Adorno unquestionably loved opera music as much as he hated opera as a cultural institution. His take on opera in the twentieth century led him to write its socio‐political obituary, while recognizing at the same time that opera continued to attract a steady stream of would‐be onlooker‐auditors. Paradoxically for Adorno, opera continued to appeal to audiences, and – from his dialectical reckoning – characteristically for precisely the wrong reasons. His opera analyses address the sociology of musical theater, performance hermeneutics, (...) and the direct consideration of music itself (though given his typical writing mode this writing is perhaps best characterized as criticism rather than analysis, as the latter term is commonly employed within musicology). Adorno's interests principally revolve around modern opera (Schoenberg, Berg, Strauss, Weill, especially) but also, if to a lesser extent, canonic works from Mozart to Verdi. Wagner, Wagnerian music drama, and cultural Wagnerism more generally were special cases for Adorno, and subjects he returned to repeatedly throughout his adult life, coinciding with the rise and fall of National Socialism and the Wagner cult, which in the 1930s and 1940s war years comfortably accommodated fascist proclivities. Adorno recognized the socio‐cultural agency of opera as a still‐prestigious cultural leftover of nineteenth‐century bourgeois triumphalism, which he vigorously opposed. In its place, he labored to promote what he regarded as a more socially responsible musico‐operatic practice to supplant the aesthetic and social complacency of the established order, ideas that after his death have found considerable currency, nowhere more evident than in late‐modern opera productions throughout the world. (shrink)

There are many operas that are based on false historical facts, use stage directions that contradict the libretto or make incorrect use of musical forms. This article considers whether the alteration of the empirical truth of an opera compromises or alters its ontological truth in any way, since analysing every layer of an opera is fundamental in order to understand it. As we will see in reference to the three fundamental components of opera – librettos, scores and stage designs – (...) and taking Bizet’s Carmen and Verdi’s Don Carlos as examples, this becomes problematic when the empirical criteria of truth is compromised. However, as we shall suggest throughout the article, the hermeneutic reading can be considered as the means of interpreting what truly constitutes opera as a work of art and how a truth is achieved therein that does not unfold in any other way. (shrink)

This essay explores – by drawing on published and unpublished sources – a singular and until now neglected aspect of Ricoeur’s confrontation with Hegel’s legacy: i.e. his interpretation and productive appropriation of the well-known dialectic of evil and its forgiveness, developed by Hegel at the end of Chapter VI of the Phenomenology of Spirit. The investigation identifies the constant reason, which feeds Ricoeur’s interest for this figure of Hegel’s Phenomenology, from the Symbolic of evil to Oneself as another: i.e. the (...) will to overcome the limits of Kantian moral vision of world and evil. At the same time, it highlights the shifts, which mark Ricoeur’s initially very critical interpretation of the dialectic of evil and its forgiveness, concurrently with the transition to the second phase of his hermeneutics, centered on the notions of “text” and “action”. On this basis, the article examines the productive appropriation that this new and rehabilitative interpretation feeds, by inspiring Ricoeur’s reflection both on “difficult forgiveness” and on the “tragic wellspring of action”, i.e. on the unavoidable tension between universal moral norms, ethical particular contexts and individual’s conviction. At the same time, the article highlights the limits of this appropriative mouvement, by focusing on the irreducible and persistent divergences between Hegel’s and Ricoeur’s concept of evil and forgiveness. (shrink)

Even though the past few years have witnessed an increased interest in Emilio Betti’s thought, there are still important aspects of his work that need to be investigated, including his hermeneutics of art. Brief references to it have been made, but there have been only tentative attempts to identify a comprehensive aesthetic approach in Betti’s work. Of great relevance in this context is the one text where Betti’s hermeneutics has been interpellated in relation to historic and artistic interpretation, (...) that is, a 1965 essay by Hans Sedlmayr, the renowned art historian of the “New Viennese School.” In the vast corpus of Sedlmayr’s works, this is the only text where Betti is mentioned. However, in this essay the references to the theory of the Italian jurist and philosopher are so numerous as to reveal him to be Sedlmayr’s privileged interlocutor. Betti, too, was an attentive reader of Sedlmayr. He even includes the Austrian scholar among the thinkers who were for him a “source of productive inspiration.” The profound impact of this inspiration may be gauged most particularly in Betti’s reflections on modern art in his General Theory of Interpretation. The present volume focuses on the long-distance dialogue that Betti and Sedlmayr established independently from each other, a dialogue that has previously gone unnoticed. The author, Luca Vargiu ([email protected]), reconstructs this dual, reciprocal reading, reevaluating the contributions of Betti and Sedlmayr to the lively debates in the field of art historical-hermeneutics. (shrink)

This study offers a critical re-reading of Heidegger’s thought from the viewpoint of the relationship between the affective structure of the existence and two other fundamental components of the human being, which are understanding and language. The analysis of such approach to the world, which represents Heidegger’s "Befindlichkeit" – a peculiar and self-sufficient source of experience in relation to the projecting comprehension – leads us to recognize the presence of a fundamental ontological dimension of the existence, here designated as “pathic” (...) with reference to the Greek term "paschein". This dimension identifies the most original way of access to the phenomenal horizon and represents the “foundation” – meaning the condition of possibility – of the other main dimension of the existence, the hermeneutic one, constituted by all those structures, such as understanding, interpretation and language, which contribute to the articulation of our reality in a meaningful whole. (shrink)

Following closely the footprint of the traditional New Testament reflection in Rom. 10,16 and in Io. 12,37 (= Is. 53,1), Justin inserts the poem of the SufferingServant (Is. 52,13-53,12) within his account of the paradoxical and problematic refusal of Israel (1 apol. 50,2.3-11; 51,1-5; 52,3), and within a impressive baptismal catechesis (dial. 13,2-9), the most primitive echo of which is seen in Act. 8,26-40. Notwithstanding the view offered by other scholars, the Christian hermeneutics of Is. 53, has played an (...) incisive role in the theological reflection of the first Christian community. Justin witnesses to its use within a reflection that takes into consideration the tension and negativity among early Christians surrounding the relationship between the two Testaments. He overcomes this tension by pointing out the perfect harmony between them, the essence of which is found in the prophecy of the Servant of YHWH. (shrink)

Solcando il mare aperto dell’Europa all’alba del Ventesimo secolo, il giovane Martin Buber (1878-1965) ha sopra di sé diverse costellazioni, offerte tanto dal filosofare di Nietzsche, Dilthey e Simmel, quanto dalla letteratura della Jung Wien, quanto ancora da un ebraismo personale e sotterraneo, oscillante tra sionismo culturale e chassidismo. L’antitesi tra religione e religiosità offre a lui – come a noi – il sestante con il quale orientarsi in una così ardua navigazione. Forte di ciò, Buber veleggia in direzione dei (...) lidi, talora ascosi, della mistica, approdando a Cusano e a Böhme, a Laozi e al Baal Schem. La pluralità delle vie, da lui attraversate in questa stagione della sua vita e del suo pensiero, è fedelmente ripercorsa nella presente monografia, in cui il giovane Buber assurge a paradigmatico testimone della simbiosi ebraicotedesca d’inizio Novecento e della sua irripetibile Stimmung. (shrink)

Since their birth, the views have not been just landscapes to contemplate. Vedutism solicited imagination through staging. The engravings of Giovan Battista Piranesi are a proof of this. Today, the photographic zooms allow a reading that reveals the presence of a continuous staging of characters and situations in them. These plates originated a spread of other works, especially in the lyric opera and cinematographic direction, becoming an emblematic case of artistic hermeneutics.

This book is a collection of essays by an international group of scholars, concentrating on issues of aesthetics and communication in Kierkegaard's writing. The contributors explore the constant and complex interaction in his authorship between medium and message, author, authority and reader, text and transcendence, reading and misreading. With constant reference to the religious thrust of his work, Kierkegaard is treated both as an important contributor to the theoretical discussion of communication and as a gifted literary practitioner. The perspectives are (...) varied, and the contributors bring a range of special interests to bear on their interpretation of Kierkegaard: from Old Testament studies to opera, from theological hermeneutics to Nietzsche and contemporary feminism. There is, not surprisingly, no easy consensus, but there is a recognition of the style and form of Kierkegaard's writing - or, to use his own expression, 'the HOW' of communication - as being decisive for his significance for us today. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Jameson on Jameson: Conversations on Cultural MarxismPaul Allen Miller (bio)Jameson, Fredric. Jameson on Jameson: Conversations on Cultural Marxism. Ed. Ian Buchanan. Durham, NC: Duke UP, 2007. 296 pp.Fredric Jameson may well be the greatest intellectual produced by the United States in the last half century. It is difficult to think of anyone else who has made as many, as lasting, and as wide-ranging contributions as Jameson. From his (...) early work on Sartre’s style, passing through the twin opera on dialectical theory (Marxism and Form) and formalism and structuralism (Prisonhouse of Language), and the idiosyncratic appreciation of Wyndham Lewis (Fables of Aggression) to that summa of Marxist hermeneutics, The Political Unconscious, and from his major collection of essays, The Ideologies of Theory, through his books on Adorno (Late Marxism) and film (Signatures of the Visible), to that foundational text on postmodern literature, theory, art, and architecture, Postmodernism or the Cultural Logic of Late Capitalism, and the late work on world cinema (The Geopolitical Aesthetic), utopianism (The Seeds of Time), Brecht (Brecht and Method), modernity (A Singular Modernity), and science fiction (Archaeologies of the Future), Jameson’s career is unparalleled in the American letters. It is perhaps not coincidental, either, that this larger-than-life figure on the intellectual stage ranging easily from Russian formalism to Deleuzean antihumanism, from Balzac to Frank Gehry, and from Hegel to Derrida, is an intellectual dissident. Contemporary American life’s alternation between uncritical consumerism (Marcuse’s one-dimensional man) and nonothing anti-intellectualism (Christian fundamentalism and corporate-fueled jingoism) could only produce such a body of work as an alien presence: its own systemic negation and thus the fullest expression of its deepest internal contradictions. The present collection of interviews from 1981 to the present, then, stands as a welcome commentary on Jameson’s vast work and an important reflection of the changes in American intellectual life in the period from the last days of the Cold War to the end of the second Bush administration.Naturally, as with any collection of interviews, not every thing is new here. Indeed, to the seasoned reader of Jameson, much of this is familiar territory, and there is a fair amount of repetition from one interview to the next (Goethe’s concept of “world literature,” for example, is a recurring motif). Nonetheless, there are many moments of real insight and bold commentary that remind us why Marxism is far from dead and how Jameson has achieved an iconic status rivaling that of Lukacs, Althusser, or Eagleton, as one of the preeminent Marxist thinkers of the last century. Many of these come in the form of vignettes, little snippets of cultural analysis. One such comes in Jameson’s interview with Columbia University Professor of History Anders Stephanson. Here Stephanson asks Jameson to comment on the recent architectural and cultural phenomenon of creating ersatz public spaces. These come in the form of commercial areas that present themselves in guise of “squares,” “plazas,” or “villages.” They make reference to and pastiche traditional forms of life and then re-represent them in the form of a hypercapitalist consumerism. These simulacra of less alienated, precapitalist forms of [End Page 65] life are then presented as depthless surfaces, parodies of authenticity. The archetype of such ersatz public spaces is Disney’s EPCOT:Stephanson: In other words, you are referring to his compressed version of the world; little toy countries where you can orient yourself in no time at all.Jameson: I suppose you can orient yourself because walking paths are available. But where you actually are is a real problem, for you may in fact be in the Florida Everglades, and in this case you are not only in a swamp but also in a simulacrum of a different geographical complex altogether. Disneyland is, on the whole, supremely prophetic and paradigmatic of these multiple shifting and dissolving spatial levels. (49)This is both an insightful observation and a wonderful example of Jameson’s dialectic at work. One moment we’re walking hand in hand with Goofy round the little, fake Eiffel Tower of EPCOT and the next we sink into the morass that paved the Everglades, acquired control... (shrink)

Ethics, Aesthetics and the Historical Dimension of Language collects together Gadamer's most important untranslated writings on ethics, aesthetics and language. With a substantial introduction by the editors exploring Gadamer's ethical project and providing an overview of his aesthetic work, this book collects Gadamer's writings on ancient ethics, including the moral philosophy of Aristotle, and on practical philosophy. In the final section, Gadamer's writings on art and language are collected, including his examination of poetry, opera and painting among other art forms, (...) and such topics as artistic language and translation. This important collection is a useful resource for scholars in philosophy, studying hermeneutics, continental, 20th-century and German philosophy. (shrink)

The impermanence of human affairs is a major theme in Spinoza’s discussions of political histories, and from our present-day perspective it is both intriguing and ironic to see how this very theme has played out in the evolving fate of Spinoza’s association with atheism. While Spinoza’s contemporaries charged him with atheism in order to impugn his philosophy (and sometimes his character), in our times many lay readers and some scholars portray Spinoza as an atheist in order to commemorate his role (...) as a founder of modern secularism. In this paper, I will argue that Spinoza deserves neither vilification nor praise for being an atheist, for the simple reason that he was not one (unless one employs the term ‘atheism’ in a very peculiar sense). I have chosen the current topic as my contribution to a volume focused on the TTP, the Ethics, and their interrelations because it is precisely these two books which brought about the common reactionary accusation of atheism by Spinoza’s contemporaries. Addressing Spinoza’s 1663 book, Descartes’ Principles of Philosophy, Bayle writes: “Spinoza appears as orthodox in that book about the nature of God.” As we shall shortly see, Descartes too was accused of atheism by some of his contemporaries (though not so by Bayle). The latter designates his target quite explicitly: “[Spinoza’s] Tractatus Theologico Politicus, printed in Amsterdam, in the year 1670, is a pernicious and execrable book which contains all the seeds of the Atheism he plainly discovered in his Opera Posthuma.” François Lamy, in his 1696 Le nouvel athéisme renversé, also focused on the Ethics and the TTP in his attack on Spinoza’s atheism. Bayle’s reference to the Opera Posthuma is ostensibly targeting the Ethics at least primarily, if not uniquely. Even the most suspicious and distrustful mind would have to labor hard in order to find atheism in the Hebrew Grammar, or even in the Tractatus Politicus where Spinoza argues that it is not within the power, and hence right, of the commonwealth to induce people to adopt utterly absurd beliefs, such as “that the whole is greater than its part or that God does not exist.” The TTP and the Ethics are the works where Spinoza launches his merciless attack on anthropocentric thinking and anthropomorphic religion. Spinoza’s panentheism (“quicquid est, in Deo est”) constitutes the metaphysical foundation of the Ethics, and it is repeatedly and clearly alluded to in the TTP. Since it is these two elements – (1) Spinoza’s open assertions of panentheism and (2) his critique of andromorphic conceptions of God – which are the historical grounds for the atheism charge, it seems natural that the merit of this charge should be decided primarily by examination of these two foundational works. I will proceed in the following manner. In the first part of the paper, we will make our first acquaintance with the imputation of atheism by Spinoza’s contemporaries and Spinoza’s response to the charge (or lack thereof). In the second part, I discuss three broad strategies, or hermeneutic avenues, that have been pursued to impute atheism to Spinoza. The first of the three was dominant in Spinoza’s time, while the latter two were employed more recently. These strategies are not mutually exclusive and we can find occasionally various combinations of different shades of these three strategies. In this part, I will also raise some preliminary questions about the cogency of the hermeneutics employed by each strategy. In the third and fourth parts of the paper, I will discuss a small selection of key texts from the Ethics and the TTP, respectively, and argue that the atheist readings fail to make sense of these key passages (unless one adopts an extreme hermeneutics of suspicion which could allegedly find any view harbored in any text). Let me stress that this selection of passages is far from comprehensive, and that dozens of other passages can be adduced to establish the very same point. I hope by the end of the fourth part to convince the reader of the deep problems besetting the atheist readings. In the fifth and last part, I show that both panentheism and the critique of anthropomorphic religion and anthropomorphic conceptions of providence were quite common within rabbinic discourse. Thus, I will argue that if we are not in the business of announcing that both Maimonides and the Kabbalists were atheists, we should avoid the same imputation to Spinoza. Underlying my argument in this final part is the claim that at least some perceptions of Spinoza as an atheist are instances of what could be termed conceptual colonialism, i.e. the enforcement of the categories of a hegemonic culture (in this case, Western Christianity ) on minority cultures (in the current case, rabbinic Judaism). To be clear, this attitude need not be motivated by ill intentions or racism. It is always tempting and easy to explain the unfamiliar through the familiar, but conceptual stagnation and insistence on imposing the categories of the familiar on other cultures may quickly lead to deep distortion and blindness, despite one’s best intentions. Unless one is exceedingly careful to avoid the – completely natural – temptation to impose one’s own categories on a foreign culture (and to look for the coin only under the street light), one is likely to end up with distorted conceptions of the relevant alien culture, despite one’s best intentions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:530 BOOK REVIEWS I think none of these books contains a wholly satisfactory treatment of the particular issues it takes up. Taken together, however, they do show that evil presents not just one but many problems to reflective religious minds. In addition, they make it perfectly evident that not just one but many academic disciplines continue to have helpful things to say in response to these gripping perplexities. University (...) of Notre Dame Notre Dame, Indiana PHILIP L. QUINN Di,alogue with the Other: The Inter-religious Dialogue. By DAVID TRACY. Louvain Theological and Pastoral Monographs, 1. Louvain : Peeters; Grand Rapids, Mich.: Eerdmans, 1990. Pp. 123. $12.95. With this book David Tracy continues the hermeneutical project he launched in the Analogical Imagination: a concern to converse with the classics and to encounter the ' other '. However, here the ' other ' is extended beyond the traditional Western classics to the religions of the world and the often neglected archaic traditions. Tracy is surely correct when he says: " I believe that we are fast approaching the day when it will not be possible to attempt Christian systematic theology except in serious conversation with the other great ways" (p. xi). Here he follows a pioneering line drawn in Chicago by Tillich, Eliade and Kitagawa. Tracy brings to this venerable tradition his particular concern with hermeneutics and his experience with Jewish-Christian and Buddhist-Christian dialogue. The essays are further united by Tracy's desire to restore the unity between the mystical and prophetic within the Christian tradition. Employing Kenneth Burke's analysis of rhetoric, Chapter one shows that Freud and Lacan can be interpreted in terms of a clash of prophetic and mystical rhetorics respectively. Both are concerned with the ' other ', Freud more instrumentally and didactically and Lacan more subversively and anarchically but not nihilistically or in the way of Zen. In this chapter Tracy has a tendency towards overdetermination. Still, the brunt of his argument is that all discourse has concealed foundations, the archaeology of which will help illuminate the opera· tive rhetoric. Furthermore, the mystical/prophetic typology used in religion can illuminate secular issues, viz., the debate between Freud and Lacan. However, Tracy does not pay full attention to the nature of the 'other', but too easily assimilates it. For instance, is Freud's attention to the subconscious analogous to religious rhetoric's regarding the otherness of God? And does it really serve Tracy's purpose to start BOOK REVIEWS 531 the book by remammg within such very western waters despite the brave navigational direction he charted in the introduction? Chapter two revisits the classics: he uses the writings of William James to throw light on the criteria for interreligious dialogue. These criteria are used to affirm the authenticity of religions; these are not intended to " replace the dialogue but, at best, heuristically to inform it" (p. 27). Tracy offers a good and sensitive appreciation of James (despite his anachronistic elements), but his conclusions are somewhat thinly related to James's work and relate more closely to Tracy's own hermeneutical approach. The three criteria that he advances are: first, the notion of " immediate luminousness," understood as manifestation in a Heideggerian sense (and in keeping with von Balthasar) ; second, the necessity of coherence, understood as the compatibility of religious belief with science, art, and other humanistic traditions; and third, an ethical-pragmatic criterion related to James's notion of "fruits." With regard to the second, Tracy is aware of the problem of assuming a neutral form of "reason" in adjudicating such coherence. Still, his study would have been more helpful with specific examples to highlight some of the intractable problems in such a task. For instance, autonomy has been granted to the sciences by most western Christians but has not been by some other religious traditions in certain parts of the world, and so the notion of coherence begs the question. Tracy needs to grapple with the issues raised by Macintyre and Winch (among others) to move beyond the potentially sterile dichotomy implied in his notion of coherence. With regard to the third criterion there is question begging, too. Would Abraham have passed this test in his willingness to kill his son? Or... (shrink)

L’articolo si propone di offrire un contributo alla riflessione sul concetto dell’abitare nell’accezione heideggeriana. Tale principio trova il suo fondamento nello spirito poetante e viene qui sviluppato a partire dal richiamo al “poeticamente abita l’uomo” di Hölderlin. L’elemento poetico dell’abitare, quale tratto essenziale dell’esserci, secondo la tesi heideggeriana, è esperienza originaria da cui si ricava l’invito a una nuova forma di pensiero: un “pensiero poetante”. Il parlare poetico presenta una sua specifica rilevanza in questa direzione, risalendo a una messa in (...) opera della verità in cui risuona la provenienza della dif-ferenza tra essere ed ente nel ritmo originario di apertura e nascondimento. Solo l’uomo poetante, comunicatore per eccellenza, può giungere all’originario abitare e toccare il divino, il sacro, disponendosi all’autorivelazione dell’essere secondo l’immagine della quadratura (Geviert) in cui le quattro voci (cielo, terra, divini, mortali) sono un tutt’uno rilucente al cospetto del suo dire. Lungi dal ripiombare nel linguaggio della metafisica, piuttosto col proposito di rinnovarla, Heidegger assegna alla parola poetica, in quanto misura del nostro dimorare, il ruolo di fondamento ontologico da cui si effonde l’evento e l’apertura dell’essere. (shrink)

Proceedings of the First Conference of the International Society for Hermeneutics and Science.

The Voice of Laruelle, the philosopher What is a voice in the context of the arts and philosophy? In the space of the philosopher's voice, in the complex grammar of his language is played his philosophical timbre, his own space, his particular voice, composed of concepts, articulated by the laws of coherence of the common philosophical language, with hypnotic specificities. These specificities are precisely the fruit of processes formerly called rhetoric, which I call non-hypnotics, one of whose functions is just (...) to speak in a double space: the common reference space of the reader or listener, and the conceptual virtual space peculiar to the philosopher. To the extent that the reader must pay increased and permanent attention to this double space, the philosophical trance effect, equivalent to the Ericksonian hypnotic trance, is facilitated. The difficulty of this double reading is the incessant passage from one code to another, which is also a hypnotic fascination. Heidegger prolongs and renews its structures and draws some effects from them, which provoke in the mind of the reader as an over-flow, a saturation effect, which itself favors the philosophical trance. Thus, each voice seeks to captivate the mind by confusing it with concepts, which seem at first sight familiar, but which reveal themselves with the use which is made, like formidable concepts to the power of unaccustomed fascination. One of the pleasures of reading Lareuelle's philosophy is due to this type of fascination with the philosophical voice and its language. (shrink)

This classic, first published in 1969, introduces to English-speaking readers a field which is of increasing importance in contemporary philosophy and theology--hermeneutics, the theory of understanding, or interpretation. Richard E. Palmer, utilizing largely untranslated sources, treats principally of the conception of hermeneutics enunciated by Heidegger and developed into a "philosophical hermeneutics" by Hans-Georg Gadamer. He provides a brief overview of the field by surveying some half-dozen alternate definitions of the term and by examining in detail the contributions (...) of Friedrich Schleiermacher and Wilhelm Dilthey. In the Manifesto which concludes the book, Palmer suggests the potential significance of hermeneutics for literary interpretation. (shrink)

The use of psychedelics has recently gained increased interest among bioethicists, as the articles published in this journal attest. Some of the recent scholarship suggests that psychedelic experie...

This is a collection in translation of essays by Paul Ricoeur which presents a comprehensive view of his philosophical hermeneutics, its relation to the views of his predecessors in the tradition and its consequences for the social sciences. The volume has three parts. The studies in the first part examine the history of hermeneutics, its central themes and the outstanding issues it has to confront. In Part II, Ricoeur's own current, constructive position is developed. A concept of the (...) text is formulated as the implications of the theory are pursued into the domains of sociology, psychoanalysis and history. Many of the essays appear here in English for the first time; the editor's introduction brings out their background in Ricoeur's thought and the continuity of his concerns. The volume will be of great importance for those interested in hermeneutics and Ricoeur's contribution to it, and will demonstrate how much his approach offers to a number of disciplines. (shrink)

In this wide-ranging historical introduction to philosophical hermeneutics, Jean Grondin discusses the major figures from Philo to Habermas, analyzes conflicts between various interpretive schools, and provides a persuasive critique of Gadamer's view of hermeneutic history, though in other ways Gadamer's Truth and Method serves as a model for Grondin's approach. Grondin begins with brief overviews of the pre-nineteenth-century thinkers Philo, Origen, Augustine, Luther, Flacius, Dannhauer, Chladenius, Meier, Rambach, Ast, and Schlegel. Next he provides more extensive treatments of such major (...) nineteenth-century figures as Schleiermacher, Böckh, Droysen, and Dilthey. There are full chapters devoted to Heidegger and Gadamer as well as shorter discussions of Betti, Habermas, and Derrida. Because he is the first to pay close attention to pre-Romantic figures, Grondin is able to show that the history of hermeneutics cannot be viewed as a gradual, steady progression in the direction of complete universalization. His book makes it clear that even in the early period, hermeneutic thinkers acknowledged a universal aspect in interpretation--that long before Schleiermacher, hermeneutics was philosophical and not merely practical. In revising and correcting the standard account, Grondin's book is not merely introductory but revisionary, suitable for beginners as well as advanced students in the field. (shrink)

Examines the nature of rhetorical theory and criticism, the rhetoric of science, and the impact of poststructuralism and postmodernism on contemporary accounts of rhetoric.

For the one who studies the socio-anthropology of religions, the book itself is the main character of the fascinating journey that Moshe Idel proposes in Perfections that absorb. Cabala and interpretation Starting from the imaginary of the book in the Judaic mystical literature, as presented by Moshe Idel, we have found four main hypostases of the book: the book as a pre-existent paradigm, the book as creation, the book as a paradox, and the book as a knowledge tool. We have (...) noticed that these hypostases are to be found also in the folk products from the traditional Romanian settings this showing the presence of similar aspects regarding the representations of the book on a social imaginary level in various cultural areas. Thus, we have tried to present the hermeneutics of the negative and its applicability for the socio-anthropological study of some divinatory phenomena that make reference to the book or whose central point is the book. Moreover, the conclusions of this analysis have demonstrated the large applicability of the hermeneutics of the negative so well described by professor Moshe Idel. This can also be extended to other socio-humanistic sciences. (shrink)

Hermeneutics is a mantic art involved in the translation of the unintelligible into the intelligible. However, within modern contexts the term possesses a more methodological sense - ‘a universal doctrine for the interpretation of signs’. This conception of hermeneutics was given impetus during the Renaissance with the quest for theological objectivity, but it was with Schleiermacher and other philosophers of the Romantic movement that hermeneutics was viewed as a universal ‘dialogical’ condition. The Romantic conception of hermeneutics (...) was psychologized by Dilthey and re-founded upon the principle of consciousness. With Heidegger became conceived as an ontological phenomenon identical to Existenz itself. For Gadamer, hermeneutics criticizes the ‘pale abstractions’ of Enlightenment conceptions of philosophy for neglecting the work of concepts in philosophy; concepts that have their origins in the self-critical communicative movement of human interpretation. (shrink)

In this essay, I first analyze the extension of hermeneutical interpretation in the Heideggerian sense to products of contemporary technology which are components of our “lifeworld”. Products of technology, such as airplanes, laptops, cellular phones, washing machines, or vacuum cleaners might be compared with what Heidegger calls the “Ready-to-hand” (das Zuhandene) with regard to utilitarian objects such as a hammer, planer, needle and door handle in Being and Time. Our life with our equipment, which represents the “Ready-to-hand” in Heidegger's sense (...) of the word, is determined by temporalization (Zeitigung) which cannot be separated and isolated from the wholeness of things in the world. In the second part of my paper, I explore the positive achievement of material hermeneutics (Don Ihde) with regard to its extension to technoscience and the discussion of how such hermeneutics can contribute to the preservation of our threatened lifeworld, but also to explore the possibilities of how technical inventions, medical innovations could improve our way of life. (shrink)

The article resituates critical realism within critical theory and proposes a tripartite articulation of British critical realism, German critical theory and French anti-utilitarianism. It suggests that the critique of positivism has to be enhanced with a critique of utilitarianism and makes the case that both critiques have to be grounded in a hermeneutic approach to social life. By taking the symbolic constitution of the world seriously, critical realist hermeneutics offers a via media between naturalism and anti-naturalism, explanation and interpretation, (...) universalism and relativism, materialism and idealism, realism and constructivism. (shrink)

Culture as a dynamic system of meaningful relations can naturally accommodate a hermeneutic analysis. In this essay, the notion of Gadamer’s hermeneutics as involving interpretable meaning throughout experiential reality permits a natural concordance with an understanding of culture as meaningful. The Gadamerian idea that prejudices inform the horizons that make our experiences intelligible is applied to the view that culture is both a self-enclosed structure that is given by one’s horizon and one that continuously points past this horizon in (...) genuine dialogue. Nevertheless, in seeing culture as a coherent system that transcends itself, we are consequently faced with a dilemma regarding the evolution of one’s cultural horizons: whether past horizons can survive the creation of novel ones through dialogue. However, this may be resolved through Gadamer’s understanding of the functions of sameness and difference within horizonal evolution, and how these functions feature in the distinction between a shared ontological ground and the horizons through which the ground is interpreted. Ultimately, we showcase how it is noncontradictory to suppose that culture is both self- and other-referential. (shrink)

Following Ricoeur and referring to some contemporary phenomenological studies I demonstrate—perhaps differently than others do—that Husserl’s phenomenological undertaking has also hermeneutic aspects. With Husserl, we are in a meaningful world which reveals its sense in intentional acts. The interpretation of senses can be treated as experiencing them. In particular, I examine the peculiar hermeneutics of affectiveness and sensation, i.e. the hermeneutics that is broadly understood as a project of demonstrating the origin of meaning. This project reaches the difference (...) founding all the articulations of meaning rather than some aprioric basis of understanding. The difference is a source that flows in experience of sense, even in their mature culturally articulatedforms, which are, however, forever permeated by sensation and the affective. (shrink)

This paper explores themethodological consequences of AmericanPragmatism for the social sciences. It alsocriticises some rival perspectives onmethodology of social research, in particularfalsificationist, realist and someanti-naturalist views. It is argued thatAmerican Pragmatism shows striking affinitieswith the genealogical method of history and thereflexive turn in cultural anthropology. It isalso argued that Pragmatism forces us to thinkdifferently about the relationship betweentheory and empirical research.

Gadamer's Dialectical Hermeneutics affirms the continuity between Gadamer's interest in Plato and his hermeneutics by focusing on the role of dialectic for Gadamer's own conception of understanding. Highlighting the productive and on-going nature of the dialectical tension at the heart of hermeneutics clarifies the roles that truth, good, practice, theory, and dialogue play in Gadamer's thought and emphasizes his desire to recover the practical nature of philosophy.

In this article we address Ricoeur’s theoretical framework, which outlines the philosophical courses of his thought. Traditionally, the community of interpreters of the French philosopher’s work deals with its phenomenological roots and its articulation with hermeneutics. Little work has been done on the importance of a metaphysics that, in coherence and correspondence with the postulates of phenomenological hermeneutics, structures the theory and proposes a philosophical view regarding the practical field it deals with. We do not intend to reconstruct (...) the Ricoeurian ontology here but to show the metaphysical anchoring of its hermeneutics. (shrink)

''The problem of Transcendence is the problem of our time. " I Needless to say, Transcendence was a particularly lively i~sue when Karl Heim wrote these words in the mid-1930's. Within the province of philosophi cal theology and philosophy of religion, however, it is always the prob lem, as Gordon Kaufman has recently reminded us. 2Por the question concerning the nature and the reality of Transcendence has not only to do with self-transcendence, but with the being of Transcendence-Itself, that is (...) to say, with the nature and the reality of God as experienced and understood at any given time or place. Now there are those today who would claim that any further discus sion of the latter half of this proposition, namely,Transcendence-Itse1f or God, is worthless and quite beside the point. Such persons would claim that the particular logia represented by the theological sciences has collapsed by virtue of its object having disappeared. Indeed, when one surveys the contemporary scene in philosophy and theology, there is a good deal of evidence that this is the case':"" theology of late having be come something of a "spectacle," to use Pritz Buri's term. One of the reasons for this, we here contend, is that the richness and the diversity of the meaning of Transcendence has been lost. And even though we do not here intend to resolve the issue, neither do we assume that such an enqui ry is either impossible or irrelevant. (shrink)