Perceptual similarity is one of the most fiercely debated topics in the philosophy and psychology of perception. The documented history of the issue spans all the way from Plato – who regarded similarity as a key factor for human perceptual experience and cognition – through to contemporary psychologists – who have tried to determine whether, and if so, how similarity relationships can be established between stimuli both within and across the senses. Recent research on cross-sensory associations, otherwise known as crossmodal (...) correspondences – that is, the existence of observable consensual associations, or mappings, between stimuli across different senses – represents an especially interesting field in which to study perceptual similarity. In fact, most accounts of crossmodal association that have been put forward in the literature to date evoke perceptual similarity as a key explanatory factor mediating the underlying association. At the same time, however, these various accounts raise several important theoretical questions concerning the very nature of similarity, with, for example, the sensory, affective, or cognitive underpinnings of similarity judgements remaining unclear. We attempt to shed light on these questions by examining the various accounts of crossmodal associations that have been put forward in the literature. Our suggestion is that perceptual similarity varies from being phenomenologically-based to conceptually-based. In particular, we propose that the nature of the associations underlying similarity judgements – whether these associations are phenomenologically-, structurally-, emotionally-, or conceptually-based – may be represented in a two-dimensional space with associative strength on one axis, and cognitive penetrability on the other. (shrink)

Both in historical debates and in recent discussions, the Guise of the Good Thesis represents a genuine dogma of rationalism in moral philosophy. Many influential commentators have maintained that Kant belongs in that camp, even that he “explicitly endorses” the Thesis. Attributing the Thesis to Kant, however, faces scarce textual support and amounts to a dubious understanding of the relationship of Kant’s moral philosophy to previous rationalist views. I suggest that, in Kant’s view, the Thesis only applies to the determination (...) of the will through the moral law. The principle that prior rationalists regarded as descriptive acquires in Kant’s terms a normative status. (shrink)

Nell'agosto del 1462 papa Pio II investiva il cardinale Bessarione di Nicea della commenda del monastero di Grottaferrata, che succedeva al calabrese Pietro Vitali, ultimo degli egumeni de regimine, eletto a capo dell'Archimandritato di Messina. Uno dei primi atti di governo di Bessarione fu di incaricare l'arcivescovo di Siponto Niccolò Perotti, quale suo procuratore, di procedere ad una dettagliata ricognizione dei beni mobili e immobili del monastero criptense. I relativi inventari ci sono pervenuti nei mss. Grottaferrata Z. δ. XII (ff. (...) 1-63) per i beni immobili, e Grottaferrata, Archivio del Monumento Nazionale, 523 (ff. 105-116) per i beni mobili. Nei ff. 108v-110 di quest'ultimo documento, la cui redazione era stata affidata dal Perotti al notaio Stefano Tegliati (o Tegliazio), si trova il primo sommario elenco conosciuto dei libri manoscritti della biblioteca, pubblicato da Pierre Batiffol e poi da Antonio Rocchi. Vi risultano 114 manoscritti greci, 2 latini e «circa viginti volumina librorum sine principio et mala ordinata». (shrink)

In this paper, I address the question of how emotional qualities can be attributed to musical timbre, an acoustic feature that has proven challenging to explain using traditional accounts of musical emotions. I begin presenting the notion of musical expressiveness, as it has been conceived by cognitivists to account for the emotional quality of various musical elements like melody and rhythm. However, I also point out some limitations in these accounts, which hinder their ability to fully elucidate the emotional expressiveness (...) of timbre, especially when considering it as a result of non-cognitively mediated processes. Consequently, I explore the link between timbre and atmosphere by reviewing anecdotal sources that have characterized timbre in terms of atmosphere. The goal here is to determine if these characterizations should be seen as merely allusive and metaphoric expressions or if they genuinely reveal essential properties of timbre. To achieve this goal, I delve deeper into the notion of atmosphere, and I show that it shares several key traits with the notion of musical emotions as conceived in the cognitivist’s account. Both musical emotions and atmospheres are affectively charged externalities that are apprehended by the subject without cognitive mediation. Drawing from this insight, I conclude that the notion of atmosphere can serve as a valuable tool in explaining the emotional expressivity of timbre without invoking the resemblance-based mechanisms often found in cognitive accounts of expressiveness. (shrink)

This is the first book to explore the epistemology and ethics of advanced imaging tests, in order to improve the critical understanding of the nature of knowledge they provide and the practical consequences of their utilization in healthcare. Advanced medical imaging tests, such as PET and MRI, have gained center stage in medical research and in patients’ care. They also increasingly raise questions that pertain to philosophy: What is required to be an expert in reading images? How are standards for (...) interpretation to be fixed? Is there a problem of overutilization of such tests? How should uncertainty be communicated to patients? How to cope with incidental findings? This book is of interest and importance to scholars of philosophy of medicine at all levels, from undergraduates to researchers, to medical researchers and practitioners (radiologists and nuclear physicians) interested in a critical appraisal of the methodology of their discipline and in the ethical principles and consequences of their work. -/- . (shrink)

Background: Moral distress is an increasingly documented problem in nursing and might foster nurses’ intention to leave their workplace. It has been studied in different settings, but no specific research has been conducted in Italian correctional facilities. A recent Italian study produced a preliminary validation of the Moral Distress Scale for Correctional Nurses, which needs to be completed. Objectives: To investigate the level of moral distress of nurses working in the Italian correctional setting, by completing the validation process of the (...) Moral Distress Scale for Correctional Nurses. Methodology: Multicenter questionnaire survey. All correctional nurses (461) affiliated with the Italian Society of Medicine and Penitentiary Health (also called “Simspe-onlus”) were invited to participate and 238 responded. The survey was conducted between April and November 2017 through SurveyMonkey®. Analysis of covariance was conducted to investigate the relationship between moral distress and the other variables under study. Exploratory factor analysis was conducted on the scale to confirm its dimensions. Ethical considerations: The study was approved by the Italian Society of Medicine and Penitentiary Health (Simspe-onlus). The questionnaire included informed consent, pursuant to the law in force. The software could not accept questionnaires without explicit consent. Data were analyzed anonymously. Findings: The median score was 46.5, indicating moderate moral distress. The only variable affecting moral distress was work experience in correctional facilities. Longer experience was correlated to higher levels of moral distress and intention to leave. Incompetent colleagues and short staffing were related to higher levels of moral distress. The scale confirmed the one-dimensional structure suggested by the original authors. Discussion: This is the first study investigating moral distress among Correctional Nurses. The prison context is a high-risk environment for nurses, increasing the intention to leave the workplace. Conclusion: Corrective and protective measures, such as specific education, are needed to prevent moral distress development and to reduce nurses’ shortage in this area. (shrink)

Book reviewed in this article:Science and Scepticism. By John W.N. Watkins.

In Towards an Historiography of Science (1963) and in other related works spanning over his entire career, Agassi presents his wide-ranging and original understanding of the history of science. It emerges from the criticism of two distinctive approaches, each informed by the uncritical acceptance, on the part of historians, of two philosophies of science: inductivism (scientific theories emerge from facts), and conventionalism (scientific theories are mathematical frameworks for classifying facts). Both produce unsatisfactory historical reconstructions, in which errors are either concealed (...) or condemned. Popper’s philosophy, by contrast, allows for a picture in which science grows from the recognition and criticism of our best and wisest errors. (shrink)

Da uno dei padri fondatori dell’Italia come nazione, un veloce e agile compendio su filosofia, politica risorgimentale e musica, centrato sulle idee e i gusti artistici mazziniani e ambientato nel panorama melodrammatico della prima metà dell’Ottocento, governato dalla maestosa figura di Gioacchino Rossini. Il volume è arricchito anche da un altro breve estratto mazziniano riguardante la musica, proveniente da Dell’Arte in Italia – A proposito del “Marco Visconti” di Tommaso Grossi (1835).

In this paper I provide a semantic analysis of non-specific uses of indexical expressions, such as "you" in typical utterances of "you just can't tell". My treatment employs independently motivated conceptual tools, such as the treatment of generics within Discourse Representation Theory, and the distinction between context of utterance and context of interpretation.

Summary Music has been primarily conceived as a temporal art. However, over the last two centuries or so, researchers across different disciplines including musicology, psychology, and philosophy, have been intrigued by the spatial nature of music and sounds, using spatial concepts to define music. This paper aims to demonstrate that an understanding of music perception from a temporal perspective inherently implies a certain spatial dimension. To do this, first, I briefly examine some key arguments that lead to conceiving sound perception (...) in temporal terms. At the same time, I highlight some of the limitations of a purely temporal account of sound perception which necessitate the incorporation of spatial considerations into the conceptualization of sound perception. Consequently, I move on to consider prominent spatial accounts of musical sounds that have been elaborated by psychologists, musicologists, and music composers. In conclusion, I discuss some of the challenges arising from the analogy between music and space, whether conceived in perceptual or cognitive terms. (shrink)

The essay aims to demonstrate that participatory ecological art focused on plant-ing, sowing, and cultivation serves as a means to promote a culture of environ-mental care. After exploring several artistic projects involving community engage-ment in landscape stewardship, the essay focuses on the debate concerning ges-ture and behavioral patterns. Finally, by examining artist Egle Oddo’s Performative Habitats project, it seeks to understand how art can influence the formation of new habits through both increased environmental awareness and repeated action, employing key theoretical (...) frameworks of Everyday Aesthetics. (shrink)

This collection of the writings of Paul Feyerabend is focused on his philosophy of quantum physics, the hotbed of the key issues of his most debated ideas. Written between 1948 and 1970, these writings come from his first and most productive period. These early works are important for two main reasons. First, they document Feyerabend's deep concern with the philosophical implications of quantum physics and its interpretations. These ideas were paid less attention in the following two decades. Second, the writings (...) provide the crucial background for Feyerabend's critiques of Karl Popper and Thomas Kuhn. Although rarely considered by scholars, Feyerabend's early work culminated in the first version of Against Method. These writings guided him on all the key issues of his most well-known and debated theses, such as the incommensurability thesis, the principles of proliferation and tenacity, and his particular version of relativism, and more specifically on quantum mechanics. (shrink)

The article focuses on the theme of the “End of Art” in the philosophy of Arthur C. Danto, a concept he developed in his writing in the mid-1980s. Departing from the historical framework developed since Analytical Philosophy of History (1965) and adopting an interpretive Hegelian approach to the construction of history, Danto’s thought grapples with several contradictions. These contradictions encompass the notion of the “End of Art”, ultimately leading to a reduction of art to an idealized level. Consequently, this highlights (...) the irreconcilability between Essentialism and Historicism, furthering the philosophical disenfranchisement of art. (shrink)

Believing that the enterprise of constructing "artificial intelligence" transcends the bounds of any one discipline, the editors of Mechanical Bodies, Computational Minds have brought together researchers in AI and scholars in the humanities to reexamine the fundamental assumptions of both areas. The AI community, for example, could benefit from explorations of human intelligence and creativity by philosophers, psychologists, anthropologists, literary critics, and others, while analysis of AI's theoretical struggles and technical advances could yield insights into such traditional humanist concerns as (...) the nature of rationality and the mind-body dichotomy.The contributions include a continuation of the famous Hubert Dreyfus-Daniel Dennett debate over Kasparov's defeat by IBM's Deep Blue; Philip Agre's tracing of difficulties in AI research to the inherited tensions of Cartesian dualism; Evelyn Fox Keller's examination of the development of computer technology in relation to biology; Douglas Hofstadter's argument that thinking is more than the theorem-solving activities of AI; and Alison Adam's discussion of the implicitly male universal subject used in AI. (shrink)

This special issue of Social Epistemology is devoted to critical comments on Fuller's study of the philosophy of Thomas S. Kuhn and its context.

This book offers innovative historical scholarship on Feyerabend’s take on topics such as realism, empiricism, pluralism, materialism, and incommensurability. In addition to discussing certain debates in the philosophy of physics, it also considers the ways in which Feyerabend’s thought can contribute to contemporary debates in science and public policy. It does so by including questions about the nature of scientific methodology, the role of science in society, the public understanding of science, scientism, and the role of expertise in public policy. (...) The chapters provide readers with a comprehensive overview of the topics that Feyerabend engaged with throughout his career, showing both the breadth and the depth of his thought. Though of great value to academics in philosophy of science, it is also accessible and appealing to non-academic audiences with a general interest in science. (shrink)

Having been found ‘vehemently suspected of heresy’ by the Holy Office in 1633, at the time of his death Galileo's remains were laid to rest in the tiny vestry of a lateral chapel of the Santa Croce Basilica, Florence. Throughout his life, Vincenzo Viviani, Galileo's last disciple, struggled to have his master's name rehabilitated and his banned works reprinted, as well as a proper funeral monument erected. He did not live to see all this come true, but his efforts triggered (...) a mechanism that eventually led to the fulfilment of his wishes. A key element of his project was the transformation of the facade of his palace into a private tribute to Galileo, with two long inscriptions celebrating Galileo's achievements and calling Florence's attention to the need to pay a proper tribute to him. Shortly afterwards, he revised the text and circulated it in print. This article presents the first critical edition and annotated translation of Viviani's original manuscript, long thought to be lost, and describes its role in Viviani's lifelong struggle for Galileo's intellectual legacy, as well as its impact on future historiography. (shrink)

This paper provides the framework for understanding Galileo’s request to the Grand Duke of Tuscany, in 1610, to be appointed in Florence as both Mathematician and Philosopher. By explicitly choosing such a title, he wished to stress the fact that his own work aimed at contributing to the new physical astronomy with which Copernicus inaugurated what is now called the Scientific Revolution. As opposed to Ptolemy, who understood astronomy as a purely mathematical tool in order to “save the phenomena” and (...) allow for accurate predictions, Galileo – very much in line with Copernicus and Kepler, as well as Newton after him – supported the reality of the Copernican system not only against Aristotle and Ptolemy, but also against Tycho Brahe. And, as it turned out after 1616, against the Church itself, which, in full accord with Osiander’s unsigned preface to the De revolutionibus, refused to see in the Copernican theory anything more than a mere working hypothesis to which astronomers were allowed to appeal only for computations. (shrink)