The goal of this review is to consider how culture impacts the socialization of emotion development in infancy, and infants’ and young children’s subsequent outcomes. First, we argue that parents’ socialization decisions are embedded within cultural structures, beliefs, and practices. Second, we identify five broad cultural frames (collectivism/individualism; power distance; children’s place in family and culture; ways children learn; and value of emotional experience and expression) that help to organize current and future research. For each frame, we discuss the impact (...) on parents’ socialization practices and infants’ subsequent outcomes relating to emotion-related experience, expression, and understanding. We also generate testable hypotheses to further our understanding of the relationships between the five frames and emotion development in infancy. (shrink)

Many people have sexual fantasies about being forced to have sex, or forcing someone to have sex. Several authors have argued that it is wrong to enjoy such fantasies: They lead to harm, or reinforce oppressive social structures, are liable to corrupt our character, or, mostly interestingly, are wrong in themselves, because they involve the eroticization of things that are wrong. I argue here that all such arguments fail properly to distinguish between fantasy and desire (despite authors' acknowledgement of (...) that distinction), and between objects of desire and sources of arousal. The broader significance of this point is also discussed. -/- This paper is intended, in part, as a defense of claims about sexual fantasy made at the end of "Does Pornography Presuppose Rape Myths?". (shrink)

Embodied Fantasies: From Awe to Artifice is a compilation of twenty-one essays on the subject of fantasy as it relates to art history, philosophy and the visual arts.

In this paper, I argue that many violent sexual fantasies are not vicious. In the first part of this article, I sketch out the nature of violent sexual fantasies and note that many people regularly have them. I then argue many violent sexual fantasies are not vicious. My argument strategy is to explore what makes an attitude vicious and then to note that the vice-making feature need not be present in such fantasies and is in fact probably not present in (...) many of them. I then explore some of the implications of this finding for the nature of virtue and pornography policy. (shrink)

Theology, Fantasy, and the Imagination analyzes theological, religious, and philosophical themes in classical Christian fantasy, contemporary “post-Christian” fantasy, and fantasy at play in table top games such as Dungeons and Dragons and Magic: the Gathering.

(1993). Fantasies on the fringe: Romantic concepts of nationalism in utopias set at the edges of nineteenth-century Europe. History of European Ideas: Vol. 16, No. 4-6, pp. 647-654.

This text suggests that imagination is a powerful tool that can be used creatively or destructively, and argues that by becoming more conscious of how we use fantasy and are affected by it, we can learn to apply imagination more constructively.

Behind our computer screens we are all cyborgs: through fantasy we can understand our involvement in virtual worlds.

Hobbes and Butler both conjure images of an abandoned infant in their respective discussions of vulnerability. Leviathan uses this image to discuss original dominion, or natural maternal right over the child, while for Butler rights discourse produces fantasies of invulnerability that derealize other lives. However, Hobbes’s infant in nature has no rights and can only consent to being nourished. Only when able to nourish itself can it claim rights to transfer through the covenant producing a fantasy of individual invulnerability. (...) Vulnerability in the state of nature and the com- monwealth’s fantasy of invulnerability are together a counter-fantasy to the fantasies of invulnerability of Hobbes’s time, through heaven or eternal glory. In question is whether Butler, in her reimagining of community, is, like Hobbes, producing a fantasy, but a meta-fantasy that community can be taken as fantasy without derealizing the fantastic or that fantasizes an honesty about its being fantasy. (shrink)

Fantasies of Flight invigorates the field of personality psychology by challenging the contemporary academic view that individuals are best studied as carriers of traits. Daniel Ogilvie exchanges a heart-to-heart, case study approach to understanding human behavior for the current strategies of categorizing and comparing individuals according to their manifest traits. Ogilvie asks and endeavors to answer questions like "What were the psychological conditions that led Sir James Barrie to create a character named Peter Pan?" and "What were the dynamics behind (...) the Marshall Herff Applewhite's conviction that a space ship, hiding behind the Hale-Bopp comet, would rescue him and his Heaven's Gate followers after they enacted a mass suicide pact in 1997?" Answering these questions requires him to resurrect "old" ways to think about personality and "old" strategies for studying individuals one by one. Early in the book, Ogilvie reviews the history of why intensive case studies were discredited in psychology and describes how Sigmund Freud's psychobiographical account of Leonardo da Vinci's fascination with flight inadvertently abetted critics of psychoanalytic psychology. He then performs a partial psychobiography of James Barrie and the origins of Peter Pan, followed by an investigation of Carl Jung, who fashioned the collective unconscious to serve as humankind's link to eternity. Arguing that personality psychology needs to become less insular, Ogilvie integrates information from the disciplines of developmental psychology and neuroscience into a theory regarding the latent needs that both Barrie and Jung sought to satisfy. The theory, including its emphasis on the onset of self and consciousness, is then applied to an array of well-known and obscure individuals with ascensionistic inclinations. Well written and accessible, but complex and scholarly, this volume will restore interest in the investigation of people's inner lives. (shrink)

Successfully integrating history, political psychology, and psychoanalysis, Fantasy and Reality in History studies individual and social anxiety, crisis management, racism and nationalism. By blending clinical and historico-political methods, Loewenberg examines the psycho-sexual conflicts of several charismatic political leaders, including, among others, Gladstone, and Zhirinovsky, Russia's contemporary fascist.

Fantasy is a literary genre often associated with the unreal. As it deals with imaginary worlds or magical feats, its tools and strategies for making meaning differ from those of realist literature. In the past, this has sometimes led to misunderstandings about the merits of fantasy and to its dismissal as escapist literature. Fantasy has also been seen as the reactionary reverse of science fiction, as a genre that looks into a mythical past with reverence and longing (...) and that perpetuates unjust systems of oppression.Brian Attebery sets out to respond to these old conceptions of fantasy in Fantasy: How It Works. As a scholar who has devoted most of his long career to advocate for the value of fantasy literature... Read More. (shrink)

Philosophical and popular ethics tend to focus on the question "What ought I to do?" Is there, in addition to the ethics of action, an ethics of fantasy? Are there fantasies one ought not to have? Of course there are fantasies with horrific content. Does it follow that there is something wrong with a person who has such fantasies or that they ought to make efforts to suppress them or to otherwise change themselves? Do the problems such fantasies raise (...) depend on their links to desire and action? Masturbation fantasies are considered as well as fantasies that may emerge during sex with others, fantasies that include actual others, and fantasies that get embodied in pornography. Psychoanalytic and legal aspects of the issues are emphasized. 2012 APA, all rights reserved). (shrink)

Throughout his lectures and published writings on anthropology, Kant describes a form of unintentional, unstructured, obscure, and pleasurable imaginative mental activity, which he calls fantasy (Phantasie), where we ‘take pleasure in letting our mind wander about in obscurity.’ In the context of his pragmatic anthropology, Kant was concerned not only to describe this form of mental activity as a fact of human psychology, but more importantly, to criticize and discourage it. But must we share Kant’s negative evaluation? Could (...) class='Hi'>fantasy play a positive role in some kinds of experience? In this paper I first reconstruct Kant’s conception of fantasy, and then consider what role fantasy might play in aesthetic experience. Precisely because of his anxieties about fantasy, Kant is careful to distinguish between the lawless freedom of the imagination in fantasy and the ‘free lawfulness’ of the imagination in aesthetic judgment. Departing from Kant, and with help from Susan Sontag, I argue that certain aesthetic objects, especially certain works of modernist art, positively invite fantasy, making fantasy part of proper aesthetic appreciation. I conclude by suggesting that while fantasy can indeed play a positive role in aesthetic appreciation, there is still reason to regard fantasy as ‘normatively ambiguous.’. (shrink)

Abstract:As new digital technologies, consumer demand, and social issues such as COVID-19 render workplaces increasingly data-centric, employers will require culturally and technologically adept workers who can utilize creativity in every stage of the production process. To prepare students for this demand, institutions of higher education must establish flexible programs that provide professional or technical curricula combined with a liberal arts education that fosters students’ abilities to build imaginations beyond conventionally accepted norms. The capacity for creative fantasy intersects with cognitive (...) maturity and higher-order thinking and thus can be measured using models of adult development. Schools should develop knowledge platforms that can first assess a student’s maturity stage and then design a personalized liberal and professional education plan that maximizes their creative abilities. This article therefore engages adult development theory to map possible trajectories toward students’ constructive use of innovative fantasy and to address ways educational institutions can reorient their approaches. (shrink)

A week ago, I heard James Conant give a talk at Tufts, entitled “Two Varieties of Skepticism” in which he distinguished two oft-confounded questions.

The nature of fantasy has been little discussed, despite its importance in the arts. Its significance is brought out here in relation to the long‐standing debate on the alleged paradox of fiction—that we respond emotionally to characters and events known to be unreal. Examination of the paradox shows it to be ill founded once the nature of fantasy is appreciated. Moreover, a detailed consideration of fantasy shows that it can itself provide a plausible account of our emotional (...) reactions to creative literature, an account that, after a review of some possible objections, is then contrasted with the leading contemporary theories. (shrink)

In this essay, I start by addressing the question of “has Islamophobia reached a tipping point in the United States”? Then I apply Lacanian social theory, drawing on Slavoj Žižek’s analysis of anti-Semitism through the seven veils of fantasy, to Islamophobia in an effort to conceptualize the complex psychosocial phenomenon as a fundamental fantasy, which ideologically sustains the ‘war on terror’ discourse. Finally, I end with a brief remark on the possibility of Islamophobia as a counter-discourse.

An unauthorized look behind one of the greatest video game franchises of all time, Final Fantasy The Final Fantasy universe is packed with compelling characters and incredible storylines. In this book, you'll take a fascinating look at the deeper issues that Final Fantasy forces players to think about while trying to battle their way to the next level, such as: Does Cloud really exist? Is Kefka really insane? Are Moogles part of a socialist conspiracy? Does the end (...) of the game justify the means? As Mages, Moogles, fiends, and Kefka are mashed together with the likes of Machiavelli, Marx, Foucault, and Kafka, you'll delve into crucial topics such as madness, nihilism, environmental ethics, Shintoism, the purpose of life, and much more. Examines the philosophical issues behind one of the world's oldest and most popular video-game series Offers new perspectives on Final Fantasy characters and themes Gives you a psychological advantage--or at least a philosophical one--against your Final Fantasy enemies Allows you to apply the wisdom of centuries of philosophy to any game in the series, including Final Fantasy XIII Guaranteed to add a new dimension to your understanding of the Final Fantasy universe, this book is the ultimate companion to the ultimate video-game series. (shrink)

There’s a certain pleasure in fantasizing about possessing knowledge, especially possessing secret knowledge to which outsiders don’t have access. Such fantasies are typically a source of innocent entertainment. However, under the right conditions, fantasies of knowledge can become epistemically dangerous, because they can generate illusions of genuine knowledge. I argue that this phenomenon helps to explain why some people join and eventually adopt the beliefs of epistemic communities who endorse seemingly bizarre, outlandish claims, such as extreme cults and online conspiracy (...) theory groups. It can be difficult to grasp how members of such groups come to believe the theories they endorse. I argue that one route to such beliefs is via deep absorption in fantasies of knowledge, which can lead entire groups to become collectively detached from reality. (shrink)

I argue that Martha Nussbaum presents us with an invaluable stance toward nonmoral goods—especially those of fantasy—relative to 1) the anti-perfectionist view regarding moral goods taken in Susan Wolf's "Moral Saints" 2) theperfectionist stance taken by Iris Murdoch. I show how Nussbaum critiques Murdoch not by taking issue with her perfectionist agenda, but by suggesting an alternative to Murdoch's regret-less “coolness” in applying this agenda to the ubiquitously tragic situations that humans encounter.

Because actual social experience is often damaging to conceptions of self, individuals in all societies engage in identity work beyond ordinary social interaction. For people in religious groups, identity work may involve the subjective experience of interactions with spirit beings as in altered states of consciousness such as dreams, reverie, or trance. In memories, anticipations, and fantasies, secular Americans, too, may experience gratifying imaginary social interactions when they gain recognition and acclaim from imagined others. Unlike spirit relations these fantasies are (...) not culturally defined as “real.” However, like spirit relations, they may have very real effects on self‐maintenance. (shrink)

In the interview with Klaus Theweleit, Marina Gržinić focuses on two distinctive lines of discussion. The first is on the book Male Fantasies. The 50th anniversary of this influential psychoanalytic study on the psyche of male soldiers, specifically the Freikorps, who were paramilitary groups in post-World War One Germany, is approaching in 2027. The second is about violence in general, particularly in the context of historical violence, of which the events at Abu Ghraib in 2004 are an example. Theweleit’s analysis (...) of violence, especially through the lens of his critical theory, provides a framework for understanding these events not just as isolated incidents but as manifestations of deeper socio-political and psychological currents. The interview examines many levels of Theweleit’s work and thinking from that moment until today, reflecting on and returning to instances of historical violence and their bearing on contemporary society. (shrink)

Positive thinking is often assumed to foster effort and success. Research has shown, however, that positive thinking in the form of fantasies about achieving an idealised future predicts less (not...

Good people often die badly, and, sometimes, bad people die well. Both are true for complex reasons. We worry that the tropic formulation trades on a simplistic anthropology that belies the complexities of how persons operate in the world. In this essay, we are interested in these complexities and a better theological acknowledgement of them, not least because the fantasy of the good death ill prepares one for real death. We argue that valorizing pious religious death and profane ugly (...) death loses sight of these complexities, which we think should comprise any account Christians give about what persons are and are in their dying—an account that often goes by the name “theological anthropology.” It is the simplistic theological anthropology more than the tropic formulation—the anthropology the trope smuggles in—that concerns us. Our argument proceeds by first examining the fantasy of the good death, measuring it against a historical record with an examination of the Ars Moriendi tradition, and then thinking more broadly about what motivates it. Along the way, we consider a recent film, The Farewell, where good-death fantasies comically run up against death’s reality and where goodness, truth, and beauty show up anyhow. (shrink)

This series celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument.Fantasy Travel shows people sitting (...) proudly and playfully in studio mock-ups of aeroplanes, cars, speedboats and hot air balloons. Such modes of transport were beyond the dreams of the average person in the early twentieth century but the photographic studios allowed them to indulge wild flights of fancy and take away the resulting postcards. (shrink)

The experiences of 90 individuals who self-identify as “excessive” or “maladaptive” fantasizers are summarized in this report. Our sample consisted of 75 female and 15 male participants, ranging in age from 18 to 63 who responded to online announcements. Participants completed a 14-question emailed survey requesting descriptions of their fantasy habits and causes of potential distress regarding fantasy. Results demonstrated that participants shared a number of remarkably specific behaviors and concerns regarding their engagement in extensive periods of highly-structured, (...) immersive imaginative experiences, including the use of kinesthetic activity which accompanies the fantasies of 79% of participants. Participants reported distress stemming from three factors: difficulty in controlling the need or desire to engage in fantasizing; concern that the quantity of fantasizing interfered with actual relationships and endeavors; and intense shame and exhaustive efforts to keep this behavior hidden from others. It is hoped that this report will encourage interest in this elusive syndrome. (shrink)

In this essay I explore the appeal of the psychoanalytic category of fantasy for critical political theory, by which I mean a theory grounded in a political ontology that offers a rationale for both normative and ideological critique. I draw on the work of William Connolly, Susan Faludi, Jacqueline Rose, and Judith Butler, among others, to consider the explanatory and critical implications of the concept of fantasy for questions of identity, and political identity in particular. I argue that (...) fantasy is a useful device with which to explore and probe the political and ideological aspects of a practice or narrative because it foregrounds the combined significance of the symbolic and affective dimensions of life. Moreover, a psychoanalytic perspective can facilitate a move away from an epistemological or moralizing understanding of fantasy and political identity, shifting the emphasis instead toward a more ontological and ethical understanding. (shrink)

(2009). Fantasies and Fetishes: The Erotic Imagination and the Problem of Embodiment. Journal of the British Society for Phenomenology: Vol. 40, Tradition, Art & Sexuality, pp. 66-82.

Is religion necessarily a form of fantasy, a superstitious childishness we should have put aside by now? If so, what takes the place of empty heaven? May idle dreams threaten secular moralities as much as they threaten religion ? If so, are there authentic forms of religion as well as authentic forms of morality which transcend these threats? He takes us on a journey from religion conceived as a 'somewhere over the rainbow, ' to possibilities of living under a (...) sacramental sky. (shrink)

This article offers an alternative reading of the Abbé Sieyès and the modern ‘nation-state’ problématique. I argue that the subject/object that is constituted in the early days of modernity is the incomplete society: an impossible-possibility ideal of congruency of population, authority and space. I suggest reading this ideal of congruency as a fantasy in that it offers a certain ‘fullness to come’, the promise of jouissance that can never be attained and is thus constantly re-envisioned and reinvoked. Drawing on (...) discourse-analytical and psychoanalytical tools I explain the logic of fantasy before analysing Sieyès’ What is the Third Estate?, as I show how he critiques and fragments the old model of the state and how his reading of the nation is fantasmatic, a continuous project towards impossible congruency. (shrink)

The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and (...) impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture. (shrink)

Dreaming is a statistically robust cognitive correlate of REM sleep, but all of its formal features may occur in other states of sleep and even in waking, especially during fantasy. In order to test the hypothesis that the brain basis of such cognitive features as dream bizarreness is to be found in REM sleep neurophysiology, it is critical to quantify bizarreness in dreams and other mental states and to analyze the data with respect to both the magnitude and the (...) kind of bizarreness so measured. Any differences in the cognitive dimensions are candidate correlates of REM sleep neurophysiology. Sixty pairs of home-based dream and fantasy reports were collected from 12 subjects and scored for bizarreness using a two-stage scoring system adapted from Hobson, Hoffman, Helfand, and Kostner . Our results show that bizarreness was twice as prevalent in dream reports as in wake-state fantasy reports of the same subjects. Further analysis of the reports also showed differences in other features including the number of persona and remoteness of time and place. (shrink)

Gilles Deleuze demonstrated the key role of flashback in dealing with the relationship between actual image and recollection-image when interpreting the temporality of images. He established two criteria for judging whether a flashback implies a recollection-image by stating that: (1) it serves as some kind of prompt in the narrative to make the viewer perceive that the scene has entered a flashback; (2) it relies on fate or forking time. But Deleuze also mentioned that, if the context or condition disappears, (...) the recollection-image represented by the flashback will lose its support, at which point, the pure recollection will also disappear. In this case, the actual image no longer forms a connection with the sensor-motor, but is suspended, which produces a fantasmatic effect. Bi Gan extends this suspension in his film “Long Day’s Journey into Night” by removing the character being referred to in the flashback, stripping it from figure and confining it in the voice-over. The film features an extreme use of several effects in the sensory-motor situations and the flashbacks, as described in Deleuze’s “Cinema 2: Time-Image,” namely recollection, dream, and falsification. Thus, the boundary between flashback and reality is completely broken. In addition, Bi Gan uses doppelgangers in the second part of the film to reconstruct the ambiguity of actual images and recollection-images in the first part, turning them into pure fantasies. This essay will analyze issues relating to the images and characters in “Long Day’s Journey into Night” and show how this film constitutes a typical case of recollection-images transformed into fantasies through the power of falsification. (shrink)

This article offers a critique of Ronald Dworkin’s article “A New Philosophy for International Law”, (Philos Public Aff 41: 1–30, 2013). It begins by showing that Dworkin’s moralised theory of law is built on two highly questionable background assumptions. On the one hand, a descriptively implausible characterisation of a positivist-voluntarist view of international law as the reigning “orthodoxy”. On the other hand, the methodologically questionable assumption that a theory of international law must discharge the dual function of explaining the validity (...) of international law in a manner that underwrites its presumptive legitimacy. In its core part, the article then offers a sustained criticism of Dworkin’s moralised account of the validity and legitimacy of international law. Various problems are identified with the “principle of salience” that Dworkin offers in place of consent as a ground for international law. A key concern is the difficulties that stem from Dworkin’s willingness to proceed on the “fantasy” assumption that his theory needs to get off the ground, i.e. that there is an international court with compulsory jurisdiction and reliable mechanisms for enforcing its judgements. Finally, the article concludes with some thoughts on how Dworkin’s “fantasy-based” approach led him to over-estimate the degree to which international law can be a vehicle for the global spread of liberal democratic values. More minimalist ambitions for international legal order, along the lines suggested by John Rawls inThe Law of Peoples, seem more realistic. (shrink)

In his article ‘ Fantasy, Imagination and the Screen ’ , Roger Scruton offers an account of fantasy, arguing that it is directed away from reality in some important sense, and that cinema is its natural representational medium. I address certain problems with Scruton’s basic account, thereby producing a signifi cantly amended version, though one that owes a great debt to his. I explain why, as he says, much fantasy is signifi cantly directed away from reality; and (...) conclude with some brief remarks about.. (shrink)

*Editorial Note: This column reprints the Book Review on Amazon with permission from Dr. Giang Hoang, Monash University, Australia. It has been slightly edited for house-style presentation.

The Situationist International have become a canonical reference point when discussing artists’ participation in political action or activism. This article attempts to decentre the SI from this position, by tracing their theories and representations of political agency and labour. I argue that their notion of agency is deeply conflicted, epitomized by the dual invocations ‘never work/all power to the workers’ councils. I examine how the SI’s representations of agency betray an attraction to and fascination with 1960s reactionary fantasies around brainwashing, (...) conditioning, control and torture. Their practical descriptions of a constructed situation, which ‘makes people live’ are, in fact, closer to torturous state control than total liberation. The notions of agency they mobilise draw on colonial and classist sources, which actually deny the agency of radical movements. As a result, the SI produce a series of weak fantasies of participation, in which agency is denied and ‘demanding the impossible’ is actually a demand to constitute and police the impossible. Artistic-political agency was both guarded centre and constituent other. The SI’s policing of their identity, tied in name to the agency of ‘situations’, involved the ongoing exclusion and repression of other artists’ more practically-engaged labour within social movements. (shrink)

Fantasies have the power in the very midst of political communities, consciously and unconsciously alike, to suppress internal antagonisms in times of crises. More specifically, they help to blur aporias of a community’s ideological structures by invoking a common sense that reconstitutes the community, similar to an act of religious conversion. Their impact on the “space of reasons” is analyzed in this article because fantasies, and specifically excessive and radical fantasies, suspend the game of giving and asking for reasons. They (...) do so in order to ground premises of contestation in the background of communal reason via an emotional and secret “code” of what it means to be a “we.” Totalitarian, monarchical, and democratic societies need this “code” to purge society of the pure formalities of political reason, or, in other words: to get rid of fantasy fatigue. (shrink)

Extending a strategy previously used by Clancy, Schacter, McNally, and Pitman , we administered a neutral and a trauma-related version of the Deese–Roediger–McDermott paradigm to a sample of women reporting recovered or repressed memories of childhood sexual abuse , women reporting having always remembered their abuse , and women reporting no history of abuse . We found that individuals reporting recovered memories of CSA are more prone than other participants to falsely recalling and recognizing neutral words that were never presented. (...) Moreover, our study is the first to show that this finding even held when trauma-related material was involved. Correlational analyses revealed that fantasy proneness, but not self-reported traumatic experiences and dissociative symptoms were related to false recall and false recognition. (shrink)

This article interprets Michael Kang's independent feature The Motel as a critique of the Asian American fantasy of post- 1965 incorporation into the multicultural US polity. The film discloses that this Asian American Dream is normatively constituted by heteronormative, middle-class, intra-racial kinship. The protagonist Ernest Chin's longing for this kind of normative Asian American family is symptomatic of his identification with the exclusionary norms of the incorporative fantasy. In a moment of disidentification, though, Ernest is able to release (...) his grip on the dream and its reciprocal grip on him. Disidentification, in my usage, is a kind of political action that both disrupts and reworks processes of social formation from within. As a contribution to the critical philosophy of race, my rendition of disidentification draws on recent developments in cultural studies and political theory to address the critical theoretical question of the psychic life of domination. (shrink)