Evolutionary Aesthetics is a bourgeoning and thriving sub-field of Aesthetics, the main aim of which is “the importation of aesthetics into natural sciences, and especially its integration into the heuristic of Darwin’s evolutionary theory.” Scholars working in the field attempt to determine through the adoption of an interdisciplinary research methodology whether and to what extent Darwinian evolution can shed light on our capacity to have aesthetic experiences, make aesthetic judgments (both of art and natural beauty), and produce literary, visual, musical (...) artworks. Notwithstanding Evolutionary Aesthetics’ growing popularity in the past two decades, a look into the state of current research suggests a significant degree of haziness in the field from both epistemological-methodological and theoretical points of view. The main aim of the present paper is to make a first step towards a revision and extension of the discipline by assessing the role and potential of epigenetics in evolutionarily inspired aesthetic research. Epigenetics is among the youngest and most fascinating research fields in contemporary biology. But one of the most significant occurrences of the word “epigenesis” (the closest “ancestor” of contemporary “epigenetics”) is in Immanuel Kant’s third Critique, his aesthetic masterpiece. What might be the relationship between epigenetics and aesthetics? What is the role of epigenetic mechanisms in the development and functioning of aesthetic behavior in humans? (shrink)

The article focuses on the relation established by Foucault in the two lecture courses Security, Territory, Population and The Birth of Biopolitics between life, nature and political economy. It explores the ways in which liberalism constructs a notion of economic nature as a phenomenon of circulation of aleatory series of events and poses the latter as an internal limit to sovereign power. It argues that the entwinement of vital and economic processes provides the means of internal redefinition of the raison (...) d’État and uses such an explanation to understand the emergence of the network topos as a technology of regulation of the unstable co-causality of milieus of circulation. The article also follows Foucault’s argument that the neoliberal market is significantly different from the liberal market inasmuch as, unlike the latter, it is not defined as an abstract logic of exchange among equals but as an ideal logic of competition between formal inequalities. Finally it asks whether new theories of social production and sympathetic cooperation, in the work of authors such as Yochai Benkler and Maurizio Lazzarato, can offer an alternative to the neoliberal logic of market-based competition as the basis for the production of new forms of life. (shrink)

The ability of a group of adults with high functioning autism (HFA) or Asperger Syndrome (AS) to distinguish moral, conventional and disgust transgressions was investigated using a set of six transgression scenarios, each of which was followed by questions about permissibility, seriousness, authority contingency and justification. The results showed that although individuals with HFA or AS (HFA/AS) were able to distinguish affect-backed norms from conventional affect-neutral norms along the dimensions of permissibility, seriousness and authority-dependence, they failed to distinguish moral and (...) disgust transgressions along the seriousness dimension and were unable to provide appropriate welfare-based moral justifications. Moreover, they judged conventional and disgust transgressions to be more serious than did the comparison group, and the correlation analysis revealed that the seriousness rating was related to their ToM impairment. We concluded that difficulties providing appropriate moral justifications and evaluating the seriousness of transgressions in individuals with HFA/AS may be explained by an impaired cognitive appraisal system that, while responsive to rule violations, fails to use relevant information about the agent’s intentions and the affective impact of the action outcome in conscious moral reasoning. (shrink)

For almost two years now the COVID-19 pandemic impacted in most different forms habits, models of organization, socio-political dynamics and economic assets. Arrangements and orders taking decades to reach stabilization have demonstrated an unsuspected precarity, demanding a profound reorganization of dynamics we had been long accustomed to. As the distant, sanitized character of interaction, transmission, fruition and creation processes has turned from a contingent measure into the unamenable norm of these days’ routine, every aspect of social interaction is changing accordingly. (...) “Contact”, “contagion”, “proximity” and “distance” are not features of a transient period anymore: they are keywords of today’s experience. Indeed, while these concepts were already at stake in masscommunication and social media, it was not before nowadays that their precipitate on art forms could be taken into account more pristinely, for especially performative arts never had to amend their “familiar ground” in order to pursue their goals. Hence, how did artforms adjust themselves to wholly new forms of participation? What are we supposed to expect next? The main aim of this paper is to sketch out, relying on some classical loci of the history of Western aesthetics such as Plato, Aloïs Riegl, Walter Benjamin, this new, re-configured notion of aesthetic and artistic experience in the time of the COVID-19 pandemic. (shrink)

Where does the human aesthetic come from? How does it develop? By introducing the notion of the ‘niche’ as a key term in an empirically and evolutionarily informed aesthetics, this paper aims to take a fresh look at these and similar questions. It also aims to shed new light on the development and functioning of the aesthetic capacity in humans and its trans-generational transmission. Drawing on recent research developments in evolutionary biology, developmental psychology, and cognitive sciences, I shall argue that (...) the human aesthetic capacity—which I understand as the capacity, involving perceptual, cognitive and emotional processes, to enter into a pleasurable/non-pleasurable and expressive relation with objects, artworks, natural phenomena, or other people—relies on constructed environmental resources for its emergence and its ontogenetic development. (shrink)

The current study provides data about the immediate risk perceptions and psychological effects of the COVID-19 pandemic among Italian participants. A sample of 1034 volunteers answered a web-based survey which aimed to investigate the many facets of risk perceptions connected to COVID-19 (health, work, economy, social and psychological), and risk-related variables such as knowledge, news seeking, perceived control, efficacy of containment measures, and affective states. Socio-demographic characteristics were also collected. Results showed that although levels of general concern are relatively high (...) among Italians, risk perceptions are highest with regards to the economy and work, and lowest concerning health. Cognitive and affective risk-related variables affected the several risk perception domains differently. COVID-19 knowledge did not affect any risk perception while the perceived control decreased health risk likelihood. The other risk-related variables amplified risk perceptions: News seeking increased work-economy risk; efficacy of containment measures increased all perceived risks; negative affective states of fear, anger and sadness increased health and psycho-social risks; anxiety increased only health risk, and uncertainty increased work-economy and psycho-social risk perceptions. Finally, positive affective states increased health risk perception. Socio-psychological implications are discussed. (shrink)

Did Leibniz exploit infinitesimals and infinities à la rigueur or only as shorthand for quantified propositions that refer to ordinary Archimedean magnitudes? Hidé Ishiguro defends the latter position, which she reformulates in terms of Russellian logical fictions. Ishiguro does not explain how to reconcile this interpretation with Leibniz’s repeated assertions that infinitesimals violate the Archimedean property (i.e., Euclid’s Elements, V.4). We present textual evidence from Leibniz, as well as historical evidence from the early decades of the calculus, to undermine Ishiguro’s (...) interpretation. Leibniz frequently writes that his infinitesimals are useful fictions, and we agree, but we show that it is best not to understand them as logical fictions; instead, they are better understood as pure fictions. (shrink)

In this study, we investigated the relationships between judgments of intentionality and moral evaluation in individuals with High Functioning Autism (HFA) or Asperger Syndrome (AS). HFA or AS are neurodevelopmental disorders characterised by severe deficits in communication and social functioning. Impairments in Theory of Mind (ToM), i.e., the ability to attribute mental states to oneself and to others, are thought to be the core features of autism. Of all mental states, the concept of ‘intentional action’ is particularly important. People normally (...) distinguish between actions that are performed intentionally and those that are performed unintentionally and this distinction plays a crucial role in social understanding and moral judgment. Recently, Knobe (Analysis 63: 190–193, 2003a ), (Philosophical Psychology 16: 309–324, 2003b ) showed that people’s moral evaluations might serve as input to the process by which people intuitively arrive at the intentionality judgments. Here, by using two pairs of vignettes, the Knobe’s Harm/Help cases and Murder/Bull’s-eye cases, we showed that, as already observed in typical population, in individuals with HFA/AS judgment of intentional action is informed by the moral appreciation of the action outcome. However, the two groups differed on praise judgments and moral justifications, suggesting that these processes were poorly influenced by the agent’s psychological states. We concluded that, although under certain circumstances, individuals with HFA/AS and people with typical development have similar intuitive judgments of intentionality, over-assignment of praise judgments and the reduced use of folk-psychological concepts in moral judgment likely reflect difficulties using intentionality information for moral reasoning. (shrink)

If societies, like institutions, are built to endure, then the bond that exists between generations must be considered. Constructing a framework to establish a philosophy of future generations, Tiziana Andina explores the factors that make it possible for a society to reproduce over time. Andina's study of the diachronic structure of societies considers the never-ending passage of generations, as each new generation comes to form a part of the new social fabric and political model. Her model draws on the (...) anthropologies offered by classical political philosophies such as Hobbes and Macchiavelli and the philosophies of power as discussed by Nietzsche. She confronts the ethics and function of this fundamental relationship, examines the role of transgenerationality in the formation and endurance of Western democracies and recognizes an often overlooked problem: each new generation must form part of social and political arrangements designed for them by the generations that came before. (shrink)

The nature of space and time is one of the most fascinating and fundamental areas of the philosophy of physics. This study aims to provide a complete account of current debates in the application of spacetime to string theory. String theory has been an important discipline within physics for many years but is only now being applied to the problems faced by philosophers of science. This emerging area of physics is discussed in relation to a number of theories including general (...) relativity, T-duality and moduli space, and set in the context of current and future research. (shrink)

This paper is a preliminary attempt to bring to the fore some questions and issues regarding the role of habits in aesthetics. Indeed, much attention has recently been given to habits across a wide range of fields of inquiry: philosophers turn to the concept to investigate its significance to the historical development of Western thought; neuroscientists look into the role that habits play in the functioning of the human mind and identify the neural and psychological underpinnings of habitual behavior; anthropologists, (...) political scientists and sociologists tap into habits as a key notion to explain social dynamics and collective behavior. For all of these waves that the notion has made in other parts of the humanities and social sciences, there have been so far, however, only a few sustained discussions of habits in conjunction with aesthetics. What is the role of habits in aesthetic experience? How do habits influence and regulate artistic creative processes? (shrink)

L’articolo offre una rassegna introduttiva di alcuni degli sviluppi più recenti del rinnovato dibattito filosofico-politico in materia di lavoro, facendo riferimento alle ricerche di studiose e studiosi tra cui Dejours, Ferreras, Fraser, Honneth, Jaeggi, Renault, Battilana, Méda, Lordon, Virno e Negri. Si introdurranno brevemente le principali trasformazioni del lavoro avvenute negli ultimi decenni di globalizzazione neoliberista, con particolare attenzione alla moltiplicazione del lavoro e al ruolo crescente riconosciuto al lavoro riproduttivo, alle migrazioni e alla conoscenza. Verranno poi presentate alcune analisi (...) della sofferenza e dell’alienazione nel lavoro contemporaneo. Infine, si passerà in rassegna il dibattito teorico sulle sfide politiche sollevate dal nuovo scenario, concentrandosi sulle questioni della democratizzazione del lavoro, della società “post-lavoro” e della potenza riconosciuta al “lavoro vivo”. (shrink)

The beginning of the twentieth century marked the confutation and negation of traditional Chinese values by intellectuals, who thought that Confucianism, and in general traditional Chinese culture, had hindered scientific, economic, and social progress. Nonetheless, we are now witnessing a revival of the tradition, from a political and cultural perspective, aiming to address and provide resolutions to the contradictions and issues of contemporary societies. Which are the most valuable traditions in China today, and what is their impact on Chinese society? (...) This paper will provide some of the theories promoted by Chinese scholars and their interpretation of the role of philosophy and religion today. (shrink)

This issue of Itinera collects a selection of the papers presented by the participants of the International Conference "Aesthetics of Emotions. Arts and Cognitive Science" held in October 2016 at the University of Milan. The focus of the conference, on the link between arts, emotions and cognitive sciences, is richly reflected in the themes addressed by the essays, which attempt to put into interdisciplinary dialogue "classical" perspectives of the history of aesthetics with more contemporary perspectives inspired by experimental sciences, in (...) particular psychology, cognitive sciences and the theory of emotions. (shrink)

This paper aims at presenting the work of Dutch architecture Hans van der Laan through a comparison with the Renaissance architect Leon Battista Alberti by stating the similarity of the role assigned to proportion in architectural design by both architects. In particular, the study will show how both Van der Laan and Alberti understood proportion and the perceptive and aesthetic values of proportioned forms as the result of an intellectual appreciation.

Nella notazione musicale ancora alla metà del Duecento i valori di durata sono organizzati in raggruppamenti di piedi ritmici costruiti su un minimo di durata , che è anche unità di misura del tempo musicale, corrispondente alla sillaba. Con la nascita della notazione mensurale, verso la fine del Duecento, ma soprattutto in seguito all'evoluzione della prassi compositiva, nei primi decenni del Trecento fu necessario ridefinire il rapporto tra tempo, minimo di durata e unità di misura. I musici al di qua (...) e al di là delle Alpi ovviarono diversamente dando vita a due sistemi musicali e notazionali, italiano e francese, differenti proprio nei loro presupposti teorici. In ambito italiano Marchetto da Padova dimostra come l'unità di misura del tempo musicale non coincida con il minimo di durata in senso assoluto, ma con ciò che è minimo all'interno del genere musicale: pur chiamandosi ancora breve, l'unità di misura nel sistema notazionale italiano può arrivare a contenere fino a dodici suoni. L'articolo mette a fuoco come Marchetto da Padova giunga alla definizione dell'unità di misura del tempo musicale nel suo trattato Pomerium e mostra le implicazioni di tale presupposto sulla prassi compositiva e la specificità del repertorio medesimo rispetto al coevo repertorio francese. During the latter half of the thirteenth century and particularly in the the fourteenth century, the mensural notation redefines the relationship between tempo, beat and temporal units. Italian and French musicians use different notational systems each with their own theoretical assumptions. In Italy Marchetto da Padova demonstrates that the beat does not coincide with the minimum in a quantitative understanding of musical time, but with the minimum in a qualitative undestanding of musical time: even it is called 'brevis', the beat in the Italian notational system can be divided up to twelve notes. The article focuses on how Marchetto of Padua explains it in his treatise Pomerium, and shows the implications of this assumption in compositional practice. (shrink)

It has been argued within some philosophy of quantum gravity circles that endorsing Lewisian modal metaphysics is incompatible with endorsing the fundamental physical ontology of any quantum gravity theory. Speaking concisely, the unsolvable tension would be between Lewis' metaphysical commitment to the fundamentality of space and time, and the physical lesson of quantum gravity about the disappearance of space and time from the fundamental structure of the world. In this essay I argue against the idea that the tension is unsolvable. (...) The analysis does not apply to quantum gravity in general, but only to the specific perspective delivered by quantum string theory. In the first two sections I describe what I think is the general formal payoff of Lewisian possible worlds semantics, and more importantly the general metaphysical payoff generated by some Lewisian metaphysical applications of that formal framework. Lewisian possible worlds semantics is not among the topics of this essay, still a concise presentation of its basic features is required for a more accurate description of the type of modal metaphysics Lewis delivers by applying that formal machinery. The moral of the story in the first two sections is that an attempt of preserving crucial features of Lewisian modal metaphysics, although endorsing the quantum string theory lesson on spacetime non fundamentality, would be not only possible, but also philosophically worthy in a general sense. Then, section three is divided in three parts. In the first part I summarize some formal tools of the methodology used elsewhere - (Vistarini, Routledge, 2019, chapter 6)- to argue for string theory background independence. More precisely, I briefly re-describe some crucial features of a topological-vector bundle structure there defined on a "space" associated to the theory. Such structure is there shown to carry physical and dynamical information about quantum strings systems supporting the thesis of background independence of quantum strings laws (string theory background independence is not a topic of this essay, and the construction of the full formal structure as well as the full argumentative line can be found in the work cited above). The rationale behind the choice of including these formal tools is explained in the second and third parts of section three: that very same topological-fiber bundle structure associated to string theory, if read differently, is shown to also carry structural properties of the Lewisian metaphysical scheme. More precisely, in the second part of section three I attempt to show that such topological-fiber bundle structure owns a topology which qualifies as a plausible accessibility structure extending the Lewisian similarity accessibility. To avoid confusion, I will denote the extended similarity order with S*, or S*-similarity. The latter has some interesting properties. It is quantitatively describable, and even more interestingly its spectrum of variation is a countable one. Then, insofar Lewisian similarity order can be regained from the S*-similarity, one might say that the latter is a metaphysical accessibility relation underlying the former because "more fundamental". As we will see, the explanation of what "more fundamental" means in this metaphysical context mainly involves the idea that the formal nature of S*-similarity, in particular its property of having a countable spectrum of variation, calibrates a metaphysical similarity that reflects the discreteness of the fundamental quantum nature of reality. The extended modal metaphysics with accessibility structure S*-similarity is informed by quantum string physics. Within the extended scheme, the Lewisian claim "things could have been different in countless ways" (Lewis 1973) is an approximate one because only permitted by ordinary language. As soon as one refines the accessibility structure by using the formal language of quantum string theory, it appears things could have been different in countable ways. But the Lewisian variety of alternative states of affairs can be regained from the underlying countable variety via a specific interpretation of the Humean supervenience thesis, one that changes the metaphysical status of the thesis' content and restricts the thesis' domain of application. Finally, in the third part of section three I attempt to show that the same topological-fiber bundle structure used to extend Lewisian similarity has a bundle component producing the formal scheme for a tentative extension of Lewisian nomological accessibility through the lens of string dualities. This will prove to be a non trivial task, and the Lewisian accessibility structure will be regained from the extended one only partially. Finally, the essay contains two short appendices summarizing two argumentative lines outside the main topic of the essay. They briefly describe different ways in which the non fundamentality of spatiotemporal structures can be found in quantum string theory. These sections can be skipped. Nevertheless, they might contribute to understand more robustly the general view endorsed by this essay, i.e. that there isn't any unsolvable tension between Lewis' commitment to the fundamentality of spatiotemporal relations and quantum gravity's lesson about their non fundamentality. -/- . (shrink)

It is more difficult to feel emotions for future generations than for those who currently exist, and this seems to be one of the reasons why we struggle to care for the future. According to a number of authors, who have recently focused on the psychological flaws that prevent us from dealing with transgenerational issues, the main problem is “future discounting”. Challenging this common view, we argue that the main reason we struggle to care about future generations lies in two (...) features of our daily emotions: the «identified victim effect» and the decrease in empathy for people who are different from us. These traits give rise to two puzzles we call the problem of the indeterminateness of future persons and the problem of dissimilarity. After having analyzed these problems of our moral psychology, we show how they allow us to account for some differences in affectivity towards a number of entities that do not currently exist, such as future generations, past generations and fictional characters. Bearing in mind the real limits of our emotions when dealing with future people, we sketch an alternative proposal on how to develop emotions to provide citizens of liberal democracies with a motivation to act in favor of future generations. (shrink)

This paper aims to demonstrate how museum collection sustainability is grounded in a range of concrete care practices that are social and material. It explores the unstable nature of heritage materials, drawing on the ecological approach of infrastructure and maintenance studies in the field of art and museums. To do this, I analyse the role of mundane operations in the daily functioning of an exhibition area, presenting data from fieldwork I conducted from 2015–2016 at the Musée du quai Branly in (...) Paris, which preserves collections of art and ethnology from outside Europe. I observed the museum's preventive conservation practices, which work to minimise the risks of material deterioration of heritage objects, focusing attention on stabilising the relationship between objects and their environments. These practices contribute to the construction of the temporalities of museum objects. In exploring the means and devices of preserving these heritage objects, the very assumption of perpetuation is destabilised. Environments continually unfold with the silent material metamorphosis of objects. The exhibition becomes a place of flows, where a multitude of entities circulate and cohabit at different scales, such as insects, dust, and powdery fragments. The daily human work of vacuuming, cleaning, trapping, and measuring provide a set of actions united with other entities engaged in the material life of the exhibited object. As we zoom in on the exhibition space, different timelines emerge that are inextricably linked to the different lives of the museum. (shrink)

This article explores the role played by a reconfigured version of the modern social in the genesis of contemporary digital computational technological systems. It argues that the latter are not generically shaped by social forces (as in the notion of the sociotechnical), nor do they simply shape them (as in technological determinism), but that there is an ongoing process of mutual constitution and entanglement of the social and the technological – producing new modes of the social that can be described (...) as ‘technosocial’. While there are different types of technosocial in circulation (including those enacted by the state), this article focuses on one particular inflection – that is, the network social – which it sees as implicated in the formation of a variation of liberalism as a political rationality that it calls technoliberalism. (shrink)

The Domain of Social Ontology -- Theories -- State and Justice -- A Cross-Section of Power.

The notion of transgenerational community is usually based on two diachronic interactions. The first interaction consists of present generations taking up the legacy (not only economic, but also institutional, artistic, cultural, and so forth) of past generations and giving it continuity, exercising a form of active agency. The second interaction occurs when present generations pass on their legacy to future generations. This is supposed to expand the boundaries of the community in a transgenerational sense (both backward- and forward-looking). In this (...) article we argue that the transgenerational community can be grounded on a different ontological insight: future generations play the role of fictional actors for present generations, i.e., present generations entertain a present-time interaction with future generations, insofar as future generations are functional for the realization of transgenerational actions. This lays the foundations for more solid community-based bonds of intergenerational justice. (shrink)

This article examines the ideas of ‘aesthetic pleasure’ and ‘aesthetic appreciation of nature’ in the Anthropocene. In the framework of the current ecological crisis, the anthropogenic roots of which are today beyond dispute, are the aesthetic categories of ‘beautiful’, ‘sublime’, ‘majestic’ etc. still appropriate to describe our experience of nature? Can a landscape – or an animal or a plant – which have undergone changes and modifications due to climate change (a human-induced phenomenon) still be considered beautiful? More generally, is (...) the idea of nature as an object of aesthetic contemplation still legitimate in the Anthropocene? (shrink)

Brazilian women rely on sterilization as the main source of birth control. Sterilization has been one of the causes of the steep decline in fertility in Brazil, at least since the second half of 1970. It is hypothesized that understanding couples’ relationships might be key to explaining this high rate of female sterilizations. Possible reasons for the higher level of fertility among women in unstable unions than among women in stable ones could be the less effective use of contraceptive methods, (...) or that women in unstable unions tend to use less effective or reversible contraceptive methods. In this paper discrete time modelling of the timing of sterilization according to union histories is presented. The analysis uses the calendar data of the 1996 Brazilian DHS. It is shown that women in second or higher order unions have a lower risk of sterilization. This result should be taken into account in the analysis of the determinants of female sterilization in Brazil. (shrink)

Dans cet ouvrage remarquable, Davesh Soneji, revisite deux siècles d’histoire artistique et sociale des danseuses indiennes, mieux connues sous le terme générique sanskrit de devadāsīs (deva, « divinité », et dāsīs, « servantes », « servantes des dieux »). Depuis la fin du xiiie siècle, la majorité des voyageurs européens en Inde ont évoqué ces femmes, à la fois danseuses, poétesses et musiciennes accomplies, dont la présence dans les temples les surprenait. Ces artistes étant aussi courtisan...

The aim of this article is to literally explore the declinations of the status of the “monstruous thing”, investigating if and when monsters are abnormal phenomena, not of nature but of culture. Which features, of both expression and content, must a non-living artificial subject present in order to be perceived and judged as a “monster”? In the West, the image of the monster is traditionally associated with an abominable creature belonging to the universe of nature whose touchstone is a standard (...) unit of measurement associated with a human or animal body. Here, we are interested in seeing what happens when these value judgments about monsters are applied to non-organic entities. Our case study of the large cruise ships, starting with ocean liners and moving toward the modern behemoths that now enter our historic cities, discloses a new semiosis of monstrosity caused by the war of movement produced by globalization. (shrink)

Considering animality in terms of interdependency between humans and animals may help us understand how different species have evolved and continue to do so through time. The stakes are high. Darwinian evolutionary theories, while based on the continuity of the species and while suggesting the idea of mutual derivation, e.g. of humans from animals, are mostly concerned with the origins; they are not concerned with whether and how humans and animals have evolved together socially and culturally. Even a superficial look (...) at contemporary society, with its habits, tastes and recurring trends in fashion, design and the arts, shows that the border between the two categories is nothing but a threshold: the Umwelt of the humans has evolved by borrowing from the Umwelt of the animals, creating hybrids and interspecies.The article presents a few illustrations of the forms and force of this evolution, and highlights the obstacles that may prevent various disciplines from seeing it as it is, i.e. as a participatory process. (shrink)

This paper explores the possibility of applying the theory of Documentality to the photograph, examining it in the context of the photo archive. To this end, I maintain that a photograph’s document value is not determined by its nature, but by its relationship to inscription practices. And I regard the space of the archive as a paradigmatic device that produces cognitive strategies on the word pairing “photograph/photographs” inextricably linked to the inscriptions connected with it, in the form of “archiwritings” and (...) registrations, in essence: with the words of the archive itself. (shrink)

Books Christy Mag Uidhir, Art andObjects [Elisa Caldarola, p. 182] • Julie Jaffee Nagel, Melodies of the Mind. Connections Between Psychoanalisis and Music [Michele Gardini, p. 185] • Dominic McIver Lopes, Beyond Art [Filippo Focosi, p. 187] • Annemarie Gethmann-Siefert, Herta Nagl-Docekal, Erzsébet Ròsza, Elisabeth Weisser-Lohmann, Hegels Ästhetik als Theorie der Moderne [Lorenzo Leonardo Pizzichemi, p. 190] Comments Toward an Integrated Science of Aesthetics. Getting Rid of the Main Misunderstandings in Evolutionary Aesthetics [Mariagrazia Portera, p. 194].

The ability to resist distracting stimuli whilst voluntarily focusing on a task is fundamental to our everyday cognitive functioning. Here, we investigated how this ability develops, and thereafter declines, across the lifespan using a single task/experiment. Young children (5–7 years), older children (10–11 years), young adults (20–27 years), and older adults (62–86 years) were presented with complex visual scenes. Endogenous (voluntary) attention was engaged by having the participants search for a visual target presented on either the left or right side (...) of the display. The onset of the visual scenes was preceded – at stimulus onset asynchronies (SOAs) of 50, 200, or 500 ms – by a task-irrelevant sound (an exogenous crossmodal spatial distractor) delivered either on the same or opposite side as the visual target, or simultaneously on both sides (cued, uncued, or neutral trials, respectively). Age-related differences were revealed, especially in the extreme age-groups, which showed a greater impact of crossmodal spatial distractors. Young children were highly susceptible to exogenous spatial distraction at the shortest SOA (50 ms), whereas older adults were distracted at all SOAs, showing significant exogenous capture effects during the visual search task. By contrast, older children and young adults' search performance was not significantly affected by crossmodal spatial distraction. Overall, these findings present a detailed picture of the developmental trajectory of endogenous resistance to crossmodal spatial distraction from childhood to old age and demonstrate a different efficiency in coping with distraction across the four age-groups studied. (shrink)

It is known how much of the work that Arthur Danto has dedicated to the philosophy of art has concerned the concept of representation and, specifically, the concept of artistic representation. The basic thesis that Danto developed starting from The Artworld (1965) consists in the idea that art should be considered as a particular type of representation, as opposed to what Plato had suggested, who considered it as a form of mimesis of reality. The article will show how this Dantian (...) thesis, which is based on the notion of artistic representation exhibited by Friedrich Nietzsche in the Birth of Tragedy, firstly hides a partial misunderstanding of Nietzsche's theses, and secondly reveals a philosophical error equal to and contrary to that made by Plato. We will also show how art is often a form of mimesis and how different types of mimesis are in fact compatible with artistic representation. Finally, we will show how mimesis and representation offer different forms of knowledge that belong to the art of all times. (shrink)

In On Local Motion in the Two New Sciences, Galileo distinguishes between ‘time’ and ‘quanto time’ to justify why a variation in speed has the same properties as an interval of time. In this essay, I trace the occurrences of the word quanto to define its role and specific meaning. The analysis shows that quanto is essential to Galileo’s mathematical study of infinitesimal quantities and that it is technically defined. In the light of this interpretation of the word quanto, Evangelista (...) Torricelli’s theory of indivisibles can be regarded as a natural development of Galileo’s insights about infinitesimal magnitudes, transformed into a geometrical method for calculating the area of unlimited plane figures. (shrink)