This paper engages the philosophical concepts of subjectification and acknowledgment in conversation with Philip Pullman’s young adult novel, Northern Lights. Our particular focus is Lyra Belacqua, Pullman’s central character. Precarious in her vulnerability and in her unknown significance, we read Lyra as usefully negotiating the dangerous transition from childhood to adolescence. In her negotiation of this complex liminality, we argue that Lyra models those difficult-to-define moments encountered by children as they learn to be in and of the (...) world. Situating our reading in a Philosophy of Education discourse, we draw theoretically from the work of Gert Biesta and Stanley Cavell. With Biesta as the primary focus of our paper, we generalize beyond Northern Lights to argue that the reading of fiction constitutes “a weak educational event” in Biesta’s intriguing understanding of that phrase. Partly as a theoretical framing for the Pullman text, we begin with an outline of Biesta’s philosophy. (shrink)

Drawing on philosophy, theology and psychoanalysis as well as on literary criticism, this collection of essays explores a range of fantasy texts with particular attention to the various ways in which they seek to deal with the reality of death. The essays uncover some fascinating links, and indeed tensions, between the writers discussed.

This collection explores the impact of Richard Dawkins as scientist, rationalist and one of the most important thinkers alive today. Specially commissioned pieces by leading figures in science, philosophy, literature, and the media, such as Daniel C. Dennett, Matt Ridley, Steven Pinker, Philip Pullman and the Bishop of Oxford, highlight the breadth and range of Dawkins' influence on modern science and culture, from the gene's eye view of evolution to his energetic engagement in public debates on science, rationalism, (...) and religion. The volume includes personal reminiscences and critical debate as well as accessible discussions of science – it provides a stimulating tribute to a remarkable intellectual. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The War with God: Theomachy in Roman Imperial Poetry by Pramit ChaudhuriMartin T. DinterPramit Chaudhuri. The War with God: Theomachy in Roman Imperial Poetry. Oxford: Oxford University Press, 2014. xvi + 386 pp. Cloth, $74.We are all fighting our own demons, but some of us—so Chaudhuri tells us—are even fighting our own gods. Accordingly, a wide range of theomachs and their representation in classical literature fills the ranks (...) of this excellent book that will certainly elbow its way onto Mt. Olympus to sit comfortably next to divine Feeney (1991 and 1998) and sublime Hardie (1986 and 1993). Indeed, Chaudhuri transcends the scope of Feeney (1991) by including not only Senecan (and Attic) tragedy but also texts and contexts ranging from panegyric to philosophy and from lyric to historiography.Chaudhuri’s book falls into three parts. Its first three chapters cover theomachy in Greek poetry (Homer and Attic tragedy), as well as the development of theomachy in Augustan epic, with chapters on Lucretius and Vergil and Ovid. Here, Chaudhuri introduces some of the main patterns and contexts that will be developed in later imperial poetry. Chaudhuri also states clearly what will not be covered here at length: the voyage myths of the Odyssey and the Argonauts, Aristophanes’ Birds, and the (pseudo-) Aeschylean Prometheus Bound. Part 2 covers Neronian literature with Seneca’s Hercules Furens and Lucan, while Part 3 focuses on the Flavian era, with Silius and Statius. Statius’ Capaneus forms a highpoint amongst the theomachs and thus deservedly receives extra attention. Chaudhuri rounds off the Flavian section with a chapter on the politics [End Page 177] of theomachy, in which he samples theomachy as a trope for the confrontation between subject and ruler, ruler and god, rival emperors and the confrontation of dynasties. After all, the Flavian poets had witnessed the principate develop over time, the struggles for the throne, and the rise and fall of dynasties. This is followed by a titillating epilogue showcasing how the themes developed in the previous chapters that breach the divide between mortal and immortal (such as fame, equanimity, skepticism, and poetic and imperial apotheosis) echo through the centuries. Rarely, however, do we find simple didactic moralism. Instead, “the theomach is instrumental in generating a dialogue on the broader symbolism of fighting the gods, its stakes and implications” (323). Chaudhuri can but hint at the rich afterlife of the theomach across Europe from the fifteenth to the seventeenth centuries, a subject that would fill a second volume. He nevertheless whets the reader’s appetite by pointing to Milton’s Paradise Lost and Samson Agonistes, Ariosto’s Orlando Furioso, Christopher Marlowe’s Tamburlaine, Dante’s Inferno, and Tasso’s Gerusalemme Liberata, as well as a host of epigraphs to each chapter, and concludes with a glance at the twentieth and twenty-first centuries with Philip Pullman’s His Dark Materials, Richard Dawkins versus God, and modern physicists’ search for a God particle.Chaudhuri sets the volume off by contrasting theomachy with gigantomachy. While the feats of the Giants “remain far distant in time from the activities of humankind … the theomach speaks the language of humanity … offering a richer context for his radical aspirations and … inviting the audience to adopt an alternative view on the theological status quo” (5). He also places theomachy in its cultural context when he follows Momigliano’s (1984) suggestion that under Augustus poetry replaced antiquarianism and philosophy as the primary genre in which to think about the gods. The figure of the contemptor divum (despiser of the gods) thus comes to embody the contrast between piety and impiety which itself is grounded in the empirical basis of Roman religion. But rather than testing methods of communication with the divine, as the Romans so often did with divinatory practices and ritual protocols, the contemptor divum tackles the question of whether it is possible to know the divine at all and whether the gods even exist. “By placing these conflicts at the heart of their works, the epic poets expanded the cultural conversation to include the testing of the divine in the Romans’ attempts to make sense of the epistemological, theological, and political concerns pertaining... (shrink)

_Talking Books_ sets out to show how some of the leading children's authors of the day respond to these and other similar questions. The authors featured are _ Neil Ardley, Ian Beck, Helen Cresswell, Gillian Cross, Terry Deary, Berlie Doherty, Alan Durant, Brian Moses, Philip Pullman, Celia Rees, Norman Silver, Jacqueline Wilson, and Benjamin Zephaniah_. They discuss with great enthusiasm: *their childhood reading habits *how they came to be published *how they write on a daily basis *how a (...) particular book came together *a type of writing that they are especially known for. Through in-depth interviews, they each reveal their approach to their craft. Much is know and spoken of the product that is the children's book, but it is rare that writers are given the opportunity to talk at length about the process of writing for children. _Talking Books_ redresses the balance by presenting a wide selection of authors reflecting upon the joys and challenges of the craft, creativity and process of writing for children. (shrink)

We explore how story has the potential to encourage environmental engagement and a sense of agency provided that critical discussion takes place. We illuminate this with reference to the philosophies of John Macmurray on personal agency and social relations; of John Dewey on the primacy of experience for philosophy; and of Paul Ricoeur on hermeneutics, dialogue, dialectics and narrative. We view the use of fiction for environmental understanding as hermeneutic, a form of conceptualising place which interprets experience and perception. The (...) four writers for young people discussed are Ernest Thompson Seton, Kenneth Grahame, Michelle Paver and Philip Pullman. We develop the concept of critical dialogue, and link this to Crick's demand for active democratic citizenship. We illustrate the educational potential for environmental discussions based on literature leading to deeper understanding of place and environment, encouraging the belief in young people that they can be and become agents for change. We develop from Zimbardo the key concept of heroic resister to encourage young people to overcome peer pressure. We conclude with a call to develop a greater awareness of the potential of fiction for learning, and for writers to produce more focused stories engaging with environmental responsibility and activism. (shrink)

This chapter shows how and how far humanism has found expression in more recent fiction. If one has to consider whether the novel is humanistic, one must examine the values held by the people, which become clear despite their not being in the habit of articulating them. Accounts of post‐war immigrants coming into England can provide a basis for acute observation, in ways that cast light on our central concern. Material for thinking about humanism in the contemporary world is particularly (...) well provided by novels giving an overall account of society, often referred to as condition‐of‐England fiction. Perowne believes that the failure of political utopianism in the twentieth century has left most people, with ‘a queasy agnosticism’ about social justice and the distribution of wealth. The chapter concludes with the discussion of a piece of fiction, Philip Pullman's The Good Man Jesus and the Scoundrel Christ. (shrink)

'An alarming and illuminating book. The story of how we have allowed private corporations to patent genes, to stockpile human tissue, and in short to make profits out of what many people feel ought to be common goods is a shocking one. No one with any interest at all in medicine and society and how they interact should miss this book, and it should be required reading for every medical student,'--Philip Pullman.

In lieu of an abstract, here is a brief excerpt of the content:IntroductionAuthority in Buddhism and ChristianityElizabeth HarrisThis issue of Buddhist-Christian Studies contains the papers 1 presented at the conference of the European Network of Buddhist Christian Studies, held in June 2009 at the Benedictine Archabbey of St. Ottilien near Munich on the theme “Authority in Buddhism and Christianity.” 2The European Network of Buddhist Christian Studies grew from a conference convened by the Rev. Gerhard Köberlin at the Academy of Mission (...) in Hamburg in 1996, which drew together Christians involved in the academic study of Buddhism. The next conference, held at the Archabbey of St. Ottilien, attracted Buddhist participants also. It was at this point that the current name of the network was adopted. The aims of the network are to promote within Buddhist-Christian relations mutual understanding and dialogue, academic study, and practical cooperation and friendship. The network’s main activity is a biennial academic conference on a theme important to the development of Buddhist-Christian relations. Conference themes have included “Buddhist Perceptions of Jesus”; “Christian Perceptions of the Buddha”; “Buddhism, Christianity and Creation”; “Conversion and Religious Identity in Buddhism and Christianity”; and “Buddhist Attitudes to Other Religions.” 3 Invited presentations on selected aspects of the chosen theme, each of which is addressed by a Buddhist and a Christian, form the core of each conference. The papers from the “Authority” conference follow the same pattern.The theme of authority was chosen because of its central significance in the contemporary world, not only to religious traditions but also to secular society. When, as the current President of the network, I gave an introduction to the theme of authority in Buddhism and Christianity on the first evening, I began with secular society and the play Waiting for Godot.4 Written by the English playwright Samuel Beckett, it was first performed in 1955. Many viewers were mystified by it because there was so little action. The play focuses on Vladimir and Estragon, two elderly men, dressed in ragged clothes, who talk together in a nondescript place, close to a tree. They are waiting for Godot, a shadowy figure of hope or authority, with whom they believe they have an appointment. Godot never comes, although a boy comes on stage to say [End Page 43] that Godot will definitely come the next day. Behind the conversation lies the threat of punishment: “And they didn’t beat you?” Vladimir asks Estragon at the beginning. “Certainly they beat me!” Estragon replies. The agents of this never appear and are never defined.The play is shot through with religious imagery, but it is twisted and distorted, placed within a barren landscape, in which the two men create a world for themselves through words. The lack or failure of any authority is a central theme of the play. Believing they have an appointment with “authority,” the men are unable to move or use self-directed agency. I compared this with the figure of authority in Philip Pullman’s trilogy, His Dark Materials. At the beginning, what is named “The Authority” by “religious” leaders appears anything but shadowy. It is magisterial and Godlike, and inspires powerful institutions. In the end, however, this Authority is revealed as a thing of shadows—a pitiful, terrified, wizened old man. Pullman describes him as “demented and powerless,” weeping, mumbling in fear and pain and misery.5 He is as light as paper and has no will of his own. When he is taken out of his cage, the wind takes him and he disintegrates with an expression of profound relief on his face.Waiting for Godot and His Dark Materials give expression to the crisis of authority in our postmodern world, the first theme that the conference and this volume explores. According to the Oxford English Dictionary, authority is first and foremost the power or right to enforce obedience. That any being, institution, or set of beliefs should have that power, however, is being called into question throughout the world. Kajsa Ahlstrand, in her contribution, examines differing attitudes toward authority in the Christian tradition, paying particular attention to the consequences for Christianity of the twentieth century crisis in obedience, which was sharpened by awareness that the Holocaust was... (shrink)

Bernard Schweizer explores a hitherto neglected strain of religious rebellion. Misotheism, or hatred of God, is more radical than atheism. God-haters do not question God's existence, but instead deny his competence and goodness. Sifting through centuries of evidence and uncovering fascinating networks of influences among writers and thinkers as diverse as Friedrich Nietzsche, Zora Neale Hurston, and Philip Pullman. Schweizer reveals deep undercurrents of misotheism in many acclaimed works of literature and philosophy.

The renowned Nobel Prize-winning scientist's elegant and concise explanation of the fundamental ideas in biology and their uses today. Hailed by Philip Pullman as "a great communicator" who is also "as distinguished a scientist as there could be," Paul Nurse writes with delight at life's richness and a sense of the urgent role of biology in our time. With What Is Life? he delivers a brief but powerful work of popular science in the vein of Carlo Rovelli's Seven (...) Brief Lessons in Physics. Nurse takes readers on a wondrous journey through five fundamental biological ideas-the Cell, the Gene, Evolution by Natural Selection, Life as Chemistry, and Life as Information-introducing the scientists who made the most important advances and taking us into his own lab to give us a sense of the thrill of scientific discovery. In a final chapter, Nurse addresses biology's most pressing ethical issues (including gene-editing, genetic testing, and genetically modified crops), and he concludes with a stirring encomium to biology's role in tackling infectious disease. (shrink)

_Esotericism, Art, and Imagination_ is a uniquely wide- ranging collection of articles by scholars in the field of Western esotericism, focusing on themes of poetry, drama, film, literature, and art. Included here are articles illuminating such diverse topics as the Gnostic fiction of Philip Pullman, alchemical images, the Tarot, surrealism, esoteric films, and much more. This collection reveals the richness and complexity of the intersections between esotericism, artistic creators, and their works. Authors include Joscelyn Godwin, Cathy Gutierrez, M. (...) E. Warlick, Eric Wilson, and many others. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"Spirituality":"Weasel-Word" or Gateway to New Understanding?Peter Gilbert (bio)Keywordsspirituality, faith communities, NIMHEVisiting the Samuel Palmer Exhibition at the British Museum, I was struck, not only by the spiritual power of the paintings, especially in the late Shoreham period such as, my favorite: The Magic Apple Tree (circa 1830)—but how Palmer appeared to bring both Christian and Pantheistic themes into his work. The museum's exhibition collator remarks that Palmer saw the (...) fruitfulness of the earth as an intimation of Divine creativity. The artist sought to capture "The essential vivifying spirit, vital spark" (Palmer's words) of the physical world in which we live.I was reminded as I moved from The Magic Apple Tree, to In a Shoreham Garden, and The Golden Valley, how these paintings had been used by a record company when they had issued all of Ralph Vaughan Williams' orchestral and choral works in the 1970s, to mark his anniversary. Vaughan Williams was not a signed up Christian, but many of his choral works express a strong yearning for the transcendent using Christian imagery. The day before I visited the Palmer exhibition, I listened to Professor Robert Winston on Start the Week (28th November, 2005), in which he spoke of his BBC series The Story of God (Winston, 2005). As a scientist, Winston is intrigued as to why humans seek the transcendent. He continually refers to this desired other as "God," although I think it would be more accurate to call it a search for the transcendent. Winston puzzles over why there appears to be "a God-shaped hole" within humanity (Start the Week, November, 28, 2005), and again, as a scientist, postulates that: "the more we understand about science, the less we understand about the Universe."In the light of the most popular films and books at present, the search for something beyond ourselves appears to be very much at the center, rather than at the periphery of humanity's consciousness at the present time. Reading Philip Pullman's His Dark Materials trilogy, and reading his various essays, we are struck by his articulation of the human search:We need a story, a myth that does what the traditional religious stories did. It must explain. It must satisfy our hunger for a Why... There are two kinds of Why, and our story must deal with both. There's the one that asks What brought us here? and the other that asks What are we here for?(Pullman, 2001)The author's article is very helpful in its practical approach to psychotherapy and spirituality. I particularly liked her reference to the work of Charles Corr (1991) and his work with people [End Page 197] who are dying and considering the physical, psychological, social, and spiritual aspects of the last days. The spiritual aspects being around identifying, developing, or reaffirming spiritual sources of energy and hope. This is the kind of approach that the National Institute for Mental Health in England (NIMHE) national Project on Spirituality and Mental Health has been engaged in since 2001, the approach being to stress the spiritual dimension as an integral part of a whole person and whole systems approach to mental health; work with mental health services and their partners to engage with this agenda; and work toward a better understanding between faith communities and mental health services (see Gilbert and Nicholls, 2003). Service users and their carers are increasingly stating strongly to services that they wish to have their spiritual dimension and spiritual needs addressed properly—and certainly not in a "tick-box" method! The author quotes Samson and Zerter (2003) as saying that the person's spiritual dimension "draws a thread of identity, relationship, meaning and purpose, which weave through each of these aspects" (i.e. the life events and other aspects of their being).I welcome the author's stress on a "relational approach," and her breadth of reference, for example, the diary of Marcus Aurelius, the Roman emperor and philosopher, but I had some concerns about her use of the term personal theology, and talk of the personal aspect of religion and "the Divine," in that I think that this could... (shrink)

What makes human beings intentional and thinking subjects? How does their intentionality and thought connect with their social nature and their communal experience? How do the answers to these questions shape the assumptions which it is legitimate to make in social explanation and political evaluation? These are the broad-ranging issues which Pettit addresses in this novel study. The Common Mind argues for an original way of marking off thinking subjects, in particular human beings, from other intentional systems, natural and artificial. (...) It holds by the holistic view that human thought requires communal resources while denying that this social connection compromises the autonomy of individuals. And, in developing the significance of this view of social subjects--this holistic individualism--it outlines a novel framework for social and political theory. Within this framework, social theory is allowed to follow any of a number of paths: space is found for intentional interpretation and decision-theoretic reconstruction, for structural explanation and rational choice derivation. But political theory is treated less ecumenically. The framework raises serious questions about contractarian and atomistic modes of thought and it points the way to a republican rethinking of liberal commitments. (shrink)

A person sometimes forms moral beliefs by relying on another person''s moral testimony. In this paper I advance a cognitivist normative account of this phenomenon. I argue that for a person''s actions to be morally good, they must be based on a recognition of the moral reasons bearing on action. Morality requires people to act from an understanding of moral claims, and consequently to have an understanding of moral claims relevant to action. A person sometimes fails to meet this requirement (...) when she relies on another person''s moral testimony, and so there are moral limits on such reliance. (shrink)

From the legendary inventor Daedalus to Goethe's tragic Faust, from the automata-making magicians of E.T.A Hoffmann to Mary Shelley's Victor Frankenstein – ...

In "Constitutional Goods" Alan Brudner presents novel conception of justice that will inform the content of the ideal liberal constitution. The content of this novel conception of justice is constituted by what Brudner describes as an inclusive conception of liberalism, and its justification is grounded on an account of public reason that is presented in opposition to that of John Rawls. I argue that we should reject both the content and justification of Brudner's conception ofjustice. Brudner is unable to construct (...) an inclusive conception of liberalism from elements of libertarianism, egalitarianism, and communitarianism, and his account of public reason lacks the properties of fairness and reciprocity that differentiate a reasonable agreement from a modus vivendi. This paper therefore defends a Rawlsian political conception ofjustice and justification from Brudner's criticisms and proposed alternatives. (shrink)

Introduces contemporary American philosophy of technology through six of its leading figures. The six American philosophers of technology whose work is profiled in this clear and concise introduction to the field--Albert Borgmann, Hubert Dreyfus, Andrew Feenberg, Donna Haraway, Don Ihde, and Langdon Winner--represent a new, empirical direction in the philosophical study of technology that has developed mainly in North America. In place of the grand philosophical schemes of the classical generation of European philosophers of technology (including Martin Heidgger, Jacques Ellul, (...) and Hans Jonas), the contemporary American generation addresses concrete technological practices and the co-evolution of technology and society in modern culture. Six Dutch philosophers associated with Twente University survey and critique the full scope and development of their American colleagues' work, often illustrating shifts from earlier to more recent interests. Individual chapters focus on Borgmann's engagement with technology and everyday life; Dreyfus's work on the limits of artificial intelligence; Feenberg's perspectives on the cultural and social possibilities opened by technologies; Haraway's conception of the cyborg and its attendant blurring of boundaries; Ihde's explorations of the place of technology in the lifeworld; and Winner's fascination with the moral and political implications of modern technologies. American Philosophy of Technology offers an insightful and readable introduction to this new and distinctly American philosophical turn. (shrink)

This book studies the impact of corporate planning and implementation procedures on the level of corporate capital investment. It stands among the few studies within the behavioural economics tradition that employ direct examination of corporate decision processes to address variables of central concern in conventional economics. In addition, by using a combination of qualitative data from interviews and corporate documents along with econometric analysis of corporate plans and actual outcomes, the study makes a substantial methodological advance. Along with the methodological (...) advance comes a different conception of the determinants of corporate capital investment. The findings of this study have implications for research and practice in economics, corporate strategy and public policy. As such, Corporate Capital Investment will be of interest to scholars and practitioners of all disciplines who are seriously concerned with corporate capital investment. (shrink)

The article presents a pluralistic model of value change, emphasizing the interplay between technology and societal values. It critiques the Simple Change Model, which suggests a uniform transition from one dominant value scheme to another, arguing instead for emergent and differential value change. Emergent value change occurs when new values arise within specific contexts without displacing existing ones, often influenced by generational experiences with technology and niches where new technologies are introduced. Differential value change highlights how distinct groups may adopt (...) different value schemes based on their unique contexts and experiences, sometimes leading to societal polarization and the need to reconcile incompatible value schemes. The article stresses the importance of individual experiences of ethical uncertainty and disruption in understanding these changes. By integrating these complexities, the model offers a rich, non-deterministic framework for analyzing how values evolve in response to technological advancements. (shrink)

Hilbert's program attempts to show that our mathematical knowledge can be certain because we are able to know for certain the truths of elementary arithmetic. I argue that, in the absence of a theory of mathematical truth, Hilbert does not have a complete theory of our arithmetical knowledge. Further, while his deployment of a Kantian notion of intuition seems to promise an answer to scepticism, there is no way to complete Hilbert's epistemology which would answer to his avowed aims.

: Philosophers in the analytic and phenomenological traditions have interpreted Brentano's intentionality thesis, and his empirical psychology more generally, in significantly different ways. Disregarding Brentano's distinctive psychological method, analytic philosophers have typically read him as a philosopher of mind, and his intentionality thesis as a contribution to the Cartesian project of clarifying the distinction between the mental and the physical. Phenomenologists, while more attentive to his method, tended to read Brentano as merely Òon the wayÓ to a truly phenomenological approach. (...) I offer a third reading of Brentano thesis, one that attends to both the motivating concerns and the distinctive methodological features of his psychological project. (shrink)

We define a propositionally quantified intuitionistic logic Hπ + by a natural extension of Kripke's semantics for propositional intutionistic logic. We then show that Hπ+ is recursively isomorphic to full second order classical logic. Hπ+ is the intuitionistic analogue of the modal systems S5π +, S4π +, S4.2π +, K4π +, Tπ +, Kπ + and Bπ +, studied by Fine.

This chapter contains sections titled: Approaches in Computer Ethics Topics in Computer Ethics Moral Responsibility Other Topics References and Further Reading.

People sometimes think they have reasons for action. On a certain naive view, what makes them true is a connection between the action and the agent’s good life. In a recent article, David Velleman argues for replacing this view with a more Kantian line, on which reasons are reasons in virtue of their connection with autonomy. The aim in what follows is to defend the naive view. I shall first raise some problems for Velleman's proposal and then fend off the (...) objection that serves as his rationale for braving the depths of Kantianism. (shrink)

The case of pain asymbolia is a case study that provides evidence of the mechanisms underlying the relationship between bodily experience, affective experience, and self-awareness. On one account pain asymbolia is the result of an affective deficit. Sensory signals of bodily damage are not associated with characteristic negative affect. Cochrane endorses this account as part of his version of a “conceptual act” theory of affective experience. In contrast, I propose an active inference account of affect in general and pain asymbolia (...) in particular. In the active inference framework the self is inferred as the endogenous cause of bodily and affective experience in the process of organismic regulation. This preserves Cochranes ambition to ground affect in bodily regulation but avoids the problem for affective deficit accounts of asymbolia that cannot do justice to the neural correlates. (shrink)

Use left and right arrow keys to move the gun left and right. You reduce a number by shooting it with its prime factors. Each time a prime factor hits a number, the number is divided by that factor. If the number is a prime number you can shoot it with a special "P" ("P" for "prime") missile which reduces it directly to 1. To fire a 2, 3, 5 or 7, just type the corresponding key on the keyboard. To (...) fire 11, 13, 17 or 19, type the first letter of the number (in lower case), i.e. "e" for 11, "t" for 13, "s" for 17 and "n" for 19. Type "p" (lower case) to fire the "P" missile. In all cases a number is "dead" when it is reduced to 1. If a number hits you, then you're dead. (shrink)