This paper aims to investigate the kinaesthetic experience of dance, and especially of pantomime dance in Lucian’s De Saltatione and in Libanius’ oration 64, A Reply To Aristides On Behalf Of The Dancers, from the perspective of the mechanical. Specifically, pantomime will be discussed in juxtaposition with the concept of mechanical automation. Until now, this aspect remains unexplored; however, this is of great importance, particularly if we take into consideration that from the Hellenistic period onwards theatrical automata and processions with (...) engineered artefacts were considered to be a popular entertainmentmechanism and, as such, they exerted great influence on the public’s aesthetic. In this respect, I intend first to survey the concept of pantomimic mimesis as a mechanical reproduction of motion, i.e. gestures and postures. Next, I shall detect the vocabulary of mechanisms/mechanisms’ function that is generally embedded in dance rhetoric by examining forced motion both in pantomime and ancient mechanics. (shrink)

Donald proposes that early Homo evolved mimesis as a new form of cognition. This article investigates the mimesis hypothesis in relation to the evolution of teaching. The fundamental capacities that distinguish hominin teaching from that of other animals are demonstration and pantomime. A conceptual analysis of the instructional and communicative functions of demonstration and pantomime is presented. Archaeological evidence that demonstration was used for transmitting the Oldowan technology is summarized. It is argued that pantomime develops out of demonstration so that (...) the primary objective of pantomime is that the onlooker learns the motoric patterns shown in the pantomime. The communicative use of pantomime is judged to be secondary. This use of pantomime is also contrasted with other forms of gestures. A key feature of the analysis is that the meaning of a pantomime is characterized by the force patterns of the movements. These force patterns form the core of a model of the cognitive mechanism behind pantomime. Finally, the role of pantomime in the evolution of language is also discussed. (shrink)

We find that the nature and origin of the proposed “dialogical cognitive representations” in the target article is not sufficiently clear. Our proposal is that (triadic) bodily mimesis and in particular mimetic schemas – prelinguistic representational, intersubjective structures, emerging through imitation but subsequently interiorized – can provide the necessary link between private sensory-motor experience and public language. In particular, we argue that shared intentionality requires triadic mimesis.

The imaginative context in which artificial intelligence is embedded remains a crucial touchstone from which to understand and critique both the histories and prospective futures of an AI-driven world. A recent article from Cave and Dihal sets out a narrative schema of four hopes and four corresponding fears associated with intelligent machines and AI. This article seeks to respond to the work of Cave and Dihal by presenting a gendered reading of this schema of hopes and fears. I offer a (...) brief genealogy of narratives which feature female automata, before turning to examine how gendered technology today—particularly AI assistants like Siri and Alexa—reproduces the historical narratives associated with intelligent machines in new ways. Through a gendered reading of the hopes and fears associated with AI, two key responses arise. First, that the affective reactions to intelligent machines cannot be readily separated where such machines are gendered female. And second, that the gendering of AI technologies today can be understood as an attempt to reconcile the opposing hopes and fears AI produces, and that this reconciliation is based on the association of such technologies with traditional notions of femininity. Critically, a gendered reading enables us to problematize the narratives associated with AI and expose the power asymmetries that lie within, and the technologies which arise out of, such narratives. (shrink)

Aesthetics and metaphysics I: the mimetic schema -- Aesthetics and metaphysics II: from Kant to Adorno -- Aesthetics at the limit of metaphysics: intimations of the hypersensible -- Metaphor beyond metaphysics? -- Literature: Proust, Hölderlin -- Sculpture: Chillida.

One might well wonder about the source of Girard’s knowledge. Where is it thought to have come from in the first place? From what vantage point are we supposed to be surveying the events he claims are originary? And what, then, is the condition for the very possibility of his Christian wisdom? In this paper, I argue that we can put forward a tentative solution by looking at one particular aspect of all the texts that Girard has interpreted: they are (...) all written texts. Analyzing this in detail with the assistance of the proposals of Bernard Stiegler, I will claim that it is writing itself that has afforded us the possibility of paying attention. Moreover, in the second section, I shall also put forward an analysis of the gnoseological condition of the possibility of Christian wisdom. To do so, I expand on Stiegler’s reading of Kant’s notion of schema focusing on its relation with the hermeneutical notion of figura, as presented by Erich Auerbach. Commenting on the common rhetorical setting of both the Critique of Pure Reason and the Bible, I then show that these two written texts address a very similar problem—a critique of the way people judge—and also put forward, surprisingly, much the same solution: to properly judge, it would be better to take into account past examples of judgments and consider that, no matter whether we critique them or not, they will schematize our own experiences and influence our intentionality. (shrink)

Several lines of research within developmental psychology, experimental semiotics and language origins studies have recently converged in their interest in pantomime as a system of bodily communication distinct from both language (spoken or signed) and nonlinguistic gesticulation. These approaches underscore the effectiveness of pantomime, which despite lack of semiotic conventions is capable of communicating complex meanings. However, very little research is available on the structural underpinnings of this effectiveness, that is, the specific properties of pantomime that determine its communicative success. (...) To help fill in this gap, we conducted an exploratory rating study aimed at identifying those properties of pantomime that facilitate its understanding. We analysed an existing corpus of 602 recordings of whole-body re-enactments of short transitive events, coding each of them for 6 properties, and found out that the presence of salient elements (conspicuous objects in a specific semantic space), image mapping (representing the physical orientation of the object), and gender markers (distinguishing between the represented characters) increased the guessability of pantomimes. (shrink)

Many of the benefits and burdens we might experience in our lives — from bank loans to bail terms — are increasingly decided by institutions relying on algorithms. In a sense, this is nothing new: algorithms — instructions whose steps can, in principle, be mechanically executed to solve a decision problem — are at least as old as allocative social institutions themselves. Algorithms, after all, help decision-makers to navigate the complexity and variation of whatever domains they are designed for. In (...) another sense, however, this development is startlingly new: not only are algorithms being deployed in ever more social contexts, they are being mechanically executed not merely in principle, but pervasively in practice. Due to recent advances in computing technology, the benefits and burdens we experience in our lives are now increasingly decided by automata, rather than each other. How are we to morally assess these technologies? In this chapter, I propose a preliminary conceptual schema for identifying and locating the various injustices of automated, algorithmic social decision systems, from a broadly liberal perspective. (shrink)

It is a thankless task to have to reply to Professor Murray Krieger’s “Retrospective.” Qui s’excuse, s’accuse, and since I cannot ask my readers to embark on their own retrospective of my writings and test them for consistency, I have little chance of restoring my reputation in their eyes. Hence I would have been happier to leave Professor Krieger to his agonizing, if he did not present himself the “spokesman” for a significant body of theorists who appear to have acclaimed (...) my book on Art and Illusion without ever having read it. The followers of this school of criticism—of which Professor Krieger is a prominent member—had apparently convinced themselves that the book lent support to an aesthetics in which the notions of reality and of nature had no place. They thought that I had subverted the old idea of mimesis and that all that remained were different systems of conventional signs which were made to stand for an unknowable reality. True, professor Krieger admits that I never endorsed such an interpretation of my views, and he even concedes that there are passages in Art and Illusion which contradict such an out-and-out relativism, but he wants to convince his readers that these contradictions lead precisely to the ambiguities he now proposes to analyse.If he were right that the book encourages such a misreading, all I could do would be to express my regrets for having failed to make myself sufficiently clear. Luckily I can draw comfort from the fact that unlike these literary critics, the leading archaeologist of this country, Professor Stuart Piggott, had no difficulty at all in discerning my meaning and profiting from my arguments. In his Walter Neurath Memorial Lecture of 1978, entitled Antiquity Depicted: Aspects of Archaeological Illustration, the author did me the honour of taking a statement from my book as his starting point. It is the passage at the end of part I in which I recapitulate the content of the first two chapters:What matters to us is that the correct portrait, like the useful map, is an end product on a long road through schema and correction. It is not a faithful record of a visual experience but the faithful construction of a relational mode.Neither the subjectivity of vision nor the sway of conventions need lead us to deny that such a model can be constructed to any required degree of accuracy. What is decisive here is clearly the word “required.” The form of a representation cannot be divorced from its purpose and the requirements of the society in which the given visual language gains currency.1 1. E. H. Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation, A. W. Mellon Lectures in the Fine Arts, 1956 , p. 90. E. H. Gombrich was director of the Warburg Institute and Professor of the History of the Classical Tradition at the University of London from 1959 to 1976. His many influential works include The Story of Art, Art and Illusion, Meditations on a Hobby Horse, The Sense of Order, Ideals and Idols, The Image and the Eye, and, most recently, Tributes. His previous contributions to Critical Inquiry include “The Museum: Past, Present and Future and “Standards of Truth: The Arrested Image and the Moving Eye”. (shrink)

With 500+ papers and 20+ books spanning many scientific disciplines, Mark Burgin has left an indelible mark and legacy for future explorers of human thought and information technology professionals. In this paper, I discuss his contribution to the evolution of machine intelligence using his general theory of information (GTI) based on my discussions with him and various papers I co-authored during the past eight years. His construction of a new class of digital automata to overcome the barrier posed by the (...) Church–Turing Thesis, and his contribution to super-symbolic computing with knowledge structures, cognizing oracles, and structural machines are leading to practical applications changing the future landscape of information systems. GTI provides a model for the operational knowledge of biological systems to build, operate, and manage life processes using 30+ trillion cells capable of replication and metabolism. The schema and associated operations derived from GTI are also used to model a digital genome specifying the operational knowledge of algorithms executing the software life processes with specific purposes using replication and metabolism. The result is a digital software system with a super-symbolic computing structure exhibiting autopoietic and cognitive behaviors that biological systems also exhibit. We discuss here one of these applications. (shrink)

This text explores the notion of the feminine through the schemas of epic and tragedy in Ricœur’s work, symbolized by the figures of Penelope and Antigone. Later, we will propose Medea as a better example for Gender Studies, interpreted in relation to the developments of The Rule of Metaphor on resemblance and substitution, and to the process of mimesis of Time and Narrative.

Résumé La théorie ricœurienne de la triple mimèsis est susceptible de recevoir deux lectures différentes et exclusives l'une de l'autre. Soit l'on considère, en vertu du « caractère majeur de l'action d'être dès toujours symboliquement médiatisée », que notre praxis est ontologiquement structurée selon des schémas narratifs — mais cette conception essentialiste de l'action minore le rôle configurant de la mise en intrigue et affaiblit d'autant la thèse de Temps et Récit concernant la « force d'innovation de la composition poétique (...) » ; soit on considère l'action comme inanalysable en amont de la représentation narrative, qui seule est en mesure de définir sa sémantique, sa symbolique et sa temporalité. En privilégiant la seconde interprétation, nous tâchons de démontrer ici que l'oeuvre poétique n'a pas qu'une fonction de re figuration et fait plus que de suggérer au lecteur de « change[r] son agir » : l'action n'est humaine et n'est possible que d'être médiatisée par une voix narrative, toute narration créant sa propre référence mais aucune ne donnant accès à un univers référentiel préexistant qui serait ontologiquement signifiant. (shrink)

In this paper I discuss two recent readings of Kant’s schematism that are productive for my take on performativity. The first stems from Sibylle Krämer’s Figuration, Anschauung, Erkenntnis from 2016, in which Krämer examines Kant’s writings on schematism, while taking a special look at the notion of figurality. Krämer is keen on describing that intuitions and concepts are dissimilar, and the schema is required to make them similar. The transcendental schema or schematization, Krämer underlines, is a method or act. It (...) is not an image but figurality, and in Kant it is temporal figurality, which acts as a hinge providing homogeneity between concepts and intuitions and thereby making intuitions into something that the categories can latch onto. The second reading of the schematism I discuss is outlined in Maja Soboleva’s Das Denken des Denkens from 2016. Soboleva’s reading is monist and realist, claiming that the understanding does not judge in its primary activity but “shows” in its ability to make rules; it mimics an object for the human understanding. Intuition is crucial for thinking, since we are presented with a system of images, a sphere of semantically undetermined objects that we then judge in a concept. Finally, I conclude with my own reading of Kant’s schematism in outlining two kinds of imagination – one that imagines (Einbildungskraft) the connection in the intelligible realm and the other that emagines (Ausbildungskraft) the connection in the sensible realm. This is how in experience we take in with the senses and subsume under the concepts after concepts have been ordered or prefigured through this double schematization, which effects that intuitions and concepts are the same. (shrink)

To a great extent, cultural learning is mimetic learning, which is at the center of many processes of education, self-education, and human development. It is directed towards other people, social communities and cultural heritages and ensures that they are kept alive. Mimetic learning is a sensory, body-based form of learning in which images, schemas and movements needed to perform actions are learned. This embodiment is responsible for the lasting effects that play an important role in all social and cultural fields. (...) A mimetic process creates both similarities and differences to the situations or persons to which or whom they relate. By participating in the living practices of other people, humans expand their own life-worlds and create for themselves new ways of experiencing and acting. Receptivity and activity overlap. In all areas of human existence rituals and gestures are important for the mimetic development of body knowledge. Embodied knowledge is indispensable in religion, politics, economy, science, families, and education. It helps us to deal with difference and alterity and to create a sense of community and social relationships. It also enables us to assign meaning and structure to human relations. Ritual knowledge facilitates both continuity and change, as well as experiences of transition and transcendence. (shrink)

"Schiller versus Fichte" ist die Geschichte eines Widerstreits zwischen Sinn-Konstellationen im Kern der post-kantischen Philosophie. Die Originalitat dieser neuen Interpretation des Verhaltnisses zwischen Schiller und Fichte liegt darin, dass der Fokus - im Gegenteil zu den bisherigen Interpretationen - auf den agonistischen Charakter des Verhaltnisses liegt. Die agonistische Rekonstruktion dieses Ereignisses der Geschichte der abendlandischen Philosophie zeigt, dass der Ursprung des sogenannten Deutschen Idealismus eine Krise bzw. ein Widerstreit zwischen asthetischer und praktischer Vernunft, zwischen absoluter Dualitat und absoluter Einheit als (...) regulativen Prinzipien des Denkens ist. "Emiliano Acostas klare Darstellung auf hohem Reflexionsniveau ist eben so grundlich wie kenntnisreich (...) Seine anregende und konzentrierte Untersuchung ist vorzuglich geeignet, eine vertiefte Diskussion uber den Widerstreit des asthetischen und ethischen Idealismus in der Jenaer Hochzeit zu befruchten." Prof. em. Dr. Wolfgang Janke. (Universitat zu Wuppertal) "Die Rekonstruktion der Schillerschen und Fichteschen Position erfolgt - stets auf der Hohe der Forschungsdiskussion - auf uberzeugende und auch sprachlich klare Weise. Hierbei bewahrt sich das zugrundegelegte hermeneutische Schema des AGON auf hervorragende Weise. Dem Verf. Gelingt gegenuber den bisherigen Lesarten eine fruchtbare Neubestimmung des Verhaltnisses zweier eminenter Denker. Daruber hinaus vermag er auch in weiterfuhrenden Uberlegungen das systematische Potential des AGON auszuspielen." Prof. Dr. Dr. h.c. Andreas Speer. (Universitat zu Koln). (shrink)

In recent years the quantum foundations community has seen increasing interest in the possibility of using retrocausality as a route to rejecting the conclusions of Bell’s theorem and restoring locality to quantum physics. On the other hand, it has also been argued that accepting nonlocality leads to a form of retrocausality. In this article we seek to elucidate the relationship between retrocausality and locality. We begin by providing a brief schema of the various ways in which violations of Bell’s inequalities (...) might lead us to consider some form of retrocausality. We then consider some possible motivations for using retrocausality to rescue locality, arguing that none of these motivations is sufficient to show that local retrocausal theories should always be preferred to nonlocal retrocausal theories, and therefore there is no clear reason to focus research efforts entirely on seeking local retrocausal models. Next, we examine several different conceptions of retrocausality, concluding that ‘all-at-once’ retrocausality is more coherent than the alternative dynamical picture. We then argue that since the ‘all-at-once’ approach requires probabilities to be assigned to entire histories, locality is not playing any crucial role within this picture. Thus we conclude that using retrocausality as a way to rescue locality may not be the right route to retrocausality. Finally, we demonstrate that accepting the existence of nonlocality and insisting on the nonexistence of preferred reference frames leads naturally to the acceptance of a form of retrocausality, albeit one which is not mediated by physical systems travelling backwards in time. We argue that this is the more natural way to motivate retrocausal models of quantum mechanics. (shrink)

A finitary characterization for non-well-founded sets with finite transitive closure is established in terms of a greatest fixpoint formula of the modal μ-calculus. This generalizes the standard result in the literature where a finitary modal characterization is provided only for wellfounded sets with finite transitive closure. The proof relies on the concept of automaton, leading then to new interlinks between automata theory and non-well-founded sets.

What we observe, through our usually limited lens, is that differential growing of space determines forms -characterized by their shape, size and coloration. As non-Euclidean geometrical mathematics have proclaimed: forms are manifestations of the curvature of space. Physics and other natural laws impose mathematical structural restrictions to biological forms. The molecules comprising any living form become arranged in specific ways in response to physical forces as well as chemical and biochemical conditions. Over time, such forms inherit additional historical restrictions that (...) make up their meaning, their semiotics. Color does not escape from this orthogenic reality. In this study, we present the colored pattern of the connexivum of Triatoma maculata, an insect vector of the etiologic agent of Chagas disease. This model is used as an example to appreciate mimicry under a heterodox and provocative approach. We unveil that beyond 1) mathematical and 2) historical semiotic restrictions of T. maculata mimesis of a yellowish-black alternating pattern, there are also 3) artistic interpretations; where metaphysics of life, beyond human perspective, is included. (shrink)

Impossible Minds: My Neurons, My Consciousness has been written to satisfy the curiosity each and every one of us has about our own consciousness. It takes the view that the neurons in our heads are the source of consciousness and attempts to explain how this happens. Although it talks of neural networks, it explains what they are and what they do in such a way that anyone may understand. While the topic is partly philosophical, the text makes no assumptions of (...) prior knowledge of philosophy; and so contains easy excursions into the important ideas of philosophy that may be missing in the education of a computer scientist. The approach is pragmatic throughout; there are many references to material on experiments that were done in our laboratories. The first edition of the book was written to introduce curious readers to the way that the consciousness we all enjoy might depend on the networks of neurons that make up the brain. In this second edition, it is recognized that these arguments still stand, but that they have been taken much further by an increasing number of researchers. A post-script has now been written for each chapter to inform the reader of these developments and provide an up-to-date bibliography. A new epilogue has been written to summarize the state-of-the art of the search for consciousness in neural automata, for researchers in computation, students of philosophy, and anyone who is fascinated by what is one of the most engaging scientific endeavours of the day. This book also tells a story. A story of a land where people think that they are automata without much in the way of consciousness, a story of cormorants and cliffs by the sea, a story of what it might be like to be a conscious machine... (shrink)

Girard discusses "homosexuality" on three occasions in his oeuvre. Late in the first chapter of Deceit, Desire, & the Novel he discusses the relationship between Veltchaninov and Troussotsky, characters in Dostoyevsky's The Eternal Husband. Then in Part III of Things Hidden since the Foundation of the World the sections entitled "Homosexuality" and "Mimetic Latency and Rivalry" are dedicated to the subject. Indeed, in the latter of these Girard reproduces his discussion of Veltchaninov and Troussotsky from the earlier book. Finally, he (...) touches on the matter in Chapter 4 of A Theater of Envy: William Shakespeare, dedicated to... (shrink)

Postphenomenology emerged as a new philosophical discipline within the contemporary studies in philosophy of technology by Don Ihde and was further upgraded by Verbeek in his philosophical theory of mediation. This paper 1) compares the Human–Technology mediation relation in Ihde’s Postphenomenology to the Human–Technology alienation relation in Heidegger’s classical Phenomenology, 2) explores the schematic diagrams of Human–Technology–-World relationships of Ihde and Verbeek, and 3) argues that Postphenomenological relationships can be upgraded to a new version if the UML models in Software (...) Engineering are to be used in schematizing the Human–Technology–World Postphenomenological relationships. We show through modeling an Online examination system scenario how Use-Case diagrams can give a better representation of Human–Technology relationships schema, and a better understanding of Human– Human relationships among the use of technology. (shrink)

Allen, B., Arithmetizing Uniform NC, Annals of Pure and Applied Logic 53 1–50. We give a characterization of the complexity class Uniform NC as an algebra of functions on the natural numbers which is the closure of several basic functions under composition and a schema of recursion. We then define a fragment of bounded arithmetic, and, using our characterization of Uniform NC, show that this fragment is capable of proving the totality of all of the functions in Uniform NC. Lastly, (...) in the spirit of Buss, we show that any function which is definable by a ∑b1-formula in our theory is a function which is in Uniform NC. (shrink)

RESUMEN Durante el siglo XVII, el reloj parece el modelo más adecuado para pensar los seres vivos. El filósofo alemán G. W. Leibniz es parte de la tradición mecanicista que concibe los seres vivos a partir del modelo del reloj o de los autómatas, pero establece una distinción esencial entre máquinas naturales y artificiales, que muestra los límites de este modelo. Las primeras son máquinas infinitamente complejas, máquinas dentro de máquinas ad infinitum, las segundas no, alcanzan un límite de complejidad. (...) Esta distinción obliga a ir más allá del reloj como modelo de los seres vivos, pues este modelo resulta insuficiente para comprender la dinámica propia de los seres vivos, en al menos dos aspectos: a) deja sin explicar el origen de la estructura o forma del ser vivo; b) no establece un principio interno de actividad que fundamente la unidad dinámica y estructural del ser vivo. Con su noción de organismo o máquina natural, Leibniz intenta resolver estas insuficiencias del modelo puramente mecánico: a) en su propuesta el ser vivo no se constituye de manera mecánica o serial, sino de una vez, por un acto de creación; b) la conservación del ser vivo en el tiempo sólo es comprensible a partir de un principio de actividad intrínseca que dota de unidad, actividad y estructura al viviente. ABSTRACT During the seventeenth century, the clock seems the most appropriate model for thinking about living beings. The German philosopher G. W. Leibniz, is part of the mechanical tradition that conceives living beings from the clock or the automata’s model, but he establishes an essential distinction between natural and artificial machines. This distinction shows the limits of the mechanical model. The machines of nature are infinitely complex machines, machines within machines ad infinitum; the artificial machines, instead, reach a limit of complexity. This distinction forces us to go beyond the clock as a model of living beings, because this model is insufficient to understand the dynamics of living beings, in at least two aspects: a) it is not able to explain the origin of the living being’s structure or form; b) it does not establish an internal principle of activity grounding the living being’s dynamic and structural unit. With his notion of organism or natural machine, Leibniz tries to solve these insufficiencies of the purely mechanical model: a) in his proposal, the living being is not constituted mechanically or serially, but at once, by an act of creation; b) the conservation of the living being in time is only understandable from a principle of intrinsic activity that provides unity, activity and structure to living beings. (shrink)

Scientific realism is the view that our best scientific theories can be regarded as (approximately) true. This is connected with the view that science, physics in particular, and metaphysics could (and should) inform one another: on the one hand, science tells us what the world is like, and on the other hand, metaphysical principles allow us to select between the various possible theories which are underdetermined by the data. Nonetheless, quantum mechanics has always been regarded as, at best, puzzling, if (...) not contradictory. As such, it has been considered for a long time at odds with scientific realism, and thus a naturalized quantum metaphysics was deemed impossible. Luckily, now we have many quantum theories compatible with a realist interpretation. However, scientific realists assumed that the wave-function, regarded as the principal ingredient of quantum theories, had to represent a physical entity, and because of this they struggled with quantum superpositions. In this paper I discuss a particular approach which makes quantum mechanics compatible with scientific realism without doing that. In this approach, the wave-function does not represent matter which is instead represented by some spatio-temporal entity dubbed the primitive ontology: point-particles, continuous matter fields, space-time events. I argue how within this framework one develops a distinctive theory-construction schema, which allows to perform a more informed theory evaluation by analyzing the various ingredients of the approach and their inter-relations. (shrink)

1. Introduction. The problems of other minds ; Body, mind and other minds ; The analogical theory ; The critical theory ; Functionalism and mental states as theoretical entities ; A brief outline of things to come -- 2. Functionalism and the nature of mental representations. Functionalism and cognitive psychology ; Folk psychology and the representational theory of mind -- 3. Theory theory and simulation theory. A very short introduction to the world of theory theory and simulation theory ; A (...) look at simulation theory ; A look at theory theory -- 4. Intentionality and the theory theory. The generic theory theory ; Cognitive and primordial intentionality ; Theory theorists and primordial intentionality ; Fodor's computational theory of primordial intentionality -- 5. The body schema. Historical notes on the notion of body schema ; An outline of a notion of body schema -- 6. On the notion of primordial intentionality. Concrete and abstracts movements ; Why primordial intentionality is not reducible to cognitive intentionality ; The intentionality of primordial intentionality -- 7. The irreducibility of primordial intentionality. The first argument against homuncular functionalism ; The second argument against homuncular functionalism -- 8. Transferring the body schema. Husserl's phenomenology of intersubjectivity ; Towards a primordial intentionality of intersubjectivity ; Some implications and a comparison to Husserl -- 9. Theory theory and simulation theory revisited. Attribution of primordial intentionality as cognitive simulation ; If homuncular functionalism were true ... ; Primordial intentionality and belief-desire psychology ; The theory of body schematic transfer and the simulation theory -- 10. Body schematic transfer and the conceptual problem of other minds. Strawson on the problem of other minds ; Disarming Strawson's objections ; Solving the conceptual problem -- 11. Concluding remarks -- Summary in Swedish -- References. (shrink)

The thesis of this work may be summarized in the words of its author: "... the Social Sciences, which heretofore have wavered between literature and an impossible positivism after the fashion of the Natural Sciences, could establish their own scientific statute if, aided by special techniques, they began discovering their hypotheses and interpreting their observations in the light of the partial overlapping of objective man and subjective man within the idea of Universal Man possessed by all". Parain makes use of (...) the Cartesian idea of the Universal Man in her efforts to provide a solid foundation for the Human Sciences. In her dissatisfaction with procedures basing the human facts solely on scientific method, she frankly demands a framework that is truly ontological. She is confronted here with the same difficulties experienced by all those trying to define as facts our knowledge of self and our knowledge of other minds. Her solution, as in the above quote, constitutes a compromise between subjectivity and objectivity, between the lived and the reflective, between a postulated universal and an interpretative schema. The author is quite conscious of the special difficulty presented by passions and ideological biases in the definition of human facts. Here her attitude is resignation with the inevitable: an empirical observer will never quite do as a transcendental observer. In spite of this the author maintains and illustrates that we know a great deal more about man than we might suspect.—A. M. (shrink)

I attend to the temporal schema of open/closed by examining its elaboration in Bergson's philosophy and critically parsing the possibilities for its destabilization. Though Bergson wrote in a colonial context, this context barely receives acknowledgement in his work. This obscures the uncomfortable resonances between Bergson's late work, The Two Sources of Morality and Religion, and the temporal narratives that justify French colonialism. Given Bergson's uptake by philosophers, such as Gilles Deleuze, and by contemporary feminist and political theorists (especially “new materialists”), (...) a critical re-examination is called for. The Two Sources not only introduces a new dichotomy into Bergsonian philosophy—that of open/closed—it puts an end to the movement of duration by defining its possibilities as goals already given in advance. By turning the tools of Bergsonian critique onto The Two Sources, I propose an alternative to the open/closed—that of the “half-open”—creating in this way the conditions for decolonizing duration. (shrink)

This book constitutes the first treatment of C. S. Peirce’s unique concept of habit. Habit animated the pragmatists of the 19th and early 20th centuries, who picked up the baton from classical scholars, principally Aristotle. Most prominent among the pragmatists thereafter is Charles Sanders Peirce. In our vernacular, habit connotes a pattern of conduct. Nonetheless, Peirce’s concept transcends application to mere regularity or to human conduct; it extends into natural and social phenomena, making cohesive inner and outer worlds. Chapters in (...) this anthology define and amplify Peircean habit; as such, they highlight the dialectic between doubt and belief. Doubt destabilizes habit, leaving open the possibility for new beliefs in the form of habit-change; and without habit-change, the regularity would fall short of habit – conforming to automatic/mechanistic systems. This treatment of habit showcases how, through human agency, innovative regularities of behavior and thought advance the process of making the unconscious conscious. The latter materializes when affordances form the basis for modifications in action schemas and modes of reasoning. Further, the book charts how indexical signs in language and action are pivotal in establishing attentional patterns; and how these habits accommodate novel orientations within event templates. It is intended for those interested in Peirce’s metaphysic or semiotic, including both senior scholars and students of philosophy and religion, psychology, sociology and anthropology, as well as mathematics, and the natural sciences. (shrink)

Als Wissenschaftslogik bezeichnet Carnap jene Disziplin, welche die Nachfolge der traditionellen Philosophie im 20. Jahrhundert antreten sollte. Den zentralen Bezugspunkt von Carnaps wissenschaftslogischen Arbeiten bildet die von Frege und Russell entwickelte mathematische Logik. Dies gilt auch für die Zweistufenkonzeption, mit der Carnap ein allgemeines Schema zur Analyse der Bedeutung von Begriffen nichtmathematischer Theorien entwirft. Dabei wird die Abhängigkeit der begrifflichen Bedeutung von den Aussagen der jeweiligen Theorie explizit anerkannt, was eine Überwindung der Dogmen des Empirismus innerhalb des Logischen Empirismus einschlieβt. (...) Allerdings geht Carnap in seinen Arbeiten zur Semantik formaler Sprachen auf die spezifischen Eigenschaften von theoretischen Termen nicht ein, so daβ die Überwindung der Dogmen des Empirismus unvollständig bleibt. Darauf gründet sich die wesentliche Aufgabe der vorliegenden Untersuchung, welche darin besteht, die Deutung von theoretischen Termen durch Postulate im Rahmen der mathematischen Logik exakt zu beschreiben. (shrink)

I defend a Mengzian version of the Social Intelligence Hypothesis, according to which humans think about one another’s beliefs and desires—and reasons for action—in order to solve our social living problems through cooperation, rather than through competition and deception, as the more familiar Machiavellian version has it. Given this framework, and a corresponding view about the function of belief attribution, I argue that while apes need not attribute propositional attitudes to pass the “false belief task,” we should not conclude that (...) apes may be behaviorists. Rather, the Mengzian Social Intelligence Hypothesis perspective offers another interpretation of ape behavior, intermediate between behaviorist and propositional attitude schemas. I argue that the false belief task can be solved by individuals who have an agency schema which takes others to be minded beings who have goals, emotions, and perceptions, but who fail to consider propositional attitudes or reasons for behavior. I then argue that a true test of belief attribution in great apes would be one that shows they seek explanations in terms of reasons for behavior. However, no such test yet exists. (shrink)

(2000). DEFLATIONISM AND THE DISQUOTATIONAL SCHEMA: LETTING THE AIR OUT OF WRIGHT'S ARGUMENT AGAINST MINIMAL TRUTH. Philosophical Papers: Vol. 29, No. 1, pp. 43-59.

The present paper introduces "ontomimetic simulation" and argues that this class of models has enabled the investigation of hypotheses about complex systems in new ways that have epistemological relevance. Ontomimetic simulation can be differentiated from other types of modeling by its reliance on causal similarity in addition to representation. Phenomena are modeled not directly but via mimesis of the ontology (i.e. the "underlying physics", microlevel etc.) of systems and a subsequent animation of the resulting model ontology as a dynamical system. (...) While the ontology is clearly used for computing system states, what is epistemologically important is that it is viewed as a hypothesis about the makeup of the studied system. This type of simulation, where model ontologies are used as hypotheses, is here called inverse ontomimetic simulation since it reverses the typical informational path from the target to the model system. It links experimental and analytical techniques in being explicitly dynamical while at the same time capable of abstraction. Inverse ontomimetic simulation is argued to have a great impact on science and to be the tool for hypothesis-testing that has made systematic theory development for complex systems possible. (shrink)

It is known how much of the work that Arthur Danto has dedicated to the philosophy of art has concerned the concept of representation and, specifically, the concept of artistic representation. The basic thesis that Danto developed starting from The Artworld (1965) consists in the idea that art should be considered as a particular type of representation, as opposed to what Plato had suggested, who considered it as a form of mimesis of reality. The article will show how this Dantian (...) thesis, which is based on the notion of artistic representation exhibited by Friedrich Nietzsche in the Birth of Tragedy, firstly hides a partial misunderstanding of Nietzsche's theses, and secondly reveals a philosophical error equal to and contrary to that made by Plato. We will also show how art is often a form of mimesis and how different types of mimesis are in fact compatible with artistic representation. Finally, we will show how mimesis and representation offer different forms of knowledge that belong to the art of all times. (shrink)

»Diakoniewissenschaft« was determined until now in priority by an apologetic interest. Its purposewas before all to demoostrate church's diakonia as an integral component of church actingasweil as theological science. The historic orientation of the previous research corresponded to that. In cantrast to this, the above paper pleads to discard this apologetic schema. It defines »Diakoniewissenschaft« as »applied theology«, as an independent kind of theological science in the different fields of practice. The special feature of the »Diakoniewissenschaft« is the scientific self-reflection (...) of all diaconal activities. It points out religious as weil as theological motives with determine the diaconal practice in the present and the corresponding targets in the future. The articel outlines this type of »diakoniewissenschaftlichen< research at two examples, at the question of the medical ethics and the ekklesiological orientation. (shrink)

El presente artículo tiene por objeto de estudio el vínculo entre teología y filosofía a través del análisis del primer fragmento de Sobre el concepto de historia, de Walter Benjamin. Benjamin usa la alegoría de un autómata que siempre obtiene la victoria en la partida del ajedrez, pero que, en realidad, esconde un enano jorobado que mueve las piezas, para exponer cómo el “materialismo histórico” necesita de la teología para su triunfo. Se indaga cómo la idea de teología de Benjamin (...) impide la clausura totalitaria. Se analiza a través de diversos conceptos teológicos como inversión, recapitulación, rememoración, el enano jorobado, redención, nihilismo, violencia pura, vida inescribible, en tanto índices del reino mesiánico. A partir de estos conceptos teológicos, el artículo expone cómo la idea marxista de una sociedad sin clases es una secularización del reino mesiánico. (shrink)

Michel Henry questions the opposition body - flesh as indebted to the opposition between what appears/the appearing, under the light of what he calls the reversal of phenomenology, i.e. the substitution of the phenomenology of the world for a phenomenology of life. This question raises another question: the constitution of intersubjectivity, which this article is trying to answer by developing a schema of intersubjectivity through a critical rereading of the theory of Nietzsche about active force and reactive force.

Computational modeling of the macaque brain grounds hypotheses on the brain of LCA-m (the last common ancestor of monkey and human). Elaborations thereof provide a brain model for LCA-c (c for chimpanzee). The Mirror System Hypothesis charts further steps via imitation and pantomime to protosign and protolanguage on the path to a "language-ready brain" inHomo sapiens,with the path to speech being indirect. The material poses new challenges for both experimentation and modeling.

El presente trabajo se propone explorar la apropiación que realiza Hannah Arendt de algunas categorías de la teoría aristotélica de la tragedia en el marco de su reflexión en torno a la historia. A partir del análisis del sentido que adquieren en sus escritos, centralmente de los años cincuenta, términos como héroe, grandeza, mimesis y catarsis, sostendremos que la autora encuentra en la narrativa trágica un modo de afrontar el desafío que pesa sobre la comprensión histórica en el contexto pos-totalitario: (...) re-articular pensamiento político y perspectiva histórica. Para finalizar, realizaremos algunas sugerencias para situar esta lectura en diálogo con el modo en que dos de sus maestros, Heidegger y Jaspers, han comprendido filosóficamente lo trágico. Atendiendo a la distancia parcial pero decisiva que Arendt toma respecto a ambos, se vuelve más clara la singularidad de su propuesta. (shrink)

Riassunto: Neuroeconomia e neuroetica sono settori delle neuroscienze cognitive che studiano i correlati neurali di aspetti distinti, sebbene strettamente interconnessi, del processo decisionale. Mentre la neuroeconomia studia i meccanismi cerebrali che guidano verso la massimizzazione dell’utilità economica personale, la neuroetica integra tali conoscenze con quelle fornite dalle neuroscienze sociali per affrontare domande tipiche dell'etica e della filosofia morale. Gli studi oggi disponibili in questo ambito vengono qui discussi al fine di mettere a confronto l’ipotesi secondo cui le scelte economiche individuali (...) e socio-morali sono supportate da un unico circuito cerebrale con differenti input specifici per dominio rispetto a quella che prevede basi cerebrali specifiche per la scelta in ambito socio-morale. In linea con il primo dei due modelli, i dati presenti in letteratura sembrano confermare l’esistenza di un singolo sistema cerebrale associato ai diversi tipi di scelta, indipendentemente dal contesto decisionale individuale vs. socio-morale. Parole chiave: Decision-making; Neuroeconomia; Neuroetica; Extended Common Currency Schema; Social Valutation Specific Schema From Neuroeconomy to Neuroethics: Towards a Neuroscience of Individual and Socio-Moral Decisions: Neuroeconomics and neuroethics are subfields of cognitive neuroscience that address the neural correlates of distinct, although strongly intertwined, facets of decision-making. While neuroeconomics investigates the neural mechanisms underlying the maximization of personal economic utility, neuroethics integrates such knowledge with that provided by social neurosciences, in order to address typical questions in ethics and moral philosophy. We review the available research to contrast the hypothesis that both individual economic and socio-moral choices rely on a common brain network receiving domain-specific inputs and the claim that a specific brain network underpins choices in a socio-moral context. In line with the former model, currently available evidence supports the existence of a single brain network associated with both choice types, regardless of the economic individual vs. socio-moral decisional context. Keywords : Decision-making; Neuroeconomics; Neuroethics; Extended Common Currency Schema; Social Valutation Specific Schema. (shrink)

Este artículo examina algunos pasajes del capítulo del esquematismo de la Crítica de la razón pura de Kant. Ofrezco un análisis detallado del esquema trascendental de la cualidad. Sostendré que este esquema es, por un lado, un procedimiento de síntesis que, en pocas palabras, consiste en la intensif..