In lieu of an abstract, here is a brief excerpt of the content:526 BOOK REVIEWS learned how to integrate satisfaction into love (91, 113, 119, 124, 136, 186, 192, 198; cp. 37). Indeed, it is Aquinas's gradual integration of satisfaction as a motive for the Incarnation subordinate to love (166) that enables Aquinas aptly to locate satisfaction within the Christian life (cp. 47, 136, 142, 166) and accounts for Cessario's subtitle. Third, I am not clear on Ccssario's (or my own!) (...) stand on how we ought sort out the respects in which Thomas's and our perspectives merge (cp. xiv). In his conclusion Cessario is cautious, suggesting that "if the term ' satisfaction ' cannot be restored to current usage, then certainly the substance of Saint Thomas's understanding of satisfaction can and should be." (256). But, given Cessario's own persuasive display of the way satisfactio pervades the very texture of Aquinas's theology, I am not sure we can have the "substance" without the term-or vice-versa. Clearly Cessario thinks the merging is substantive. But he himself teaches us that supporting this claim involves supporting claims for exegetical, liturgical ecclesial, and other practices. Those of us who think that satisfactio is a description rather than "the guiding model or key notion" (xx, my emphasis) for thinking Christ crucified will need to see such support worked out in relation to the competing sotcriologies Cessario mentions (267) as well as ecumenical discussions of justification which were understandably outside the scope of this book (151). But a single book can only accomplish a single thing-and this book clearly succeeds in showing us how Thomas can be brought to bear on contemporary theological issues. All students of Aquinas and/or soteriology ought to read this text. Loyola College in Maryland Baltimore, Maryland JAMES J. BUCKLEY How We Know. Edited by MICHAEr, SHAFTO. San 1!1rancisco: Harper & Row. 1985. Pp. xv and 171. $14.95. How We Know is a collection of six papers delivered in 1984 at the twentieth Nobel Conference, held at Gustavus Adolphus College in St. Peter, Minnesota. Two words that came to my mind as I worked through the papers were "fascinating" and "frightening". The Conference dealt with cognitive science and a number of the authors have come up with interesting, provocative, and often orig'inal observations about how the human mind operates when it hies to remember and to understand. In his Introduction Michael Shafto, who is a Scientific Officer in the Personnel and Training Research Programs of the United States Office of Naval Research, notes that cognitive science as the work of a coalition of thinkers is barely a decade old, and he reminds the reader that the methods BOOK REVIEWS 59.7 of cognitive science are those of experimental psychology, physiology, and computer science. Though the Confermce was supposedly aimed at nonspecialists, the reader unfamiliar with cognitive science might find some of the papers a bit difficult. Certainly the backgrounds of the authors are very impressive. The first four papers in the collection are by Gerald Edelman, Brenda Milner, Roger C. Schank, and Herbert A. Simon respectively. Edelman is the Director and Scientific Chairman of the Neurosciences Research Program at Rockefeller University; Milner is Professor of Psychology in the Department of Neurology at McGill University: Schank is Professor and Chairman of the Computer Science Department at Yale; and Simon is Professor of Computer Science and Psychology at Carnegie-Mellon University. Calling his theory of the hum:m brain "Neural Darwinism," Edelman claims that the brain is Darwinian. Taking Darwin's theory of natural selections and applying it to the brain, Edelman argues that during ontogeny and behavior those groups of neurons are chosen that are adaptive for the organism. Milner explores the neurophysiological basis of that special moment when a new experience affects the brain. Insisting that memory is not merely a passive reproi!ucer but rather actively selective, Milner, relying on her studies of patients. with loss of memory, suggests that the frontal lobes of the brain hnve a special role in memory. Interested in the interface of mcmory anil percr-ption, Schank notes that, because human memory is dynamic and the memory of the computer is not, the -programming of the intelligent functions of... (shrink)

This volume provides a guide to the discussion among biologists and philosophersabout the role of concepts such as function and design in an evolutionary understanding oflife.

For many people "animal rights" suggests campaigns against factory farms, vivisection or other aspects of our woeful treatment of animals. Zoopolis moves beyond this familiar terrain, focusing not on what we must stop doing to animals, but on how we can establish positive and just relationships with different types of animals.

In lieu of an abstract, here is a brief excerpt of the content:ON BEING OR NOT BEING A THOMIST ROBERT E. LAti'DER St. John's University Jamaica, New York Nineteenth-Century Scholasticism: The Search for a Unitary Method. Gerald A. McCool, S.J. New York: Fordham University Press, 1989. 301 pages (paper). From Unity to Pluralism: The Internal Evolution of Thomism. Gerald A. McCool, S.J. New York: Fordham University Press, 1989. 9248 pages (hardcover). BEFORE I READ Gerald A. McCool's two volumes examining nineteenth (...) and twentieth centrury scholast :i:cism and Thomism, if someone had asked my philosophica ;l o:rientation, I would have replied "I am a Thomist." Having rerud McCool's two books, I still and with a strong sense of gratitude articulate my philosophical self-des,ignation as Thomisit, but what I mean by Thomist has become considerably more nuanced. Not only those who identify themselvies with the thought of St. Thomas but a, wider philosophical and theologiea1l community shou1d be grateful to Father McCool for- his eXiceHent scholarly contribution to the understanding of sicholasticism and Thomism. His two volumes show many of us who call ourselves Thomists where we have been an:d wheve we rare and, by illuminating our past,and present, clarify for us our options for the future. Nineteenth-Century Scholasticism was first published under,the title Catholic Theology in the Nineteenth Century by The Seabury Press in 1977, but it has been re-issued hy Fordham University to ruocompany the appearance of his second volume. In this earlier work McCool ohal'ts in detail the growth and 301 30~ ROBERT E. LAUDER d.wection of scholasticism, especially in relation to two influential Chmich documents: the Apostolic Consititu.tion on Faith Dei Filius, solemnly app:rovced in 1870 by the fathers of the First Vatican Council, and Leo XIII's 1879 encyclical Aeterni Patris. The,earlier,document defined and darified the Church's teaching on the supernatural and free charac1te:r of faith and on the relation between supe:matural faith and natural reason; the encydical was a disciplinary document concerning the method of philosophicaJ instruction for priests. McCool \Stresses that the linking of the two documents in the minds of Roman authorities and theologians gave the documents enormous weight and influence during the nineteenth and well into the twentieth century, but now, more than a hundred years fater, their influence is being and r'easses:sed. Though the present situation in Catholic philosophical and theological circles is not a case history reversing itself, it is an extra011dina :ry example of history leruding to the l'eopening of questions ithat,seemed definitivdy dosed. McCool suggests that there are at ~east two factors affecting contemporary Catholic theology which indicate that ·current historical research into nineteenth-century Catholic theology may point to a genuine option between a deveJoped Thomism and a restored pre-Thomistic nineteenth century system: The first of these is the freedom given to Catholic theologians by the Second Vatican Council to experiment with non-Thomistic theological systems. Aetelf'ni Patris no longer enjoys the status of an irrevocable theological option, based on immutable dogmatic and metaphysical principles. Its theological signification has been relativized. Aeterni Patris must now be considered an historical moment in the dialectical progress of theological development. The second distinctive characteristic of contemporary theology is the current ferment over theological method. This means that the nineteenth-century debate, which the official option of Aetelf'ni Patris seemed to have closed definitively, has been reopened. The disciples of SL Thomas and the partisans of the ' new ' theologies are free once more to submit their diverse theological methods to the judgment of their fellow theologians. (p. 6) GERALD MC COOL AND THOMISM 303 McCool views Joseph Kleutgen as the outstanding representativ ;e of the noo-Thomisit.ic movement in the nineteenth century. Kleutgen was trying to strike a balance between the extremes of fideisim and rationalism. He felt strongly thrut if one says positive and speculative theology are nort intrinsically difforent in their intellootua;} questions from a philosophy of·l'leve!Imtion then either natural veason's proper autonomy has to be compromised by a tmditional :fideism or the distinctiveness and gra.tuity of supernatuml knowledge has to be blurred by... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 535 eluded. Have Straussians proved that there is no higher human knowledge than philosophy? One hopes that they will meet their critics, because Stmussians are deeply serious men and women, and we can all learn from their mentor. Hillsdale, College Hillsdale, Michigan D. T. ASSELIN Philosophical Problems of Classical Film Theory. By NOEL CARROLL. Princeton, N.J.: Princeton University Press, 1988. Pp. 268. This book is a provocative, (...) clearly written, and carefully argued presentation of a philosophical critique of traditional film criticism. If film is taken as a serious art form, one which can stand alongside of music, painting, theatre, and literature, then Carroll's book is a good example of the type of philosophical study that is needed. Assistant professor of philosophy at Wesleyan University, Carroll knows the world of film well and attacks with vigor what he takes to be erroneous in traditional film criticism. His three targets are the film theories of Rudolf Arnheim, Andre Bazin, and V. F. Perkins. It would be difficult to overemphasize the influence of Arnheim and Bazin on the history of the aesthetics of film: each man is a giant in the history of theorizing about film. Though much less influential, Perkins does present an mteresting view of film. Philosophical Problems of Classical Film Theory consists of an introduction, three central chapters, and a conclusion. Each of the three chapters is devoted to one of the film theorists, and each chapter begins with an explanation of the theory being discussed. In trying to present the theory in its strongest form, Carroll includes a detailed discussion of its historical setting, and this makes its contextual importance clear. But most of each chapter is devoted to criticism of the theory iii question. Thinking of film theories as a series of answers to abstract questions, Carroll suggests that Arnheim, Bazin, and Perkins address the same central questions and expect the answers to these questions to be related logically in the same way. Carroll lists three questions that he thinks suggest a similar structure in the three theories he is studying: " What is the determinant or special feature of film? What is the value or role of cinema? What are the processes of articulation in film in relation to the previous two answers? " Concerning the answers to these questions Carroll writes 586 BOOK REVIEWS Most classical film theories-including those of Amheim, Bazin, and Perkins-relate answers to the three basic questions in the following way: the determinant characteristic stands to the role of cinema as a means to an end, while the articulatory processes are assessed as instances of the determinant characteristic of cinema (pp. 14-15). Arnheim represents an early type of film theorizing which Carroll names the silent-film paradigm. Those who embrace this approach, and Carroll would include the Soviet montagists of the twenties such as Sergei Eisenstein, insist that film is not merely a record of reality but rather manipulates reality expressively. Though Arnheim wrote after sound had entered film, he disdained talkies and looked back to silent film to discover the paradigm of film. Carroll's treatment of Arnheim relies on the latter's 1957 Film As Art, which is a condensed version of his 1933 book Film. The 1957 condensation can he considered the authoritative articulation of Arnheim's position. The prejudice against cinema in its early days derived from the fact that a major constituent of film was photography. Many felt that photography could not be an art form because it was merely a copying process. Arnheim's theory can be called creationist because he successfully showed how cinema could be creative in capturing and re-presenting reality. Arnheim showed that film transcends the simple viewpoint that simple recording implies. Carroll summarizes Arnheim's view: In summary, Arnheim holds that one role of filmmaking-the one that concerns him-is art. He also contends that the determinant characteristics of the medium-those relevant to the purpose of art makingare the various ways that the medium diverges from the mechanical duplication of reality, and finally, Arnheim spends the bulk of Film As Art on lengthy examinations of the various modes of cinematic articulalation, in order to demonstrate... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 151 highly conscientious translator, and a sign of this are the Latin-English and English-Latin glossaries that are appended at the end of the work. The glossaries show how he has tried to remain consistent in his choice of terms and how he decided to render difficult terms like ratio and esse, which cause every translator of Aquinas problems. One could complain, however, that these nine pages of (...) glossary are not quite complete enough. A few missing entries, for example, are ' individual ' (which is used to translate concretum, suppositum, individuatum, and particufuris), ' subiectum ' (translated " substance " and " subject "), and' modus'. The briefest of bibliographical notes and an index complete the work. Here one might want to register a more serious complaint. The bibliographical note is much too brief to he especially helpful. The beginner could use some more suggestions about what to read as a follow-up to Martin's hook. All in all, this is a collection of readings from Thomas Aquinas one would like to see stay in print for a long time to come. Many who teach the thought of Aquinas in the round will want to make use of this work. And, by reading this work, philosophy students to whom Aquinas is an unknown will make a good beginning in becoming di· rectly familiar with one of the greatest of minds. ROBERT D. ANDERSON Saint Anselm College Manchester, New Hampshire Being and Order: The Metaphysics of Thomas Aquinas in Historical Perspective. By ANDREW N. WOZNICKI. Catholic Thought from Lublin. New York: Peter Lang, 1990. Pp. 309 + xiv. This first volume bodes well for the new series Catholic Thought from Lublin, because the author of the hook is also the general editor of the series. Father Woznicki has here produced a welcome addition to those worthwhile hooks exploring the philosophical vision of St. Thomas in depth and comparing and contrasting that vision with other philosophical outlooks. Such studies are important not just for Thomists hut for all who are interested in the thought of the Angelic Doctor. On the first page of his Foreword, Woznicki announces that being and order are so inextricably interrelated that it is absolutely impos· sihle to understand one without the other. With thorough scholarship and impressive depth, Woznicki hacks up his claim. The Foreword also includes Etienne Gilson's marvelous statement: "Metaphysics al- 152 BOOK REVIEWS ways buries its undertakers." Not only does Woznicki probe profoundly into St. Thomas's metaphysics but he shows with an enviable clarity what is metaphysically lacking in philosophies as diverse as those of Duns Scotus, William of Ockham, Descartes, Kant, and Whitehead. Woznicki's goal in this well documented study is to discover the order present in the very structure of being as being. In examining the concept of being itself, he claims that being can reveal itself in its inner disposition of both essential and existential characteristics only as something in which essence and existence are related to each other reciprocally and mutually. The Lublin Thomist distinguishes the predicamental and the transcendental modes of predication. While in the predicamental mode of predication a predicate is added to a being as its determining principle, in the transcendental mode of predication nothing can be added to a being as an extraneous nature, in the way that an accident is added to a substance or that a difference is added to a genus. (These additions cannot take place because every nature is essentially being.) The distinction between the two modes of predication permit the formulation of two kinds of concepts, namely, the predicamental and the transcendental. The former describe various grades of being which match different modes of being and so reveal.the various genera of being; the latter in depicting being in its universality express more clearly what is contained in the nature of being as such. A predicamental order of being is established through the predicamental concepts' description of being by its essential characteristics ; a transcendental order of being is established through the transcendental concepts' description of being as expressed by the existential characteristics of esse. While in the predicamental order the emphasis on the essential aspects reveals being as it is expressed in... (shrink)

In this country the idealists of the latter years of the nineteenth century and the early part of this century can be looked at as representing a conservative position, if the agnostics, naturalists and pragmatists of that time are taken to represent liberal movements. George Holmes Howison as an idealist was neither an isolated voice nor a member of a general school of thought that had slight influence. Howison’s published philosophical writings extend from 1861 to 1916. One reason among others (...) for Howison deserving a significant place in the history of philosophy was his participation in the “Conception of God” debate of 1895. That debate also serves as evidence of the completion of Howison’s odyssey from Hegelianism to personal idealism. (shrink)

Sue Campbell reinstates the personal as an important dimension in analytic philosophy of mind. She argues that the category of feelings has a unique role in psychological explanation: the expression of feelings is the attempt to communicate personal significance. To develop a model for affective meaning, the author moves attention away from the classic emotions to feelings that are more personal, inchoate, and idiosyncratic.

Sociology has long recognized the centrality of the body in the reciprocal construction of individuals and society, and recent research has explored the influence of a variety of social institutions on the body. Significant research has established the influence of social class, child-rearing practices, and variable language forms in families and children. Less well understood is the influence of children's social class status on their gestures, comportment, and other bodily techniques. In this essay Sue Ellen Henry brings these two areas (...) of study together to explore how working-class children's bodies are shaped by the child-rearing practices associated with their social class status, and the potential effects these bodily techniques have on their experience in schools. (shrink)

This special issue focuses on transdisciplinarity, understood as iteratively crossing back and forth and moving among and beyond disciplinary and sectoral boundaries to solve the complex, wicked pr...

This article is made available under Creative Commons licence CC BY-NC-ND, which permits non-commercial reproduction and distribution of the work, in any medium, provided the original work is not altered or transformed in any way, and that the work is properly cited.

Hanne Darboven’s numerical practice fulfils Alain Badiou’s definition of a new artistic configuration (albeit one that the philosopher does not foretell). Darboven’s writing – like that of Isidore Ducasse – subverts ordinary thinking through the ‘alien qualities’ of mathematics. Yet, in Darboven’s grammatical oeuvre, infinity emerges as a function of number’s capacity to be thought simultaneously across an unlimited number of discursive series. Her art affirms the plasticity of number by dispersing numerical series across a continuous surface. These surface effects (...) simultaneously recall the disjunctive temporality of the Aion described by Gilles Deleuze in The Logic of Sense (2004). Finally, Darboven’s writing of number also reveals traces of broader social transformations that emerged during the 1960s in tandem with unprecedented advances in automation and computing: particularly neo-Taylorist and cybernetic approaches to the administration of workers’ time. But crises in labour practices are appropriated by Darboven as techniques of subjectivization that the artist always subverts to her own ends. (shrink)

In an economy that increasingly trades in electronic information products, the copy assumes a new reversibility, as a figure at once valued for its rapid exchangeability and vilified for of its associations with counterfeit and fraud. The incorporation of confidence measures into the design of electronic information products is symptomatic of a primary crisis of belief installed within empiricist epistemologies, of which anti-circumvention technologies and knock-off economies are merely the incorrigible children. The aesthetic strategies practiced by Albert Oehlen and N.E. (...) Thing Co., which mirror the information hiding techniques employed by steganography software and technologies of trust as well as the circumvention tactics employed to defeat them, register an emergent preoccupation in contemporary visual culture with structures of belief. They also disclose a Humean attention to processes of devivification, which figures in these artists’ work as an effect of the multiplication of the same. The trope of the ‘false bottom’ deployed in the 1930s novels of British artist and author Wyndham Lewis serves as intertext in this genealogical investigation of the politics of circumvention. (shrink)

Critics’ praise of Woody Allen as an artist is increasing. No other comedian includes within his humour so many references to God. Philosophers interested in contemporary culture should take Allen’s comedy seriously. Accepting Albert Camus’s vision of reality, Allen has been artistically handling the absurdity of reality by use of humour. Through comedies, Allen’s films deal with important questions. His finest film may contain an argument for God.

The authors' aim is to build “more biologically plausible learning algorithms” that work in naturalistic environments. Given that, first, human learning and memory are inextricable, and, second, that much human learning is unconscious, can the authors' first research question of how people improve their learning abilities over time be answered without addressing these two issues? I argue that it cannot.

Extrait de R. Sue, Temps et ordre social. Sociologie des temps sociaux, Paris, PUF, 1994, p. 28-32. Nous remercions Roger Sue de nous avoir autorisé à reproduire ici ce texte. Il faut renoncer à faire une sociologie du temps en général. Renoncement difficile pour le sociologue toujours enclin à penser la société sous forme d'unité. Unité qui produirait son propre temps, un temps unique, le temps de la société. Cette illusion de l'unité est extrêmement forte lorsqu'il s'agit du temps, en (...) raison de la (...) - Sociologie – Nouvel article. (shrink)

Until Speculative Realism’s arrival a few years back, few philosophers found it problematic to view nature as a cultural construct, circumscribed and dependent on human attitudes. While I share speculative realists’ goal to strengthen philosophy’s mind-independence, I worry that isolating nature as beyond human minds not only absolves human responsibility, but eradicates “kinship” relations, which capture non-hu­man nature providing for and sustaining human beings, and vice versa. To develop an environmental philosophy that affords mind-independence and offers evidence, unlike Positive Aesthetics, (...) which idealizes wilderness, I discuss: 1) the pro/cons of nature’s mind-independence, 2) the implications for aspection, 3) the need for assessment tools that guide human action, 4) the reasons for grounding ethical action in kinship, and 5) recent research that suggests biodiverse cities exemplify the kinship model. Inseparable from nature, human beings are kindred participants in shared eco-systems. (shrink)

In The Death of Human Capital?, Phillip Brown, Hugh Lauder, and Sin Yi Cheung demonstrate that the human capital story is one of a failed revolution that requires an alternative approach to education, jobs, and income inequalities. Rather than abandoning human capital theory, the authors seek to redefine it in a way that more accurately addresses today's challenges presented by global competition, new technologies, economic inequalities, and national debt.

In lieu of an abstract, here is a brief excerpt of the content:Ethics & the Environment 8.1 (2003) 93-101 [Access article in PDF] A Political LifeArendtian Aesthetics and Open Systems Sue Spaid Since the 1990s, artists have broken ground by producing works that are "open systems." That is, they are incomplete, participatory, and elastic. In this paper, I will argue that open systems exemplify Hannah Arendt's conception of vita activa, in contrast to art's traditional role as inspiring vita contemplativa. Since (...) they do not explicitly affirm or refute political policies, such works are generally not considered "political" art. However, they accommodate Arendt's notion of the political life, since they incorporate process, durability, pluralities of spectators, and unpredictability. Furthermore, because they do not resemble what ordinarily passes for art, reflective judgment is required to engage them, and to determine whether they are art.Echoing Diotima's interest in immortality, Arendt links beauty to durability. Open systems are particularly durable because we remember them as a public experiences that include participants and spectators. Such performative and pleasurable worldly actions entail aesthetic engagements that are very much in line with Arendt's description of the political life. Critical Engagement In the sphere of fabrication itself, there is only one kind of object to which the unending chain of means and ends does not apply, and this [End Page 93] is the work of art, the most useless and, at the same time, the most durable thing human hands can produce... It is the reification that occurs in writing something down, painting an image, composing a piece of music, etc. which actually makes the thought a reality; and in order to produce these thought things, which we usually call art works, the same workmanship is required that through the primordial instrument of human hands builds the other, less durable and more useful things of the human artifice. (Arendt 2000, 177-78) In a 1964 interview with Gunter Gaus, Hannah Arendt described herself as a political theorist, who though trained as a philosopher had "said good-bye to philosophy once and for all." In identifying the tension between philosophy and politics, she differentiated man as a thinking being from man as an acting being, and she identified with the latter. She found that, because philosophers cannot be neutral or objective with regards to politics, they share a certain enmity toward politics, and she sought to avoid that response. Not surprisingly, she named Kant as an exception, because he understood this enmity to lie in the nature of the subject itself. In The Critique of Judgement, experience precedes reflective judgement, thus affirming a place for each subject's particular experiences. Kant, too, was a man of action.Kant's aesthetic judgment of taste, which is a normative but non-prescriptive process, makes room for Arendt's notions of worldliness and unpredictability. Critics have decried Arendt's political theory for its anti-rationalism, political existentialism and "aestheticization of politics," yet much can be learned from her clear commitment to equality, and the way she trusted and perhaps even idealized humanity (Curtis 1999, 18). She wrote, "Only action and speech relate specifically to this fact that to live always means to live among men, among those who are my equals. Hence, when I insert myself into the world, it is a world where others are already present" (Arendt 2000, 179). Given her interest in freedom, active engagement, critical thinking, and anti-instrumentalism, it is perhaps not surprising that Arendt found inspiration in Kant's conception of aesthetic judgment as requiring only communicative sociability, the object's purposeless purposiveness, and the spectator's free play of imagination and understanding.I am interested here in Arendt's aesthetics of the political life in relation to recent art that unwittingly fosters an engaged and open conception of the political. The works in question are not necessarily conscious of their political capacity. Rather, their presence assumes that spectators are [End Page 94] equals, and facilitates an active life, what Arendt described as the vita activa, as opposed to the vita contemplativa, the contemplative life. An active life, which requires a public space, entails active... (shrink)

The mystery of person is so deep that philosophers should welcome insights into that mystery from wherever they come. Literature, theater, film and psychology are a few sources that may provide help. The study of previous philosophies of person can be especially helpful. At the turn of the century there were numerous philosophical idealisms in this country. One was personal idealism and one of the most highly respected proponents of personal idealism was George Holmes Howison. If the idealists of the (...) latter half of the nineteenth century and the first half of the twentieth century were compared to the pragmatists, naturalists and agnostics of that time the idealists would represent a more conservative position. Howison, whose published philosophical writings span the period from 1861 to 1916, constructed an idealism that is post-Kantian: impressed and influenced by Kant, Howison rejected what he judged to be Kant’s errors. As a reaction to and rejection of Kant’s vision, Howison’s philosophy, which in the history of philosophy is a relatively rare blend of the personalistic and the idealistic, is interesting. (shrink)

Following two introductory sections which deal with the search for meaning and the model of film as a form of probing, I argue that Bergman deals with a number of important philosophical issues within his film corpus. A summary account of the vision which emerges from this corpus is sketched, followed by an analysis of the central role of the artist in society as Bergman conceives it.

The notion of social capital focuses attention on social connectedness within communities and the ways that this connectedness may affect health and well‐being. There are many competing definitions of social capital but most suggest that it involves trust, social networks and reciprocity within communities, not necessarily geographically defined. The usefulness of social capital and related theories that help in understanding the function of nurses in rural communities are explored in this paper. Nurses and health service planners are becoming increasingly aware (...) of the potential contribution of community nurses in rural and/or remote areas, as evidenced in the development of nurse practitioners. Through their interrelational role and status in rural communities, nurses are often ‘immersed’ or ‘embedded’ in the social networks that make up the fabric of rural life and may therefore be important contributors to social capital. For a concept such as social capital to be useful in nursing research, it must have distinct attributes, delineated boundaries, and well‐described preconditions and outcomes in multiple contexts. (shrink)

The concept of person is a primary interest of the contemporary intellectual world. Modern literature, films, theater, theology and philosophy focus their attention increasingly on the meaning of person. The current interests of philosophers can activate and direct their reading of the history of philosophy. The rereading of the history of philosophy with a new interest can lead to new insights and discoveries. Through these insights and discoveries, philosophies of the past come to life in the present and influence the (...) future. One of the tasks of contemporary philosophers is to read and examine philosophies of the past under the light of the current interest in person so that errors of previous philosophers might be avoided and insights of previous philosophers might be assimilated. The rereading, examination and exposition of past philosophers is and must be a community project. Both the vastness of philosophical literature and importance of dialogue, if progress is to be made, necessitate that the project be undertaken by many. This exposition of William Torrey Harris’ philosophy is offered as part of the project. Though Harris’ philosophy has been identified as a personalism, it has not received adequate study as a personalism nor has Harris’ concept of person been sufficiently examined. Of Harris, Nicholas Murray Butler wrote. (shrink)

Given the coterie of philosophers focused on everyday aesthetics, it's fascinating that gift reception has heretofore managed to escape their scrutiny. To enact a gift, recipients begin by imagining its use. On this level, gifts serve as a litmus test. In luring us, we're taken out of our normal ways of being to experience a different side of ourselves. Enacting a gift is thus a kind of performance, whose value depends on the donee’s interpretation, just as exhibitions, concerts, staged plays (...) or books are performances of visual art, scores, scripts or texts, whose interpretations demonstrate their aesthetic value. To develop the relationship between enacting gifts and performing artworks, I begin by surveying junctures along the gift-event’s arc: reply, imagination, trust, recognition, transformation and memory. Transformations arising from agonistic gifts strike me as significant because they characterise the way gifts challenge our beliefs, eventually altering our values. That we grow to love gifts, which we originally rejected out of hand, casts doubt on self-knowledge. Enacted gifts handily challenge self-knowledge’s twin features: authority and transparency. As this paper indicates, gift reception helps both to understand ourselves better and to remove the obstacles to what Quassim Cassim calls Substantive Self-Knowledge. (shrink)

My intent is to bring a key group of critical terms associated with the emotions-bitterness, sentimentality, and emotionality-to greater feminist attention. These terms are used to characterize emoters on the basis of how we express ourselves, and they characterize us in ways that we need no longer be taken seriously. I analyze the ways in which these terms of emotional dismissal can be put to powerful political use.

India has a long, rich, and diverse tradition of philosophical thought, spanning some two and a half millenia and encompassing several major religious traditions. Now, in this intriguing introduction to Indian philosophy, the diversity of Indian thought is emphasized. It is structured around six schools of thought that have received classic status. Sue Hamilton explores how the traditions have attempted to understand the nature of reality in terms of inner or spiritual quest and introduces distinctively Indian concepts, such as karma (...) and rebirth. She also explains how Indian thinkers have understood issues of reality and knowledge-issues that re also an important part of the Western philosophical tradition. (shrink)

Identifying a range of key concerns related to representation and difference, Representing the Other offers a provocative agenda for the future development of feminist theory and practice. The book's contributors, including many key international researchers in women's studies, draw on personal experiences of speaking "for" and "about" others in their research, professional practice, academic writing, or political activism. They highlight problems of representing the Other with an ethnic or cultural background different from one's own and extend discussions of "Othering" to (...) representations of children, prostitutes, infertile women, fat women, gay men with HIV/AIDS, and people with disabilities. The reader, which includes articles and discussions from four issues of the journal Feminism & Psychology, also features new pieces and an extensive editorial introduction. Representing the Other will be integral reading for students and academics in women's studies, gender studies, and feminist theory across a range of social science disciplines, including social psychology, sociology, anthropology, sociolinguistics, social policy, and political science. (shrink)

This paper explores how phenomenology facilitates people’s grasp of unfamiliar artworks. When avant-garde artworks lack handy categories, meaning-makers unwittingly deploy Edmund Husserl’s phenomenological method to avail interpretive concepts. Curators and critics engaged in the challenging process of determining the significance of artworks or performances deploy his reductions to identify relevant concepts that facilitate their ability to qualitatively differentiate indiscernible artworks and performances. Even if contemporary art curators and critics have never heard of Husserl, let alone studied his brand of philosophical (...) phenomenology, his “phenomenological epoché” epitomizes the way curators and critics deactivate their beliefs. Doing so guides curators and critics to observe as comprehensively as possible in order to generate novel, albeit fitting “potential” interpretations. Unbeknownst to most curators and critics, Husserl’s tools also guide their decision-making processes when selecting and positioning artworks within the context of an exhibition or article. What make phenomenology an especially useful tool for curators and critics is Husserl’s insight, contra Gottlob Frege, that Sinn (sense) expands Bedeutung (meaning), rather than contracts or fixes meaning to some referent. As this paper demonstrates, Husserl’s generative approach arises from his triadic system for meaning making, namely the active relationship between noema, noesis, and hyle, as opposed to Frege’s standard duo of Sinn and Bedeutung. For Husserl, identification, significance, and meaning-making prove imaginative, and thus exemplify world-making. To tease out phenomenology’s advantage over analytic aesthetics, I refer to MoMA’s “Picasso: Guitars, 1912-1914” (2011) to show how his method “radiates,” or opens-up meanings, rather than closes them down. (shrink)

In times of stress, trauma and crisis—whether on a personal or global scale—it can be all too easy for us to externalize a larger-than-life figure who can assuage our suffering, a Hero who comes to the fore even as we recede into the background. In taking on our collective burden, however, such an omnipotent Hero can actually undermine us, representing as it does the very same characteristics we fail to note in one another. By granting the Hero to power to (...) set things right, we seem to deny it to ourselves, leaving us temporarily lightened but ultimately helpless. In response, Sue Grand deconstructs the myth of the Heroic and argues for the "ordinary hero," a more realistic figure with the same limitations, concerns and fears as the rest of us, but who nonetheless stands up for the greater good in the face of danger, despair and villainy. From the foundation of relational psychoanalysis, Grand incorporates cultural and ethical considerations in her examination of what this ordinary hero might look like, a trip that takes us from the consulting room to right outside our front doors, from the heart of a "civilized" nation to the myriad war-torn regions dappling the globe, both past and present. Along the way we meet individuals whose encounters with adversity range from the mundane to the catastrophic, and learn how they struggle against the dubious concept of the Hero looming large in their lives. Recounting this journey in finely-tuned yet imminently accessible and enjoyable prose, Grand demonstrates that the best place to ultimately find the ordinary hero is within each other: The hero is us. (shrink)

Barker, Sue Review(s) of: The road to eternal life: Reflections on the prologue of Benedict's rule, by Michael Casey OCSO, (Mulgrave VIC: John Garratt Publishing, 2011), pp.182, $29.95.

Moffat, Sue Review of: Celebrating with children: Volume 1 resources, volume 2 readings, by Robert Borg, Gerard Kelly, Brian Lucas,, pp.302 + 188, $29.95, $24.95.

This book offers a feminist philosophical analysis of contemporary public skepticism about women's memories of past harm. It concentrates primarily on writings associated with the False Memory Syndrome Foundation, founded in 1992 as a lobby for parents whose adult children have accused them of some abuse after a period of having not remembered it.