Inoperative Learning draws upon the movement towards a weak philosophy that is currently gaining ground in educational philosophy: this weak philosophy does not offer a set of solutions or guidelines for improving educational outcomes, but rather renders assumptions about the theory-practice coupling that is so popular in contemporary education inoperative. By arguing that such logic reduces education to merely instrumental ends, which can only be assessed in terms of predefined measurement tools, this book presents a challenge to contemporary notions of (...) education as learning. There are various forms of inoperative education that temporarily suspend the goal-directedness of learning. From the perspective of learning, the neutralization of progress, growth, and maturity would usually be seen as obstacles needing to be overcome on the path toward set goals. Yet Lewis argues that a serious investigation of inoperativity opens up possibilities that would be otherwise unavailable in a world fixated on the question of learning. In dialogue with philosophers (Agamben, Benjamin, and Esposito), as well as authors (Kafka and Walser), and qualitative researchers (Lather), Lewis turns our collective attention to what remains when concepts such as learning, child development, teacher effectivity, and personal growth are left idle. Inoperative Learning presents a radical rewriting of educational possibilities. It should therefore be of great interest to educational researchers and educational philosophers concerned with the question of alternative logics of education beyond learning. The book may also be of interest to educational policy specialists who are looking for new and innovative forms of critique and analysis. (shrink)

A collection of five essays of French philosopher Nancy, originally published in 1985-86: The Inoperative Community, Myth Interpreted, Literary Communism, Shattered Love, and Of Divine Places.

The aim of this article is to follow Honig's intention of thinking inoperativity as a form of refusal. It demonstrates that Agamben's inoperativity entails an intensification of use that can circumvent the pitfalls associated with the language of 'demands,' or the need to rescue the city as the space of the political par excellence, all while preserving its potential for instituting change. I claim that all destitution entails instituting practices and forms of experimentation that modify the subject, and (...) that, with the help of Agamben, subjects are nothing other than these modifications. The wager of this short intervention, therefore, is that a form of refusal that pays critical attention not only to the suspension but also to the intensification of use that this suspension inherently entails is attainable, all while acknowledging that the city is shaped by anti-blackness. (shrink)

Abstract:Giorgio Agamben has recently expanded upon the positive and immanent potential of his archaeology of biopolitics from the perspective of inoperativity rather than work as the fundamental ontologico-political problem today. In doing so, he teases out an inoperative praxis and poetics that consists in deactivating human institutions, functions, and operations based on the metaphysical paradigm of sovereignty, all the while opening them to new possible uses. Though Agamben insists on the uncharted trajectory of his research, I argue that it (...) closely resembles other approaches to inoperativity (or désœuvrement) undertaken by a loose filiation of French-language writers from which he departs, notably including Georges Bataille, Maurice Blanchot, Jean-Luc Nancy, and Achille Mbembe. Whereas Agamben's theory of inoperativity emphasizes a certain mode of destituent potential and use in view of the coming politics, these writers affirm the excess of finitude as a resource for refusal that animates literary and artistic creation at a distance from politics. Nevertheless, I contend that the effort of reading together the divergent formulations of inoperativity from Bataille to Agamben maps a more capacious theoretical and methodological framework for situating the dual tasks of abolishing sovereignty and improvising nonsovereign ways of doing and being in common. Their elucidations of the ethical and literary-aesthetic spheres of inoperativity in particular affirm the demands of freedom, resistance, and justice heard in nonsovereign forms of common life and shared finite existence. (shrink)

This essay argues that Kant's explanation of the purposiveness-without-a-purpose of beauty (in the third Critique) can help to make sense of Nancy's theory of the inoperative community.

In The Inoperative Community Jean-Luc Nancy suggests that his conception of speech as the cornerstone of community can be likened to the image of two Inuit women engaging in traditional vocal games (katajjaq). This article (1) elucidates this connection through the analysis of ethnographic and ethnomusicological data on katajjaq; (2) shows how the similarity of this image to that of two resonating lyres present in the works of the Renaissance philosopher Marsilio Ficino can be used to understand Nancy’s political philosophy (...) as a discussion with the (neo)platonic tradition of harmony, to which Nancy opposes his own concept of resonance. (shrink)

This article takes as its point of departure Maurice Blanchot's pairing of Marguerite Duras and Jean-Luc Nancy in The Unavowable Community, and reads India Song, a film by Duras, through Nancy's work on community. Just as Nancy articulates a thinking of community in terms of touch, so Duras develops her own filmic vocabulary of touch to examine questions of being-with, exposure, love and sacrifice against the background of a negative model of community. The article argues that the figure of touch (...) in India Song, both between bodies onscreen and between viewer and film, becomes central to the film's engagement with issues of community, finitude and the political. (shrink)

The article presents a conception of the end of history, developed on the basis of Giorgio Agamben’s critical engagement with Alexandre Kojève’s reading of Hegel. Departing from Agamben’s concept of inoperosity as an originary feature of the human condition, we argue that the proper or ‘second’ end of history consists not in the fulfilment of its dialectical process but rather in the radical interruption of the dialectic that terminates the teleological dimension of social praxis. Introducing the figure of the ‘workless (...) slave’ into the scenario of the Master—Slave dialectic, the article demonstrates how the dialectic of history may be ended in a non-dialectical fashion through inoperative praxis that subtracts itself from the struggle for recognition. In the conclusion, the implication of this reading of the end of history for the understanding of Agamben’s ‘coming politics’ is addressed. (shrink)

This essay compares the poetic and political theories of contemporary philosopher Giorgio Agamben with the poetry of Wallace Stevens in order to outline a dynamic of ‘inoperativity’ that foregrounds the intimate relationship between language, form and an existential expression of possibility. Through a reading of Stevens’s prose essays and poetry, I demonstrate how Agamben’s reconceptualization of potentiality as a power kept in a non-relational relationship towards its formal realization can be mapped onto the self-conscious articulations of Stevens’s poetic speakers (...) who employ poetic tropes and forms only to question and expose their claims to truth and foundationality. Rather than follow a tradition of poststructuralist readings of Stevens’s destabilizations, I argue for a framework of ‘inoperativity’ that preserves Stevens’s poetic attitude towards life, while showing how his emphasis on potentiality delineates an imaginative vigour that brings the poetic self into renewed attunement with his or her environment. (shrink)

_ Source: _Volume 47, Issue 1, pp 108 - 123 The following paper addresses itself to the question of ontology in the work of Jean-Luc Nancy. In so doing it attempts to read Nancy’s ontological project as a project of the deconstruction of structural forms of political violence. To this end, Nancy’s notion of “inoperative community” is brought into dialogue with Benjamin in order to show how, in Nancy’s work, ontology operates not as the refusal of critique, but as its (...) very condition. (shrink)

“According to the principle by which it is only in the burning house that the fundamental architectural problem becomes visible for the first time, art, at the furthest point of its destiny, makes visible its original project.” The Italian philosopher Giorgio Agamben, in the final sentence of his book The Man Without Content (L'uomo senza contenuto), just quoted, compares the current state of art to a burning house. At the same time, he points out that precisely at this moment of (...) absolute crisis, we can regain sight of the original stakes of art. Man Without Content, Agamben's most explicit contribution to the philosophy of art, is his debut. The book was first published in 1970 and reissued in 1994. Almost 35 years later, in 2014, he published the collection of essays Il fuoco e il racconto, which was recently translated into English under the title The Fire and the Tale. Although Agamben often focuses on literature in this collection of stand-alone essays, it can be read as a further elaboration of his philosophy of art. This philosophy of art can be summarized as a poetics of inoperativity, which at the same time implies a certain politics. To figure out how to understand Agamen's philosophy of art, this review will place this poetics in the broader framework of The Man Without Content. (shrink)

Within educational philosophy and theory, there has been an international re-turn to envision study as an alternative formation to disrupt the defining learning logic. As an enrichment, this paper articulates “Daoist onto-un-learning” as an Eastern form of study, drawing upon Roger Ames’s interpretation of the ancient Chinese correlative cosmology and relational personhood thinking. This articulation is to dialogue with the conceptualizations of study shared by Giorgio Agamben, Derek Ford, and Tyson Lewis, and unfolds in three steps. First, I examine how (...) their conceptualizations of study constrain the studier-doing-study logic as a commonsensical expression of “foundational individualism” and anthropocentric disordering. Second, re-invoking the ancient Chinese wisdom, I envision “Daoist onto-un-learning” as a non-individualistic and non-anthropocentric form of study, re-configuring study and learning no longer as two disparate, if not necessarily oppositional, formations but into a Daoist bipolar yin-yang movement. Finally, I story-tell my doctoral research experience as a Daoist onto-un-learning journey, a spiralling learning-study movement, to unpack the ways it suspends and overturns the modern-Western trap/trope of anthropocentric-foundational individualism. In so doing, this paper further internationalizes and supplements the current study scholarship in relation to learning in a way so-far hardly explored yet cross-culturally provocative. (shrink)

In this essay, I argue that the work of Giorgio Agamben provides us with a theory of studious play which cuts across many of the categories that polarize educational thought. Rather than either ritualized testing or constructivist playfulness, Agamben provides a model of what he refers to as studious play—a practice which suspends the logic of both ritual and play. In order to explore this notion of studious play, I first articulate Agamben’s fleeting remarks on the topic with an important (...) problematic found in his early, literary work: transmission. If ritual transmits cultural traditions to ensure continuity with the past, and play as constructivist invention makes such transmission impossible, then studious play transmits transmissibility itself as a pure potentiality. Studious play accomplishes this peculiar educational task by suspending without destroying traditional things: laws, signs, and so on. I end the essay with a consideration of the ontological status of suspended things, arguing that they are transformed into toys via the action of study. Finally, I give a literary example of studious play found in Robert Walser’s novel Jakob von Gunten in which the school itself is imagined to be a kind of toy. (shrink)

Jean-Luc Nancy’s conception of the ‘inoperative community’ is one of the most original attempts in recent memory to develop a theory of the political that addresses contemporary concerns for difference and singularity. In this paper, I will argue that despite the deep rapprochement between Nancy and Heidegger, Nancy’s insistence upon the connection between community and singularity allows him to twist free from the more duplicitous features of his Heideggerian heritage. In contrast with Heidegger, Nancy interprets the political significance of finitude (...) with reference not to the work of a people, but, instead, to the finitude of singular beings that we encounter in our exposure to the death of others. From Nancy’s interpretation emerges a view of community that resists, or, as he puts it, unworks all tendencies toward totalitarian politics. (shrink)

In The Disavowed Community, Jean-Luc Nancy presents a critique of his seminal 1983 essay “The Inoperative Community.” According to Nancy, his error in attempting to derive a politics from Maurice Blanchot’s concept of unworking lay in conflating politics and ontology. This paper suggests that Nancy’s self-critique is only partially correct. The problem ultimately resides in the theory of unworking itself, I argue, not its misapplication. In pursuing this contention, I trace out the tacit response to the exchange between Nancy and (...) Blanchot developed in Jacques Rancière’s early writings on aesthetics. Rancière’s turn to aesthetics is best understood, I propose, as an intended corrective to Blanchot’s influence on post-Marxist theory. Focusing on Rancière’s critiques of Blanchot in Mallarmé: Politics of the Siren and Mute Speech, I show how Rancière’s rival account of modern art answers the question of non-identitarian left politics that Nancy posed in “The Inoperative Community.”. (shrink)

In the final volume of his Homo Sacer series, The use of bodies, Agamben claims that for Foucault ethics never escapes the horizon of governmentality and therefore his conception of ethics is ‘strategic.’ In light of this criticism, motivated by Agamben’s Pauline conception of ‘use,’ we reassess the status and function of ethics in Foucault’s late lectures. We investigate how Foucault’s approach to ethics develops from his treatment of liberal governmentality and also how its methodological foundation is developed in an (...) interpretation of truth-telling in Sophocles’ Oedipus Rex. Our interpretation emphasizes the ambiguous status of ethics in Foucault’s late work: on the one hand, Agamben is right that Foucault assigns an irreducible strategic function to ethics thereby connecting it intrinsically to governmentality. On the other hand, Agamben overlooks how Foucault’s interpretation of Sophocles implies a conception of governmentality which emphasizes how ethical practices cannot be captured solely in strategic terms. Foucault’s ‘anarcheological’ approach thus articulates a dimension of ethics that remains, using Agamben’s own terms, ‘ungovernable’ and therefore also genuinely creative. Even so, Foucault’s approach to ethics remains in Agamben’s perspective on the deepest level faced with an antinomy that Agamben seeks to mediate with his Pauline conception of ‘inoperativity.’. (shrink)

Creation and salvation -- What is the contemporary? -- K. -- On the uses and disadvantages of living among specters -- On what we can not do -- Identity without the person -- Nudity -- The glorious body -- Hunger of an ox : considerations on the Sabbath, the feast, and inoperativity -- The last chapter in the history of the world.

The purpose of this essay is to examine Giorgio Agamben’s important but underappreciated debts to the early German Romantics and to Hegel. While maintaining critical distance from these figures, Agamben develops crucial aspects of his approach to radical passivity with reference to them. The focus of this essay is on Agamben’s consideration of the early German Romantics’ notions of criticism and irony, Hegel’s notion of language, and the implications of this view of language for his notion of community.

While some argue that the only way to make a place for Philosophy for Children in today's strict, standardised classroom is to measure its efficacy in promoting reasoning, we believe that this must be avoided in order to safeguard what is truly unique in P4C dialogue. When P4C acquiesces to the very same quantitative measures that define the rest of learning, then the philosophical dimension drops out and P4C becomes yet another progressive curriculum and pedagogy for enhancing argumentation skills that (...) can easily be appropriated by any content area. What we want to offer in this article is a reevaluation of P4C that remains faithful to a radical kernel that we find when we do philosophy with children and young adults. To theorise the potential for P4C, we draw heavily on Agamben's work, and in particular his reflections on speech and infancy. We propose that the redemption of P4C necessitates a shift from a community of inquiry to a community of infancy. Such a community is not a community that operates according to predefined rules or standardised assessment protocols but rather is an inoperative community that is defined by letting ends idle. On our account, a community of infancy is an example of dialogic studious play that is neither ritual nor just play, thus avoiding the extreme polarities of the ritualised classrooms of high-stakes testing and the ‘ludic’ postmodern classroom of free play. What is at stake here is to preserve the last vestige of freedom within the school. (shrink)

Tracing how the logic of inoperativity works in the domains of language, law, history and humanity, 'Agamben and Politics' systematically introduces the fundamental concepts of Agamben's political thought and a critically interprets his insights in the wider context of contemporary philosophy.

Friedrich Hayek’s defense of neoliberal free market capitalism hinges on the distinction between economies and catallaxies. The former are orders instituted via planning, whereas the latter are spontaneous competitive orders resulting from human action without human design. I argue that this distinction is based on an incomplete semantic history of “economy.” By looking at the meaning of “oikonomia” in medieval providential theology as explained by Giorgio Agamben and Joseph Vogl, I argue how Hayek’s science of catallactics is itself a secularization (...) of providential theology. This exposes Hayek to three criticisms: he unjustifiably neglects the possibility of tendencies toward spontaneous disorder in free markets, he condemns the “losers” of neoliberal competition to being providential waste on the road to general prosperity, and he imposes on people the duty to consent to a neoliberal order that hinders them from cultivating their inoperativity. (shrink)

In response to the growing emphasis on learning outcomes, life-long learning, and what could be called the learning society, scholars are turning to alternative educational logics that problematize the reduction of education to learning. In this article, we draw on these critics but also extend their thinking in two ways. First, we use Giorgio Agamben and Gilles Deleuze to posit two educational logics—tinkering and hacking, respectively—that suspend and render inoperative learning logics, expectations, and evaluative metrics. Second, we argue that contemporary (...) artists and designers such as Katerina Kamprani and Grupo de Arte Callejero have much to offer educational philosophers and theorists interested in practices of suspension. In conclusion, we suggest ways in which educators can tinker with and hack into the curriculum by playing with the quintessential embodiment of learning: the test. (shrink)

This article is an attempt to bridge the gap between feminist structural explanations for rape and the social psychological mechanisms that make it possible for some men in patriarchal societies to feel neutral about sexual violence toward women. The concept of role taking is used to analyze the perceptions of self and victim held by 79 convicted rapists. Men who defined their behavior during sexual encounters as rape saw themselves from the perspective of their victim through reflexive role taking, had (...) inferred their victims' experience through synesic role taking, and used this awareness to further their plan of action. Men who did not define their behavior as rape did neither reflexive nor synesic role taking and appeared incapable of understanding the meaning of sexual violence to women. The majority of both groups did not experience role-taking emotions, that is, guilt, shame, or empathy, which symbolic interactionists posit are the mediators of self-control. I argue that the gender imbalance of power and the status of women as property are the social factors that render normative emotions inoperative in sexual violence. (shrink)

In physics, one is often misled in thinking that the mathematical model of a system is part of or is that system itself. Think of expressions commonly used in physics like “point” particle, motion “on the line”, “smooth” observables, wave function, and even “going to infinity”, without forgetting perplexing phrases like “classical world” versus “quantum world”.... On the other hand, when a mathematical model becomes really inoperative in regard with correct predictions, one is forced to replace it with a new (...) one. It is precisely what happened with the emergence of quantum physics. Classical models were superseded by quantum ones through quantization prescriptions. These procedures appear often as ad hoc recipes. In the present paper, well defined quantizations, based on integral calculus and Weyl–Heisenberg symmetry, are described in simple terms through one of the most basic examples of mechanics. Starting from probability distribution on the Euclidean plane viewed as the phase space for the motion of a point particle on the line, i.e., its classical model, we will show how to build corresponding quantum model and associated probabilities or quasi-probabilities distributions. We highlight the regularizing rôle of such procedures with the familiar example of the motion of a particle with a variable mass and submitted to a step potential. (shrink)

Among the most controversial aspects of Aristotle’s philosophy is his endorsement of slavery. Natural slaves are excluded from political citizenship on ontological grounds and are thus constitutively unable to achieve the good life, identified with the collective cultivation of logos in the polis. Aristotle explicitly acknowledges their humanity, yet frequently emphasizes their proximity to animals. It is the latter that makes them purportedly unfit for the polis. I propose to use Agamben’s theory of the anthropological machine to make sense of (...) this enigmatic exclusion and suggest a new conception of the good life and community detached from political rule. Aristotle’s distinction between humans and animals condemns slaves to bare life, but also reveals an opportunity for an inoperative form-of-life. (shrink)

Jean-Luc Nancy's phenomenology of listening makes a series of claims about the sonic/auditory nature of the subject. First among these is the claim that the subject is a subject to the extent that it is listening, that it is all ears. The subject emerges on the back of the resonance of timbre in the body and the body's becoming-rhythmic. These claims are phrased often in musical terms, or making use of terms and rhetoric from the domains of music theory and (...) music psychology. This article explores the role of music in Nancy's phenomenology with a particular view to the nature of listening in the contemporary world: both how listening is figured as a part of what Nancy terms the inoperative community and how listening figures the cognitive and phenomenological constitution of the subject. (shrink)

Three contemporary acts—corporate theft, sexual abuse of minors, and abortion—when done by generally moral people whose consciences at times seems to be inoperative, all share the same dynamic of harming an innocent person entrusted to them. Drawingupon philosophical anthropology, I argue that these acts reveal a mislocation of conscience in the emotions, imagination, memory, theoretical intellect, or will as defended by Hume, James, Freud, Kant, Nietzsche, or Hegel. In this article Aquinas and certain contemporary Catholic philosophers engage these erroneous views (...) about conscience. They defend the position that conscience is found in a person’s exercise of the practical intellect as integrated with, but not supplanted by, these other operations. Throughout the analysis Christine Gudorf’s existential reflection on the relation of her conscience to abortion is analyzed. I argue that many generallymoral people today have in one area either disengaged, locked tight, or transferred their conscience by what Robert Lifton calls “The Faustian Bargain of Doubling.”. (shrink)

An argument is presented for augmenting Gricean pragmatics with cognitively significant information about whether the participants in the interaction share the same goals, the same amount of information, and the degree of their awareness of both. The additions handle situations of competitive conversational exchanges, where the cooperative principle has been claimed to be inoperative, and show that cooperation underlies competitive exchanges as well. Some examples of competitive exchanges are examined, including witness cross-examination, sales pitches, propaganda, and lies.

This essay describes a performance by the Greek theatre collective, Blitz Theatre – Late Night – as constituting a theatrical response to current political crises in Europe. What I call a ‘theatre of the impasse’ seeks to bear witness to the experience of impasse, where impasse and crisis must be fundamentally distinguished. Impasse is revealed where crisis admits of no decision adequate to the situation; and, correspondingly, where theatre loses faith in the power of decision to resolve its conflicts. I (...) situate these claims with reference to Carl Schmitt’s and Walter Benjamin’s dispute over political theology, arguing that a theatre of the impasse might be thought as an ‘allegorical’ theatre in Benjamin’s terms. Blitz Theatre’s Late Night reveals, thereby, the concealed truth of the impasse: a founding human sociality experienced as world immanence. In doing so doing, I argue, this theatre frustrates every hope for the kind of political theology of the stage envisaged by Schmitt. I read the performance, instead, as an elegy to Nancy’s inoperative community, at the centre of which are the figure of lovers, bound to, yet unable to take possession of, one another. Staging impasse, Late Night allegorises the fragile human community, exposed in its fundamental precarity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Community and the “Absolutely Feminine”Sheri I. Hoem (bio)I’ve emphasized the importance of the moment of dissent in the process of constructing knowledge, lying at the heart of the community of thought.—Jean-François Lyotard, The Postmodern ExplainedMaurice Blanchot’s The Unavowable Community places side by side a “community” of writers who confront the very possibility of community as it comes to be inscribed in politico-philosophical and literary modes. His “little book” [56], (...) as he calls it, takes up these modes of discourse separately, in two parts. The first section of his text, “The Negative Community,” constitutes an analytical defense of Bataille’s theoretical concepts of community as they have been interpreted by Jean-Luc Nancy in The Inoperative Community. Blanchot engages the question of community, communion, and communism not simply to contest or continue Nancy’s text, but to restore Bataille to a brotherhood, or “fraternity” [26] of friends and scholars who have come to think in terms of an “unworking” [23] or “negative” community. The second section of Blanchot’s text, “The Community of Lovers,” performs a critical reading of Marguerite Duras’s fictional work The Malady of Death.In The Inoperative Community—the pretext, at least in part, for part one of Blanchot’s little book—Nancy credits Bataille as having “gone farthest into the crucial experience of the modern destiny of community” [16] in that Bataille’s thinking reveals the experience of discerning communism’s failure, followed by a fascination with fascism, and finally a “withdrawal from communitarian enterprises” [16–17] altogether. According to Nancy, at the juncture of the historical and theoretical failings of community, Bataille abandons all forms of community other than “an accursed isolation of lovers and of the artist” [24]. Admitting that he is dealing only with ‘“themes’” rather than with Bataille’s “writing” itself, Nancy nevertheless asserts that Bataille’s thinking on community has always been limited by “the theme of the sovereignty of the subject” [23], even in his community of lovers:Bataille’s lovers are also, at the limit, a subject and an object—where the subject, moreover, is always the man, and the object always the woman, due no doubt to a very classical manipulation of sexual difference in an appropriation of self by self. (However, on another register and in another reading of Bataille’s text, it is not certain that love and jouissance do not pertain essentially to the woman—and to the woman in man. To discuss this it would be necessary to consider Bataille’s writing... something I cannot do here, inasmuch as I am for the moment considering only its “themes.”).[24]Nancy’s reading of Bataille thus clears a space for Nancy’s own investigation into the possibility of community after or beyond the subject, so to speak. Instead of a subject described as an (undivided) individual, Nancy speaks of a “singular being” who is always already othered. Singular beings as such are “constituted by... sharing that makes them [End Page 49] others: other for one another... ‘“communicating’ by not ‘communing’” [25]. For Nancy, it is the very experience of the limits of communication that allows each being to discover a certain singularity in common.Blanchot too reflects on the “theme” of community in Bataille’s works without examining Bataille’s “writing” as such, but he reads Bataille differently. Blanchot demonstrates how Bataille’s thinking gives the effect of “mutation” [4], that Bataille comes to an understanding of self-difference beyond the subject, beyond the limits imposed by Nancy’s reading, beyond the classical construct of subject/object discourse. Blanchot’s “Negative Community” establishes Bataille as one who experienced stages of thought: his thought exhibited its own infidelity.Blanchot turns to certain of Bataille’s terms, particularly “sacrifice,” “ecstasy,” and “inner experience,” to present an alternative to Nancy’s reading. According to Blanchot, the “inner experience” (l’expérience intérieure) is a concept in Bataille that does the opposite of what one might expect. The “inner experience,” Blanchot explains, is amovement of contestation that, coming from the subject, devastates it, but has as a deeper origin the relationship with the other which is community itself... (shrink)

The plank of the dependency theory is that unless there is a transition to socialism and a complete break with the metropolitan countries, the peripheral status of the dependent countries would continue. After the Second World War with the emergence of many new nations, as a consequence of decolonization, the question of development assumed paramount importance for these countries. Raul Prebisch (1950) understood the nineteenth century paradigm of free trade as inoperative and disadvantageous to the raw materials exporting countries. The (...) spectacular success of the Newly Industrialized countries‐ Hong Kong,Singapore, South Korea and Taiwan by integrating with the developed nations, have achieved a higher standard of living and negated the basic assumptions of the dependency theory. (shrink)

This article engages Agamben’s view that philosophy and poetry need to remarry, to heal a fracture that springs from the origin of Western culture between knowing and having the (inaccessible) object. While Agamben would like philosophy to wax more poetic (to have the object) and poetry to show more awareness of its philosophical implications (to know the object), he also encourages direct interventions between these two arenas. This essay thus stages an interpenetration of poetic writing and philosophy (Agamben with a (...) little Derrida). James’s embodiment of Agamben’s theory of melancholia in The Aspern Papers set alongside Brodsky’s reflection of Agamben’s notions of nudity, the specter, and the messianic in Watermark—in relation to depictions of Venice—leads to the realization that Agamben’s messianic renders melancholia inoperative. Agamben’s messianic vision that finds salvation in loss cancels the desirability of clinging to the lost object by showing the redemption of its passage. (shrink)

Jean-Luc Nancy’s The Inoperative Community, a collection of writings first published in 1985 and 1986, suggests an understanding of community as irreducibly linked to finitude. Alongside this, he advocates a redefinition of the project of revolutionary communism. This endeavor draws equally on the writings on communication of Georges Bataille and the insistence on finitude found in Martin Heidegger. First, we should recapitulate Nancy’s argument in order to determine his presentation of a novel politics as well as the links and disjunctions (...) of his predecessors. More than this, I would like to suggest that a reading of Alphonso Lingis’s The Community of Those Who Have Nothing in Common, published almost a decade later, suggests an intriguing and promising extension or modification of Nancy’s argument. In particular, Lingis suggests an understanding of revolution that appears somewhat closer to the Marxist tradition. I argue that this is partly a result of an inheritance from Emmanuel Levinas, and in particular his account of ethical subjectivity, which, surprisingly, can be productively allied with the political thought of Jean-Paul Sartre. This friendship between the ethics of Levinas and the politics of Sartre suggests the best groundwork for Lingis’s development of Nancy’s insights. (shrink)

Over thirty years after Maurice Blanchot writes The Unavowable Community--a book outlining a critical response to Jean-Luc Nancy's early proposal for thinking an "inoperative community"--The Disavowed Community offers a close reading of Blanchot's text.

The publication of The Use of Bodies, the final volume in Giorgio Agamben’s Homo Sacer series, makes it possible to take stock of Agamben’s project as a whole. Having started with a powerful critique of the biopolitical sovereignty as the essence of modern politics, Agamben concludes his project with an affirmative vision of inoperative politics of form-of-life, in which life is not negated or sacrificed to the privileged form it must attain, but rather remains inseparable from the form that does (...) nothing but express it. The article begins by reconstituting the non-relational logic that Agamben develops in order to render inoperative the existing apparatuses of ontology, ethics and politics. We then address the dimension of lifestyle as a new key domain of Agamben’s work, in which biopolitics may be recast in an affirmative key of form-of-life. While Agamben is better known for sceptical and scornful statements about contemporary liberal democracies, we shall argue that his affirmative biopolitics, characterized by destituent power, resonates with Claude Lefort’s understanding of democracy as structured around the ontological void and epistemic indeterminacy. In the conclusion we question the viability of this biopolitical democracy, focusing on Agamben’s example of the Nocturnal Council in Plato’s Laws. (shrink)

During the last two decades, a sharp re-reading of St. Paul’s letters allowed several thinkers to embed a messianic element in their political philosophy. In these readings, the messianic refusal of the world and its laws is understood through the suspensive act of ‘subtraction’ – a movement of withdrawal which nonetheless proved too often ineffective when translated in political practice. -/- After having analysed Agamben’s declension of Subtraction in terms of ‘inoperativity’, this article focuses on the notion of Parousia (...) as a key element to understand his anti-utopian account of messianic time. In contrast with Agamben’s reading, Bloch’s interpretation of the Pauline Parousia envisages the messianic event as infra-historical, but at the same time opened to ultimate (meta-historical) purposes. Bloch’s messianic call – I argue – takes the form of mediation, a correction of subtraction towards the direction of a more committed political engagement. I conclude suggesting that the concrete implementations of this mediation perform their emancipatory function in so far as they assume the character of practical ethics, with the attention directed to the underprivileged and marginalised. (shrink)

In this essay we collect and put together a number of ideas relevant to the under- standing of the phenomenon of creativity, confining our considerations mostly to the domain of cognitive psychology while we will, on a few occasions, hint at neuropsy- chological underpinnings as well. In this, we will mostly focus on creativity in science, since creativity in other domains of human endeavor have common links with scientific creativity while differing in numerous other specific respects. We begin by briefly (...) introducing a few basic notions relating to cognition, among which the notion of ‘concepts’ is of basic relevance. The myriads of concepts lodged in our mind constitute a ‘conceptual space’ of an enormously complex structure, where con- cepts are correlated by beliefs that are themselves made up of concepts and are as- sociated with emotions. The conceptual space, moreover, is perpetually in a state of dynamic evolution that is once again of a complex nature. A major component of the dynamic evolution is made up of incessant acts of inference, where an inference occurs essentially by means of a succession of correlations among concepts set up with beliefs and heuristics, the latter being beliefs of a special kind, namely, ones relatively free of emotional associations and possessed of a relatively greater degree of justification. Beliefs, along with heuristics, have been described as the ‘mind’s software’, and con- stitute important cognitive components of the self-linked psychological resources of an individual. The self is the psychological engine driving all our mental and physical activity, and is in a state of ceaseless dynamics resulting from one’s most intimate ex- periences of the world accumulating in the course of one’s journey through life. Many of our psychological resources are of a dual character, having both a self-linked and a shared character, the latter being held in common with larger groups of people and imbibed from cultural inputs. We focus on the privately held self-linked beliefs of an individual, since these are presumably of central relevance in making possible inductive inferences – ones in which there arises a fundamental need of adopting a choice or making a decision. Beliefs, decisions, and inferences, all have the common link to the self of an individual and, in this, are fundamentally analogous to free will, where all of these have an aspect of non-determinism inherent in them. Creativity involves a major restructuring of the conceptual space where a sustained inferential process eventually links remote conceptual domains, thereby opening up the possibility of a large number of new correlations between remote concepts by a cascading process. Since the process of inductive inference depends crucially on de- cisions at critical junctures of the inferential chain, it becomes necessary to examine the basic mechanism underlying the making of decisions. In the framework that we attempt to build up for the understanding of scientific creativity, this role of decision making in the inferential process assumes central relevance. With this background in place, we briefly sketch the affect theory of decisions. Affect is an innate system of response to perceptual inputs received either from the exter- nal world or from the internal physiological and psychological environment whereby a positive or negative valence gets associated with a perceptual input. Almost every sit- uation faced by an individual, even one experienced tacitly, i.e., without overt aware-ness, elicits an affective response from him, carrying a positive or negative valence that underlies all sorts of decision making, including ones carried out unconsciously in inferential processes. Referring to the process of inferential exploration of the conceptual space that gener- ates the possibility of correlations being established between remote conceptual do- mains, such exploration is guided and steered at every stage by the affect system, analogous to the way a complex computer program proceeds through junctures where the program ascertains whether specified conditions are met with by way of generating appropriate numerical values – for instance, the program takes different routes, depending on whether some particular numerical value turns out to be positive or negative. The valence generated by the affect system in the process of adoption of a choice plays a similar role which therefore is of crucial relevance in inferential processes, especially in the exploration of the conceptual space where remote domains need to be linked up – the affect system produces a response along a single value dimension, resembling a number with a sign and a magnitude. While the affect system plays a guiding role in the exploration of the conceptual space, the process of exploration itself consists of the establishment of correlations between concepts by means of beliefs and heuristics, the self-linked ones among the latter having a special role in making possible the inferential journey along alternative routes whenever the shared rules of inference become inadequate. A successful access to a remote conceptual domain, necessary for the creative solution of a standing problem or anomaly – one that could not be solved within the limited domain hitherto accessed – requires a phase of relatively slow cumulative search and then, at some stage, a rapid cascading process when a solution is in sight. Representing the conceptual space in the form of a complex network, the overall process can be likened to one of self-organized criticality commonly observed in the dynamical evolution of complex systems. In order that inferential access to remote domains may actually be possible, it is necessary that restrictions on the exploration process – necessary for setting the context in ordinary instances of inductive inference – be relaxed and a relatively free exploration in a larger conceptual terrain be made possible. This is achieved by the mind going into the default mode, where external constraints – ones imposed by shared beliefs and modes of exploration – are made inoperative. While explaining all these various aspects of the creative process, we underline the supremely important role that analogy plays in it. Broadly speaking, analogy is in the nature of a heuristic, establishing correlations between concepts. However, analo- gies are very special in that these are particularly effective in establishing correlations among remote concepts, since analogy works without regard to the contiguity of the concepts in the conceptual space. In establishing links between concepts, analogies have the power to light up entire terrains in the conceptual space when a rapid cas- cading of fresh correlations becomes possible. The creative process occurs within the mind of a single individual or of a few closely collaborating individuals, but is then continued by an entire epistemic community, eventually resulting in a conceptual revolution. Such conceptual revolutions make pos- sible the radical revision of scientific theories whereby the scope of an extant theory is broadened and a new theoretical framework makes its appearance. The emerging theory is characterized by a certain degree of incommensurability when compared with the earlier one – a feature that may appear strange at first sight. But incommen- surability does not mean incompatibility and the apparently contrary features of the relation between the successive theories may be traced to the multi-layered structureof the conceptual space where concepts are correlated not by means of single links but by multiple ones, thereby generating multiple layers of correlation, among which some are retained and some created afresh in a conceptual restructuring. We conclude with the observation that creativity occurs on all scales. Analogous to correlations being set up across domains in the conceptual space and new domains being generated, processes with similar features can occur within the confines of a domain where a new layer of inferential links may be generated, connecting up sub- domains. In this context, insight can be looked upon as an instance of creativity within the confines of a domain of a relatively limited extent. (shrink)

This paper explores the way in which Agamben takes part in the dialogue on “impolitical communities” that was inaugurated by J. L. Nancy and was soon followed by authors like M. Blanchot, J. Derrida and R. Esposito, among others. Although Agamben’s ontological exploration of ‘whatever being,’ followed later by the political idea of form-of-life, are still very close particularly to Nancy’s work, the article will show in which ways Agamben’s view of a political coming community explores different paths and moves (...) in unusual registers, that help to understand in new ways the kind of inoperativeness involved in a contemporary rethinking of community. The notion of experience of thought as potentiality and its relationship to that “tiny displacement” of the world which Agamben seems to connect with his idea of a coming community will play a central role in the analysis. (shrink)

This book explores the relationship between the works of Agamben and Jacques Derrida. Arthur Willemse explains how Agamben’s thought renders Derridean terminology inoperative—by suspending the suspense of signification. He argues that this is Agamben’s way of undoing a theological structure of thought that philosophy has unknowingly appropriated.