De prime abord, l’expression d’une bonté immédiate, synonyme d’un simple bouleversement émotionnel, ne semble pas pouvoir être un fondement de la morale. Mais par ailleurs, l’obéissance inconditionnelle à la discipline imposée par un État au nom d’une cause commune interdit toute autonomie du jugement. Tel est le dilemme dont témoigne la littérature russe dans les œuvres de Vassili Grossman et d’Evguénia Guinzbourg. Poursuivant une recherche antérieure, relative à l’analyse philosophique de la littérature, nous essayons de montrer ici que nos (...) positions morales, même portées par une théorie éthico-politique élaborée, sont bien, comme le dit Kant dans ses Leçons d’éthique, « sous la condition de la bonté ». Si nous oublions cela, nous sommes inévitablement conduits dans la voie d’une insurmontable brisure éthique entre morale et civilité. (shrink)

From Nobel Laureate Robert M. Solow comes this second edition of his classic text, Growth Theory, to which he has added six new chapters. The book begins with the author's Nobel Prize Lecture "Growth Theory and After", followed by the six original chapters of the first edition. The author maintains that basic growth theory is still best summarized in these chapters.The publication of the first edition in 1970 coincided with a worldwide productivity slowdown; during that time very little work (...) occurred on growth theory. It wasn't until the 1980s that a surge of new research appeared, including the work of Roemer, Lucas, Grossman/Helpman, Aghion, and Howitt. The second half of the book deals with this relatively recent surge, often referred to as "the new endogenous growth theory." As a bridge to the six new chapters, Solow includes an essay entitled "Intermezzo" in which he discusses this transition. The author recasts his model to help the reader compare the relationships among all models; he deals rather tersely, for reasons explained in the book, with "AK" theory, convergence, and international cross-section studies rather tersely. The author concludes by drawing some lessons from the new growth theory and suggests where gaps may be filled in future research. Although Solow disagrees strongly with much of the recent research, he is quick to acknowledge some of its outstanding contributions.This second edition is essential reading for graduate courses in macroeconomics as well as courses on growth theory at both undergraduate and graduate levels. No other book provides this broad overview of the whole field and its evolution. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 285 than" which is both immanent and transcendent, a kind of "coincidentia oppositorum" beyond logic and definition. It is the realm of the "person" within which, although the tragic conflict is not resolved, there arises the free self from whose non-dual perspective the unity and eternity of life are seen. Within this realm the individual gains an illumination the result of which is "amor fad," his free (...) decision to affirm his being. In this act of decision lies the "meaning" and "value" of life. The substance and point of Miss Bauer's book is to show the connection between the metaphysical ground of Simmel's concept of the tragic and its manifestations in different aspects of human experience. Her account is especially interesting in her chapter on the "tragic opposition" in which as an example of a tragic personality she cites Socrates who, by his refusal to flee from his prison, freely embraced his fate and, by choosing to die, confirmed his decisive, binding truth that the heavenly powers remain silent to the questions asked by a doubting and despairing humanity. His act declares that the individual must really stand alone in the world, taking counsel only from himself. Miss Bauer's book is written with a sympathetic understanding of Simmel's philosophy. By opening our eyes to the significant in human existence she succeeds in showing file relevance of his thought to our time. RIA STAVR1DES Vassar College Dialogo con Maurizio Blondel. By Michele Federico Sciacca. (Milano: Carlo Marzorati Editore, 1962. Pp. 159. L. 1300.) Sciacca has gathered here various articles which he had written about Blondel as well as new notes about this French thinker. Blondel struggled against the cult of science seeking to vindicate man's religious needs. Man longs for an end which transcends the natural order. Hence philosophy cannot ignore religion which points to a supernatural human destiny. According to Blondel, God is the only Word which answers the search of man and makes his action both fruitful and progressive. PAUL T. FUHRMANN Columbia Theological Seminary Essays in Ontology. By E. G. Allaire, M. Brodbeck, R. Grossman, H. Hochberg, R. G. Turnbull. Vol. I, Iowa Publications in Philosophy. (The Hague: Martinus Nijhoff, 1963. Pp. 216.) Essays in Ontology is the introductory volume of a new series of monographs to be published by the Department of Philosophy at the University of Iowa. The first volume, as its title indicates, is a collection of essays whose authors are closely affiliated with the Iowa Philosophy Department, being faculty members there now (Allaire and Turnbull) or former students (Hochberg, Grossman, and Brodbeck). Considered as a representative display of talent, the collection is somewhat unbalanced, since twelve of the fourteen papers are by three of the contributors, Allaire, Grossman, and Hochberg, while the other two are contributed by Brodbeck and Turnbull. It is also a matter of some disappointment that eleven of the fourteen papers have seen the light of print elsewhere; although this feeling is somewhat offset by the impact of sustained inquiry into one philosophical problem which the papers make when brought together in this way. The three new papers are "Particulars and 286 HISTORY OF PHILOSOPHY Time" and "Common Names" by Grossman, and "The Tractatus: Nominalistic or Realistic?" by Allaire. With the exception of May Brodbeck's elegant analysis of John Dewey's philosophy, Edwin Allaire's article on Berkeley, and Herbert Hochberg's disquisition on Quine's supposed rejection of mental entities, all the essays concern themselves, in one way or another, with the problem of universals. Sometimes the problem is looked at independently of any historical context--as in the first seven papers---or as emerging from such a historical setting, as in Robert Turnbull's tightly argued discussion of Ockham's logic, Reinhardt Grossman's investigation into Frege's ontology, and Herbert Hochberg's article on the status of the "non-natural properties" mentioned by G. E. Moore in his early works. There is thus a common core of subject matter in the collection; but even beyond that, the papers reveal a tightly knit community of philosophical opinion. The writers share a common outlook on what the problem of universals is... (shrink)

Robert Kirk uses the notion of "raw feeling" to bridge the intelligibility gap between our knowledge of ourselves as physical organisms and our knowledge of ..

Contemporary discussions about practical reason or practical rationality invoke four competing views which can be named as follows by reference to their historical models: Aristotelian, Hobbesian, Kantian and Nietzschean. The subject-matter of this article is a defence of the Kantian conception of practical rationality in the interpretation of discourse theory. At the heart, lies the justification and the application of the rules of discourse. An argument consisting of three parts is pre sented to justify the rules of discourse. The three (...) parts are as follows: a transcen dental-pragmatic argument; an argument which takes account of the maximisation of individual utility and an empirical premise about an interest in correctness. Within the framework of the problem of application, the article outlines a justification of human rights and of the basic institutions of the democratic constitutional state on the basis of discourse theory. (shrink)

In _Art Can Help_, the internationally acclaimed American photographer Robert Adams offers over two dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that “encourages us to gratitude and engagement, and is of both personal and civic consequence.” Following an introduction, the book begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The (...) rest of this compilation contains texts—more than half of which have never before been published—that contemplate one or two works by an individual artist. The pictures discussed are by noted photographers such as Julia Margaret Cameron, Emmet Gowin, Dorothea Lange, Abelardo Morell, Edward Ranney, Judith Joy Ross, John Szarkowski, and Garry Winogrand. Several essays summon the words of literary figures, including Virginia Woolf and Czeslaw Milosz. Adams’s voice is at once intimate and accessible, and is imbued with the accumulated wisdom of a long career devoted to making and viewing art. This eloquent and moving book champions art that fights against disillusionment and despair. Distributed for the Yale University Art Gallery. (shrink)

This paper seeks to identify, clarify, and perhaps rehabilitate the virtual reality metaphor as applied to the goal of understanding consciousness. Some proponents of the metaphor apply it in a way that implies a representational view of experience of a particular, extreme form that is indirect, internal and inactive (what we call “presentational virtualism”). In opposition to this is an application of the metaphor that eschews representation, instead preferring to view experience as direct, external and enactive (“enactive virtualism”). This paper (...) seeks to examine some of the strengths and weaknesses of these virtuality-based positions in order to assist the development of a related, but independent view of experience: virtualist representationalism. Like presentational virtualism, this third view is representational, but like enactive virtualism, it places action centre-stage, and does not require, in accounting for the richness of visual experience, global representational “snapshots” corresponding to the entire visual field to be tokened at any one time. (shrink)

This long-awaited book by one of the world's leading philosophers offers a systematic account of kinds of being, ways in which things can be or can fail to be.

In lieu of an abstract, here is a brief excerpt of the content:Levinas on Art and AestheticismGetting “Reality and Its Shadow” RightRichard A. Cohen (bio)1. The Standard Misreading of Levinas on Arta. IntroductionMuch has been written in the secondary literature about Levinas and art and about Levinas and literature more specifically. In addition to Maurice Blanchot’s observations in The Writing of the Disaster, which is more a primary text than a secondary source, two exceptional studies — well-written, insightful, nuanced, erudite (...) — in English on Levinas and literature are Robert Eaglestone’s book of 1997 entitled Ethical Criticism: Reading after Levinas and Jill Robbins’s 1999 book entitled Altered Reading: Levinas and Literature.1 No doubt there are other fine studies, but these two will be sufficient for our purposes. They are scholarly in the best sense, effecting to understand Levinas first of all, hence hermeneutically sympathetic, and at the same time taking critical distances, articulating reservations, basically unconvinced by Levinas’s claims. Unfortunately, given all their considerable virtues, these books are also hampered by a serious flaw, one that unhappily appears in all too much of the secondary literature on Levinas and art. [End Page 149] Despite their good will and intelligence, both books fundamentally misunderstand the relation of Levinas’s thought on and to art, and thus also his relation to literature more specifically, because they misconstrue the nature and the status of Levinas’s account of art within his philosophy. Surely this is serious and unfortunate. One aim of the present essay is to expose this flaw, despite its pervasiveness and entrenchment. Another aim, more positive and ultimately the means by which to accomplish the first, is to present a faithful account of what Levinas really has to say about art.Counter to the misgivings leveled against Levinas in the above two books, not to mention the many commentaries that repeat more or less the same things, the present article proposes two theses in his defense. To the charge that Levinas has misrepresented art, my first claim is that Levinas does not misrepresent art and, indeed, that he has a fine sense of it. To the charge that Levinas is hostile to art, my second claim is that Levinas is not at all hostile to art, one sign of which — noticed by both critics — is the literary and aesthetic references that abound in his own writings. That is to say, contrary to his critics, Levinas grasps quite well the nature and the value of art. His own literary practices, found throughout his own writings, some of them quite obvious, such as exegeses of Shakespeare and repeated citations taken from Dostoevsky and Grossman, not to mention a wealth of other references and allusions to artists and writers, and, of course, including explicit comments and discussions about art, all these are consistent with and help underwrite my larger claim that Levinas understands and values art and, indeed, that he understands it very well and values it highly.To be sure, and no one can mistake this, Levinas’s philosophy is ultimately an ethics and not an aesthetics. The ultimum verbum belongs not to aesthetics but to moral responsibility and the quest for justice. It is here, for those who would make aesthetics ultimate, that the rub lies, here that we find the spur and speculum for their distortion and darkening of Levinas on art. All the more necessary, then, are the two sides of the present essay: to understand properly what Levinas is saying by means of a careful reading of his one article devoted entirely to [End Page 150] art, “Reality and Its Shadow,” to discern in as unprejudiced a fashion as possible what Levinas actually has to say about art and its value, and by so proceeding to unmask the inadequacies of Levinas’s aesthetic critics. Getting Levinas right certainly does not foreclose criticism, by any means. It is, nevertheless, the first step to serious criticism or to acceptance. Getting him wrong, however, goes nowhere at all, because it has not even begun.Inasmuch as their mishandling of Levinas is in an important sense basically the same, in the following I treat Robbins’s Altered Reading and Eaglestone’s... (shrink)

Bender, Robert Review(s) of: Divided we stand: Why inequality keeps rising, by OECD report, 2011.

For the edition of A Second Collection prepared for the Collected Works of Bernard Lonergan, editors Robert M. Doran and John D. Dadosky have added archival materials directly related to almost every one of the papers, bringing the reader closer to the original compositions.

Die Fragestellungen der Metaphysik, so scheint es, sind nicht mehr zeitgemäß. Der Begriff erinnert an abgehobene Systeme ohne jeden Realitätssinn. Dabei gibt es kein Denken ohne Metaphysik. Unter Bezugnahme auf die Traditionen der Phänomenologie und der französischen Philosophie versteht Robert Hugo Ziegler Endlichkeit als eine positive Auszeichnung, während der Begriff der Zeitlichkeit die erste Dimension von Sein beschreibt. Sein grundlegender Beitrag zur Reflexion über Mensch und Welt zeigt, wie sich die Philosophie selbstbewusst einer Erneuerung der Metaphysik stellen kann.

Kunnen we ons voor de drukte van de moderne tijd afsluiten door ons terug te trekken in een bibliotheek? Kunnen we ons in Arcadië wanen door ons te wentelen in het erfgoed en de beschaving van vele eeuwen? Hoe aanlokkelijk dit ook is, meent topdiplomaat Robert Cooper, een bibliotheek biedt geen ontsnappingsmogelijkheid en staat altijd midden in de wereld.

Recent influential interpreters have argued that the philosophy of body that prevails in Leibniz's writings from the 1680' s to about 1704 is both more Aristotelian and less idealistic than the ' monadology' of his last years. It is argued here that the Aristotelian terminology of matter and form which is undoubtedly prominent in the work of Leibniz's ' middle years' was understood by him in a sense that is consistent with the monadology. The monadology is foreshadowed, moreover, in important (...) arguments against the Cartesian thesis that extension is the essence of corporeal substance. Leibniz can be seen as a sort of realist in physics, in contrast with occasionalists. But what is important in that contrast is not so much the reality of matter, as the reality of form, which Leibniz interpreted in terms of the active powers of soul-like substances. (shrink)

For the purpose of this analysis, risk assessment becomes the primary term and risk management the secondary term. The concept of risk management as a primary term is based upon a false ontology. Risk management implies that risk is already there, not created by the decision, but lies already inherent in the situation that the decision sets into motion. The risk that already exists in the objective situation simply needs to be “managed”. By considering risk assessment as the primary term, (...) the ethics of responsibility for risking the lives of others, the environment and future generations in the first place comes into the forefront. The issue of risk heeding is especially important as it highlights the need to pay attention to warnings of danger and to take action to redress problems before disasters occur. In this paper, the decision making that led to the choice of technology utilized and the implementation of such technology in the case of the space shuttle Challenger disaster will be used as a model to illustrate the need to take ethical factors into account when making decisions regarding the safety of technological systems and the heeding of danger warnings. While twenty-five years separates the decision to launch the Challenger and the Fukushima Daiichi nuclear plant disaster, the lessons of the Challenger disaster are still to be learned. (shrink)

This study comprises an analysis of the Categories commentary of Peter of Auvergne, based upon an edition from the manuscripts, and supplemented by a translation. Much information about other Categories commentaries has been included to place the work in its historical and philosophical perspective. ;Peter of Auvergne, active in Paris in the late thirteenth century, had a long career as an Aristotelian commentator and continuator of Thomas Aquinas. His Categories commentary provides me the occasion to survey the genre of Categories (...) commentaries from the early Middle Ages, with special emphasis on those few commentaries known to immediately precede Peter of Auvergne, and on those he influences. Peter is an early representative of the modistae, philosophers who stressed the parallel connections among being, understanding, and signifying, and who are typified by their use of the modi significandi as a tool of analysis. ;This study, the first full-length analysis of a medieval Categories commentary, serves as a guide to the issues generated by Aristotle's Categories. As a comparative study it shows that the genre of Categories commentaries, within a fairly invariant format, allows for a continuous adaptation and development of ideas. As a specific study of an individual commentary, it shows the details of Peter of Auvergne's interests in linguistic analysis, theology, and the exegesis of Aristotle. ;The questions in Peter of Auvergne's commentary are generalizably of two kinds: short, superficial questions which imitate earlier traditions, and more complex questions which attempt original interpretations. Not suprisingly, the latter sort of question finds more parallels in later commentators, including Simon of Faversham, Radulphus Brito, and John Duns Scotus. ;This dissertation, beginning from a thorough exegesis of a central figure, by tracing derivative and influencing themes, gives a dependable picture of the debates conducted in connection with the Categories in the High Middle Ages. I have had the responsibility of editing many of the primary sources I needed. The extensive appendices contain, besides an edition of Peter's Questiones super Praedicamentis, a transcription of another related commentary, Anonymus Matritensis: Questiones super Praedicamentis, and many relevant texts grouped by category. (shrink)

Bernard Miege, Societatea cucerita de comunicare Ed. Polirom, Iasi, 2004.

A team of philosophical writers examines the startling ideas and arguments of this pundit of persuasion.

The Concept of Hell examines a wide range of topics, problems, and concepts of interest to philosophers, theologians, and anyone curious about religious thinking concerning damnation. Acting as a platform for philosophers from many different views and traditions, this book provides a myriad of approaches to thinking about Hell. From the nature of Hell to philosophical justifications of damnation, to the way in which Hell informs us about our relationships with each other, the discussions offer a tantalizing exploration of how (...) philosophical thinking can engage Hell in a wide variety of ways from many different perspectives. Anyone with a desire to think about what happens after we die, damnation, and related religious and theological issues will find The Concept of Hell interesting and enlightening. (shrink)

Volume 19, Issue 12, December 2019, Page 48-49.