -- Middle-Earth and feminist theory -- Middle-Earth and feminist analysis of conflict -- Middle-Earth as a source of inspiration and enrichment -- Conclusion: international relations and our (...) many worlds. (shrink)

The way that nonhuman animals and other nonhuman sentient beings are portrayed in the Christian-based Harry Potter series, C. S. Lewis's Narnia series, and Tolkien's Middle Earth stories is discussed from a Christian animal liberationist perspective.Middle Earth comes closest to a liberationist ideal, in that vegetarianism is connected with themes of power, healing, and spirituality. Narnia could be described as a more enlightened welfarist society where extremes of animal cruelty are frowned upon, but use of animals (...) for food is acceptable. In contrast, the more recent Harry Potter series portrays a less enlightened attitude toward human and nonhuman animals. Animals are treated merely as ends, vegetarianism is unheard of, and the view that even iconic species have intrinsic worth is ridiculed. (shrink)

An introduction to the posthumously published "The Wretched of Middle-Earth: an Orkish Manifesto" by Charles Mills.

Spatial mental representations can be derived from linguistic and non‐linguistic sources of information. This study tested whether these representations could be formed from statistical linguistic frequencies of city names, and to what extent participants differed in their performance when they estimated spatial locations from language or maps. In a computational linguistic study, we demonstrated that co‐occurrences of cities in Tolkien’s Lord of the Rings trilogy and The Hobbit predicted the authentic longitude and latitude of those cities in Middle (...) class='Hi'>Earth. In a human study, we showed that human spatial estimates of the location of cities were very similar regardless of whether participants read Tolkien’s texts or memorized a map of Middle Earth. However, text‐based location estimates obtained from statistical linguistic frequencies better predicted the human text‐based estimates than the human map‐based estimates. These findings suggest that language encodes spatial structure of cities, and that human cognitive map representations can come from implicit statistical linguistic patterns, from explicit non‐linguistic perceptual information, or from both. (shrink)

This previously-unpublished essay by the late Charles W. Mills (1951–2021) seeks to demonstrate the racially-structured character of the universe created by J. R. R. Tolkien in The Hobbit and The Lord of the Rings. Written long before the popular film series, the essay critically examines Tolkien's novels and comments on the nature of fictional creation. Mills argues that Tolkien designs a racial hierarchy in the novels that recapitulates the central racist myth of European thought.

As Avatar: The Last Airbender illustrates, toughness and hardness can be accompanied by great sensitivity, rigidity by openness, roughness by love. Thus, the show sets up a one‐sided stereotype which over time dissolves into a balanced, at King Bumi rules Omashu, which is introduced as an ordered and well‐organized city, with mighty walls and tough guards who kick out the cabbage merchant due to some rotten cabbages in his load and demand respect for the elderly‐so far, so earthy. The Avatar, (...) is the great bridge between worlds not just between those of spirits and humans, but also between different sides. In Western philosophy, the terms “false alternative,” “false dilemma,” and “false dichotomy” refer to an informal fallacy which revolves around exactly such an illegitimate restriction of options. Philosophy provides the tools to uncover such fallacious reasoning and problematic assumptions. (shrink)

The goal of this paper is to explore the presuppositionality of factive verbs, with special emphasis on the verbs know and regret. The hypothesis put forward here is that the factivity related to know and the factivity related to regret are two different phenomena, as the former is a semantic implication that is licensed by the conventional meaning of know, while the latter is a purely pragmatic phenomenon that arises conversationally. More specifically, it is argued that know is factive in (...) the sense that it both entails and presupposes p, while regret is factive in the sense that it only presupposes p. In a recent article, Hazlett, 497–522, 2010) shows with authentic examples how know is used non-factively in ordinary language, and he observes in these examples, as he says, “a threat to Factivity.” I argue that non-factive uses of factive verbs, such as know and regret, far from being a threat to factivity, show that, on the one hand, know is ambiguous between a factive and a non-factive sense; on the other hand, in the case of regret, the presupposition of factivity has to be intended as a merely pragmatic implication which can be suspended by the speaker herself. (shrink)

A discussion of European understanding of the physical world from the 9th century to the 15th, ranging from astronomy to zoology and refuting the more recent ...

This book is about matter. It involves our ordinary concept of matter in so far as this deals with enduring continuants that stand in contrast to the occurrents or processes in which they are involved, and concerns the macroscopic realm of middle-sized objects of the kind familiar to us on the surface of the earth and their participation in medium term processes. The emphasis will be on what science rather than philosophical intuition tells us about the world, and (...) on chemistry rather than the physics that is more usually encountered in philosophical discussions. It is the everyday science of matter characterised by differences of chemical substance that constitutes individuated macroscopic bodies of geological and biological complexity—the continuous matter of macroscopic theory and described by mass terms. -/- The discussion might be characterised as descriptive metaphysics, being content, to paraphrase Strawson’s use of the term, to describe the structure of our scientific thought about the actual world. The method in the central chapters dealing with the nature of matter will be to pursue key steps in the historical development of scientific thought about chemical substance and related concepts with a view to tracing the emergence of a systematic ontological interpretation. Aristotle’s and the Stoics’ discussions of elements and mixtures, based on a continuous view of matter, bear some resemblance to modern, macroscopic conceptions and therefore have some interest as precursors to modern views as well as being of conceptual interest in their own right. Some of the issues they raised are still reflected in modern discussions, despite the considerable increase in complexity of the subject. Other ideas, such as the intimate connection between what modern science distinguishes as substance and phase, maintained their grip on the understanding of matter until the end of the eighteenth century. These are some of the important aspects of the properties of matter that have been neglected by linguistic concerns that have dominated the recent study of mass terms and which the present study seeks to redress. It will be of interest to see how the bounds of possibility are delimited by the laws governing the appropriate use of concepts refined for the purpose of describing the behaviour of matter. But the concern with modality will not stretch to venturing into the realms of metaphysical possibility governed by philosophical speculation about individual essences and underlying natures. -/- Like many contemporary discussions of material objects, this one relies heavily on mereology. Unlike several such discussions, this one adheres to the classical principles of mereology governing the usual dyadic relations of part, overlapping, etc. and the operations of sum, product and difference. These principles apply to the mereological structure of regions of space, intervals of time, processes and quantities of matter. Material objects that gain and lose matter are not understood to gain and lose parts and don’t call for a modification of the classic dyadic mereological relations to triadic relations with the introduction of a third term referring to time. Rather, a distinction is drawn between quantities of matter, which don’t gain or lose parts over time, and individuals, which are typically constituted of different quantities of matter at different times. The proper treatment of the temporal aspect of the features of material objects is a central issue in this book. The topics falling under this heading are addressed by investigating the conditions governing the application of predicates relating time and other entities. Of particular interest here are relations between quantities of matter and times expressing substance kind, phase and mixture. (shrink)

Inhabitants of a land that their ancient myths proclaimed to be the creation of divinities, the Japanese have peopled their archipelago with numerous earth gods: giants trees, simple pebbles concealed either in an oratory, a corner of a garden or deep inside a thicket; crossroads stoneposts, steles in the middle of a plot or next to a rice field, tombstones, and rocks that are worshipped on home altars. The imposing presence of these divine proprietors of the provinces and (...) of sites that were once urban settlements, villages, or private residences is still visible in the tall buildings of Tokyo and Osaka. These protean spirits, found on roof tops in the form of stone foxes or redwood porticos, bear witness, even in the heart of the city, to a latent belief: the forces of the earth are still at work in the world, keeping watch over human activities. Although there are very few people left who believe, as the ancients stories tell, that the citizens of Japan are descendants of the gods of the earth and sky, there nevertheless remain many who accept the notion that a single telluric energy inhabits the world of the living, the dead, things, and the gods. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Utopia on Earth?: Sustainability, White Tourism, and Neocolonial DesireRoslyn Fraser (bio)IntroductionSeveral scholars, and even a few journalists, 1have written about the figure of the international tourist who uses South Asia as a canvas upon which one can create and recreate the self. Perhaps the most discernable example in the pop culture imagination is Elizabeth Gilbert's trip to an ashram in India, documented in Eat Pray Love(2006), which inspired (...) a problematic succession of travelers who followed her footsteps to communities that simply could not accommodate the traffic. International travel and tourism from the Global North to places like India, Nepal, and Sri Lanka frequently represent a form of neocolonialism wherein destinations and the people who live there are imagined not as places with a complex history inhabited by humans with their own subjectivity, but as mirrors the traveler can hold up as part of their search for a personal identity. 2This imagining is perpetuated through imagery from film and literature (like Eat Pray Love), in tourism advertisements, on social media, and in spaces like yoga studios. These texts often objectify South Asian people as they beckon the middle-class Western traveler to the [End Page 226]subcontinent to embark on their own process of self-actualization and self-discovery. Specific to India, Rumya Putcha and Sangeeta Ballabhan explain the phenomenon in detail:In these stories, India is consistently described as a place where those from North America or Europe can "find themselves," "surrender," "find grace in poverty," "learn tolerance," "experience culture," or "withstand an assault on the senses." 3Whether the focus is a yoga retreat in India or a backpacking trip in Nepal, one need only look at a handful of online travel blogs to encounter these themes.One peculiar version of Western imaginings of South Asia is found in places like Auroville, a settler colonial utopia or intentional community near Pondichery in south India. In his 2021 book, Better to Have Gone: Love, Death, and the Quest for Utopia, Akash Kapur estimated that thousands of these utopian experiments were set up in the 1960s and 1970s. 4Focusing on the relationships and power dynamics inside Auroville, which still exists today, Kapur presents us with many reasons to question its idealism. But as a utopian experiment, Auroville continues to be praised as a model for sustainable living. 5Its site is protected by UNESCO and it receives funding from the Indian government. Auroville also receives aid from nongovernmental organizations (NGOs) and cash donations from individual donors, and supports itself through product sales and tourism. Photographs on their website highlight the 372 acres of farmland 6established at Auroville over the last fifty years as well as the community's commitment to "green practices." 7One cannot help but wonder how much of their success in reforesting land and sustainable living is a direct result of their economic resources alone.Colonial ResiduesThe enduring idea that South Asia is a space where utopia can be realized, experienced, or built has its roots in the era of European colonization of the subcontinent. In her analysis, Jessica Namakkal reminds us that Auroville was founded in the direct shadow of colonialism, twenty years after British Imperial rule ended and a mere six years after the end of French colonial rule [End Page 227]over Pondichery. 8Its opening ceremony was attended by an international cast of interested people, mostly from the Global North and West. A sizeable area for viewing the ceremony was reserved for people from the surrounding villages of Tamil Nadu, but with a barrier separating them from the rest of the crowd. 9Not exactly a great beginning for a place that was designated a cradle for a better humanity, or, as Aurovillians put it, "the city the Earth needs." 10For its part, Auroville addresses the issue of neocolonialism directly and succinctly in a section of its website for frequently asked questions, 11 question: Is Auroville sometimes accused of being neo-colonialist? answer:Very rarely; mostly by Westerners who know little about Auroville and how it functions, and equally little about the colonial era.How might we unpack the above statement? First, the... (shrink)

Ranchers and pastoralists worldwide manage and depend upon resources from rangelands across Earth’s terrestrial surface. In the Great Plains of North America rangeland ecology has increasingly recognized the importance of managing rangeland vegetation heterogeneity to address conservation and production goals. This paradigm, however, has limited application for ranchers as they manage extensive beef production operations under high levels of social-ecological complexity and uncertainty. We draw on the ethics of care theoretical framework to explore how ranchers choose management actions. We (...) used modified grounded theory analysis of repeated interviews with ranchers to compare rancher decision-making under relatively certain and uncertain conditions and describe a typology of practices used to prioritize and choose management actions that maintain effective stewardship of these often multi-generational ranches. We contrast traditional decision-making frameworks with those described by interviewees when high levels of environmental and market uncertainty or ecological complexity led ranchers toward use of care-based, flexible and relational frameworks for decision-making. Ranchers facing complexity and uncertainty often sought “middle-ground” strategies to balance multiple, conflicting responsibilities in rangeland social-ecological systems. For example, ranchers’ care-based decision-making leads to conservative stocking approaches to “manage for the middle,” e.g. to limit risk under uncertain weather and forage availability conditions. Efforts to promote heterogeneity-based rangeland management for biodiversity conservation through the restoration of patch burn grazing and prairie dog conservation will require increased valuation of ranchers’ care work. (shrink)

In addition to foregrounding the intimate interconnectedness between the human and the non-human world necro-ecology also undermines the absolute separation between life and death. The purpose of this paper is to deploy these central tenets of necro-ecology to provide a reading of Karoline von Günderrode’s 1805 “The Idea of the Earth.” After discussing a shift that takes place in Schelling’s theory of the relationship between nature, life, and death (Section 1) I turn to the role of corporeal decomposition in (...) relation to the earth as spelled out by Günderrode in “The Idea of the Earth” (Section 2). Though “The Idea of the Earth” operates within a naturphilosophical framework, it does so in a way distinct from Schelling’s theologically inflected middle work and in a way that is of relevance to the philosophical history and promise of necro-ecology. (shrink)

No one looking ahead at the middle of the last century could have foreseen the extent and the importance of the ensuing environmental crises. Now, more than a decade into the next century, no one can ignore it. A New Environmental Ethics: the Next Millennium for Life on Earth offers clear, powerful, and oftentimes moving thoughts from one of the first and most respected philosophers to write on the environment. Rolston, an early and leading pioneer in studying the (...) moral relationship between humans and the earth, surveys the full spectrum of approaches in the field of environmental ethics. This book, however, is not simply a judicious overview. Instead, it offers critical assessments of contemporary academic accounts and draws on a lifetime of research and experience to suggest an outlook for the future. As a result, this focused, forward-looking analysis will be a necessary complement to any balanced textbook or anthology in environmental ethics, and will teach its readers to be responsible global citizens, and residents of their landscape, helping ensure that the future we have will be the one we wish for. (shrink)

This book describes in detail the various theories on the shape of the Earth from classical antiquity to the present day and examines how measurements of its form and dimensions have evolved throughout this period. The origins of the notion of the sphericity of the Earth are explained, dating back to Eratosthenes and beyond, and detailed attention is paid to the struggle to establish key discoveries as part of the cultural heritage of humanity. In this context, the roles (...) played by the Catholic Church and the philosophers of the Middle Ages are scrutinized. Later contributions by such luminaries as Richer, Newton, Clairaut, Maupertuis, and Delambre are thoroughly reviewed, with exploration of the importance of mathematics in their geodetic enterprises. The culmination of progress in scientific research is the recognition that the reference figure is not a sphere but rather a geoid and that the earth’s shape is oblate. Today, satellite geodesy permits the solution of geodetic problems by means of precise measurements. Narrating this fascinating story from the very beginning not only casts light on our emerging understanding of the figure of the Earth but also offers profound insights into the broader evolution of human thought. (shrink)

Tolkien is one of our most beloved fantasy writers. Such was the power of his imagination that much has been written on his invented world, languages, and myth. This book is an invitation to tread the paths of Tolkien's realm, exploring three regions of his work: language, myth, and imagination. We will be looking for a path leading to a summit from where we can view Tolkien's whole realm. Yannick Imbert argues that we can gain such a view only if (...) we understand Tolkien's philosophical theology, his Thomism. To attain this vantage point and better understand the genius of his Middle Earth, readers journey with Tolkien through his academic, personal, and theological milieu, which together formed his Thomistic imagination."--Amazon. (shrink)

Can power be wielded for good, or must it always corrupt? Does technology destroy the truly human? Is beer essential to the good life? The Lord of the Rings raises many such searching questions, and this book attempts some answers. Divided into five sections concerned with power and the Ring, the quest for happiness, good and evil in Middle-earth, time and mortality, and the relevance of fairy tales, The Lord of the Rings and Philosophy mines Tolkien's fantasy worlds (...) for wisdom in areas including the menace of technology, addiction and fetishism, the vitality of tradition, the environmental implications of Tolkien's thought, Middle-earth's relationship to Buddhism and Taoism, and more. (shrink)

What then have we discovered? The general issue under discussion, remember, is whether it is advantageous or disadvantageous for the theist to affirm MK, especially as this form of knowledge relates to God's control over earthly affairs. As we have seen, both proponents and opponents of MK have claimed that this form of knowledge gives God significant power over earthly affairs, including control over the (indeterministically) free choices of humans.We have seen, though, that such a contention is dubious. There are (...) similarities between a God with MK and the God of Theological Determinism. But, generally speaking, the providential capacities of a God with MK have been greatly overstated. A God with MK is simply not as powerful as has been thought. And thus those recent attempts to encourage or discourage the affirmation of MK that are based on this exaggerated conception of power are on the whole not very helpful. What is needed are new discussions, discussions based on the actual providential capacities inherent in MK. (shrink)

The palaeontological activities of British oil interests in the Middle East from about 1920 to 1970 are described briefly, with emphasis on the nature of the published results. The predominance throughout of micro-palaeontology, due to its utility, is demonstrated. It is shown that, beginning with primary descriptive work on Middle East fossil records, emphasis shifted first to studies of distinctively Middle East palaeontology, and then to results of general application world-wide. It is concluded that the palaeontology of (...) the Middle East is better known today than it would have been without this earlier work, that there has been a feed-back effect on the knowledge of the remainder of the Tethyan area in which the Middle East lies, and that this in turn has stimulated other extra-Tethyan studies as well as contributing to the mainstream of current earth-science research. (shrink)

Rooted in a tradition of thought and spirituality akin to, yet other than, the onto-theology of the Latin West, the aesthetico-theological experience of the Byzantine icon can help articulate aesthetic and numinous elements of our relation to nature that environmental philosophy should no longer ignore. In contrast to the technical mastery of the natural in Western art inaugurated by the Renaissance, itself related to the emerged technological mastery of nature in the late Middle Ages, the iconic sensibility characteristic of (...) the Byzantine East exhibits an experience of materiality common to non-Western humanity, seeing nature as a visible window to the invinsible, a lintel of the holy. A series of correlations between features of iconic seeing and exemplary encounters with the natural environment by prominent naturalists elaborates this thesis, along with examples from the later writings of Dostoevsky, who looked to divine beauty to save the earth. (shrink)

In E-Co-Affectivity, Marjolein Oele explores the deep connectivity and relational entanglements of plants, animals, humans, and the soil as elemental components of a co-affective community. Her deconstructive reading of the Aristotelian conception of degrees of three souls, with such hierarchy of humans-animals-vegetables via what she calls "categorical contamination,” is a brilliant example of how re-reading the western canon can cast important interpretive light upon contemporary ethico-political questions. Oele’s work shows how it is crucial to foreground (eco)feminist re-interpretations of the writings (...) of major figures in the western philosophical traditions. It is reconstruction and construction of feminist hermeneutics so that it is not a mere interpretation, but a transformation of old traditions into planetary cosmo-centric new-becomings. Through my reading of E-Co-Affectivity, I focus on the coherence of the crucial themes of the middle voice, precarity, and e-co-affectivity, from my comparative ecofeminist perspective. The Korean concept of jeong, which can be a healing mechanism in the midst of our planetary crises, I will suggest, resonates profoundly with e-co-affectivity. (shrink)

Foreword -- Preface -- Introductory -- What is Gaia? -- Exploring Daisyworld -- The Archean -- The middle ages -- Modern times -- The contemporary environment -- The second home -- God and Gaia -- Gaia since 1988 -- Epilog -- References -- Further Reading -- Index.

Watching children at play is favorite pastime for many elderlies. However, the growing safety concerns have prompted parents to become increasingly resistant to the idea of having strangers watch their children in parks and playgrounds. This creates an intergenerational gap in communication with potentially detrimental consequences for all social groups. Oral interviews were conducted and written surveys distributed that validated the hesitance of seniors, especially in the United States, to spend time at children’s playgrounds despite their finding the vicinity of (...) children stimulating. Behavioral observations were conducted at playgrounds to quantify the positive and negative effects of supervisors’ ages on children’s play and thus indirectly assess whether there can be mutual benefits of making the presence of older people at playgrounds, which is customary in many countries, more culturally acceptable. Observations focused on the behavior of a pair of siblings showed that there is an increased probability of both conflicts and joyful expressions when the children were in the presence of a middle-aged person than when they were watched over by the elderlies. This has suggested that freer expressions stimulated in the presence of parent-like figures simultaneously induce the undesired and the desired behavioral patterns in the form of propensities for conflict and propensities for expressions of joy, respectively. This has confirmed that the observational stance has a critical effect on the observational outcome and that the age of the watchers has an effect on the behavior of children at play, with the age correlating directly with the calmness of the play, but also with a lower degree of exhilaration. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Creation of Feminist Consciousness: From the Middle Ages to 1870Roberta DavidsonThe Creation of Feminist Consciousness: From the Middle Ages to 1870, by Gerda Lerner; xii & 395 pp. Oxford: Oxford University Press, 1993, $27.50.Gerda Lerner’s sense that historical events matter because of their impact on individuals may have developed, in part, due to the remarkable pattern of her own life. She was an Austrian Jewish (...) intellectual and socialist who was arrested by and escaped from the Nazis (through the intervention of her German professor who could not believe that Hitler would wish such a promising student destroyed); a refugee to America, speaking little English, forced to work as a waitress, a domestic worker, a sales clerk, an office employee, an X-ray technician and medical assistant; the author of a novel based on her life in Austria; and a feminist pioneer of Women’s Studies programs in American college curricula. In her latest works, The Creation of Patriarchy and The Creation of Feminist Consciousness, her motives for writing seem due less to a professional need to publish, than the wish to leave a record of other women’s intellectual struggles. Writing her latest work, Lerner reveals, “was the most difficult work I have ever done because the scope of women’s difficulties, losses and disappointments, the horrifying tragedy of wasted talents and energy extending over centuries and millennia, became more visible to me than it had ever before. But in the end, I also sensed and experienced the strength of resistance, endurance and transcendence, the luminous thread of a common search for history, the insistence by women that we have a history and with it full humanity” (p. x). Her mission, therefore, is not only one of historical reconstruction—it is also to communicate the continuity of women’s struggle.There is little question that once again, as in The Creation of Patriarchy, some readers will feel that Lerner has attempted to do too much. She records women’s intellectual development—particularly in its protofeminist manifestations—from the early Middle Ages to the nineteenth century. She incorporates no fewer than three women’s histories in each chapter. Where possible Lerner cites the record of the achievements and attitudes of Jewish women and American women of color. Her theories are conventional, largely derived from readings of the texts with which she works rather than the application of an overlying theoretical understanding. The discovery that predominates and [End Page 185] appears to have contributed to the structure of her work is that women have exhausted themselves and wasted their time continuously repeating earlier efforts, largely because they were unaware that they were not breaking new intellectual ground each time they addressed questions of gender. She is optimistic that the establishment of Women’s Studies as a discipline in American and Western European academies has broken this cycle at last. “While the development is uneven, depending as it does on the existence of women’s movements, it is also irreversible. Once the basic fallacy of patriarchal thought—the assumption that a half of humankind can adequately represent the whole—has been exposed and explained, it can no more be undone than was the insight that the earth is round, not flat” (p. 273).Lerner’s book is Women’s Studies in the traditional sense: she studies the lives and works of individual women. It is written in a style accessible for non-academics with an interest in the subject. While greater detail and deeper analysis would have been welcome, on the whole, her readings (as might be expected) are sound, and her achievement impressive.Roberta DavidsonWhitman CollegeCopyright © 1995 The Johns Hopkins University Press... (shrink)

This two-volume work examines far-reaching debates on the concept of courage from Greek antiquity to the Christian and mediaeval periods, as well as the modern era. Volume 1 begins with Homeric poetry and the politics of fearless demi-gods thriving on war. The tales of lion-hearted Heracles, Achilles, and Ulysses, and their tragic fall at the hands of fate, eventually give way to classical views of courage based on competing theories of rational wisdom and truth. Fears of the enemy and anxieties (...) about suffering and death are addressed through the lenses and teachings of medicine, geography, military history, moral philosophy, and metaphysics. For early Christian thinkers, the ethics of fear, fate, and fealty to the Almighty supplant the voice of reason and the wisdom of virtue. Much of Christian doctrine's history is a long journey towards bridging the gap between Greek philosophy and devotion to God and spirits in heaven. Some Church Fathers attempt to dispel the fear of suffering through a joyful craving for martyrdom and the eternal blessings that follow. Others show openness to one or more of the following principles: the abstractions of moral philosophy, the metaphysics of Gnostic enlightenment, the gift of free will and intentionality, the growth of church authority and hegemony, and the intrinsic worth of life on Earth. Augustine, Ambrose, Cassian, and Chrysostom play a central role in revisiting the foundations of Christian fortitude along some or all of these lines. They lay the groundwork for the scholastic adaptations of faith-based rationalism proposed by Peter Lombard, Philip the Chancellor, Albert the Great, and Thomas of Aquinas. The mediaeval period ends with church dissidents and Protestant Reform leaders condemning Rome’s corruption and calling for a return to early Christian faith and the courage of godly fear, submission, suffering, and fate. (shrink)

We assume “Imaginary worlds” to be unreal and unfamiliar: high fantasy. I argue they are real and familiar to authors because they comprise memory elements, which blend experience, knowledge, beliefs and pre-occupations. These “bits and pieces” from memories can generate a world, which readers experience as pure imagination. I illustrate using J.M. Barrie's “Never Land” and J.R.R. Tolkien's “Middle-Earth.”.

The Epistemology and Technologies of Shamanic States of Consciousness Shamanism can be described as a group of techniques by which its practitioners enter the ‘spirit world', purportedly obtaining information that is used to help and to heal members of their social group. The shamans’ epistemology, or ways of knowing, depended on deliberately altering their conscious state and/or heightening their perception to contact spiritual entities in ‘upper worlds', ‘lower worlds’ and ‘middle earth’ . For the shaman, the totality of (...) inner and outer reality was fundamentally an immense signal system, and shamanic states of consciousness were the first steps toward deciphering this signal system. Homo sapiens sapiens was probably unique among early humans in the ability to symbolize, mythologize and, eventually, to shamanize. This species’ eventual domination may have been due to its ability to take sensorimotor activity and use it as a bridge to produce narratives that facilitated human survival. Shamanic technologies, essential for the production and performance of myths and other narratives, interacted with shamanic epistemology, reinforcing its basic assumptions about reality. (shrink)

This contribution to the Common Knowledge symposium “Peace by Other Means” rereads the works of J. R. R. Tolkien as a study of pyrrhic victory. It argues that the origin of Tolkien's cycle of tales is inseparable from his experience of World War I, which ended in anomie and widespread fear of the coercive power of modern society. The price of the victory over evil, in these tales, is disenchantment. Tolkien is the first author to imagine disenchantment on a near-global (...) scale, using literal disenchantment as a metaphor for a kind he could expect his readers to know firsthand. Like disenchantment, this-worldly evil, centralized in a single figure such as Mordor, is a twentieth-century idea, an emanation of totalitarianism: the transformation of Elves into orcs is a horror that only our knowledge of the Nazi death camps and the Soviet gulag has equipped us to imagine. If disenchantment is the price of victory over absolute evil, few would doubt that it was worth paying—within the framework of the tales. For the far future of Middle-Earth, however, the implications are less benign. The Elves accept their fate and either dwindle or depart. But the orcs, personifying disenchantment in its most radical and terrifying form, are routed but not all killed, and they do not depart. (shrink)

Hope is arguably the linchpin virtue of The Lord of the Rings. In this essay, as part of a larger project intended to establish this claim, I take up Appendix A.I.v to The Lord of the Rings, the relatively self-contained “Part of the Tale of Aragorn and Arwen.” Through a close study of the drafts for this section available in the Tolkien Archives at Marquette University, only some of which have been previously published in The Peoples of Middle-earth, (...) as well as one discovery in the Bodleian, I demonstrate that this short text, one of the very last that Tolkien prepared and finished for The Lord of the Rings, evinces a gradually increasing emphasis on the importance of hope to the narrative project as a whole. I argue, finally, that this suggests the need for both increased scrutiny of the nature and development of hope in The Lord of the Rings and the broader legendarium, as well as a return to the manuscripts for in-depth analysis of the development of (other) particular issues and themes in the texts. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:What is Fantasy?Brian Laetz and Joshua J. JohnstonWizards, elves, dragons, and trolls—this is certainly the stuff of fantasy, populating the fictions of such giants as Tolkien, no less than the juvenilia of many aspiring writers. However, it is much easier to identify typical elements of fantasy, than it is to understand the category of fantasy itself. There can be little doubt that, in practice, the genre is pretty well (...) defined, concretely manifesting itself in the shelves reserved for it in video shops and bookstores. But stating why a work belongs on these shelves, rather than those in the near vicinity, such as horror and science fiction, or those more remote, like plain old fiction, presents a real challenge. Certainly, a mere few feet could separate fantasy from the other shelves, but the conceptual distance those feet represent appears great indeed. What, if anything, distinguishes this genre from other categories of mass art. In other words, what is fantasy?To begin, fantasy is a transmedia genre, since there are fantasy novels and movies, for instance, as is illustrated by J. R. R. Tolkien's Lord of the Rings saga and its recent cinematic adaptation. It is interesting to note that fantasy includes works from other media as well, such as paintings, which often accompany fantasy narratives, like Frank Frazetta's recognizable illustrations for Robert E. Howard's Conan the Barbarian stories. Forms of entertainment are also affiliated with the genre, such as role-playing games, like Dungeons and Dragons, though one might balk at considering such things even forms of mass art? Nonetheless, despite the variety of media and entertainments associated with fantasy, [End Page 161] narratives occupy a fundamental place within the genre. For paintings, drawings, and the like are only recognizably fantastic given some narrative background that tells us what wizards, trolls, and dragons look like.1 Plausibly, it is what allows us to see that a drawing depicts an elf, for example, rather than a child with odd pointy ears. Thus, even if some works of fantasy are, strictly speaking, non-narrative, fantastic narratives remain fundamental, since these other works would not be classified as fantasy without them. This warrants initially setting aside things like fantasy games and paintings to focus on narratives. What, precisely, makes a narrative fantastic?First, fantastic narratives are essentially fictional. For regardless of how one ultimately understands the nature of fiction, the notion of true fantasy seems patently incoherent, quite unlike, say, true crime. And it must be stressed that this point should be compatible with any theory of fiction. Second, the sort of things that can make a work fantastic, like wizards and dragons, must be prominent in the work—they cannot be minor details. For example, had there been a two-minute scene in Spartacus in which someone cast a spell, the scene would have been fantastic, but ultimately the movie would not be classified any differently; you would still find it on the drama shelf. Moreover, this condition is not peculiar to fantasy.2 For instance, no one who has suffered through a Steven Seagal film would seriously classify it as romance or even action-romance, simply because it has a minor romantic subplot. Fantasy is no different from any other genre in this regard: whatever features define a genre must be prominent in a work in order for it to belong to the relevant genre. Third, the sort of content that can make a work fantastic must not solely be viewed as symbols for things that are not fantastic. In other words, these elements cannot just be taken as allegorical.3 This alone would seem to disqualify George Orwell's Animal Farm from the genre, since most read the intelligent animals as merely symbols portraying various factions in communist Russia. It should be noted that the actual intentions of the author probably matter little here. For example, even if scholars discovered that Tolkien merely intended the Middle Earth saga as an elaborate allegory, it would remain fantasy; few would be tempted to move the books to another shelf. Fourth, the relevant content must not solely be mocked or lampooned within the work.4 This is necessary... (shrink)

Dungeon Masters may or may not make use of familiar fantasy elements whose beginnings lay with Tolkien, but they must always put their players in a world. Dark Sun, Eberron, and the Planar City of Sigil little resemble the history, languages, lands, peoples, and places of Middle Earth, but they follow Tolkien's practice of creating a world in which all these elements are meant to fit together. The first part of fantasy is the human capacity to separate the (...) qualities of things from the things in which they appear, and to imagine them in other things that do not have them. Many Dungeons Dragons campaigns treat magic as a kind of alternate science, but in fairy tales there is more to it than that. Fantasy succeeds when it transports us to an imaginary land, and we escape the grayer parts of our own for a little while. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Music, Myth, and EducationThe Case of The Lord of the Rings Film TrilogyEstelle R. Jorgensen (bio)In probing the interrelationship of myth, meaning, and education, I offer a case in point, notably, Peter Jackson's film adaptations and Howard Shore's musical scores for J. R. R. Tolkien's The Lord of the Rings trilogy—The Fellowship of the Ring, The Two Towers, and The Return of the King.1 Intersecting literature, film, and music (...) allows me to explore various perspectives or ways of meaning making associated with this myth. I then trace some of the implications of the analysis for musical and general education.I am particularly interested in the musical connections with myth evident in societies around the world and well established in the anthropological, ethnomusicological, and philosophical literatures. For example, Steven Feld finds the myth of the muni bird to be foundational to a New Guinea society in shaping musical expression and communal beliefs and practices.2 Likewise, as Lewis Rowell argues, Western music is rooted in and acquires its own mythos of person, power, and musical instruments; Dionysius, Apollo, Lachesis, Clotho, Atropos, Orpheus, Guido of Arezzo, St. Cecilia, and Thomas Mann's Doctor Faustus are among those whose impact on music are legendary, formative, and figurative.3 Associations of particular myths with operatic, orchestral, and choral repertoire in the Western classical tradition also abound, such as Wagner's operatic setting of the Lay of the Nibelung and Sibelius's evocation of the Finnish Vālhālla. Music and myth are interconnected especially in the film music of our time, for example, The Lord of the Rings trilogy, Titanic, and the Star Trek and Star Wars series.In The Lord of the Rings, my present focus, Shore's musical scores help to highlight the mythic character of Tolkien's narrative, bridge the externally perceived phenomenal world and the internal and subjective "inner world," interrelate the experience of time—especially past and present—and evoke a sense of wonder and awe that otherwise may be forgotten in pervasively [End Page 44] materialistic societies. Music's role in kindling reverence goes to the heart of what these films share that make them mythic—transcendence, profundity, ambiguity, narrativity, and an aesthetic and didactic character that arouse awe, mystery, and a heightened sense of the human condition. Here, music is primarily representational,4 serving functional as well as aesthetic/artistic roles in expressing such mythic themes as the contest between good and evil (in which good is often more fragile and the odds sometimes insurmountable) and the inevitability of death, in which human beings are often at the whim of capricious gods, natural forces, and their own weakness. It adds emotional and intellectual feeling to the visual images, pointing particular attention to specific scenes and representing the tensions built or released as the narrative and visual images unfold.Music's role in blurring past and present is particularly interesting since it is an art of time. The Lord of the Rings evokes an earlier time of crisis in Middle-earth, when the survival of humanity was in jeopardy. The soundtrack assists the moviegoer to make connections between times and travel imaginatively through time, thereby bringing alive the past and imagined future in the present moment. Boundaries between past and present become fuzzier, and one is helped in moving from one time to another. Leitmotifs are of particular interest in helping to make the ambiguity of the narrative more easily accessible and comprehensible, even at risk of oversimplifying matters—a quality evocative of music's use in the speech-song performances of the Iliad, among other ancient stories.Tolkien's fairytale is not couched for children, as is his earlier The Hobbit, but written unabashedly for adults.5 The Fellowship of the Ring can be seen as an epic fairytale with "a kind of religious significance."6 In her analysis of "life symbols"—or artistic, ritualistic, and mythic systems that are read "non-discursively," having no assigned connotation and therefore felt and grasped imaginatively and intuitively—Susanne Langer suggests that fairytales are a genre below that of myth in the continuum between dream and myth. For her, "myth has … a... (shrink)

While J.R.R. Tolkien’s The Lord of the Rings and other creations enthrall readers through immersive adventures and captivating characters, a deeper understanding of the author’s faith unlocks a new dimension of appreciation. Tolkien declared his works “fundamentally religious and Catholic,” but their subtle nuances often escape surface-level readings. Delving into his faith journey unveils crucial threads woven into the very fabric of his narratives. -/- In the expansive corpus of literature dedicated to J.R.R. Tolkien, his faith has often been overshadowed (...) by the towering legacies of Middle-earth. Holly Ordway’s Tolkien’s Faith: A Spiritual Biography is a seminal work that meticulously unravels the interplay between Tolkien’s devout Catholicism and his literary creations. Ordway, the Cardinal Francis George Professor of Faith and Culture at the Word on Fire Institute, brings to the fore a long-neglected dimension of Tolkien’s life—his spiritual journey. -/- Ordway’s biography distinguishes itself through its rigorous exploration of Tolkien’s spiritual development, from his environment to the profound Catholic faith he maintained throughout his life. Ordway delves into the complexities of Tolkien’s life, including the pivotal moments that shaped his religious beliefs and, by extension, his literary work. The biography is not merely a chronological recounting of events but a deep, thematic exploration of the influence of faith on Tolkien’s creativity. Ordway’s scholarship shines in her ability to weave together Tolkien’s letters, unpublished works, and the socioreligious context of his time, offering readers a holistic view of the man behind Middle-earth. Ordway’s balanced approach further enriches the narrative. She neither critiques nor endorses Tolkien’s religious beliefs but presents them with an academic rigor that allows readers to form their interpretations. This objectivity is crucial for the work’s target academic audience, providing a foundation for further scholarship in Tolkien studies and the study of literature and religion. (shrink)

Contains over fifteen essays that discuss philosophical topics in J.R.R. Tolkien's "The Hobbit" providing new insights into the characters and plot.

The object of this paper is to sketch an approach to propositions, meaning and names. The key ingredients are a Twin-Earth-inspired distinction between internal and external meaning, and a middle-Wittgenstein-inspired conception of internal meaning as role in language system. I show how the approach offers a promising solution to the problem of the meaning of proper names. This is a plea for a neglected way of thinking about these topics.

Estimating whether the Earth’s biota is in the middle of a crisis relies heavily on comparisons between present and past data about biodiversity or biodiversity surrogates. Although the past is a crucial source of information to assess the severity of the current biodiversity crisis, substantive conceptual and methodological questions remain about how paleodiversity and biodiversity are to be properly compared. I argue that to justify claims of a current biodiversity crisis is harder than it appears. More precisely, I (...) claim that paleodiversity measurements are incommensurable with contemporary measurements, given the different ways that biodiversity is conceptualized and operationalized. I conclude by proposing three possible ways of overcoming this incommensurability problem. (shrink)

This is not an overly ambitious paper. What I would like to do is to take a thesis that most people would regard as wildly implausible, and convince you that it is, in fact, false. What's worse, the argument I shall give is by no means airtight, though I hope it's reasonably convincing. The thesis has to do with the fuzzy boundaries of terms that refer to familiar middle-sized objects, terms like ‘Kilimanjaro’ and ‘the tallest mountain in Africa.’ It (...) is intuitively clear that Kilimanjaro has a fuzzy boundary, so that there are some clods of earth at the base of the mountain for which there isn't anything, either in our practices in using the word ‘Kilimanjaro’ or in the facts of geography, that determines an answer to the question whether the clod is a part of Kilimanjaro. (shrink)

Learned men have been writing about happiness since antiquity: from Greek times, there is Aristotle's treatise, included in the Nicomachean Ethics; from Roman, Seneca's De Vita Beata. Later came the Christian writings on this subject, especially another De Beata Vita, written by St. Augustine. The point of view is different from Aristotle's or Seneca's but the subject remains the same. In the Middle Ages also treatises on happiness were produced, and these eventually became part of the 'summae'. St. Thomas (...) devoted q. 2-5 of the Prima Secundae to happiness and q. 3 1-39 bear on it indirectly. In more modern times works on happiness continued to be written. Some authors carried on the Christian tradition which maintained that happi­ness is only attainable in the next world; to these belong the earliest works written in Polish. Other treatises - especially those of the Age of Reason - hold the opposite concept, that the only happiness man can expect is to be found on earth. In the 18th century there were so many of these treatises that it was possible to produce a whole anthology: The Temple of Happiness, or as it was originally called Le Temple du bonheur, ou recueuil des plus excellents traites sur Ie bonheur (2nd ed. , 1770). (shrink)

The historical development of the understanding of water is traced in the light of the development of the general concept of chemical substance. From the times of the earliest known ancient Greek philosophers, water has played a central role in the conception of the material constitution of the world. But it was Aristotle who developed the most sophisticated understanding of water to have come down to us from the ancients. He viewed it as part of an intricate and systematic theory (...) of chemical substance, which classified water as an element along with earth, fire and air. His view exerted a considerable influence on Arabic and European thinkers throughout the Middle Ages, and wasn’t successfully challenged until the eighteenth century. After Lavoisier, it was recognised that water, though unlike air a single substance and not a mixture, is neither an element nor always liquid. General features of chemical substances, distinguishing elements, compounds and mixtures, were elaborated in a general theory and harmonised with the mechanical features of matter towards the end of the nineteenth century. Finally, the continuous conception of matter underlying the Aristotelian view, which had been unsuccessfully challenged in the seventeenth century, was definitely overturned in the twentieth century, and the intricate microstructure of water was revealed. (shrink)