Whether supplementing written articles in newspapers or playing a leading role in photo-reporting, photography has achieved an influencial role in the delivery of information and framing of narratives to mass audiences. Photojournalism archives represent a unique source of historical data and public records about local, national, and international events, political movements, demonstrations, and urban development. This paper outlines a data archaeology project that leverages artificial intelligence (AI) for organizing and searching through photojournalism collections, based on the Boston Globe photograph morgue. (...) While the primary goal of the project is to foster public access to news archives, the large-scale digitization and recovery of information from photojournalism collections raises ethical questions about intellectual property and the right to identity protection when records are made available online. We present a proof of concept that tackles these issues by means of AI, while still offering equitable access to journalism archives that are often kept inaccessible within private media institutions. The first part of the paper discusses how machine learning can resolve the lack of resources to parse through data on digital surrogates. After providing an introduction to the use of ML to facilitate access to information in the Boston Globe photograph morgue, we outline two partially automated computational tasks: (1) an AI toolkit for transcribing archivists’ notes and to recover photographers’ names and creation dates, which can be used by librarians and archivists to assess copyright on records; (2) a pipeline for face detection and blurring that detects areas where identifiable people are present and allows for anonymization. As news archiving is confronted with challenges derived from the “digital heap” of orphaned data, privatization, and other barriers to journalism records, this report explores an ethical approach to structuring data in news archives for public access, by preserving intellectual property and privacy. (shrink)

This paper investigates how we can most effectively argue that partiality toward certain people and not others is morally permissible. Philosophers who strongly insist that morality must leave room for partiality have not made explicit their basis for this conclusion; the present paper comparatively assesses a variety of possible argument strategies which could be deployed in this regard. One promising strategy exploits the acknowledged force of the argument from “the personal point of view,” here interpreted as referring specifically to an (...) agent’s projects. If moral demands must be tempered in light of the special significance to an agent of his own projects, then perhaps the agent’s partial attachments to other people should also receive a measure of protection from impartial moral claims. The case is bolstered by noting the ubiquity of plural or collective agency in contexts of close personal relations: often the two agents in such relationships together pursue joint projects and even constitute a plural agent. This approach does justify special moral treatment of one’s co-agents, although it does not match our initial conception of partiality in all respects. (shrink)

Most scholarly fields, at least in the humanities, have been asking the same questions about the politics of encounter for hundreds of years: Should we try to find a way to encounter an other without appropriating it, without imposing ourselves on it? Is encountering-without-appropriating even possible? These questions are profuse and taken up with intense interest in scholarship about the personal essay, specifically, which has often been credited as a philosophical form. Within debates about the ethics of the personal essay, (...) the most significant concern is about the traditionally accepted relationship of the writer-represented-on-the-page. For example, the notable rhetoric and composition scholar, David Bartholomae, argues that students of what he calls '"creative nonfiction" or "literary nonfiction"' (1995, p. 68) write '... as though they [are] not the products of their time, politics and culture, as though they could be free, elegant, smart, independent, the owners of all that they saw' (p. 70). In other words, the personal essay, as a subgenre of creative or literary nonfiction, allows for the perpetuation of the fallacy that a writer can be 'free' of social influences, 'independent' of a society and of its politics, and 'owners' of their own perspectives and experiences—of those the writer expresses on the page, specifically. Consequently, if the writer is not conscious and critical of the social influences acting on him/her, if s/he believes the text to be the singular and uninfluenced production of his/her own self, then the topic taken up in the essay is tyrannized by the self-centered (and dangerously un-critically-conscious) perspective of the writer. However, the personal essay also has its strengths as a philosophical form: in its privileging of skepticism; in its attention to complexity and complication; and even in its existence-as-evidence of some quality of its writer. Too, very often essays pay homage to works of other essayists, as in the case of Gass's 'Emerson and the Essay', instead of mowing down other works in order to establish its own reign. Despite these ethically responsible characteristics, though, I show, using Gass's essay about Emerson's work, that the personal essay continues to be devalued because of its reliance on and celebration of its transparent relationship to its author. In general, essayists don't complain in their work about the belief in this transparent relationship; they advocate it. Thus, my purpose is not to suggest that there is no relationship between the essayist and the essay. Rather, I will, in the latter half of the article, turn to the work of philosopher Emmanuel Levinas, which describes and enacts an approach to an other (writer/text) that does not hinge on the assumption that writer and text are in a transparent relationship to each other. I hope that in presenting this possibility for re-thinking the essay (and its relationship to its writer), writers, scholars, and teachers of the essay—and even its opposition—will give it new attention and explore further the possibilities that it may provide for engagement, for encounter. (shrink)

Synthetic biology has generated extensive discussion about a wide range of risks and potential benefits, the intrinsic value of the technology, and the soci­etal distribution of its risks and benefits. However, be­fore these questions can be resolved, it is important to first ask a critical question: Is synthetic biology different enough from the technologies that came before it that it raises new questions or concerns? By putting synthetic biology into context, we gain a better understanding of the issues, both old (...) and new, that it raises. We can then consider practical governance questions, including ways to improve current practices. (shrink)

The Half-Life of Oracles speaks from a way-station between mortals and immortals, a place where the strangeness of daily life meets the intimacy of distant ages. These are poems in which the living and the dead play endless games of musical chairs, emperors and philosophers wage war against rivers, and dusty incantations for achieving immortality are reborn as pick-up lines. By turns tender and thundering, capable of calling the gods down from Olympus if necessary, The Half-Life of Oracles charts with (...) lucidity and intensity the cross-pollination of memory and myth. (shrink)

With the rapid growth of native advertising, there has been an increased interest to address ethical concerns and deception online. To address this concern, we look at the consumer's ethical efficacy toward native ads and we compare native ads to banner ads. Results confirm that consumers trust native ads more than banner ads. Moreover, we uncover that consumers ethical efficacy affects their intention to share native ads through eWOM. However, consumer individual differences influence intention to share content online and trust (...) in the native ads. We study the moderating effects of salience, using the fashion context, and its influence on ad trust and willingness to share through eWOM. Recommendations for business professionals and academics are discussed and future research guidelines are addressed. (shrink)

A Correction to this paper has been published: https://doi.org/10.1007/s13164-021-00565-2.

Christian ethicists rarely study apology or forgiveness about climate change, possibly because it is just another sin that God may forgive. Yet apology between humans may be critical to avoiding paralysis after people realize the horror of their actions and enabling cooperative responses to climate change among its perpetrators and victims. Climate change challenges traditional ideas and practices of apology because it involves unintentional, ongoing acts of diffuse collectives that harm other diffuse collectives across space and time. Developing concepts of (...) collective agency and responsibility enable a reconceptualization of apology for an era of climate change. While more work is needed to understand and implement such ideas, this paper lays the groundwork for future studies of collective apology and forgiveness by identifying general features of climate apologies including their symbolic dimensions and connection to ongoing changed actions. (shrink)

Although environmental ethicists often focus on applying ethics to policy, the ethics embedded in policy documents such as Agenda 21 are also significant. Though largely ignored by ethicists after early responses to the document focused on intrinsic value, Agenda 21's ethics are particularly valuable for their ability to resonate with many people and link politics, technical studies, and ethics. For instance, their use draws attention to the need to ethically evaluate sustainability indexes and identifies limitations of existing indexes. At a (...) broad level, this study of the ethics of Agenda 21 also suggests that the ethics of international environmental policy documents deserves more attention. (shrink)

Over the course of development, children acquire adult-like thinking about social categories such as race, which in turn informs their perceptions, attitudes, and behavior. However, children’s developing perceptions of race have been understudied particularly with respect to their potential influence on cross-race egalitarianism. Specifically, the acquisition of racial constancy, defined as the perception that race is a concrete and stable category, has been associated with increased awareness of racial stereotypes and group status differences. Yet, little work has investigated behavioral outcomes (...) stemming from the acquisition of racial constancy beliefs. Here, we investigate whether the presence or absence of racial constancy beliefs differentially predicts inequality aversion with racial ingroup versus outgroup members for young children. White children ( N = 202; ages 3–8) completed three sticker resource-allocation games with either a White or a Black partner shown in a photograph, after which racial constancy was measured. Results revealed that the acquisition of racial constancy interacted with partner race to predict inequality aversion outcomes in one game; however, age and gender also exerted strong effects. (shrink)

This article examines MichËle Roberts' novel In the Red Kitchen in the light of contemporary spatial theory: in particular, the geographer Doreen Massey's critique of space and time. It argues that Roberts' text is particularly susceptible to such readings because of its multilayered portrayal of space, examining women's enclosure within the home across three different time periods, and through five different voices, which are overlaid one upon another in order to create a sense of simultaneity. In so doing, the text (...) shows that while the nature of women's oppression may change over time, their fundamental association with the domestic space does not. The article explores three different recurring spaces in the text: the kitchen, the bedroom and the crypt, the last of which acts as the receptacle for the trauma experienced by the female subject within the other two. The Gothic trope of the crypt is associated with incestuous abuse at the hands of a father-figure whom the woman both fears and desires; and thus it also signifies the precarious security to be found within the home. ‘Homelessness’, however, becomes another traumatic concept within a text which, while problematizing the relationship between home and identity, the subject and the space that contains and confines her, can envisage no other way of sustaining a secure sense of subjectivity. In the final analysis, while the boundaries that separate space from time are rendered porous and permeable in this novel, the complete collapse of all spatial boundaries is not conceptualized as desirable. (shrink)

Discusses songs by the troubadours, trouvères, and Guillaume de Machaut, performed live and on the page, in the context of antique, late antique, and medieval thought and poetic practice and in the light of later opera. Topics include cosmology, education, astronomy, breath, beasts, monsters, hybridity, imagination, life, and death.

This article takes as its starting point and its main problematic the status of evolution as a ‘sterile belief’ in contemporary technoscientific culture. Focusing in particular on the role of evolution across the boundaries of art and science in the contexts of artificial life and transgenic engineering, it offers a critique of the belief in evolutionary possibility as an abstract process. The lack of what François Jacob refers to as a dialogue between the possible and the actual is seen to (...) account for the sterility of evolutionary possibility and for its status as myth. In particular, evolutionary possibility recalls the myth of metamorphoses, the conservatism of which is demonstrated in an analysis of two art/science works - Galápagos by Karl Sims and Genesis by Eduardo Kac. Lacking a dialogue with the actual, metamorphic evolutionary possibility here becomes self-referential and produces nothing new. Rather than a rejection of evolution per se, this article takes up Jacob’s critique of its over-extension by showing how this operates in two works representing the fields of artificial life and transgenesis respectively. (shrink)

Este trabalho tem como objetivo apresentar as características gerais da pesquisa em Educação Física no Estado de Sergipe, a partir das dissertações e teses dos docentes que atuam nos cursos de Educação Física das instituições públicas e privadas de Ensino Superior. Os dados iniciais do balanço apontam que existe uma variabilidade de modelos teórico-metodológicos e um número considerável de docentes que não realizaram seu mestrado e/ou doutorado na área de Educação Física, mas em outras áreas do conhecimento, e em alguns (...) casos inclusive, em instituições estrangeiras e do eixo sul-sudeste do Brasil. (shrink)

Many of the chapters in this volume present focused examinations of methodology for and in Chinese philosophical traditions. They explore questions of how classical Chinese philosophers understood their practices, how different philosophical methodologies impact current study of and engagement with Chinese philosophical traditions, and what methodological innovations might be on the horizon. Many of the authors in this volume point out the ways in which ambient assumptions color our research, and the ways in which engagement across traditions can highlight previously (...) hidden assumptions. In this chapter, instead of focusing on methodology in terms of research, I take methodology as the starting point for considering pedagogical assumptions about Chinese philosophy. Specifically, I argue that how Chinese philosophy was understood and when practiced in its own context, it is not only relevant to but can serve as a meaningful resource for teaching Chinese philosophy. (shrink)

Gutoku Shinran (1173-1263) is one of Japan’s most creative and influential thinkers. He is the (posthumous) founder of what ultimately became Jōdo Shinshū, better known today as Shin Buddhism, the most widely practiced form of Buddhism in Japan. Despite this, his work has not received the global attention of other historical Japanese philosophical figures such as Kūkai (774-835) or Dōgen (1200-1253). The relationships of influence between Shin Buddhism in general—or Shinran’s work more specifically—and earlier Chinese sources, especially non-Buddhist sources, are (...) complex, rarely examined in much detail, and often buried under layers of interpretive difficulties, made all the more challenging for contemporary Anglophone scholars by the ways in which Shin Buddhism has been marginalized in much of the philosophical scholarship on East Asian traditions. Exploring his work through a lens of connection to the broader Chinese philosophical landscape reveals new insights, both for our understanding of Shinran’s philosophical project, and for contemporary comparative engagement across East Asian traditions, helping to resituate Shinran as a globally significant philosopher. (shrink)

Sexology emerged as a discipline during a period of keen concern about the social effects of sexually explicit media. In this context, sex researchers and their allies took pains to establish the respectability of their work, a process that often involved positioning sexual science in opposition to erotic literature and images. This article argues that this presentation of sexual science obfuscated sex researchers’ complex relationship with erotic print culture, which during the late 19th and early 20th centuries provided sexual scientists (...) with access to explicit material that served as evidence for theories about human sexuality, facilitated transnational exchanges of sexual-scientific thought by bringing sex research across borders, and introduced sex research to wider audiences. Erotic print culture can thus be seen as one of several fields that contributed to the interdisciplinary development of sexology and facilitated the diffusion of sexual-scientific theories. Sex researchers’ shifting, often ambivalent relationship with erotic print and its producers emphasizes that while the boundaries of sexology were extremely porous, they were also heavily policed: Working to establish a modern, respectable new branch of science, sexual scientists reframed the output of other fields of enquiry as products of their own, blotted their reliance on these sources from the historical record, and denigrated them in public writing. (shrink)

Forty years ago in this journal, Herbert Spiegelberg examined Wittgenstein's direct references to Augustine in the works that were available to the public at that time. Although there are many allusions to Augustine in the portions of the Nachlass to which Spiegelberg did not have access, Wittgenstein read only the Confessions and his interest lay in a small set of topics for which certain sentences from Augustine served him as repeated proof texts. Given these facts and given how fundamentally Wittgenstein (...) disagreed with Augustine about the nature and purpose of philosophy, it is... (shrink)

Is discomfort intrinsic to wonder? The author pursues this question by showing how early visitors to the Niagara Falls found that efforts to improve the view eliminated the difficulty that made viewing the falls rewarding in the first place. Visitors’ experiences accord with eighteenth-century accounts that suggest that wonder thrives on difficulty and desire thrives on inaccessibility. This aesthetic effect finds expression in The Arabian Nights and other texts that both represent and enact narrative withholding, and also in the visual (...) form of the arabesque, which beguiles the eye with movement but does not go anywhere. The essay concludes by connecting these insights into aesthetic difficulty to present-day concerns that attempts to bring the humanities to a broader audience may “dumb down” art. I conclude that such concerns miss the point that aesthetic experiences depend upon a tension between legibility and illegibility that artworks continue to generate in new and unforeseen ways. (shrink)