The analysis of events has been a central issue for social sciences for a long time. The problem of an event's definition and distinction is still at stake in sociological debates. The purpose of this paper is to demonstrate the contribution of Paul Ricoeur's narrative theory to social events studies. First, this is done through the explication of the concept in the framework of narrative approach. Secondly, the paper highlights the narrative's capacity of 'refiguring' the social by re-describing social events, (...) subordinating their succession to the logic of story-telling and transforming temporal characteristics as well. Apart from some insights, interpretative explanations and illustrations the paper provides critical arguments concerning the limitations of Paul Ricoeur's narrative approach with respect to sociological event-analysis. L'analyse des événements a toujours été une question centrale pour l'histoire et les sciences sociales. Le problème de la définition et de la distinction des événements est encore en jeu dans les débats sociologiques contemporains. L'objectif de cet article est de s'attarder sur la contribution de la théorie de Paul Ricœur aux études des événements sociaux. Après avoir montré les limites d'une conception impersonnelle de l'événement, l'auteur se penche sur la solution narrative proposée par Ricœur, à savoir la capacité du récit à “refigurer” du Social par la re-description des événements sociaux. Il s'agit de soumettre la logique de la succession temporelle à la logique de la narration. Tout en rendant justice à la valeur heuristique de telles analyses (à travers une série d'explicitations et d'illustrations), l'article pointe les limites de l'approche narrative de Paul Ricœur au regard des analyses sociologique des événements.  . (shrink)

Refiguring Critical Theory offers some thoughts about the nature of democracy and the possibilities of individual and collective self-determination. The text traces theories of the relationship between being and consciousness from Marx through Lukacs and the Frankfurt School to Habermas' recent work The Theory of Communicative Action.

If social, political, and material transformation is to have a lasting impact on individuals and society, it must be integrated within ordinary experience. Refiguring the Ordinary examines the ways in which individuals' bodies, habits, environments, and abilities function as horizons that underpin their understandings of the ordinary. These features of experience, according to Gail Weiss, are never neutral, but are always affected by gender, race, social class, ethnicity, nationality, and perceptions of bodily normality. While no two people will experience the (...) ordinary in exactly the same way, the multiplicities, possibilities, overlaps, and limitations of day-to-day horizons are always intersubjectively constituted. Weiss turns her attention to changing the conditions and experiences of oppression from ordinary to extraordinary. This book is an impressive phenomenological, feminist reading of the complexities of human experience.M. V. Marder, University of Toronto, Feb. 2009. (shrink)

Refiguring the Sacred offers perspectives on Ricoeur's life-long reflections about religion. This collection includes two essays by Ricoeur and new interpretations of some of his most significant writings by several noted Ricoeur scholars.

Refiguring Critical Theory offers some thoughts about the nature of democracy and the possibilities of individual and collective self-determination. The text traces theories of the relationship between being and consciousness from Marx through Lukacs and the Frankfurt School to Habermas' recent work The Theory of Communicative Action.

The subaltern has frequently been understood as a figure of exclusion ever since it was first highlighted by the early Subaltern Studies collective’s creative reading of Antonio Gramsci’s carceral writings. In this article, I argue that a contextualist and diachronic study of the development of the notion of subaltern classes throughout Gramsci’s full Prison Notebooks reveals new resources for “refiguring” the subaltern. I propose three alternative figures to comprehend specific dimensions of Gramsci’s theorizations: the “irrepressible subaltern,” the “hegemonic subaltern,” and (...) the “citizen-subaltern.” Far from being exhausted by the eclipse of the conditions it was initially called upon to theorize in Subaltern Studies, such a refigured notion of the subaltern has the potential to cast light both on the contradictory development of political modernity and on contemporary political processes. (shrink)

Marie-Hélène Desmeules | : Contre l’idée d’un temps fixe enveloppant notre expérience, les travaux de Paul Ricoeur nous permettent de penser que non seulement notre expérience du temps n’est pas si fixe qu’elle n’y paraît, mais qu’elle est en outre transformée par des refigurations découlant de nos médiations objectives. Ces médiations objectives ne se limitent pas à la narration, mais couvrent également l’amnistie, la prescription, la promesse, le pardon et les objets de notre monde familier. Chacune à leur façon, les (...) médiations examinées opèrent une synthèse du passé, du présent et du futur, au point de bouleverser le temps chronologique et successif du courant de la conscience. Ultimement, nous prendrons les réflexions de Paul Ricoeur comme ressources pour penser les implications éthiques des transformations de notre expérience du temps. Car chaque expérience du temps n’ouvre et ne ferme pas les mêmes possibilités, comme le rapport entre le pardon et l’homme capable devrait le montrer. | : Against the idea of a fixed time in which our experience would take place, Paul Ricoeur’s works allow us to think that our experience of time is not so fixed as it seems, and furthermore, that it is transformed by some refigurations which follow from an objective mediation. These objective mediation is not restricted to narrative, but also covers amnesty, prescription, promise, forgiveness and familiar things. Each examined mediation performs in its own way a synthesis of past, present and futur, to the point of changing the chronological and successive time of consciousness’ stream. We will also consider Ricoeur’s thoughts as a possibility to think ethical implications of transformations in our time experience. Every experience of time does not open and close the same ethical possibilities, as the connection between forgiveness and capable man should show it. (shrink)

This article examines the theme of imagination in Ricoeur’s Living Up to Death (2009[2007]). I argue that his meditations on death are centered on the question of the imagination, and that the exorcizing mode of detachment so crucial to Ricoeur’s position amounts to a ‘refiguration’ of what he terms the ‘make-believe’. Drawing on his work in Time and Narrative , I chart the instances of the make-believe attached to death and dying as disclosures of vulnerability attending the stages of (...) Ricoeur’s threefold mimesis. This means that Living Up to Death involves a struggle of the narrative or poetic imagination to refigure the misleading con-figurations of the natural imagination when faced with death. Ricoeur’s interest in ‘schematizing’ the eternal and Essential, as well, marks a specific connection between the labors of the productive imagination and the refigura-tion of death as a transfiguration of the living. (shrink)

In this engaging sequel to Rethinking History , Keith Jenkins argues for a re-figuration of historical study. At the core of his survey lies the realization that objective and disinterested histories as well as historical 'truth' are unachievable. The past and questions about the nature of history remain interminably open to new and disobedient approaches. Jenkins reassesses conventional history in a bold fashion. His committed and radical study presents new ways of 'thinking history', a new methodology and philosophy and their (...) impact on historical practice. This volume is written for students and teachers of history, illuminating and changing the core of their discipline. (shrink)

Moses Isegawa's Abyssinian Chronicles sets out to rewrite history in that it corrects the distorted colonial vision by creating symbols for a new national identity—dealing with self-consciousness, loss of self-identity, and search for identity in coming to terms with the wreckage of war and independence. In Snakepit, Isegawa returns to his native Uganda haunted by greed and megalomania, a period when Idi Amin's dictatorship turned men in power into agents of deception, extortion, and murder. This article critically analyzes the “postcolonial“ (...) imagery in Snakepit as forms of resistance in the aftermath of colonialism and in the story “The Return of Shadow” in Viviane Sassen's collection of photographs Flamboya, and so challenge the way Western eyes have perceived the African continent. Snakepit and Flamboya thus both function as tools with which Africa's collective identity is redefined, the former coping with Uganda's post-European struggle for independence and fight against African corruption, the latter shedding light on the “darkness” Africa has been associated with by casting a post-European shadow on the image of Africa. (shrink)

The goal of this article is to focus on the concept of reading in Paul Ricœur’s Time and Narrative, through the notions of triple mimesis and refiguration, in continuity with previous investigations on the issue of hermeneutics and in phenomenology. While relying on developments in philosophical hermeneutics since Gadamer, Ricœur’s concept of reading might work as a paradigm allowing to link the layers of interpretation and reception that build out the aesthetic experience. In this way, analyses come into play (...) that make an initial philosophical framework a more complicated one and that allow to extend such paradigm to non-verbal or non-linguistic fields. This article is structured in two sections. The first section aims to specify the general framework of Ricœur’s hermeneutics, to review the critical reception of Time and Narrative, and to recall of the constant correlation between refiguration and temporality. The second section more specifically considers the fourth chapter in the second part of Time and Narrative’s third volume (French edition) wherein the articulation between reading and aesthetics is developed. However, a critical re-evaluation of this latter development must be provided not only in order to recognise some limitations to Ricœur’s approach of refiguration but also to see how the hermeneutical approach is, despite of all, what allows a mediation between the aesthetic and artistic. (shrink)

Review of: Kevin Sharpe and Steven N. Zwicker ; Refiguring Revolutions: Aesthetics and Politics from the English Revolution to the Romantic Revolution, University of California Press, Berkeley, Los Angeles, 1998; Kevin Sharpe, Re-Mapping Early Modern England, Cambridge University Press, Cambridge, 2000; Kevin Sharpe, Reading Revolutions: The Politics of Reading in Early Modern England, Yale University Press, New Haven, 2000.

Writing about the imperative for compassion in universities is not a new endeavour (Gibbs, 2017; Waddington, 2016). However, the ongoing COVID-19 pandemic has underlined a need to address the quest...

Aims to improve an understanding of the theoretical issues in response to the influence of fiction. Four things in narrative unreliability; Relation between narration in literary fictions and film; Comprehension of narrative essentially a matter of intentional inference; Fictions misdescribed; Asymmetry between literature and film; Ambiguity and unreliability; Implied author and narrator.

Truth is attributed by hermeneutical phenomenology not only to science but also to art and literature. According to Ricoeur, its veritable bearer is the expression of experience that can take artistic and literary forms as well as scientific ones. However, truth in this sense cannot be defined as a correspondence with a ready-made reality, nor can it be reduced to any internal coherence in our knowledge of the world. What is, then, its precise meaning in this context? The two terms (...) mentioned in the title—'redescription' and 'refiguration' of reality—indicate the two answers Ricoeur gives to this question. The similarities and the differences between these two answers are submitted to an inquiry in the following paper, which, relying upon Ricoeur, adumbrates the outlines of a phenomenological and hermeneutical approach to truth. (shrink)

Grau reconsiders the relationship between "logos" and "mythos" as a precondition to opening theological hermeneutics to discourse from other cultures and genres, other modes of telling and retelling.

Résumé L’article présente et analyse la critique à laquelle Ricœur soumet la phénoménologie du temps selon ses deux versions principales, élaborées par Husserl et par Heidegger. Il est montré sous quels présupposés cette critique est formulée, quelles découvertes sont attribuées à Husserl et à Heidegger et quels arguments sont dirigés contre leurs idées sur le temps. Finalement, les fondements de la conception ricœurienne du temps sont déduits de son explication avec ses maîtres en phénoménologie.

The European Union requires a stronger approach to social solidarity than has been offered in existing theory. Perhaps the exigency of this claim is nowhere more evident than in the recent failed referendums in France and the Netherlands. In both cases the narrow legal-economic sense of the EU won out over what was hoped to be an emerging European public sphere, indeed a shared sense of European identity rooted in history. This article asks what type of ‘history’ this identity requires. (...) Approaching this problem from a theoretical perspective, I will outline why and how such a ‘history’ must accord with the existing limits set by post-and/or transnationalism itself. Second, I will question how well various attempts at writing such a ‘history’ have already managed in terms of these limits. Lastly, drawing on the current work of sociologist Ulrich Beck, I will put forward a theoretical alternative to the existing models. (shrink)

"What is indeed striking is the degree to which the essays reveal a shared set of interests and adopt languages and concerns that reflect back and forth in stimulating ways."--Richard W. Kroll, author of "The Material World".

ArgumentUntil the fifteenth century, celibacy was the rule among Christian scholars of northwestern Europe. Celibacy was a major element of the codified cultural representation of the scholar and his specific way of life, sustained by peculiar institutional arrangements and daily routines. Founding family households implied therefore a major reorganization of the scholar’s way of life. Broadly speaking, this involved refashioning the scholarly habitus, redefining social relations, and developing the necessary material infrastructure. The paper focuses on three aspects of this process (...) during a period characterized by uncertainty and experimentation. It discusses the structure of scholars’ families, arguing that at least until the middle of the sixteenth century, received models still persisted, while new viable models for articulating family reproduction with the transmission of scholarly dispositions had not yet crystallized. It then turns to the reorganization of domestic space, focusing on the different uses of the study to manage social distance and regulate domestic relations. Finally, among the different manifestations of the scholarly habitus, it argues that the emotional detachment of learned men was itself a learned habit. The well-documented discussion of competing options for organizing scholars’ family households and cultivating an acquired nature in academic settings provides an exceptional occasion to examine the way a group habitus is reshaped and, explore the cultural work involved in this process. (shrink)

This paper explores the relation between personal identity and story telling. In particular l examine how Paul Ricoeur links narrative discourse to identity formation. For Ricoeur stories are not simply aesthetic objects disconnected from experience, but are rooted in the very fabric of life and have the capacity to profoundly refigure our world. Narrative discourse and life are for Ricoeur dialcetically tied to each other through a “mimetic arc.” This, however, poses interesting problems and difficulties. How do stories affect the (...) transformation of experience? According to Ricoeur the identity of the text can be incorporated into my own personal and communal identity through a mode of analogical transfer. This is the art of interpretation, the art of selfhood, the performative process of becoming a self in relationship with others.Cet artiele analyse la relation entre identité personnelle et le fait de raconter une histoire. J’aborde en partieulier le lien entre le discours narratif et la formation identitaire, tel que le conçoit Ricoeur. Pour ce dernier, les histoires ne sont pas simplement des objets esthétiques détachés de I’experience; elles sont plutôt ancrées dans le tissu même de la vie, et ont le pouvoir de refigurer profondément notre monde.Le discours narratif et la vie sont, dans la pensée de Ricoeur, liés defaçon dialectique par un «arc mimétique». Une telle façon de voir soulève, cependant, des questions et des difficultés interéssantes. Comment les histoires affectent-elles la transformation de l’expérience? Selon Ricoeur, l’identite du texte peut être intégrée dans ma propre identité personnelle et collective par un mode de transfert analogique. C’est en cela que consiste l’art de I’interprétation, de l’ipséité, le proeessus performatif du devenir de soi en relation avec les autres. (shrink)

This paper engages with the concept of the migrant subject, as framed through contemporary literature on migrancy, and read through the Pauline Ingle photographic collection, located in the Eastern Cape. As against gendered historiographies of labour migrancy and the associated meanings attributed to the rural as a site of social reproduction, Ingle's photographs invite a series of atypical readings that unsettle these subjectivities. Rather, they suggest social and political acts that presage and constitute a migrant citizenship, one that undermines the (...) dichotomy of the rural and urban and projects the possibility of reading the history of the subject in the Eastern Cape differently. (shrink)

This article explores the political implications of Muslim public self-presentation and forms of self-fashioning associated with the ongoing processes of re-Islamisation in both Muslim-majority and Muslim-minority societies. It sketches how projects of the Muslim public self contribute to a refiguring of the public sphere. The argument put forward is that public practices of self-reform grounded in religion and presented in pietistic terms are political by virtue of being tied to projects of societal reform and because they have a bearing on (...) the public sphere and public space. Proceeding from the premise that the public sphere is not neutral and that the subjectivities inhabiting it are shaped by power relations, the article examines the ways in which projects of Muslim public selves are imbricated in the material conditions of the settings in which they develop and as such are underpinned by dynamics of power and contestation. (shrink)

"The Traffic in Culture takes us along exciting new avenues in the investigation of art and society, global encounter, and the marketing of culture. These essays will become required reading to scholars in fields as diverse as art history, anthropology, sociology, and cultural studies."--Suzanne Preston Blier, Harvard University "These essays break new ground in charting out a critical ethnography of art. They address the complexities of cultural difference while ceasing to respect the boundary between 'Western' and 'non-Western' art which has (...) defined the scope of the anthropology of art for too long. This is contemporary critical anthropology at its best."--Nicholas Thomas, Australian National University. (shrink)

I argue that reconciling nature with human experience requires a new ontology in which nature is refigured as being in and of itself meaningful, thus reconfiguring traditional dualisms and the . But this refiguring of nature entails a method in which nature itself can exhibit its conceptual reconfiguration—otherwise we get caught in various conceptual and methodological problems that surreptitiously reduplicate the problem we are seeking to resolve. I first introduce phenomenology as a methodology fit to this task, then show how (...) life manifests a field in which nature in and of itself exhibits meaningfulness, such that this field can serve as a starting point for this phenomenological project. Finally, I take immunogenesis as an example in which living phenomena can guide insights into the ontology in virtue of which meaning arises in nature. (shrink)

This discourse analysis of metaphors of the crossdisciplinary composite of inter- and trans-disciplinary research gleans in sights for science today. The first section establishes a baseline by comparing spatial images to growing use of organic metaphors in an ecology of knowledge production. Following logically from the comparison, the second reflects on metaphors of exchange and transaction in trading zones, transaction spaces, and third spaces, then addresses implications for the earlier exemplar of Mode 2 knowledge production. The third section considers the (...) current exemplar of convergence as a new dynamic of fundamental and applied research then challenges the premise translation is a one-way transfer and application of findings from one domain to another, thereby recognizing complexity of relational capital, platforms as sites of collaboration, and ensuing tensions. The fourth reflects a widespread tendency to map domains of knowledge, building on Sheila Jasanoff’s cartographic metaphor of Science, Technology, and Society Studies as an archipelago and broader implications for the nature and status of interdisciplinary fields. The fifth section weighs the balance of disciplinarity and interdisciplinarity, questioning the premise of a New Disciplinarity reinscribing a disciplinary home versus transversal flow and flux. The sixth recognizes growing momentum for decolonizing crossdisciplinarity, including the role of lay, traditional, and Indigenous knowledge in fostering a transdisciplinary science of sustainability. The seventh closing section reflects on preceding metaphors against the backdrop of a century of developments that have made interdisciplinarity and transdisciplinarity part of the fabric of science today, though more often in incremental ways than radical refiguration. (shrink)

In responding to perceived crises—such as the COVID-19 pandemic—in routinized ways, contemporary bioethics can make us prisoners of the proximate. Rather, we need bioethics to recognize and engage with complex configurations of global ecosystem degradation and collapse, thereby showing us paths toward co-inhabiting the planet securely and sustainably. Such a planetary health ethics might draw rewardingly on Indigenous knowledge practices or Indigenous philosophical ecologies. It will require ethicists, with other health professionals, to step up and become public advocates for environmental (...) sustainability. The COVID-19 pandemic should be seen as opening a portal to planetary health ethics or ecologized bioethics. (shrink)

Tradition(s) accomplishes this through a series of original readings of Kant and post-Kantian German philosophy, in which topics such as Kant on friendship, nature in post-Kantian thought, HeideggerÕs relationship to Hobbes, and HegelÕs ...

In this paper I put forward a new interpretation of the “Exordium” and “Eulogy for Abraham” sections in Fear and Trembling. It reads them in tension, as mutually incompatible approaches to the biblical narrative of Abraham. I argue this tension is productive insofar as it reveals and critiques the failure of each section to respond to Abraham as a religious exemplar of faith. Drawing on the work of Paul Ricœur, I argue that this failure consists in the absence of the (...) hermeneutical moment of refiguration, which takes up what is understood in the narrative in the lived experience of the reader. By enacting this irreconcilable contrast within his text, Silentio poses a hermeneutical critique of faith by highlighting the importance of narrative refiguration in the life of faith, that is, the lived experience of those who understand Abraham to be a religious exemplar. (shrink)

In his three books J. Wentzel van Huyssteen develops a complex and helpful notion of rationality, avoiding the extremes of foundationalism and postmodern relativism and deconstruction. Drawing from several postmodern philosophers of science and evolutionary epistemologists who seek to devise a usable notion of rationality, he weaves together a view that allows for a genuine duet betweenscience and theology. In the process he challenges much contemporary nonfoundationalist theology as well as the philosophical naïveté of some cosmologists and sociobiologists.