This study presents the design and selected results of a comprehensive research on measuring the concept of sustainable entrepreneurship. We used the methodology of conjoint analysis and developed a hierarchical framework that lists all the multi-attributes that exist in the triple bottom line concept. In doing so, we collected data from 150 Greek food companies. The multi-attributes were categorized and ranked into the following four headings: internal social values, external social values, environmental values and economic values. Specifically, we found that (...) the creation of values that improve the safety and hygiene issues of products to consumers is the most important attribute for the ISV domain. Respectively, the most important attribute for the ESV domain is the creation of values that impact on the local economy. Accordingly, the creation of values for minimizing environmental impacts was found as the most important attribute for the ENV domain. And lastly, the establishment of ECV that increase long-run profitability was identified as the most important for the ECV dimension. Finally, all the categorized values offer rich feedback for entrepreneurship scholars and parishioners. And, to that extent, our findings are slightly different from those reported in previous researches to other contexts, as we have managed to build an aggregated instrument that promotes the hybrid nature of food companies towards international development. (shrink)

Under the influence of the mysterious Ammonius Saccas, Plotinus conceived a desire to learn Persian and Indian philosophy firsthand. This led him to a romantic participation in the emperor Gordian's ill-fated Persian expedition. He managed to escape to Antioch and two years later began teaching in Rome.1 It is unlikely he was vouchsafed any contact with Hinduism or Buddhism,2 but the parallels between his thought and especially Buddhist philosophy are striking. The parallels with Buddhism are closer than with Hinduism since (...) Buddhism worked with three rather than two levels or substructures of reality,3 yet the Hindu connection has been more frequently explored by Neoplatonist scholars than the Buddhist.4... (shrink)

This book, ten years in the making, is the first factual and conceptual history of Martin Heidegger's Being and Time (1927), a key twentieth-century text whose background until now has been conspicuously absent. Through painstaking investigation of European archives and private correspondence, Theodore Kisiel provides an unbroken account of the philosopher's early development and progress toward his masterwork. Beginning with Heidegger's 1915 dissertation, Kisiel explores the philosopher's religious conversion during the bleak war years, the hermeneutic breakthrough in the war-emergency (...) semester of 1919, the evolution of attitudes toward his phenomenological mentor, Edmund Husserl, and the shifting orientations of the three drafts of Being and Time. Discussing Heidegger's little-known reading of Aristotle, as well as his last-minute turn to Kant and to existentialist terminology, Kisiel offers a wealth of narrative detail and documentary evidence that will be an invaluable factual resource for years to come. A major event for philosophers and Heidegger specialists, the publication of Kisiel's book allows us to jettison the stale view of Being and Time as a great book "frozen in time" and instead to appreciate the erratic starts, finite high points, and tentative conclusions of what remains a challenging philosophical "path.". (shrink)

An intrinsic property, as David Lewis puts it, is a property "which things have in virtue of the way they themselves are", as opposed to an extrinsic property, which things have "in virtue of their relations or lack of relations to other things".1 Having long hair is an intrinsic property; having a long-haired brother is not. Intuitive as this notion is (and valuable in doing philosophy, I might add), it seems to resist analysis. Analysis, that is, to “quasi-logical” notions such (...) as necessity, spatiotemporal location: using stronger tools, Lewis has given an analysis of intrinsicality that I take to be roughly correct. Lewis initially described intrinsic properties in his 1983 paper "Extrinsic Properties" as follows. (shrink)

An unusual and thought-provoking history of humankind traces the evolution of emotions and personal relationships through the ages and among diverse cultures, discussing such varied topics as the art of conversation, inter-gender friendships, lifestyles, and cookery.

In "Sider on Existence" (Noužs, 2007), David Liebesman and Matti Eklund argue that my "indeterminacy argument", according to which quantifiers are never vague, clashes with my "naturalness argument", according to which quantifiers "carve at the joints". There is, I argue, no outright inconsistency. But Liebesman and Eklund have shown that my arguments are not as independent as it may have appeared. The best defense of the indeterminacy argument is via the naturalness argument.

We prove that every countable relation on the enumeration degrees, \documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document} ${\frak E}$\end{document}, is uniformly definable from parameters in \documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document} ${\frak E}$\end{document}. Consequently, the first order theory of \documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document} ${\frak E}$\end{document} is recursively isomorphic to the second order theory of arithmetic. By an effective version of coding lemma, we show that the first order (...) theory of the enumeration degrees of the \documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document} $\Sigma^0_2$\end{document} sets is not decidable. (shrink)

I am now typing on a computer I bought two years ago. The computer I bought is identical to the computer on which I type. My computer persists over time. Let us divide our subject matter in two. There is first the question of criteria of identity, the conditions governing when an object of a certain kind, a computer for instance, persists until some later time. There are secondly very general questions about the nature of persistence itself. Here I include (...) the question of temporal parts, as well as certain familiar paradoxes (e.g., the statue and the lump). Following John Perry (1975, Introduction), let us characterize a criterion of identity over time for F s as a way of filling in φ in the following schema: Stages S1 and S2 belong to some continuing F iff φ Defenders of temporal parts (see below) regard S1 and S2 as being temporal parts of the continuing F ; others regard S1 and S2 as different stages in the life history of the continuing F . Thus each camp can make use of Perry’s formula. It is traditional to divide such criteria into those governing persons and those governing anything else. It is further traditional to say that the criterion of identity over time for non-persons involves spatiotemporal continuity. An excellent discussion is Eli Hirsch’s The Concept of Identity1, which utilizes the notion of continuity under a sortal. Kind-terms, or sortals, are terms that specify what kind of or sort of thing an object is. Examples include ‘tree’, ‘car’, and ‘mountain’. Where F is a sortal, Hirsch’s analysis is roughly that stages belong to the same F iff they are connected by a spatiotemporally and qualitatively continuous sequence of F -stages. Unmodified, this analysis prohibits temporally discontinuous entities, such as a watch that is taken apart and then reassembled. Hirsch discusses the necessary modifications. Spatiotemporal continuity analyses face a problem when applied to the persistence of matter. The literature here has been dominated by discussion of examples provided by David Armstrong (1980) and Saul Kripke (unpublished.... (shrink)

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

A view of Heidegger's divergence from the traditional philosophies of reason.

The biographical study of scientists, though familiar, has mostly seemed anodyne rather than profound as a tool of history of science. But it bears closely on the public role of the scientist, associated nowadays with the detachment of objectivity and with a sense of the scientific life as a fracturing of “the science” from other aspects of a career. Although this division is indeed characteristic of the modern scientific identity, historians should not take it as natural or inevitable. The life (...) of the statistician Karl Pearson, who endeavored to live out a Bildungsroman, demonstrates the survival into the twentieth century of alternative ideals and, with them, of ambitions for science going far beyond the professionalization of a technical field. Pearson’s career offers a model for historicizing the relationship of science to public reason. (shrink)

This paper investigates the ontological presuppositions of quantifier logic. It is seen that the actual infinite, although present in the usual completeness proofs, is not needed for a proper semantic foundation. Additionally, quantifier logic can be given an adequate formulation in which neither the notion of individual nor that of a predicate appears.

Advocates of certain paraconsistent logics claim that classical logic provides incorrect norms for reasoning about impossible situations. Some have taken this claim as a sufficient reason to modify classical accounts of consequence. In this paper, I explain and evaluate such an argument based on Graham Priest's fictional story, "Sylvan's Box." I will explain and evaluate an objection to this argument based on a consistent reading of Priest's story offered by Daniel Nolan. However, I will argue that the argument fails for (...) different reasons. It is not the case that classical logic provides incorrect norms for reasoning about impossible situations. I will discuss logical tools, offered by Daniel Nolan, compatible with classical accounts of consequence that allow for non-vacuous reasoning about impossibilities. Finally, I will offer an explanation for seeming tensions between certain classical logic principles and reasoning about impossibilities. (shrink)

An elaboration in detail of the contention made in an earlier paper 1 that quantifier logic can be given an adequate formulation in which neither the notion of an individual nor that of a predicate appears. The logic is compatible with either an infinitistic or non-infinitistic completeness theorem.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.1 (2002) 173-187 [Access article in PDF] Symposium: On Ken Burns's "Jazz" Jazz After Jazz: Ken Burns and the Construction of Jazz History Theodore Gracyk As all action is by its nature to be figured as extended in breadth and in depth, as well as in length; and so spreads abroad on all hands... so all narrative is, by its nature, of only one dimension; (...) only travels forward towards one, or towards successive points; narrative is linear, action is solid. Alas for our "chains" or chainlets, of "causes and effects." —Thomas Carlyle, "On History," 1830 Jazz and freedom are synonyms. —Mezz Mezzrow I JAZZ, A FILM BY KEN BURNS is a fascinating and monumental achievement. In this essay, I identify and critique some of the project's core assumptions. My principal target is the assumption that a specific essence of jazz underlies most (but not all) of the music that is regularly identified as jazz and that the historical unfolding of this essence is the true subject of a historical investigation of jazz. This assumption accounts for the project's otherwise puzzling suggestion that jazz history ended approximately thirty-five years ago.The most visible element of the historical project is the ten-part, nineteen-hour documentary, Jazz: A Film by Ken Burns. However, the historical project has three other public elements. The first is a book, Jazz: A History of America's Music. 1 Credited to both Geoffrey C. Ward and Ken Burns, the bulk of the book is the film's spoken text, which includes both a unifying narrative and numerous quotations. The book makes it clear that this text is primarily Ward's work. Second, there is a website that makes available extensive transcripts of many of the [End Page 173] seventy-five interviews conducted for use in the film. Third, there is a set of twenty-two compact discs, each giving an overview of an important jazz musician (e.g., one devoted to Count Basie, one devoted to Dizzy Gillespie). Highlights of these discs have, in turn, been assembled into a five-disc box set called Ken Burns Jazz. My aim is to reveal and examine the conceptual scaffolding that supports and organizes this vast, multifaceted project.What is the principal assumption of this historical project? The project consistently emphasizes the music's capacity to give audible embodiment to the idea of American democracy. At the same time, the project is less than forthcoming about the aesthetic assumptions embraced by Ward and Burns. Familiar and predictable arguments are introduced to justify the appellation of "art" and to address the issue of the purported death of jazz in the 1970s. However, these two strands of the larger argument may be at cross-purposes with the principal assumption and the ideology that jointly justify the project's status as jazz history.Let me begin by describing the principal assumption in some detail. While there is no reason to suppose that its source is Ken Burns or his chief collaborator, historian Geoffrey Ward, the following blurb was used to advertise the project: Jazz has been called the purest expression of American democracy; a music built on individualism and compromise, independence and cooperation. Join us for an exploration of jazz, America's greatest cultural achievement. In keeping with this theme, the narration and principal interviewees of the film are positioned to emphasize that jazz is an audible embodiment of the idea of American democracy. Let us call this idea the democracy thesis. It is placed as a frame around the whole film: Wynton Marsalis announces it in the opening minutes of the first episode, and then he reiterates it in fresh words at the end of the last episode. Although it is repeated with numerous variations, the democracy thesis proposes that jazz involves an ideal of democratic America, not the fact of life in America: jazz, Wynton Marsalis assures us, is "a glimpse of what America is going to be when it becomes itself. And this music tells you that it will become itself." 2 Jazz... (shrink)

This essay details David Hume’s complex contextualist account of aesthetic properties. Focusing mainly on the essay “Of the standard of taste”, I argue that Hume’s account of aesthetic properties anticipates many points advanced in Kendall Walton’s 1970 essay “Categories of art”, most notably the thesis that proper detection of most aesthetic properties depends on awareness of which nonaesthetic properties are standard, contra-standard, and variable for the relevant category of art. Consequently, they both reject the position we now describe as aesthetic (...) empiricism. Yet there are also distinctive aspects of Hume’s account. Most notably, Hume holds that delicacy of imagination is involved in avoiding prejudice when perceiving nonaesthetic properties. He also proposes that aesthetic terms such as “beauty” and “elegance” capture positively valenced thick concepts because aesthetic properties are necessarily (in part) value properties. (shrink)

Thus, says Hare, a judgment that someone is happy is an appraisal, not a statement of fact. I do not wish to deny that there are some uses of 'happy', ascribed to a person or to a life, for which this is the case; but I would like to maintain that there are other uses of 'happy', philosophically important ones, in which a judgment that a third person is happy is not an appraisal, but is rather a report about him (...) which may be true or false; and in which a first person judgment that one is happy, while it involves an appraisal, is still a report which may be true or false. (shrink)

The philosophically rich David Bowie is an artist of wide and continuing influence. The theatrical antics of Bowie ushered in a new rock aesthetic, but there is much more to Bowie than mere spectacle. The visual belies the increasing depths of his concerns, even at his lowest personal moments. We never know what lies in store in a Bowie song, for there is no point in his nearly 30 albums at which one can say, "That's typical Bowie!" Who else has (...) combined techno and hard rock, switched to R&B love songs (with accompanying gospel) to funk to jazz-rock fusion and back again? Among the topics explored inDavid Bowie and Philosophy are the nature of Bowie as an institution and a cult; Bowie's work in many platforms, including movies and TV; Bowie's spanning of low and high art; his relation to Andy Warhol; the influence of Buddhism and Kabuki theater; the recurring theme of Bowie as a space alien; the dystopian element in Bowie's thinking; the role of fashion in Bowie's creativity; the aesthetics of theatrical rock and glam rock; and Bowie's public identification with bisexuality and hisinfluence within the LGBTQ community. (shrink)

This is a brief critical assessment of Richard Gale’s treatment of arguments for God’s non-existence which make appeal to the concept of omnipotence. I mostly agree with what Gale says, but have found some additional issues worth exploring.

Gadamer's philosophical hermeneutics cannot fully be understood without the contour his project receives from his relation to Kant's third Critique of Judgmentand Hegel's absolute idealism. Although Gadamer's deepest ties are to Heidegger, his thought also remains shaped greatly by the Greeks, especially Plato and Aristotle, as well as figures and themes in the classical age of German philosophy from Kant to Hegel. This chapter discusses two crucial points of Gadamer's approach to German idealism. The first is the debt he owes (...) to Kant's third Critique for his own elucidation of the hermeneutical experience of truth, and, second is the debt that he owes to aspects of Hegel's absolute idealism for his own notion of hermeneutical self‐knowledge. The chapter shows that Gadamer, in his approach to both Kant's third Critique and Hegel's absolute idealism, focuses on themes that allow him to emphasize the forms of finitude he believes guide hermeneutical experience. (shrink)

To show that something is “possible” or “impossible” does not seem, for Hegel, to be a genuine concern for philosophy. In point of fact, “everything is possible,” because everything has the simple form of identity-with-itself, i.e., does not contradict itself, - and it is equally true that “everything is impossible,” because, in any concrete content, the determinacy can be taken as determined opposition and so as contradiction. Hegel therefore concludes that there is “no emptier talk” than that of such “possibilities” (...) and “impossibilities”. (shrink)

Journal of Mass Media Ethics, Volume 27, Issue 3, Page 214-215, July-September.

Religion is a racialized category, even when race is not explicitly mentioned. In Modern Religion, Modern Race Theodore Vial argues that because the categories of religion and race are rooted in the post-Enlightenment project of reimagining what it means to be human, we cannot simply will ourselves to stop using them. Only by acknowledging that religion is already racialized can we begin to understand how the two concepts are intertwined and how they operate in our modern world.It has become (...) common to argue that the category religion is not universal, or even very old, but is a product of Europe's Enlightenment modernization. Equally common is the argument that religion is not an innocent category of analysis, but is implicated in colonial regimes of control and as such plays a role in Europe's process of identity construction of itself and of non-European. (shrink)