Our paper contributes to emerging management research on the effects of societal inequality. It aims to study the relationship between societal-level inequality and perceived unequal HR practices within organizations based on relationships which we term “relation-based inequality” (RBI). We further examine the moderating effect of country corruption on the RBI-employee commitment link. Thus, whereas previous research has looked at single countries, there is still much to know about societal effects of inequality and corruption on employee perceptions and attitudes at work (...) across countries. By surveying 691employees from five countries and using country-level indicators we take a first step in this direction, and establish that inequality (income, health and education) is linked to higher levels of relation-based HR practices. We also show that the effect of RBI is different for continuance, affective and normative commitment, and contingent on country corruption levels. (shrink)

When people retell stories, what guides their retelling? Most previous research on story retelling and story comprehension has focused on information accuracy as the key measure of stability in transmission. This paper suggests that there is a second, affective, dimension that provides stability for retellings, namely the audience affect of surprise. In a large-sample study with multiple iterations of retellings, we found evidence that people are quite accurate in preserving all degrees of surprisingness in serial reproduction – even when the (...) event that produced the surprisingness in the original story is dropped or changed. Thus, we propose that the preservation of affect is an implicit goal of retelling: not merely do retellers recall highly surprising events better, but rather they register all levels of surprisingness precisely and aim to surprise their implied audience to same degree. This study used 2,389 participants. (shrink)

Much ink has been spilled in philosophy over the question of whether morality is an objective or subjective matter. In the world of The Good Place, the answer to the moral question seems fairly firmly determined: right and wrong are objective matters, and there is a fact about whether our actions are good or bad. The ancient Greek philosopher Pythagoras believed that beauty was a quantifiable principle of nature, and that we could find the source of beauty in the harmony, (...) order, and regularity of beautiful things. In some ways, The Good Place appears to treat aesthetic goodness and badness as if they were objective matters. The Good Place is a sort of extended version of Jean‐Paul Sartre's (1905–1980) existentialist play No Exit. In The Good Place, hell is other people's tastes. (shrink)

Research on the effects of particularistic human resource practices (i.e., favoritism and nepotism) on organizational outcomes has concentrated on direct negative attitudinal and behavioral responses. By integrating legitimacy and social exchange theories, this paper proposes and tests the idea that legitimacy of particularistic practices might moderate their negative effects on employee attitudes at work. Through a survey of 415 employees across multiple organizational types, we show that the legitimacy of particularism mitigates its negative effects on affective commitment and perceived distributive (...) and procedural justice in non-family-owned businesses only. We discuss implications for theory and practice. (shrink)

Sarah Angelina Acland is one of the most important photographers of the late Victorian and early Edwardian periods. Daughter of the Regius Professor of Medicine at Oxford, she was photographed by Lewis Carroll as a child, along with her close friend Ina Liddell, sister of Alice of Wonderland fame. The critic John Ruskin taught her art and she also knew many of the Pre-Raphaelites, holding Rossetti's palette for him as he painted the Oxford Union murals. At the age of (...) nineteen she met the photographer Julia Margaret Cameron, whose influence is evident in her early work.Following in the footsteps of Cameron and Carroll Miss Acland first came to attention as a portraitist, photographing the illustrious visitors to her Oxford home. In 1899 she then turned to the challenge of colour photography, becoming, through work with the 'Sanger Shepherd process', the leading colour photographer of the day. Her colour photographs were regarded as the finest that had ever been seen by her contemporaries, several years before the release of the Lumière Autochrome system, which she also practised.This volume provides an introduction to Miss Acland's photography, illustrating more than 200 examples of her work, from portraits to picturesque views of the landscape and gardens of Madeira. Some fifty specimens of the photographic art and science of her peers from Bodleian collections are also reproduced for the first time, including four unrecorded child portraits by Carroll. Detailed descriptions accompany the images, explaining their interest and significance. The photographs not only shed important light on the history of photography in the period, but also offer a fascinating insight into the lives of a pre-eminent English family and their circle of friends. (shrink)

This article focuses on faculty members’ allocation of time to teaching and research, conceptualizing these—and the mismatch between preferred and actual time allocations—as examples of gender inequality in academic employment. Utilizing data from the 1999 National Study of Postsecondary Faculty, I find that women faculty members prefer to spend a greater percentage of their time on teaching, while men prefer to spend more time on research, although these preferences are themselves constrained; women faculty members spend a greater percentage of their (...) workweek on teaching and a smaller percentage on research than men, gaps that cannot be explained by preferences or educational and institutional attributes; and women faculty members have larger time allocation mismatches than men—that is, their actual time allocations to both teaching and research diverge more from their preferred time allocations than those of men. These findings shed light on how gender inequality is both produced and maintained in this aspect of academic employment and have implications for job satisfaction, productivity, and the recruitment and retention of current and future faculty members, especially women. (shrink)

Escalating demands for limited food supplies at America’s food banks and pantries during the COVID-19 pandemic have raised ethical concerns underlying “first-come, first-served” distributions strategies. A series of model ethical principles are designed to guide ethical allocations of these resources to assure greater access among persons facing food insecurity.

Lawyers and judges in the early American republic were surprisingly reluctant to penalise colleagues for malpractice and misconduct towards clients. Though they were part of a legal culture obsessed with preserving lawyers’ moral rectitude, they nonetheless remained sceptical of attempts to address malpractice. This article explores that apparent contradiction. I analyse allegedly wronged clients’ unsuccessful attempts to seek legal satisfaction, whether in civil, criminal, or professional suspension proceedings. I find that the period’s public-spirited legal ethics was in fact a major (...) contributor to these former clients’ difficulties. Legal reformers worried constantly about the dangers to the republic of too-zealous advocacy, which might undermine the public interest. These concerns helped render the opposite problem – of lazy or even duplicitous client ‘advocacy’ – invisible and irremediable. Stories from the past, I argue, help illuminate a tendency to overlook malpractice that continues to this day. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Centre-pieceSarah Wood (bio)πoν σoν θαvατɛ τo κɛντρoν πoν σoν αδη τo νıκoςO death where is thy sting? O grave where is thy victory?- St. Paul, 1st Letter to the Corinthians… on dit en anglais, self-centred. En vérité je rêve depuis toujours d’écrire un texte self-centred, je n’y suis jamais arrive, je tombe toujours sur les autres, cela finira par se savoir.- Jacques Derrida, ‘Mes chances’The word exists, therefore the (...) feeling exists.- Hélène Cixous, Three Steps on the Ladder of Writing.What makes a centre is something sharp: a goad, the point of a needle or the sting of an insect. A spur, peg, rivet or pin. One becomes aware of the possibility of a point, a douleur vive, a lively pain. For the word ‘centre’ is derived from the Greek for ‘sting.’Kentron can mean pain itself. The sting refers to an external cause of pain and to the pain as it is experienced, so it is not one but two; not two but one. And a kentron, even if it is pain and pains you or me, is not itself a perception. It arrives but it’s not given: we have to read and write towards it. For perception, as Derrida clarified in the discussion after giving ‘Structure, Sign and Play’: ‘is precisely a concept, a concept of an intuition or of a given originating from the thing itself, present itself in its meaning, independently from language as a system of reference’(Macksey and Donato 272). Sometimes, in torment, and perhaps still looking for origin and presence, I go to the dictionary.But words have no centre. The dictionary tells me this. Figuratively a kentron is an incentive, a metaphorical goad. However there is no mention of kentron in the etymology of ‘incentive,’ which comes, according to the OED, from canere, to sing. An incentive is what makes you sing. A beautiful mistake, one suspects. But let’s make no mistake, our word kentron is the enchanted and enchanting and chance vibration of a tuning-fork in the nerves that is silence and song. It hits me-and-the-dictionary like lightning because it is part of poetry. What I am saying is: a centre has a particular relation to the part of us that is capable of feeling a desire to die. Hélène Cixous is very precise about this wish: ‘The desire to die is the desire to know; it is not the desire to disappear, and it is not suicide, it is the desire to enjoy’ (Cixous, Three Steps 34). It makes us two, she says. It follows from this, I think, that we have to be two to want to be part of the events that ensue when a poem strikes, to want to know silence from the inside. This kentron, this centre, doubles us up like a stitch.How is it possible to know and enjoy what is not? To expand on this question I can point you to two later texts by Derrida: ‘“Che cos’è la poesia?”,’ and Archive Fever. The former gives an account of poetry as ‘a stranger to all production, especially creation,’ and the latter discusses the Freudian death drive, which is ‘an aggression and a destruction’ of a particularly thorough kind (Derrida, ‘Che’ 233 / 232; Archive Fever 11). A poem enjoins its reader: ‘destroy me [détruis-moi], or rather render my support invisible to the outside, in the world … in any case do what must be done so that the provenance of the mark remains from now on unlocatable or unrecognizable.’ It will be as if the thing Freud calls the death drive had come along, working in silence ‘to destroy [détruire] the archive: on the condition of effacing, but also with a view to effacing its own “proper traces.”‘ (Derrida, Archive Fever 10 / Mal d’archive 24.) Destruction without ruin, without trace, unreadable, completely missing but not without love: what Derrida calls poematic experience entails the forbidden knowing and enjoyment of what never happens as a kind of phenomenal allure that never was, but is all the more taken to heart, loved... (shrink)

'Place in garden, lawn, to beautify landscape.'When Don Featherstone's plastic pink flamingos were first advertised in the 1957 Sears catalogue, these were the instructions. The flamingos are placed on the cover of this book for another reason: to start us asking questions. That's where philosophy always begins.Introducing Aesthetics and the Philosophy of Art is written to introduce students to a broad array of questions that have occupied philosophers since antiquity, and which continue to bother us today--questions like: - Is there (...) something special about something's being art? Can a mass-produced plastic bird have that special something? - If someone likes plastic pink flamingos, does that mean they have bad taste? Is bad taste a bad thing? - Do Featherstone's pink flamingos mean anything? If so, does that depend on what Featherstone meant in designing them?Each chapter opens using a real world example -- such as Marcel Duchamp's signed urinal, The Exorcist, and the ugliest animal in the world -- to introduce and illustrate the issues under discussion. These case studies serve as touchstones throughout the chapter, keeping the concepts grounded and relatable.With its trademark conversational style, clear explanations, and wealth of supporting features, Introducing Aesthetics and the Philosophy of Art is the ideal introduction to the major problems, issues, and debates in the field. Now expanded and revised for its second edition, Introducing Aesthetics and the Philosophy of Art is designed to give readers the background and the tools necessary to begin asking and answering the most intriguing questions about art and beauty, even when those questions are about pink plastic flamingos. (shrink)

Star Trek is a successful popular cultural endeavor because it allows for exactly different kind of imaginative escapism, the possibility of joining in on an alternative narrative. In “The City on the Edge of Forever”, the Enterprise orbits a mysterious planet, where on its surface someone or something is causing temporal and spatial displacement. This chapter uses Romanticism as a philosophical gateway to the sublime experience that is the Guardian of Forever. The Guardian of Forever is the cause of the (...) spatial displacement and ripples in time that shake the Enterprise at the episode's beginning. Friedrich Nietzsche in his writings on Greek history, adopted the Romantic attitude toward the past by suggesting there are certain meaningful archetypes in the Greek past: in the context of “City on the Edge”, James T. Kirk represents the Tragic Hero, Spock the Apollonian figure, and McCoy the Dionysian figure. (shrink)

Russo suggests that the personal narratives of those who have experienced mental and emotional distress now constitute a diverse and dispersed, nonetheless considerable, body of knowledge that is of interest to non–user/survivor researchers. The issues she raises about the potential use of that knowledge pose practical and ethical challenges to both user/survivor researchers and those from other research traditions. On reading this paper, I became conscious of my own work, where I have explored my personal experiences in the context of (...) clinical research and the history of psychiatry. In one such piece, I describe myself as “a voice crying out from the data”, and use my... (shrink)

This commentary draws from the author's experiences as an early career scholar trying to navigate the field of social studies research. A number of questions and concerns are posed in seeking dialogue and action toward more emphasis and inclusion of critical theories in social studies.

Este trabalho tem como objetivo apresentar as características gerais da pesquisa em Educação Física no Estado de Sergipe, a partir das dissertações e teses dos docentes que atuam nos cursos de Educação Física das instituições públicas e privadas de Ensino Superior. Os dados iniciais do balanço apontam que existe uma variabilidade de modelos teórico-metodológicos e um número considerável de docentes que não realizaram seu mestrado e/ou doutorado na área de Educação Física, mas em outras áreas do conhecimento, e em alguns (...) casos inclusive, em instituições estrangeiras e do eixo sul-sudeste do Brasil. (shrink)

About half of Americans who live past age 65 will develop a long-lasting severe disability associated with aging and will require long-term services and supports for an average of two years. This eventuality is surprising to most Americans, despite the increasingly common experience of neighbors and family needing long-term assistance with self-care and daily tasks. Many people believe that serious disability simply won't happen to them or their family, and they avoid making plans to deal with the caregiving or financing (...) challenges associated with long-term disability. Of course, wealthy people can pay for the services they need, provided they can identify and... (shrink)

The f-word -- Are you a spiritual rebel? -- A unicorn among sheep -- Taking out the sacred trash -- Redefining spirituality -- Spiritual moments -- Week 1: being -- Mindful Monday -- Talking Tuesday -- Wonder-filled Wednesday -- Trekking Thursday -- Fearless Friday -- Seva Saturday -- Sangha Sunday -- Week 2: deepening -- Week 3: expanding -- Rebel with (a lot of) clues -- Revealing higher purpose -- The rebel and the saint -- Reflections and ahas -- G-word (...) alternatives for sacred pondering -- Sacred shout-outs -- About the author. (shrink)

Henrich et al. describe an innovative research program investigating cross-cultural differences in the selfishness axiom (in economic games) in humans, yet humans are not the only species to show such variation. Chimpanzees and capuchin monkeys show signs of deviating from the standard self-interest paradigm in experimental settings by refusing to take foods that are less valuable than those earned by conspecifics, indicating that they, too, may pay attention to relative gains. However, it is less clear whether these species also show (...) the other-regarding preferences seen in humans. (shrink)

Sexology emerged as a discipline during a period of keen concern about the social effects of sexually explicit media. In this context, sex researchers and their allies took pains to establish the respectability of their work, a process that often involved positioning sexual science in opposition to erotic literature and images. This article argues that this presentation of sexual science obfuscated sex researchers’ complex relationship with erotic print culture, which during the late 19th and early 20th centuries provided sexual scientists (...) with access to explicit material that served as evidence for theories about human sexuality, facilitated transnational exchanges of sexual-scientific thought by bringing sex research across borders, and introduced sex research to wider audiences. Erotic print culture can thus be seen as one of several fields that contributed to the interdisciplinary development of sexology and facilitated the diffusion of sexual-scientific theories. Sex researchers’ shifting, often ambivalent relationship with erotic print and its producers emphasizes that while the boundaries of sexology were extremely porous, they were also heavily policed: Working to establish a modern, respectable new branch of science, sexual scientists reframed the output of other fields of enquiry as products of their own, blotted their reliance on these sources from the historical record, and denigrated them in public writing. (shrink)

Any evolved disposition for fairness and cooperation would not replace but merely compete with selfish and other antisocial impulses. Therefore, we propose that human cooperation and fairness depend on self-regulation. Evidence shows reductions in fairness and other prosocial tendencies when self-regulation fails.