This paper explores the significance of Adam Smith's ideas for defending non-cognitivist theories of aesthetic appreciation of nature. Objections to non-cognitivism argue that the exercise of emotion and imagination in aesthetic judgement potentially sentimentalizes and trivializes nature. I argue that although directed at moral judgement, Smith's views also find a place in addressing this problem. First, sympathetic imagination may afford a deeper and more sensitive type of aesthetic engagement. Second, in taking up the position of the impartial (...) spectator, aesthetic judgements may originate in a type of self-regulated response where we stand outside ourselves to check those overly humanizing tendencies which might lead to a failure in appreciating nature as nature. (shrink)

In this paper, I analyse Martha Nussbaum?s view of how we should treat non-human animals, which she links to her capabilities approach. This approach offers a conception of justice or, as Nussbaum puts it, a collection of fundamental rights that specify some of the necessary elements for a just society. In addition to justice for human beings, this approach includes animal rights. The basis for the discussion consists of two elements that justify the claim that every animal deserves to live (...) a life that is characteristic of a member of its species. The first element is dignity, and the second is sympathetic imagination. The intention of Nussbaum?s approach is to represent an improvement on the social contract tradition, by offering a more encompassing theory of justice. In her view, the capabilities approach, contrary to the theories of social contract, has principled resources that allow it to include, among else, non-human-animals in the domain of justice. However, the contribution of my paper consists in showing the problems I observe in Nussbaum?s theory. These problems are related to the insufficient definition of basic concepts and to the fact that in Nussbaum?s theory, non-human animals remain, across various situations, only a means of serving human needs. The consequence is that non-human animals are not included in the domain of justice which, after all, is Nussbaum?s fundamental ambition. (shrink)

At this polarizing moment in American politics identifying with the experiences of others feels especially difficult, but it is vital for sharing a world in common. Scholars in a variety of disciplines have argued that narratives, and especially literary ones, can help us cultivate this capacity by soliciting sympathetic identification with particular characters. In doing so, narratives can help us to be more ethically and political responsive to other human beings. This is a limited view of the potential for (...) narratives to solicit sympathetic identification, and it prevents us from identifying and grappling with our resistances to identifying with others. In this article I propose a more expansive view – inspired by Elizabeth Costello, a character in JM Coetzee’s novel of the same name – that there are no bounds to our capacities for sympathetic identification. Through critical readings of Waiting for the Barbarians and Animal Farm I explore the possibility that we might identify with people who cause others to suffer, and perhaps even with animals too. Both sorts of identification engender fierce resistance. Identifying with those who cause suffering demands that we grapple with our own capacities for cruelty and violence. Identifying with animals demands that we confront what is animal in ourselves – the perilous instincts that, unmoderated, incline us to aggression. Acknowledging and working through – without rejecting or disavowing – our capacities for cruelty and our animal instincts is necessary for the practices of sympathetic identification upon which sharing a world depends. (shrink)

Rubin examines the central role of the imagination in Santayana’s life and works. He shows how the imagination is fundamental to Santayana’s sceptical inquiry in SAF and a necessary condition for knowledge about the material world and the mind. The imagination is a predominant theme in Santayana’s life and work. Even as a boy, he found himself solitary and unhappy in America and “attached only to a persistent dream life.” He published several literary works, including three plays, (...) a novel, and many poems. In his philosophic work, he repeatedly insisted on the continuity between the imaginative nature of ordinary perception and the great accomplishments of the human imagination. Santayana’s idea that all perception consists of the intuition of non-existent essences means that for you to experience anything that exists you must imaginatively connect the data given to consciousness with things and events in the world. In Scepticism and Animal Faith, references to imagination appear throughout the book. Santayana argues that to truly understand something observations alone, even ones repeated many times from different angles, are not sufficient, because knowing how things actually are requires “sympathetic imagination.” Imagination leads to the most “complete and adequate” knowledge when the object is another mind. But knowledge of the material world is also a product of the imagination. Taking non-existent essences to signify existing things enables us to know what exists and what doesn’t. This knowledge frees the imagination to peruse the unbounded realm of essence without penalty. This freedom is possible because “poetic, creative, original fancy” is the primary form of sensibility. This freedom is necessary because for a living creature “his play-life is his true life.” This freedom makes possible the comprehensive visions of great art, literature, philosophic systems, and scientific theories. These works are continuous with everyday moments of experience, which are also fundamentally imaginative. Philosophy is successful when it enables us to creatively adjust to the world by probing our desires and finding each intuition a possible source of imaginative reflection. (shrink)

In 1893, John Dewey published "Teaching Ethics in the High Schools," a short article in Educational Review that provided the theoretical grounding for his work in the school systems of Pennsylvania and Illinois in the last two decades of the nineteenth century. In describing the ends of ethical training, Dewey revised the rule-driven method of Protestant morality, suggesting that, "the end of the method then, is the formation of sympathetic imagination for human relations in action; this is the (...) ideal which is substituted for training in moral rules or for analysis of one's sentiments and attitude in conduct."1 This article, along with Outlines for a Critical Theory of Ethics (1891) and his Study of Ethics (1894) .. (shrink)

Imagination has been the focus of much philosophical inquiry in recent decades. Although it plays an essential role in linking emotional engagement with ethical experience, imagination has received comparatively little attention in film-philosophy. In this article, I argue that imagination plays an essential role in linking emotional engagement with moral-ethical experience. Drawing on phenomenological, cognitive and aesthetic perspectives, I focus on perceptual imagining and suggest that an account of embodied cinematic imagination — encompassing both perceptual/sensory and (...) propositional/cognitive imagining — is especially relevant to theorizing cinematic experience. The interplay of first-person empathic and third-person sympathetic perspectives is another essential feature of our emotional and ethical engagement with cinema. By synthesizing ‘bottom-up’ sensory, affective responses to audiovisual images, with ‘top-down’ cognitive processes associated with mental simulation, an account of embodied cinematic imagination can explain how emotional engagement and ethical responsiveness work together in our experience of audiovisual narratives. (shrink)

Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of “surface reading.” While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of (...) Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s “Instruction Manual,” which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s “Leda and the Swan.” He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience. (shrink)

Philosophers of religion have tended to focus on Freud’s dismissal of religion as an illusion, thus characterising his account as primarily hostile. Those who wish to engage with psychoanalytic ideas in order to understand religion in a more positive way have tended to look to later psychoanalysts for more sympathetic sources. This paper suggests that other aspects of Freud’s own writings might, surprisingly, provide such tools. In particular, a more subtle understanding of the relationship between illusion and reality emerges (...) in his theory, that itself offers a useful way of understanding the meaning and significance of religion for the human animal. By exploring these sources a view of religion emerges which connects it closely with the processes of imagination and creativity. Under this view, religion is more than just a set of hypotheses to be proved or disproved. In religion, we have access to the most deeply rooted wishes and anxieties of the human heart, and thus its investigation enables a deeper understanding of what it is to be a human being. (shrink)

Empathy is the ability to infer and share the feelings, intentions, and goals of other persons.1 It provides the basis for our extraordinary capacity to help others, including strangers we may never meet, without interest in personal benefit. Its extent has been controversial, but recent studies in neuroscience, empirical psychology, and primatology support a highly empathic understanding of human nature. This view overturns the so-called “Darwinian” paradigm prevalent both in popular imagination and academic disciplines.2 The “Darwinian” account—in quotes because (...) distant from Darwin’s own express views3—holds that “man is a wolf to man” (homo homini lupus); that individuals are self-maximizing and manipulative .. (shrink)

Smith thinks it possible to sympathize with certain non-sentient beings, such as the human dead. Consequently, some commentators argue that Smith’s theory supports ecocentrism. I reject that Smith’s theory has this implication. Sympathizers in Smith’s theory can imagine themselves as non-sentient beings, but they will lack the relevant evaluative concerns. The situation of a non-sentient being, as that being confronts the situation, remains inaccessible to the sympathizer. I will also address the limits of sympathetic concern within Smith’s theory,; highlight (...) a related problem about how our efforts to sympathize with others should be constrained,; and suggest a solution. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 35.4 (2002) 345-367 [Access article in PDF] Imagining in the Public Sphere Robert Asen Contemporary public sphere scholarship has been motivated significantly by a concern to overcome historical and conceptual exclusions in public spheres. Recent theory and criticism has investigated direct and indirect exclusions. Direct exclusions expressly prevent the participation of particular individuals and groups in public discussions and debates. Prohibitions against women speaking in public, (...) for example, have served historically to inhibit women's participation in various forums (see, e.g., Landes 1998). Indirect exclusions function tacitly through discursive norms and practices that prescribe particular ways of interacting in public forums. Indirect exclusions compel participants to conform to established modes of discourse that effectively negate the perspectives and contributions of previously directly excluded individuals and groups. Calls for "objective" and "dispassionate" debate, for instance, sometimes have restricted public agendas by portraying culturally specific forms of address as universally practiced (see, e.g., Warner 1993). Indirect exclusions may regulate discourse in various forums even when direct exclusions have been counteracted. Scholarship seeking to overcome these exclusions has proceeded on two levels. On one level, scholars have recounted the efforts of excluded persons to participate in public life despite restrictions by developing alternative modes of publicity (see, e.g., Ryan 1990; Zaeske 2002). On a second level, theorists have proposed more inclusive conceptual models of the public sphere that may overcome historical exclusions of the bourgeois public sphere while retaining a commitment to critical publicity (see, e.g., Asen 1999; Benhabib 1996; Hauser 1999; Mouffe 2000).Practicing democratic discourse fairly and justly depends indispensably on enabling inclusion. Proponents of deliberative democracy argue that political legitimacy arises from processes of inclusive public debate. Seyla Benhabib asserts that "legitimacy in complex societies must be [End Page 345] thought to result from the free and unconstrained public deliberation of all about matters of common concern" (1996, 68). Others regard inclusive public discourse as crucial for the formation of affirmative individual and collective identities. Craig Calhoun faults bourgeois notions of publicity for treating "identity formation as essentially private and prior to participation in the idealized public sphere of rational-critical discourse" (1993, 274). Identity formation entails mutual recognition among members of diverse cultures, yet theorists have observed that truncated discursive processes may inhibit mutual recognition. Charles Taylor writes that practicing a politics of recognition requires an openness toward other cultures—a presumption of value tested through sustained engagement so that "what we have formerly taken for granted as the background to valuation can be situated as one possibility alongside the background of the formerly unfamiliar culture" (1994, 67). Inclusiveness is also important for individuals and groups seeking to advance self-fashioned interpretations of their interests and needs against interpretations imposed by others. Nancy Fraser explains that self-fashioning is necessary because in public debates and controversies "who gets to establish authoritative thick definitions of people's needs is itself a political stake" (1989, 164).Although inclusion is indispensable, exclusion is never total. Sometimes, people force their way into public forums and agendas. For example, participation by activists in discussions of AIDS research and treatment often has been limited by researchers' assertions of expert privilege in investigating scientific matters. Valeria Fabj and Matthew J. Sobnosky (1995) detail how AIDS activists have responded by engaging in discursive acts of redefinition and translation to gain entry into previously circumscribed forums. At other times, people surreptitiously access public arenas. Prison writing is one way that those officially banished from public view nevertheless continue to participate in oppositional discourses and movements. Gerard A. Hauser (2001) considers how dissident Adam Michnik remained a vibrant voice in Polish civil society through his writings even after his imprisonment in the 1980s by an authoritarian regime. At still other times, typically excluded people may be invited to participate in public discussions. Members of the AIDS activist group ACT UP occasionally have testified in the traditional setting of the congressional committee hearing as invited witnesses. Daniel C. Brouwer (2001) maintains that politically sympathetic committee chairs facilitated ACT UP's "official" appearances before members of Congress. Whether invited or... (shrink)

“Ethical criticism” is an approach to literary studies that holds that reading certain carefully selected novels can make us ethically better people, e.g., by stimulating our sympathetic imagination (Nussbaum). I try to show that this nonargumentative approach cheapens the persuasive force of novels and that its inherent bias and censorship undercuts what is perhaps the principal value and defense of the novel—that reading novels can be critical to one’s learning how to think.

Scholars widely assume that the term generation, is preferable to reproduction in the context of early modern history, based on the premise that reproduction to mean procreation was not in use until the end of the eighteenth century. This shift in usage presumably corresponds to the rise of mechanistic philosophy; feminist scholarship, particularly that deriving from the hostile critique fashionable in the 1980s has claimed reproduction is associated with medical practitioners’ perceptions of women as baby-producing machines. However, this interpretation, whether (...) in the interests of gender politics or reiterated in more sympathetic histories, misrepresents the historical record. (shrink)

The study is carried out in five chapters, with the first two offering a reconsideration of the function of the imagination in the Transcendental Deduction and Schematism of the first Critique. The last three follow the order of topics discussed by Kant in the third Critique in regard to judgments of taste, the sublime, and teleology; they conclude with an interpretation of "productive imagination" as a "model for the ideal of intellectual intuition". The comparison between "human and divine (...) spontaneity" is introduced in the first chapter, where Gibbons notes that while we have "Kant's explicit and repeated emphasis on the difference" between these, "in considering the similarity of these types of spontaneity," she wishes "to correct a possible imbalance in Kant's exposition": there are, she suggests, "formal similarities between these types of spontaneity". The main thrust of the first chapter is to respond to a particular reading of Kant—namely, to those unsympathetic interpreters who see in the Deductions an "imaginary subject of transcendental psychology" and also to those who give a "sympathetic reading" but do so in terms of an identification of "all aspects of synthesis with concept application," thereby reducing the "role of the transcendental synthesis of the imagination to that of unifying a manifold of intuition under a concept". Gibbons holds instead that the "theory of synthesis... focuses on the nature of human cognition and what is required for us to know anything about objects" and, further, that it presupposes "the broader function of the imagination as grounding the possibility of concept-application in the first place". (shrink)

This paper analyses the concept of the Imagination of Henry Corbin (1903–1978) in relation to Daisetsu T. Suzuki (1870–1966). Besides being a renowned orientalist and scholar of Islamic thought, Corbin was a philosopher par excellence whose original thought deserves to be studied. So, I present this paper as a contribution to the evaluation of Corbin as a philosopher. In doing so, I shall shed light upon the philosophical affinity between Corbin and Suzuki, which has thus far rarely been discussed (...) in depth. Their ideas, in fact, resonate with each other—or Corbin is sympathetic to Suzuki—at a deep level, especially on the argument of Imagination, through Suwedenborgian thought, into whom both channel their interests. An exploration of this relationship of influence with Suzuki shall make a great contribution to a better understanding of Corbin’s own concept of Imagination, which could shake up our taken-for-granted idea of “imagination.”. (shrink)

Theorists of Orientalism and postcolonialism argue that novelists betray political and cultural anxieties when characterizing "the Other." Shameem Black takes a different stance. Turning a fresh eye toward several key contemporary novelists, she reveals how "border-crossing" fiction represents socially diverse groups without resorting to stereotype, idealization, or other forms of imaginative constraint. Focusing on the work of J. M. Coetzee, Amitav Ghosh, Jeffrey Eugenides, Ruth Ozeki, Charles Johnson, Gish Jen, and Rupa Bajwa, Black introduces an interpretative lens that captures the (...) ways in which these authors envision an ethics of representing social difference. They not only offer sympathetic portrayals of the lives of others but also detail the processes of imagining social difference. Whether depicting the multilingual worlds of South and Southeast Asia, the exportation of American culture abroad, or the racial tension of postapartheid South Africa, these transcultural representations explore social and political hierarchies in constructive ways. Boldly confronting the orthodoxies of recent literary criticism, Fiction Across Borders builds upon such seminal works as Edward Said's Orientalism and offers a provocative new study of the late twentieth-century novel. (shrink)

In this article I review Amaryta Sen’s powerful critique of transcendental institutionalism and his own ‘realization-focused comparison’ as an alternative way to think about justice. While deeply sympathetic with his critique of John Rawls I also argue that the role of the Kantian imagination is extremely important in figuring ideals of justice, which must guide ‘realization-focused comparison’. To do so I turn to Kant’s Critique of Judgment and his development of what he calls ‘aesthetic ideas’ as ways of (...) representing the great ideals such as freedom and equality, which can be aesthetically represented but never fully known. (shrink)

Now classified as mid-way between epistemology and metaphysics, that part of 18th-century ‘science of human nature’ concerned with the investigation of human perceptions and passions was in fact closely allied both to moral and natural philosophy and to medicine. This chapter the roles in the formation of belief that writers in this tradition and authors of novels attributed to the readers' senses and imagination, and to their social intercourse. In particular, it focusses on the relative educational and moral value (...) attributed to history, romance, and novels, and the readers' sympathetic responses to historical and fictional writings as they were represented and discussed in Charlotte Lennox' The Female Quixote, and in David Hume's Treatise of Human Nature. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Rhetoric, Grief, and the Imagination in Early Modern EnglandStephen PenderIn 1633, the Northampton physician James Hart warned that excessive grief "will to some procure irrecoverable Consumptions," dry the brain and bone marrow, hinder digestion, interrupt rest, and "by consequent prove a cause of many dangerous diseases." The risk was grave: "Galen himself maketh answer that one may dye of these passions, and to this doe all Physicians assent; (...) and experience maketh it so appeare" (1633, 393–95).1 In the sixteenth and seventeenth centuries, physicians routinely treated grief and its effects, since it was commonly held that the passions were realized in matter.2 They applied an ensemble of remedies—bleeding, emetics, laxatives—predicated on sympathetic connection between bodies and souls, for disturbance "in the emotional climate of the body alters its inner temperature and causes in turn dangerous mutations in the balance and composition of the humours" (MacDonald 1981, 182).3 The spirits, too, were enlisted: for "the spirit being either withdrawne from the outwarde parts by vehement passio[n] of griefe," the "outward partes not only faile in their sense and motion, but even nourishment & growth thereby are hindered" (Bright 1586, 60; see also 47, 51–52). But grief also "besieged" the mind, weakened reason, hampered discourse, and impugned the will (Reynolds 1640, 229–30). By affecting mental faculties, passions subvented affliction, and thus physicians offered various prophylactics against fulminant emotion in the sick, most [End Page 54] of which focused on the imagination as potentially harmful faculty that prolonged or intensified suffering. A sufferer, Hart writes, "by reason of his sicknesse, hath sorrow enough, especially, if the party be of a feeble, fearfull and pusillanimous spirit, the phansie still framing unto it selfe new fears of some bad and sinistrous event." As wards against excessive passion, Hart recommends vigilance and circumspection, accommodation and distraction. First, physicians must guard against visitors who "prove the causes of infinite evills to the sicke" by occasioning overweening feeling. Drawing on Paul's distinction between worldly and "godly" sorrow in his second letter to the Corinthians, Hart recognizes that sufferers have just cause for fear, and physicians should not interrupt or retard "true sorrow for sinne," which offers comfort to a "drouping and sorrowfull soule." But the effects of any lenitive passion are endangered by "indiscreetly" compounding fear and grief "at an unseasonable time" (1633, 400). To avoid odium, a counselor's efforts must conform to "time, place, and person" (Wilson 1994, 120). Second, a physician should "accommodate himselfe to the severall dispositions of his patients, and to many particular circumstances concerning them," adjusting therapies and practices to individual sufferers. Finally, if not too fragile, the sick should be distracted with mirth (1633, 400).Those expressing "true sorrow for sinne" should read. Hart recommends one of the "many volumes written by our learned Divines, concerning this subject," Robert Bolton's 1631 Instructions for a Right Comforting Afflicted Consciences with Speciall Antidotes Against Some Grievous Temptations. Bolton, who was rector of Broughton, Northamptonshire, and a popular conformist preacher, insists that divines sometimes held even "godly sorrow" unseasonable, "when it unfitteth the body or minde to good duties" (1641, 587). Excessive grief is particularly foul: of "all other passions of the Soule," he writes, "sadnesse, and grief grates most upon the vitall spirits; dries up soonest the freshest marrow in the bones; and most sensibly suckes out the purest, and refinedst bloud in the heart" (1641, 21). Bolton's remedies are to avoid idleness and solitude, for both render the soul susceptible to disquiet (1641, 582), and to read: the sorrowful and the melancholy find succor in scripture. Although both forms of suffering may be treated medically, one remedy for an afflicted conscience is "Gods blessed Booke" (1641, 211–15). One early seventeenth-century Sussex physician turned to Burton's Anatomy of Melancholy (1621) for assistance.4Like most physicians in the period, both Hart and Bolton differentiate grief occasioned by humoral imbalance from sorrow born of a repentant conscience, and both confirm that the "phantasie" is central to physical and [End Page 55] moral therapy.5 For Bolton, grief, melancholy, and "terror of conscience" dwell chiefly in the imagination (1641, 212... (shrink)

The author re-examines Hare's multiple ways of connecting his metaethical with his normative doctrine, which is in formal sense determined as "Kantian utilitarianism", and in substantive sense as "preference-utilitarianism". Critical references to both dimensions of utilitarian doctrine aim at indication on scopes and limits of Hare's ambitious redefinition of the doctrine. Further on he discusses about so-called "necessary ingredient" of moral reasoning under the name of "sympathetic imagination", which Hare grasps in his developed theory not only as a (...) normative demand but also as a logical thesis. Finally, he considers kinds of preferences that can or cannot be recognized as morally relevant. Autor preispituje Herove visestruke pokusaje povezivanja metaetickog i normativno-etickog ucenja, koje je u formalnom smislu odredjeno kao "kantijanski utilitarizam", a u supstantivnom kao "utilitarizam preferencija". Kriticki osvrti na obe dimenzije utilitaristicke doktrine ciljaju na to da ukazu na domete i granice Herove ambiciozne redefinicije ove teorije. Potom se raspravlja o tzv. "nuznom sastojku" moralnog rasudjivanja pod imenom "simpateticka imaginacija", koju Her u svojoj razvijenoj teoriji poima ne samo kao normativni zahtev vec i kao izvesnu logicku tezu. I najzad, razmatraju se vrste preferencija koje, uz pomoc odredjenog niza kriterijuma, mogu ili ne mogu biti priznate kao moralno relevantne. (shrink)

Adam Smith’s is often falsely portrayed as having argued that radical selfishness is a force for the good and that this “invisible hand’ is his market mechanism. This paper argues that Smith’s real market mechanism, the sympathy manoeuvre, is a viable alternative to Schumpeterian and mainstream models of innovation in economics and also could help build a firmer theoretical basis for other approaches such as Responsible Innovation. To Smith all human activity was social and must be understood and explained in (...) terms of the sentiments involved. Discovery, for instance, is driven by three sentiments (wonder, surprise, admiration), economic activities by sympathetic imagination, the need for exchange, the need to better one’s position in life, and the need for gratitude. Through sympathetic imagination, his famous model of the impartial spectator, Smith elegantly connects the individual and society. Smith’s innovation process is thus an exercise in social construction and not a destructive process based on radical selfishness. The paper argues that this social innovation process is a viable alternative to the extant approaches that are essentially asocial and amoral (economism) or ideologically normative (Responsible Innovation). (shrink)

For almost half a century, the person most responsible for fomenting brouhahas regarding degrees of plasticity in the writing of histories has been Hayden White. Yet, despite the voluminous responses provoked by White’s work, almost no effort has been made to treat White’s writings in a systematic yet sympathetic way as a philosophy of history. Herman Paul’s book begins to remedy that lack and does so in a carefully considered and extremely scholarly fashion. In his relatively brief six chapters (...) (plus an introduction), Paul packs a wealth of information. He convincingly demonstrates that a guiding theme of White’s work from earliest times has been that historians have no choice but to impose a structure on historical data and thus bear responsibility for structures so imposed. As such, a key philosophical question concerns on what bases White contends that a freedom of choice exists regarding forms given to recorded histories. This essay focuses on how Paul argues for a unified vision that answers this question, as well as how he offers an original and comprehensive conception of White’s writings. (shrink)

Virtue has been rediscovered in the United States as a subject of public debate and of philosophical inquiry. Politicians from both parties, leading intellectuals, and concerned citizens from diverse backgrounds are addressing questions about the content of our character. William Bennett's moral guide for children, A Book of Virtues, was a national bestseller. Yet many continue to associate virtue with a prudish, Victorian morality or with crude attempts by government to legislate morals. Peter Berkowitz clarifies the fundamental issues, arguing that (...) a certain ambivalence toward virtue reflects the liberal spirit at its best. Drawing on recent scholarship as well as classical political philosophy, he makes his case with penetrating analyses of four central figures in the making of modern liberalism: Hobbes, Locke, Kant, and Mill.These thinkers are usually understood to have neglected or disparaged virtue. Yet Berkowitz shows that they all believed that government resting on the fundamental premise of liberalism--the natural freedom and equality of all human beings--could not work unless citizens and officeholders possess particular qualities of mind and character. These virtues, which include reflective judgment, sympathetic imagination, self-restraint, the ability to cooperate, and toleration do not arise spontaneously but must be cultivated. Berkowitz explores the various strategies the thinkers employ as they seek to give virtue its due while respecting individual liberty. Liberals, he argues, must combine energy and forbearance, finding public and private ways to support such nongovernmental institutions as the family and voluntary associations. For these institutions, the liberal tradition powerfully suggests, play an indispensable role not only in forming the virtues on which liberal democracy depends but in overcoming the vices that it tends to engender.Clearly written and vigorously argued, this is a provocative work of political theory that speaks directly to complex issues at the heart of contemporary philosophy and public discussion.New Forum Books makes available to general readers outstanding, original, interdisciplinary scholarship with a special focus on the juncture of culture, law, and politics. New Forum Books is guided by the conviction that law and politics not only reflect culture, but help to shape it. Authors include leading political scientists, sociologists, legal scholars, philosophers, theologians, historians, and economists writing for nonspecialist readers and scholars across a range of fields. Looking at questions such as political equality, the concept of rights, the problem of virtue in liberal politics, crime and punishment, population, poverty, economic development, and the international legal and political order, New Forum Books seeks to explain--not explain away--the difficult issues we face today. (shrink)

Nature aesthetics is concerned with four core questions: What is a natural environment? What is relevant, psychologically speaking, to the aesthetic appreciation of natural environments? How ought we to aesthetically appreciate natural environments? What is the relationship between nature aesthetics and environmental ethics? In this essay, I first address in Section 2 whether theorizing about nature aesthetics is possible by challenging the non‐aesthetics view, according to which aesthetic appreciation of nature is not possible, and the relativity view, according to which (...) aesthetic appreciation of nature is possible, but it is an anything goes affair. In Section 3, I outline the core arguments for scientific cognitivism and provide objections to those arguments, making room for alternative views. In Section 4, I outline the distinction between cognitivism and non‐cognitivism and discuss the benefits of the engagement view. In Section 5, I outline the sympathetic imagination view of nature aesthetics. In Section 6, I discuss the emotions view. In Section 7, after summarizing the lessons learned from these debates, I argue for a new view— Enacting Nature's Value— which proposes that we need to rethink nature aesthetics in terms of an enactivist account of aesthetic agency according to which the aesthetic appreciation of nature is a skilled action. In Section 8, I close by considering four future directions for nature aesthetics in the second generation of inquiry. (shrink)

Martha Nussbaum's Poetic Justice undertakes a defense of the novel by showing it to develop the sympathetic imagination. Three parts of her argument come in for criticism, with implications for other such political defenses. Nussbaum sometimes interprets the imagination practically, sometimes theoretically; the two forms have different effects on deliberation. Nussbaum credits the novelistic tradition with fostering the imagination; her example of Hard Times interferes with establishing this general point. Nussbaum suggests an aesthetic element in literature (...) that produces its effect, but does not succeed in identifying that element so as to preserve the consequences of art while avoiding reductionism. (shrink)

This paper adopts the view promoted by early modern philosopher Adam Smith that exercises of the sympathetic imagination play an important role in supporting human sociability and ethical behaviour. It argues that such exercises have potential to significantly change the way in which privileged racial identities relate to marginalised and devalued racial identities. First, the paper draws on Sally Haslanger’s reflections upon her lived experience of transracial parenting to illustrate how sympathetic identification with the experiences of a (...) differently racialized individual can transform the way in which we relate to entire racial groups. Haslanger’s account demonstrates the potential for exercises of the sympathetic imagination to disrupt the way in which we experience our own embodiment, and to generate a form of knowledge that implicates our sense of self and will to act. Second, the paper discusses some limitations of appealing to sympathy as a social resource in less intimate contexts. This discussio... (shrink)

The sympathetic and negative emotions triggered in and by aesthetic experiences are among the enduring explanatory needs of reception aesthetics. Kant may have found a plausible formula for the intellectual pleasure of artworks in the free play of the powers of imagination. But it might be too intellectualistic to explain the aesthetic experience of music or immersive films. In English-language aesthetics, it has been discussed for decades as the paradox of fiction, why we are scared, for instance, in (...) horror movies at all, even though we know that there is no real danger. The lecture seeks answers to these questions in the intentionality of the mind and the imagination. (shrink)

In The New Religious Intolerance, Martha Nussbaum addresses rising intolerance and fear of difference in contemporary societies. She suggests overcoming these issues through ethical consistency, equality, and the cultivation of sympathetic imagination. Nussbaum views this imaginative engagement as a form of civic friendship essential for societal transformation. However, we argue that her concept of civic friendship is problematic. First, Nussbaum's criteria do not suffice to define friendship. Second, this thin concept of civic friendship is unlikely to achieve the (...) societal transformation Nussbaum envisions. We propose developing a more substantive account of civic friendship. This paper aims to create an Aristotelian account of civic friendship within a capabilitarian framework compatible with contemporary, plural societies. (shrink)

This essay argues that muthos in the broad sense of “story” or “narrative” is essential to a philosophical understanding of the roots of justice and injustice within the soul. I examine the use of narrative in two different contexts: the tale of the Gygean ring of invisibility that Glaucon tells in Plato's Republic, and the parable of Agnes and the Merman in Søren Kierkegaard's Fear and Trembling. These two muthoi make possible a direct, inner experience of the fundamental difference between (...) just and unjust souls. They guide us to the insight that the capability of radical injustice is rooted in the absence of the very powers of sympathetic imagination and intellect that unlock their meaning. Because the deepest insights of these Platonic and Kierkegaardean texts come to light only through the interpretation of a story, they cannot be communicated in the “nonmythical” form of logos or philosophical argument alone. (shrink)

Can a good man do evil things? This paper offers a moral philosophical reading of Hilary Mantel’s novels Wolf Hall and Bring up the bodies, focusing on Mantel’s fictional portrayal of Thomas Cromwell as a good person, in spite of his growing involvement in the dirty work of Henry VIII. The narrative resists interpretations of Cromwell as someone corrupted by power. It also thwarts attempts to read his deeds as results of a deficient capacity for sympathetic imagination, which (...) has been a focalized moral flaw in contemporary moral philosophical discussions of literature. By thus resisting moralized readings of his character, the novels invite intensified attention to the complex dynamics of character and circumstance. (shrink)

This chapter contains sections titled: Education: Development and Self‐Development Two Senses of Education Further Reading.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Religion and Faction in Hume’s Moral Philosophy by Jennifer A. HerdtJames FieserJennifer A. Herdt. Religion and Faction in Hume’s Moral Philosophy. Studies in Religion and Critical Thought 3. Cambridge: Cambridge University Press, 1997. Pp. xv + 300. Cloth, $59.95.Jennifer A. Herdt’s book, Religion and Faction in Hume’s Moral Philosophy, is a study of Hume’s notion of sympathy. It is not, however, just an analysis of the psychological mechanism (...) of sympathy as expounded in Books II and III of the Treatise. For Herdt, sympathy plays a crucial role in Hume’s vision of how to combat many social ills, especially the effects of religious fanaticism, and Hume self-consciously drew on the notion of sympathy to secularize discourse about morality and social responsibility. Awareness of Hume’s use of sympathy illuminates Hume’s critique of religion and it also casts new light on the philosophical merits of Hume’s History. Herdt notes that, according to most Hume commentators, Hume’s attacks on religion were driven by epistemological problems arising from attempts at rationally justifying religion. According to Herdt, though, the unfortunate effects of religion on society more directly motivated Hume’s religious critique. Hume exposes these effects in his History, and offers sympathy as an antidote to religious fanaticism. Hume is not merely a vocal philosophical critic of religion, but he is also a social reformer attempting to advance peace and prosperity in Scotland.The key to Herdt’s interpretation is Hume’s distinction between limited and extensive sympathy (T 384–389). Briefly, for Hume, the degree to which I sympathetically commiserate with you hinges on both the degree of your misery and my relation to you. Herdt refines Hume’s notions of sympathy, distinguishing between active/passive sympathy, occurrent/dispositional sympathy, weak/strong sympathy, the sympathetic understanding, and the sympathetic imagination. In essence, there are both bad and good social aspects of the various types of sympathy. A bad social aspect is when sympathy is only a superficial emotional contagion, which can even breed religious fanaticism. The principal good social aspect is when sympathy becomes more generalized and gives rise to a sense of concern for the well-being of others. Herdt’s refinement of Hume’s sympathy vocabulary is both textually justified and an important aid in understanding the various technical senses of sympathy especially in Hume’s Treatise. Herdt argues that, after the moral Enquiry, Hume’s use of the term “sympathy” diminished, and when he did use it he meant it mainly in the sense of limited sympathy. Herdt believes, though, that the fundamental conception of extended and general sympathy is a running theme in the History.Hume’s later use of the term “sympathy” is not quite as diminished as Herdt contends. By consulting a text file database of Hume’s writings, we can quickly spot the frequency with which Hume used both the term “sympathy” and the related word “compassion”: Treatise: sympathy (150), compassion (8), First Enquiry: sympathy (6), Second Enquiry: sympathy (26), compassion (9), “Of Tragedy:” sympathy (4), compassion (6), “Dissertation on the Passions:” sympathy (3), compassion (8), Natural History of Religion: sympathy (3), History: Sympathy (25); compassion (54). Additionally, about twelve of Hume’s essays contain one or two occurrences each of either the words “sympathy” or “compassion.” Examination of the various occurrences of these terms shows that Hume [End Page 170] sometimes had in mind a technical notion of sympathy and other times a colloquial notion. The technical notion typically makes a psychological point, such as the discussion at T 384–389. We find the technical notion largely in the Treatise and the Moral Enquiry, with more isolated discussions in the Natural History of Religion, “Of Tragedy,” the “Dissertation on the Passions,” and a letter to Adam Smith on July 28, 1759.By contrast, Hume’s more colloquial uses of “sympathy” and “compassion” usually appear alongside other terms, such as fellow-feeling, cordial affection, humanity, friendship, mutual attachment, and fidelity. The colloquial use is also sometimes designated in the phrases “sympathy of manners” and “sympathy of character.” Hume’s use of the terms “sympathy” and “compassion” in the History are virtually all... (shrink)

I question whether the case for “literary cognitivism” has generally been successfully made. As it is usually construed, the thesis is easy to satisfy illegitimately because dependence on fictionality is not built in as a requirement. The thesis of literary cognitivism should say: “literary fiction can be a source of knowledge in a way that depends crucially on its being fictional” (Green’s phrasing). After questioning whether nonpropositional cognitivist views (e.g., Nussbaum’s) meet this neglected standard, I argue that if fictional narratives (...) can impart propositional knowledge in virtue of their fictionality, it would be largely via a suppositional framework. Yet in many cases, such as Huxley’s Brave New World, the key literary supposition could simply be an epistemic possibility (‘suppose X, which for all we know, occurs sometime’), not counterfactual supposition, that is, distinctively fictional supposition. The best general case for literary cognitivism may be the limited one that literary fiction can alert us to nonactual metaphysical possibilities that may be important for understanding actuality. Yet even here, seemingly possible fictions are often impossible. (shrink)

Alessandra Tanesini’s insightful paper explores the moral and epistemic harms of arrogance, particularly in conversation. Of special interest to her is the phenomenon of arrogance-induced silencing, whereby one speaker’s arrogance either prevents another from speaking altogether or else undermines her capacity to produce certain speech acts such as assertions. I am broadly sympathetic to many of Tanesini’s claims about the harms associated with this sort of silencing. In this paper I propose to address what I see as a lacuna (...) in her account. I believe that the arrogant speaker can put those he silences in the morally outrageous position in which their own silence contributes to their oppression. While nothing in Tanesini’s account would predict or explain this, the wrinkle I propose will aim to do so in a way that is in the spirit of her account. To do so, I will need to expand the focus of discussion: instead of concentrating on silencing, I will consider the phenomenon of silence. When one is silent in the face of a mutually observed assertion, one’s silence will be interpreted by others. I argue that under certain widespread conditions, a hearer’s silence in the face of the arrogant speaker’s assertions is likely to be falsely interpreted as indicating her assent to the assertion, and such an interpretation of the hearer’s silence will bring new harms in its wake—in particular, harms to the hearer who was silenced, and also harms to the community at large. When we combine these new harms with the ones Tanesini identified in her paper, we reach the further conclusion that the harms of silencing are potentially far worse than many have imagined. (shrink)

ABSTRACT In this article, the first author provides a summary and translation from the Latin of an important early medical lecture on vampires by Nils Retzius. The lecture was delivered in Sweden, at Lund University, in 1737, and was published almost immediately thereafter. This important text has been overlooked by modern scholars of vampires. This article will bring the lecture back into circulation in its first English translation. The second author then offers an analysis of the intellectual background to this (...) rational debunking of vampires. He demonstrates how Retzius’s attempt at a comprehensive rational explanation for vampires, typical of much Enlightenment thinking, nevertheless employs a fusion of Galenic medical thinking with more modern medical and psychosomatic notions of medicine, as well as certain Lutheran notions concerning the devil and the spirit world. His argument scotches the belief in the idea of sympathetic magic affecting the dreams of the living, while emphasising the psychosomatic effects of the imagination on the physical body. (shrink)

This article defends Richard Titmuss''s argument, and PeterSinger''s sympathetic support for it, against orthodoxphilosophical criticism. The article specifies thesense in which a market in blood is ``dehumanising'''' ashaving to do with a loss of ``imagined community'''' orsocial ``integration'''', and not with a loss of valued or``deeper'''' liberty. It separates two ``domino arguments''''– the ``contamination of meaning'''' argument and the``erosion of motivation'''' argument which support, indifferent but interrelated ways, the claim that amarket in blood is ``imperialistic.'''' Concentrating onthe first domino (...) argument the article considers theview that monetary and non-monetary meanings of thesame good can co-exist given the robustness of certainkinds of relationship and joint undertakings withinwhich gifts can figure. It argues that societalrelationships are vulnerable or permeable to theeffects of the market in a way that those constitutiveof the personal sphere are not.General, more broadly political questions remainunanswered but the core of Titmuss''s original andchallenging argument remains and can be presented ina defensible form. (shrink)

Part travelogue, part meditation, _Abuses_ is a bold exploration of central themes in Continental philosophy by one of the most passionate and original thinkers in that tradition writing today. A gripping record of desires, obsessions, bodies, and spaces experienced in distant lands, Alphonso Lingis's book offers no less than a new approach to philosophy—aesthetic and sympathetic—which departs from the phenomenology of Levinas and Merleau-Ponty. "These were letters written to friends," Lingis writes, "from places I found myself for months at (...) a time, about encounters that moved me and troubled me.... These writings also became no longer my letters. I found myself only trying to speak for others, others greeted only with passionate kisses of parting." Ranging from the elevated Inca citadel of Machu Picchu, to the living rooms of the Mexican elite, to the streets of Manila, Lingis recounts incidents of state-sponsored violence and the progressive incorporation of third-world peoples into the circuits of exchange of international capitalism. Recalling the work of such writers as Graham Greene, Kathy Acker, and Georges Bataille, _Abuses_ contains impassioned accounts of silence, eros and identity, torture and war, the sublime, lust and joy, and human rituals surrounding carnival and death that occurred during his journeys to India, Bangladesh, Thailand, Bali, the Philippines, Antarctica, and Latin America. A deeply unsettling book by a philosopher of unusual imagination, _Abuses_ will appeal to readers who, like its author, "may want the enigmas and want the discomfiture within oneself.". (shrink)

First published in French in 1907, Henri Bergson's L'évolution créatrice is a scintillating and radical work by one of the great French philosophers of the nineteenth and twentieth centuries. This outstanding new translation, the first for over a hundred years, brings one of Bergson's most important and ambitious works to a new generation of readers. A sympathetic though critical reader of Darwin, Bergson argues in Creative Evolution against a mechanistic, reductionist view of evolution. For Bergson, all life emerges from (...) a creative, shared impulse, which he famously terms élan vital and which passes like a current through different organisms and generations over time. Whilst this impulse remains as forms of life diverge and multiply, human life is characterised by distinctive form of consciousness or intellect that is modelled upon how objects or parts of objects are juxtaposed in space. Yet as Bergson brilliantly shows, the intellect's fragmentary and action-oriented nature, which he likens to the cinematograph, means it alone cannot grasp nature's creativity and invention over time. A major task of Creative Evolution is how to reconcile these two elements. For Bergson, the answer famously lies in intuition, which brings instinct and intellect together and takes us "into the very interior of life." A work of great rigour and imaginative richness that contributed to Bergson winning the Nobel Prize for Literature in 1927, Creative Evolution played an important and controversial role in the trajectory of twentieth-century philosophy and continues to create significant discussion and debate. The philosopher and psychologist William James, who admired Bergson's work, was writing an introduction to the first English translation of the book before his death in 1910. This new translation includes a foreword by Elizabeth Grosz and a helpful Translator's introduction by Donald Landes. Also translated for the first time are additional notes, articles, reviews and letters on the reception of Creative Evolution in biology, mathematics and theology. This edition includes fascinating commentaries by philosophers Maurice Merleau-Ponty, Georges Canguilhem, and Gilles Deleuze. (shrink)

In 1890 C. S. Peirce wrote a review of A. C. Fraser’s recent book on Locke, published to coincide with the bicentennial of Locke’s Essay. Peirce remarked that “Locke’s grand work was substantially this: Men must think for themselves, and genuine thought is an act of perception…. We cannot fail to acknowledge a superior element of truth in the practicality of Locke’s thought, which on the whole should place him nearly upon a level with Descartes.” This estimate of Locke was (...) not the common opinion in England during the nineteenth century. This opinion was reflected in Fraser’s book which, Peirce remarked, could not “be said to be a sympathetic account of [Locke]. The biographer seems to see no charm in his hero, and is perpetually speaking of his want of imagination; which only means he was not given to unpractical dreaming.” Locke had his knowledgeable critics and defenders—for instance Dugald Stewart and John Stuart Mill—but the common opinion ranged from extreme hostility and contempt to condescending criticism of isolated minor points. His style was deplored, his philosophy was called unoriginal and a mere unacknowledged plagiarism of Gassendi and Hobbes; he was said to have so thoroughly misunderstood Descartes that he had merely repeated him with new errors; he was said to owe his philosophical reputation entirely to his advocacy of the popular argument for political freedom or merely to the intellectual circumstances of his time; he was held accountable for Condillac’s rejection of reflection and reason; he was knocked down with a few bare sentences loosely drawn from Leibniz; he was said to have made the mind a puny, passive, mechanical thing. He was called a sensualist, a materialist, a sceptic, an atheist, and a utilitarian though at the same time—and not without contradiction—he was generally, especially by his critics, styled a “great lover of truth,” a plain and simple, well-meaning and religious man. To the nineteenth century Locke meant the Essay, and the history of the Essay was in large measure the history of modern thought, of the eighteenth century. Precisely for this reason there was something nearly sinister about him, in spite of his good personal character. “Locke, himself a clear, humble-minded, patient, reverent, nay, religious man,” said Carlyle, “had paved the way for banishing religion from the world.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Cartesian Skepticism from Bare PossibilityRobert WachbritIn making his case for skepticism, Peter Unger offers the following exotic case as one which “conforms to a familiar, if not often explicitly artic-ulated pattern or form” of skeptical reasoning: 1 imagine that there is an evil scientist who deceives subjects into falsely believing that there are rocks. Living in a world bereft of rocks, he induces belief in their existence using electrodes (...) implanted into the appropriate parts of the subjects’ brai ns, protoplasm, or systems through which he sends patterns of electrical impulses in accord with his deceptive designs. Unger then offers the following argument, which is supposed to instantiate the pattern or form of this kind of skeptical reasoning:If you know that there are rocks, then you can know that there is no such scientist doing this to you. But no one can ever know that there is no evil scientist who is, by means of electrodes, deceiving him into falsely believing there to be rocks. So... you never know that there are rocks. But of course we have chosen our person, and the matter of there being rocks, quite arbitrarily, and this argument... may be generalized to cover any external matter at all. From this, we may conclude... that nobody knows anything about the external world. 2After presenting this case and articulating its form, Unger claims that “this argument is the same in form as the ‘evil demon’ argument in Descartes’s [End Page 109] Meditations; it is but a more modern, scientific counter-part, with its domain of application confined to matters concerning the external world.” He then proceeds to describe Descartes’s argument as “the most compelling sceptical argument the phil osophical literature has to offer,” calling it in fact “the classical argument for scepticism.” 3These claims may seem a little bit surprising; for it is not obvious, even from the most careful attention to the text, that what is written about the evil demon in the First Meditation constitutes a skeptical argument at all, and the scholarly literature is generally, and perhaps surprisingly, quite confusing about just what is going on at the end of the First Meditation. Further, rather than being exceedingly compelling as Unger thinks, arguments of this form are not only assiduously avoided by Descarte s during his descent into skepticism but are in fact, as I shall argue with some help from Descartes, weak and considerably less compelling than the kind of skeptical challenges Descartes actually offers.My purpose in this paper, then, is to make two related points, one historical and the other philosophical. First, I will try to demonstrate, on the basis of both textual and critical evidence, that Descartes was not offering a (further and final) skeptica l argument when he invented his demon. I will try to exhibit some of the confusions in the scholarly literature about the text of the last three paragraphs of the First Meditation and, by so doing, support Gouhier’s position that the idea of the demon “ha s no metaphysical significance; it is purely a methodological artifice which permits doubt to continue....” 4 Second, I will show that embodied in Descartes’s rejection of this kind of skeptical reasoning is the very reason for its weakness, a weakness that should prevent it from being considered, as Unger considers it, the classical form of skeptical argument. The inventions of the First Meditation still exercise considerable hold on our philosophical imaginations. I hope to show that, at least as far as the demon is concerned, Descartes would have been surprised at some of the most conventional and entrenched scholarly interpretations given his use of it and not at all sympathetic to its employment in a skeptical argument. Lest the demon seem an old and tired subject of philosophical scrutiny, let me beg the reader’s indulgence by promising both a deeper than usual look into the text of the end of the First Meditation and some significant conclusions about Cartesian skepticism that are hardly commonplace and thus neither old nor tired. [End Page 110]I. The Textual EvidenceThe demon makes its first appearance in the last paragraph of the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Religion, Modernity, and Politics in Hegel by Thomas A. LewisVincent LloydReligion, Modernity, and Politics in Hegel THOMAS A. LEWIS Oxford: Oxford University Press, 2011. 277 pp. $135Religion, Modernity, and Politics in Hegel explicates Hegel’s account of religion and contends that Hegel offers important insights for contemporary conversations in religious studies. Specifically, Thomas Lewis argues in this book that Hegel’s thought enriches discussions regarding the relationship between philosophy and (...) religion, religious pluralism, the meaning of tradition, and the concept of religion itself.Lewis is careful and reasonable in his explication of Hegelian texts, cognizant of recent scholarship on Hegel in both English and German, but also attentive [End Page 226] to Hegel’s location in German political history and the history of ideas. The young Hegel, we learn, was primarily a social theorist and not a philosopher. Concerned with social fragmentation in the context of the late Holy Roman Empire, Hegel saw religion as a means to unify. He understood civil religion (not just philosophy or natural religion) as capable of engaging the imagination in a way that motivates people to act in line with reason and so to act morally. In Hegel’s mature thought, religion is integrated into his broader philosophical system; it is an entry point into the dialectical movement beyond immediacy. Yet Hegel continues to think that religion inculcates crucial intuitions about what matters most to us as we live together. While some philosophers have recently emphasized Hegel’s deep debt to Kant, others hold that Hegel’s account of religion demonstrates his distance from Kant. For Lewis, Hegel’s account of religion, as the entwined beliefs and practices representing a community’s sensibilities, demonstrates his close relation to Kant and his continuing struggle to bring together sensibility and understanding, worldly objects, and human thoughts.Lewis occasionally ventures beyond the explication of Hegel, although these forays sometimes feel brief and thin. Like Alasdair MacIntyre, Stanley Hauerwas, and Jeffrey Stout, Lewis presents Hegel’s view of religion as essentially mixing—or synthesizing—history, narrative, community, and identity. Lewis understands Stout to be in agreement with Hegel, extending Hegel’s account of religious tradition to include the broader array of traditions that we encounter in the contemporary world. He suggests that Hauerwas could learn to better appreciate religion’s conceptual aspect from Hegel. Hegel and MacIntyre share what might seem to be a Christian triumphalism, but Lewis reads this more sympathetically as a self-awareness that rejects relativism. They both argue that (certain versions of) Christianity can account for the insights of other worldviews and can address contradictions in those other worldviews. But MacIntyre requires that such judgments be based on deep knowledge of two traditions in a comparison; Hegel paints non-Protestant traditions with very broad strokes. Indeed, this is the point where Lewis himself is the most critical of Hegel. He charges that Hegel’s attempt to survey all major world religions (in his account of “determinate religion”) is overly ambitious, and he argues that Hegel would be more successful had he detached this survey from his argument for Christianity’s status as the “consummate religion.” Hegel’s conception of consummate religion should be understood more broadly, Lewis argues, to include nonreligious beliefs and practices, such as civic education, that reflect the spirit of a community.Lewis claims that Hegel complicates the supposed Protestant bias of religious studies scholarship with its focus on belief at the expense of practice. Although unequivocally Protestant, Hegel’s approach to religion emphasizes the inextricability of practice and belief. But what was Hegel’s approach? Was it an [End Page 227] alternative Protestant tradition? Was it a theological movement or simply a philosophical one? Further, it is unclear whether Lewis’s Hegel would find any use for religious ethics other than as an idiom for ethical reflection suited to those who are not capable of advancing to philosophical heights.Vincent LloydSyracuse UniversityCopyright © 2014 Society of Christian Ethics... (shrink)

Throughout a career spanning half a century, Stan Brakhage--the foremost experimental filmmaker in America, and perhaps the world--wrote controversial essays on the art of film and its intersections with poetry, music, dance, and painting. Published in small circulation literary and arts journals, they were gathered later into such books as Metaphors on Vision and Film at Wit's End. Beginning in 1989, and for a decade thereafter, Brakhage wrote the essays in Telling Time as an occasional column for Musicworks, a Toronto (...) quarterly. Ostensibly about the relation of film to music, they soon enlarged to explore primary concerns beyond film, including Brakhage's aesthetic theories based on the phenomenology of human cognition. In these essays he is as brilliant discussing Gertrude Stein or romantic love as he is on child psychology, astronomy, and physiology, all the while teasing out vital correspondences between the arts, and upending conventional ideas of how we perceive. His investigations of other artists are models of sympathetic intuition and generosity. Above all, he shares his theories, discoveries and understandings in the spirit of establishing a groundwork for many varieties of human liberation. His prose is filled with flashes of insight, elaborated metaphors, playful elisions, shorthand puns and neologisms, personal digressions, surprising epiphanies, leaps of faith, affronts to authority. He appeals to the imagination, and invites us to a more profound and personal experience of art. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ralegh and the Punic WarsCharles G. Salas“For he doth not feign, that rehearseth probabilities as bare conjectures....”Sir Walter Ralegh, The History of the WorldThe Secret HistoryIn 1603 Sir Walter Ralegh was judged guilty of treason and imprisoned in the Tower of London to await execution. The wait was a long one —execution did not take place until 1618—giving this artful courtier, warrior, poet, and poseur time to script new (...) roles for himself. The most memorable of these was historian, and the stage on which he performed was the entire world. Universal history had been a time-honored genre in England, but never had there been so remarkable a performance by a native son as Ralegh’s The History of the World (1614). In five books Ralegh offered to king and country his interpretation of events from Creation to 168 bc. Book V, last and lengthiest of the entire work, deals in large part with the struggle between Rome and Carthage. The story of that struggle is Ralegh’s most mature historical writing and the most revealing of himself, for when he gave up his plan to carry his history into modern times, the Punic Wars became the context for things about the present that he was loath to leave unsaid.Despite its length (about a million words) and premature ending, the History was an enormous success with a public eager to possess the meaning of it all. Oliver Cromwell particularly liked the way it followed “the strange windings and turnings of Providence”; 1 no doubt he found Ralegh’s emphasis upon the Providential control of events reassuring. For Ralegh claimed to show how “kings and kingdoms have flourished and fallen, and for what virtue and piety God made prosperous, and for what vice and deformity he made wretched both the one and the other.” 2 In fact what Ralegh showcased [End Page 195] were the acts of a vengeful, Old Testament God more concerned with punishing monarchical sins than with making monarchs prosperous, and the History was temporarily suppressed by James for being “too saucy in censoring princes.” 3If the king did not like what he saw in the History, the king’s critics did; and Ralegh, never a friend to Puritan or republican in his lifetime, became a hero to both as a pious author and victim of Stuart tyranny. Those sympathetic to the Stuarts, like Alexander Ross, Chaplain to Charles I, saw Ralegh rather differently; but the popularity of the man and his History could not be denied. Ross himself profited from that popularity by doing both an abridgment and a continuation of the History as well as Som Animadversions and Observations upon Sir Walter Raleigh’s Historie of the World. Wherein his mistakes are noted, and som doubtful passages cleered (1653). Many of these animadversions were directed at Ralegh’s treatment of the Punic Wars. Ross recognized that “mistakes” and “doubtful passages” there formed a pattern: “Sir Walter cannot look upon the Roman Glorie with but a squint eye”(8), he complained. But did he also recognize the reason for that squint eye, that Ralegh kept one eye on the past and the other on the present? That many of those “doubtful passages” were in fact strategic elements in a campaign (based on parallels) against Rome, against James, and against James’s ministry? Had this been obvious to Ross, he still would not have said so. Writing under Cromwell, he could no more afford to complain explicitly about abuse of James than Ralegh, writing under James, could afford to make the abuse explicit.Parallels—implicit or imagined—are part and parcel of Ralegh’s providentialism. In brief: God controls events, God does not change, events do not change. This is not to say that Ralegh believed that God’s control was transparent, that God couldn’t change, or that free will did not exist. Ralegh did not solve the great problems of theology. 4 What he is sure about is that the same sins continue to be punished just as they have always been: “So also hath God punished the same and the like sins in all after-times, and... (shrink)

This paper seeks to reconsider the value and meaning of eschatology in light of and with the hope of contributing to feminist theological discussions. More specifically, it pays heed to the work that feminist theologians have done to expose the patriarchal heart of many traditional Christian eschatological imaginings. Alongside this, it also charts an appreciation of alternative ideas offered by feminist theologians: primarily that of a sympathetic God who exercises power-in-relationship with creation in the here and now. However, in (...) an attempt to both synthesize and add to these two theological fields, I suggest that eschatology can embrace both the sympathetic God-with-creation, and the finally redemptive God-for-creation. Ultimately, this means that feminist theology does need the future, and a particularly eschatological future, in order that the God of relationality is able, and enables creation, to experience relationality in full. (shrink)

This paper introduces the philosophy of Grace Andrus de Laguna in order to renew interest in it. I show that, in the 1910s and 1920s, she develops ideas and arguments that are also found playing key roles in the development of analytic philosophy decades later. Further, I describe her sympathetic, but acute, criticism of pragmatism and Heideggerian ontology, and situate her work in the tradition of American, speculative philosophy. Before 1920, we will see, de Laguna appeals to multiple realizability (...) to undermine reductionism in science, to support perspectival, scientific realism and, with help from a private language argument, to favour the view that mental states are classified by behavioural, teleological roles over what came to be called ‘type physicalism’. Her view of speech, mostly developed in the 1920s, tells us that its primary role is coordinating group behaviour rather than expressing thoughts. Belief is understood in terms of its causal role, including its causal relations to other kinds of mental states, when coordinating group behaviour. Thought is similarly understood. In developing her theory of mind, de Laguna rejects the pragmatist claims that belief can be reduced to dispositions to behaviour and that thought’s function is to address specific, rather than general, problems. She also favours meaning holism and rejects the analytic–synthetic distinction. In later work, de Laguna argues that individuals’ activity of self-maintenance brings universals, conceived of as irreducible potentialities, into being and makes them increasingly determinate. Further, she identifies the existence of all individuals with forms of self-maintenance and takes the existence of people to include maintenance of the cultural world. Such a unified treatment of existence, she holds, permits making its evolution intelligible. Heidegger’s view of being is rejected for not permitting this. All de Laguna’s work, we will see, fits a vision of philosophy as the systematic, imaginative and naturalistic examination of being as well as a source of criticism of science. (shrink)

Notes on Sontag is a frank, witty, and entertaining reflection on the work, influence, and personality of one of the "foremost interpreters of... our recent contemporary moment." Adopting Sontag's favorite form, a set of brief essays or notes that circle around a topic from different perspectives, renowned essayist Phillip Lopate considers the achievements and limitations of his tantalizing, daunting subject through what is fundamentally a conversation between two writers. Reactions to Sontag tend to be polarized, but Lopate's account of Sontag's (...) significance to him and to the culture over which she loomed is neither hagiography nor hatchet job. Despite admiring and being inspired by her essays, he admits a persistent ambivalence about Sontag. Lopate also describes the figure she cut in person through a series of wry personal anecdotes of his encounters with her over the years. Setting out from middle-class California to invent herself as a European-style intellectual, Sontag raised the bar of critical discourse and offered up a model of a freethinking, imaginative, and sensual woman. But while crediting her successes, Lopate also looks at how her taste for aphorism and the radical high ground led her into exaggerations that could do violence to her own common sense, and how her ambition to be seen primarily as a novelist made her undervalue her brilliant essays. Honest yet sympathetic, Lopate's engaging evaluation reveals a Sontag who was both an original and very much a person of her time. (shrink)

This article responds to Richard Kilminster’s critique of my earlier article published in Philosophy of the Social Sciences (2014), which raised questions about the status and limits of Norbert Elias’s sociology of knowledge. The article takes issue with Kilminster’s claim that the earlier piece identified “fatal” flaws in Elias’s approach and aimed at re-asserting philosophical authority over the social sciences. It is argued that, on the contrary, the earlier article was broadly sympathetic to Elias’s visions of both the sociology (...) of knowledge and of the social sciences more generally. However, some of the concepts that Elias regarded as central to these, especially the key notion of “social processes,” are highly problematic, and others have been superseded by more recent developments. This article also defends the need for “under-laboring” within the social sciences, arguing that it does not carry the kinds of connotations that Kilminster imagines. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Will to Nothingness: An Essay on Nietzsche's by Bernard ReginsterRobert GuayBernard Reginster, The Will to Nothingness: An Essay on Nietzsche's On the Genealogy of Morality New York: Oxford University Press, 2022. viii + 202 pp. isbn: 978-0-19-886890-3. Cloth, $80.00.One might imagine making a rough division between two different modes of modern European philosophy. In one, the way that the world seems to proceed belies the actual ground (...) of things; the task of philosophy is to uncover the sources of our misunderstanding and identify the categories that account for genuinely real processes. The other mode of philosophy questions the determinacy and stability of the categories through which we make sense of the world. Here the task of philosophy is not to settle on the right categories or the actual ground, but to gain some purchase on our confusions and self-deceptions when we try to make sense of things. There may be some philosophers (Hegel and Wittgenstein, perhaps) who try to straddle the divide here. But in general the divide is great enough that if an interpreter mistakes one mode for the other it would be costly: no matter how circumspect the particular claims are, all the interpretive results will be misguided. Something like this, I want to claim, is the case with Bernard Reginster's The Will to Nothingness.There are many detailed discussions in Reginster's book. For the purpose of this review, however, I want to focus on the general critical argument, [End Page 104] in part because there is already at least one excellent review of the book (Mark Migotti's in Notre Dame Philosophical Reviews, June 1, 2022), and in part because I think it goes wrong at the level of its entire approach. On Reginster's account GM is composed of a series of "psychological studies" (3) of a version of Christian morality and its central aspects. These psychological studies treat moral judgments as symptoms of affective states, and in this way uncover the functional role that moralities play in the affective lives of agents. Moralities are "designed" (12), as it were, for emotional regulation. Christian morality, in particular, expresses the ressentiment of those beset by feelings of impotence and serves their will to power. Genealogical critique proceeds by uncovering the actual function of morality and then showing how well (or rather poorly) morality fulfills its proper function. Moral beliefs are supposed to enhance the agents' feeling of power, but instead work to sicken and enervate them, and indeed morality "incites" (46) such a pernicious functioning.While I am sympathetic to the idea that genealogy offers a functional assessment of morality, I think that Reginster has taken the wrong approach here. So now I want to draw a broad contrast between Reginster's approach and an alternative one, and then offer six sets of reasons for favoring the alternative approach.On Reginster's account, Nietzsche is interested in specifying and analyzing a precise conception of morality, with all of its attendant normative judgments, metaethical commitments, characteristic beliefs about moral psychology, and so on. These features were all, as constitutive of the morality in question, familiar to the believers in that morality. The purpose, then, of a historical account of origins is to give a unitary explanation for the adoption of the morality in terms of a single underlying affective condition and drive. Agents adopt moralities because, whether they realize it or not, holding moral beliefs facilitates a form of emotional self-regulation. To criticize these beliefs Nietzsche makes a sort of inverted teleological argument. He identifies the essential function of the beliefs and shows that they work against the fulfillment of their own function.Here, by contrast, is a different way of thinking about what Nietzsche is doing. He is not interested in explaining the moral beliefs of reflective, fully developed agents. Instead, he wants to explain how the semantic resources that contribute to morality could have become available at all. The puzzle, for Nietzsche, is how the basic terms of morality could ever even seem to make sense. So the historical account of genealogy is meant to suggest [End Page 105] social... (shrink)