ABSTRACTMetaphors pervade discussions of critical issues and influence how people reason about these domains. For instance, when crime is a beast people are more likely to suggest enforcement-oriented approaches to crime-reduction ; reading that crime is a virus, on the other hand, leads people to suggest systemic reforms for the affected community. In the current study, we find that extending metaphoric language into the descriptions of policy interventions bolstered the persuasive influence of metaphoric frames for important issues. That is, in (...) response to a crime virus people were even more likely to endorse social reforms that were described as “treatments,” while in response to a crime beast people were even more likely to endorse “attacking” the problem with harsh enforcement tactics. Of note, people were not simply drawn to extensions of previously instantiated metaphors: when extended metaphors were paired with a conceptually incongruent policy intervention (e... (shrink)

Rosenberg was a chronicler and a good one, yet much of his inner dialogue was not with the present so much as the omnipresent artistic past. The central question, posed early in his life, concerned a man's individuality. Dostoyevsky had called it his "dearest" possession. At no time, even in his Marxist youth, did Rosenberg relinquish his vision of the individual as the central, most important player in any drama. Rosenberg was positively possessed with Dostoyevsky's doubts. One can hear the (...) rant of the man from the underground repeatedly in Rosenberg's written works—the stubborn hero who maintains the right even to be absurd and to "desire for himself what is positively harmful and stupid" if he claims it as a right. The right of the individual to live up to man's nature which, as Dostoyevsky said, "acts as one whole, with everything in it, conscious or unconscious" was Rosenberg's most consistent ideal. The individual he most admired, both in himself and in others, was the artist. But only in spite of everything. No one was more alert to the tartufferie that bedevils the world of the artist. Rosenberg craved sincerity with the same kind of passion for it he had found in Dostoyevsky. Art and artifact would not be a substitute for ethics and hard thought. Rosenberg's deepest conviction is revealed in his 1960 essay, "Literary Form and Social Hallucination," which begins with Dostoyevsky complaining about literature that does not lead to truth. Dore Ashton, professor of art history at The Cooper Union, is the author of numerous works, includingArt Before Columbus, Poets and the Past, A Reading Of Modern Art, and, most recently, A Fable of Modern Art. Her previous contribution to Critical Inquiry, "No More than an Accident?" appeared in the Winter 1976 issue. (shrink)

Many theodicists have maintained that God is justified in permitting suffering on the ground that His doing so is a necessary condition of the realization of certain intrinsically valuable ends which the suffering serves and whose value outweighs the suffering which occasions them. Examples of ends which are frequently cited in this connection are freely chosen actions in accordance with stringent obligations to be charitable and steadfast. To say that the value of these ends outweighs the suffering which gives rise (...) to them is to say that the existence both of these ends and of suffering is better than the non-existence of both. (shrink)

I argue that, in experiencing a recalcitrant emotion, one does not violate a rational requirement of any sort. Rational requirements, as the expression has come to be used, are requirements of coherence. Accordingly, my argument is that there is nothing incoherent in any way about experiencing a recalcitrant emotion. One becomes incoherent only if one allows the emotion to influence one's reasoning and/or action, in which case one violates the ‘consistency principle’ and/or the ‘enkratic principle’. From the standpoint of rationality, (...) it would even be counterproductive to put subjects under the obligation that their emotional experiences and their evaluative judgements must always fit together. When we nevertheless intuitively sense that the subject is irrational in experiencing a recalcitrant emotion this is in cases in which the emotion challenges the subject's agential identity. However, emotions can, but need not, challenge one's agential identity, and, furthermore, perceptions can do so as well. In any case, challenges of this kind do not involve the violation of a rational requirement. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 125.1 (2004) 140-144 [Access article in PDF] C. J. Tuplin and T. E. Rihll, eds. Science and Mathematics in Ancient Greek Culture. Foreword by Lewis Wolpert. Oxford: Oxford University Press, 2002. xvi + 379 pp. 21 black-and white ills. 3 tables. Cloth, $80. It has become something of a truism to say that, whatever their ambitions for abstraction, scientists remain profoundly caught up in the (...) life of their culture. Yet, that is a truism only at a certain level. No one is surprised to hear that Euclid had to eat and drink just like everyone else and relied on royal patronage for the leisure to pursue his studies, but it may occasion surprise to learn that the shape of his number theory should owe something to the particular way in which his eye fell upon a multiplication table. That Galen was influenced by his teachers is not news; but that his commitment to a particular school of philosophy could cause him to see and not see certain things when he was conducting dissections—here is something of interest. The papers in this volume, which were first delivered at a conference in Liverpool in 1996, have it as their common task to show how ancient forms of life influenced the pursuit and acquisition of knowledge on the part of scientists like Euclid and Galen.Heading the collection is a study by Andrew Barker of some idiosyncratic features of Greek harmonic theory. Archytas, Aristotle, and Ptolemy each attempted to characterize the physical basis of the two opposite sound qualities, oxusand barus. As Aristotle himself observed, the terms are metaphors drawn from the tactile realm, and trouble arose because in that realm they are heterogeneous opposites, i.e., the proper opposites of "sharp" and "heavy" are "dull" and "light." Barker uncovers a corresponding uncertainty in the texts about whether these sound qualities should be analyzed as something more like weight or something more like sharpness. Thus, an excessive trust in the descriptive adequacy of ordinary language terms led these thinkers to frustration.Harry Hine's paper on earthquakes and vulcanology deals with ancient knowledge of two phenomena that elicited the attention of scientist and non-scientist alike. Like Barker, Hine draws our attention to a terminological deficiency: although there was a fairly elaborate vocabulary for seismoi, neither Greek nor Latin possessed a generic noun that could properly be translated as [End Page 140] "volcano." This deficiency seems to be correlated with the fact that earthquakes form a regular part of the meteorological curriculum, while volcanoes usually received independent treatment in works such as the Aetna. Particularly intriguing is Hine's suggestion that the opinion of locals, especially sailors, may have been the source of certain scientific theses about volcanoes, e.g., that Aetna's behavior was closely correlated with the weather.The difference between ancient astronomy as practiced and as it was popularly believed to operate is the subject of Alan Bowen's paper. His central question is, when did astronomers first set out to make predictions of eclipses? The surprising answer is that, despite popular beliefs to the contrary, such prediction was never practiced by astronomers in a serious way before Ptolemy. Along with scrutiny of the misunderstanding in Herodotus, Diodorus, and Pliny, the paper offers thorough analysis of the most well-documented "prediction," that of a lunar eclipse that took place the night before the battle of Pydna in 167 B.C.E., which was supposedly foreseen by the Roman (!) general C. Sulpicius Gallus. Bowen casts doubts upon the entire tradition, showing how adherence to an ideology of the well-rounded commander led the sources to inflate his achievement: while some reports have Gallus simply assuaging his troops' fears at the event, others have him explaining its causes or even foretelling it. Bowen's skepticism is well founded, and one must regard these supposed feats of eclipse-prediction as a kind of science fiction, prescient yet false all the same.R. Hanna's subject is the format and function of the parapegma calendar first devised by... (shrink)

One prominent response, based on the work of Robert Adams, Edward Wierenga, and others, to the Euthyphro objection to the divine command theory is to point out that God is essentially omnibenevolent. The commands of an essentially loving being will not be arbitrary since they are grounded in his nature, nor is it possible for a loving God to issue horrendous commands such as the gratuitous torture of infants. This paper argues that this response is inadequate. The divine command theory (...) attributes to God the power to make an action morally obligatory. Given the reasonable assumption that any omnipotent being has the same powers as God, contemplating the commands of a malevolent deity is enough to cast doubt on the claim that any being, loving or otherwise, has the power to make an action morally obligatory just by commanding it. (shrink)

In the modern mind the circumstance of Jewishness has been burdened with many questionable associations, particularly in the arts. Although Harold Rosenberg writes that, "in regard to art, being Jewish appears to be no more than an accident,"1 vulgar associations of Jews with art stubbornly subsist, an extreme example being Nixon's "now the worst thing is to go to anything that has to do with the arts . . . the arts, you know—they're Jews, they're left wing—in other words, stay (...) away. . . ."2 Despite the recurrence of such cloudy associations, the issue has remained curiously submerged. It is commonplace in our century to find a kind of reflexive yoking of Jews with art, particularly avant-garde art. The incalculable effects of such attitudes on modern art itself are rarely weighted. Accidental as the Jewish artist may be in his own view, he remains a somewhat suspect accident in the eyes of others. Can we continue to regard the fact of being a modern Jewish artist as "accidental," or is there a significant context which must be acknowledged? · 1. Harold Rosenberg, "Jews in Art," The New Yorker, 22 December 1975.· 2. Nixon to Haldeman: Watergate tapes, Newsweek, 19 August 1974. Dore Ashton, professor of art history at The Cooper Union, has served as the curator of art exhibitions both in the United States and abroad and as an art critic for The New York Times. She is author of, among others,Art Before Columbus, Poets and the Past, The Unknown Shore, A Reading of Modern Art, The New York School: A Cultural Reckoning, and Yes But...A Critical Study of Philip Guston. She has also contributed "On Harold Rosenberg" to Critical Inquiry. (shrink)

Robert F. Schopp, Justification Defenses and Just Convictions Cambridge: Cambridge University Press, 1998. x + 212 pp.

Since our visual perception of physical things essentially involves our identifying objects by their colours, any theory of visual perception must contain some account of the colours of things. The central problem with colour has to do with relating our normal, everyday colour perceptions to what science, i.e. physics, teaches us about physical objects and their qualities. Although we perceive colours as categorical surface properties of things, colour perceptions are explained by introducing physical properties like reflectance profiles or dispositions to (...) cause certain experiences in normal human perceivers. Hence, it seems as if colours as they are experienced by us have no place in the physical world, because they are fundamentally different from the properties which we ascribe to physical objects in scientific accounts of colour perceptions. This special issue on perspectives on colour perception presents new suggestions to solve to this major problem. (shrink)

As the author of the earliest secular account of the universe's formation, Anaximander of Miletus can lay a strong claim to the title of first Greek cosmologist. Tradition also credited him with invention of the first time-telling instruments: ‘He was the first to constructgnomonsfor the identification of solstices, time spans,horaiand the equinox’. This paper reconstructs the location, design and function of a γνώμων which he erected at Sparta, and moots some intriguing parallels with the Augustan Horologium on the Campus Martius. (...) Before we turn to the evidence, however, two points of terminology need to be clarified. The Greek term γνώμων can denote either a sundial—a pointer attached to a surface with marks for tracking its shadow—or the pointer itself, in English also called the gnomon; Eusebius’ reference to the identification of times suggests that what Anaximander created was in fact a sundial. Now, depending on its design, a sundial can tell either the hour of the day, the season of the year, or both; from Eusebius’ text it is not clear which function Anaximander's dial possessed, since the noun ὧραι can mean either ‘hours’ or ‘seasons’. But only one usage of the word would be appropriate for the sixth century: no authors refer to hours of the day prior to Herodotus and there is no evidence for Greek sundials displaying hours prior toc.350b.c.; by contrast, the use of ὥρα to mean ‘season of the year’ is as old as Homer and Hesiod, and the solstices and equinoxes mentioned by Eusebius demarcate the transitions between the seasons. Anaximander's device was a sundial, then, one which tracked seasons rather than hours. According to Diogenes Laertius, the cosmologist set up one such device at Sparta. (shrink)

Conventionality and aptness are two dimensions of metaphorical sentences thought to play an important role in determining how quick and easy it is to process a metaphor. Conventionality reflects the familiarity of a metaphor whereas aptness reflects the degree to which a metaphor vehicle captures important features of a metaphor topic. In recent years it has become clear that operationalizing these two constructs is not as simple as asking naïve raters for subjective judgments. It has been found that ratings of (...) aptness and conventionality are highly correlated, which has led some researchers to pursue alternative methods for measuring the constructs. Here, in four experiments, we explore the underlying reasons for the high correlation in ratings of aptness and conventionality, and question the construct validity of various methods for measuring the two dimensions. We find that manipulating the processing fluency of a metaphorical sentence by means of familiarization to similar senses of the metaphor (“in vivo conventionalization”) influences ratings of the sentence's aptness. This misattribution may help explain why subjective ratings of aptness and conventionality are highly correlated. In addition, we find other reasons to question the construct validity of conventionality and aptness measures: for instance, we find that conventionality is context dependent and thus not attributable to a metaphor vehicle alone, and we find that ratings of aptness take more into account than they should. (shrink)

As robots increasingly become part of our everyday lives, questions arise with regards to how to approach them and how to understand them in social contexts. The Western history of human–robot relations revolves around competition and control, which restricts our ability to relate to machines in other ways. In this study, we take a relational approach to explore different manners of socializing with robots, especially those that exceed an instrumental approach. The nonhuman subjects of this study are built to explore (...) non-purposeful behavior, in an attempt to break away from the assumptions of utility that underlie the hegemonic human–machine interactions. This breakaway is accompanied by ‘learning to be attuned’ on the side of the human subjects, which is facilitated by continuous relations at the level of everyday life. Our paper highlights this ground for the emergence of meanings and questions that could not be subsumed by frameworks of control and domination. The research-creation project Machine Ménagerie serves as a case study for these ideas, demonstrating a relational approach in which the designer and the machines co-constitute each other through sustained interactions, becoming attuned to one another through the performance of research. Machine Ménagerie attempts to produce affective and playful—if not unruly—nonhuman entities that invite interaction yet have no intention of serving human social or physical needs. We diverge from other social robotics research by creating machines that do not attempt to mimic human social behaviours. (shrink)

Können unsere Gefühle uns Gründe dafür liefern, etwas für wahr zu halten und zu tun? Verfügen wir über bestimmte Werte und moralische Überzeugungen vielleicht sogar nur kraft unserer Gefühle? Entgegen der philosophischen Tradition, in der die Gefühle überwiegend als irrational und subjektiv abgetan wurden, zielt der vorliegende Sammelband auf den Nachweis, dass die Gefühle einen integralen und unverzichtbaren Bestandteil rationalen Urteilens und Handelns bilden. Neben der Darstellung verschiedener Facetten moderner kognitivistischer Gefühlsphilosophie kommt dabei auch die Psychologie zu Wort.

The author argues for a Collingwoodian claim: if an emotion is expressed in art, it is not a content which exists prior to, and independent of, its expression. Artistic emotion expressions rather clarify and complete emotions. The autor backs up this claim by Musil’s Lewinian theory of emotion which displays significant parallels to recent Enactivist Theories of Emotion: it states that embodiment in action is necessary in any case in order for nonspecific dispositions to emotions to shape and consolidate into (...) specific fully fledged, genuine emotions. Two ways of shaping and consolidating are distinguished. One way is to categorise emotions in terms of their so-called “formal objects” by associating nonspecific dispositions to emotions via action with specific paradigm scenarios. Another way is to put these categories to the test by expressing exemplary individual experiences which go beyond the existing repertoire of paradigm scenarios. Art, when it expresses emotions, shapes and consolidates in the second way. Art challenges the existing system of emotion types which is at the same time to challenge the corresponding system of evaluations and values. The presented argument draws upon the notions of expressing developed by Dorit Bar-On and Philipp J. Koch. (shrink)

: In the past five years, China has experienced increased efforts to regulate activities in biomedical research and practice. Background is provided on some of the key developments in Chinese bioethics especially in relation to genetics, stem cells, cloning, and reproductive medicine. This background sets the stage for a document entitled "Ethical Guidelines for Human Embryo Stem Cell Research," proposed by the Bioethics Committee of the Southern China National Human Gene Research Center, Shanghai, which is reprinted in this volume of (...) the Kennedy Institute of Ethics Journal. (shrink)

Theories of practical reason must meet a psychological requirement: they must explain how normative practical reasons can be motivationally efficacious. It would be pointless to claim that we are subject to normative demands of reason, if we were in fact unable to meet those demands. Concerning this requirement to account for the possibility of rational motivation, internalist approaches are distinguished from externalist ones. I defend internalism, whilst rejecting both ways in which the belief‐desire model can be instantiated. Both the Humean (...) and the Kantian instantiation of that model fail to account for the internal connection between normative and motivating reasons required by internalism. The two classes of reasons rather come to be seen as mutually exclusive. Opposing the belief‐desire model, I argue that rational motivation can only be established by reference to emotion. Emotions are affective perceptions. They have motivational force so that they can contribute to the explanation of action. At the same time they can rationalise actions because they have an intentional content which resembles the content of sensory perception in being representational. Because of this, the emotions can noninferentially justify judgements, which in turn can justify actions. I conclude by outlining the Aristotelian account of practical reason and ethics that emerges from integrating the emotions into practical reasoning. Doing the right thing is much more a matter of seeing things right than of drawing the right inferences. Seeing things right, in its turn, is not only to justify an action: it necessarily implies to be motivated to act accordingly. (shrink)

Martin Thibodeau | : Récemment, plusieurs commentateurs ont manifesté un intérêt renouvelé pour la théorie hégélienne de l’action. Certes, ces auteurs se sont intéressés à divers aspects de cette théorie, mais un des éléments qui a fait l’objet de vifs débats est celui du statut que Hegel assigne à l’intention dans l’évaluation de l’agir humain. Cet article est consacré à ce débat entre les tenants d’une interprétation selon laquelle Hegel défend une conception « rétrospective » de l’intention et ceux (...) qui soutiennent qu’il maintient une conception qui se situe plutôt dans le prolongement des théories de type « causalistes » des rapports entre intention et action. En fin de parcours, nous nous employons à faire valoir l’hypothèse suivante : certains aspects de la théorie hégélienne de l’action trouvent leur modèle dans l’interprétation qu’il a proposée de la conception tragique de l’agir. | : In recent years, much attention has been devoted to Hegel’s philosophy of action. Authors have dealt with Hegel’s philosophy of action in diverse ways, adopting differing perspectives and goals. Despite these variations, Hegel’s views on the status and role that ought to be assigned to intentions with respect to action have received particular attention and have generated heated debates. The following paper is devoted to this debate between interpreters who hold that Hegel’s philosophy of action defends a so-called “retrospective” conception of intention and those who rather claim that, in spite of its ambiguities, it remains in line with the “causal” conception of the connection between intention and action. The second section explores the following hypothesis : important elements of Hegel’s theory of action find their model in his interpretation of ancient Greek tragedy. (shrink)

I discuss two ways in which emotions explain actions: in the first, the explanation is expressive; in the second, the action is not only explained but also rationalized by the emotion's intentional content. The belief-desire model cannot satisfactorily account for either of these cases. My main purpose is to show that the emotions constitute an irreducible category in the explanation of action, to be understood by analogy with perception. Emotions are affective perceptions. Their affect gives them motivational force, and they (...) can rationalize actions because, like perception, they have a representational intentional content. Because of this, an emotion can non-inferentially justify a belief which in its turn justifies or rationalizes an action; so emotions may constitute a source of moral knowledge. (shrink)

Political discourse is saturated with metaphor, but evidence for the persuasive power of this language has been hard to come by. We addressed this issue by investigating whether voting intentions were affected by implicit mappings suggested by a metaphorically framed message, drawing on a real-world example of political rhetoric about the federal budget. In the first experiment, the federal budget was framed as similar to or different from a household budget, though the information participants received was identical in both conditions. (...) When the federal budget was described as similar to a household's, people considered the personal finances of a presidential candidate more relevant—a finding we replicated in a larger, pre-registered study. In a follow-up experiment, we presented participants with a more explicit rhetorical argument and found a similar effect, moderated by political affiliation. These studies illuminate how metaphorical comparison affects cognition for important real-world issues, sometimes in unintended ways. (shrink)

Almost all contemporary philosophers on the subject agree that emotions play an indispensable role in the justification (as opposed to the mere causation) of other mental states and actions. However, how this role is to be understood is still an open question. At the core of the debate is the phenomenon of conflict without contradiction: why is it that an emotion need not be revised in the light of better judgment and knowledge? Conflict without contradiction has been explained either by (...) difference in content between emotion and judgment, or by a difference in the respective attitude towards content. I argue that conflict without contradiction is due to both differences, where difference in content is prior to difference in attitude. (shrink)

The horrendous deeds objection to metaethical divine command theory (MDCT) says that since God can command anything whatsoever, even things that are horrendous, MDCT seems to imply that God can make any action, no matter how repugnant, morally obligatory. Defenders of MDCT frequently claim, by way of response, that since God is essentially omnibenevolent, it is impossible that he commands us to do horrendous things. I have recently argued that it is irrelevant that God cannot issue horrible commands. The argument (...) runs as follows: On MDCT, God has moral grounding power — the power to make an action morally obligatory by commanding that we do it. Given that omnipotence is possession of maximal power, every omnipotent being has this power. In some possible world, there exists a non-benevolent omnipotent being who issues horrible commands. Therefore, on MDCT, there is a possible world in which some horrendous action is morally obligatory. Matthew Flannagan has responded to this argument on behalf of the divine command theorist. Flannagan argues that since, on MDCT, moral obligations are constituted by God’s commands, and no other being can perform God’s actions, no other being can possess moral grounding power. In this paper, I criticize Flannagan’s argument. His argument assumes that when some phenomenon is constituted by the actions of an agent, no other agent’s actions can constitute this phenomenon. I argue that this assumption is false. (shrink)

Consider the following argument for the non-existence of God: Some men are morally reprehensible for failing to perform certain actions, e.g. actions of abolishing suffering which is destructive of character. Concentrate, for simplicity, just on actions of this latter sort. If there is an omnipotent and omniscient being, then he, too, fails to perform actions of this sort, and, hence, he is also morally reprehensible unless some such difference obtains between him and the men mentioned in as his being unable (...) to abolish this suffering, while M is able to abolish it, or his not knowing that this suffering is in fact destructive of character, while M does know this. But being omnipotent and omniscient is incompatible with any such difference obtaining. (shrink)

The present study is dedicated to the different interpretations of Greek tragedy proposed in the writing of G.W.F. Hegel. It explicates how and in what sense Hegel’s investigation in tragedy parallels the development of his philosophy from his early theological writings to his system of absolute idealism, and thereby defends the view that this investigation is linked to a concern with politics in the modern world.

Le motif de la réconciliation traverse toute l’œuvre de Hegel. En effet, de ses écrits théologiques de jeunesse, jusqu’à ses différents cours de la période de Berlin, en passant par la Phénoménologie de l’esprit et ses ouvrages systématiques de la maturité, Hegel a maintes fois évoqué ce motif, et ce, dans des contextes aussi divers que des analyses portant sur la logique, l’esthétique, la philosophie de l’histoire, l’histoire de la philosophie et, bien sûr, la religion et la politique. Pourtant, aussi (...) nombreuses que soient les études qui, d’une façon ou d’une autre, s’intéressent à ce motif ou à ce thème, il reste, nous semble-t-il, qu’un peu moins d’attention a été portée au sens ou à la signification exacte que recouvre la notion ou le concept de réconciliation chez Hegel. C’est ce sens qui nous servira de fil conducteur dans ce qui suit. Ainsi, dans la première partie de notre présentation, nous nous emploierons à rendre compte de ce terme en montrant comment il est à comprendre en regard des notions clés de la logique hégélienne telles que celles de « sursomption » (Aufhebung), « d’effectivite » (Wirklichkeit) et de vérité. En un deuxième temps, nous nous attacherons à démontrer en quel sens, Hegel, dans les Principes de la philosophie du droit et dans les Lecons sur la philosophie de la religion, pense les rapports entre la religion et la politique en termes de réconciliation et d’unité. (shrink)

The disclosure of corporate environmental performance is an increasingly important element of a firm’s ethical behavior. We analyze how the legal origin of foreign institutional investors affects a firm’s voluntary greenhouse gas emissions disclosure. Using a large sample of firms from 36 countries, we show that foreign institutional ownership from civil law countries improves the scope and quality of a firm’s greenhouse gas emissions reporting. This relation is robust to addressing endogeneity and selection biases. The effect is more pronounced in (...) firms from non-climate-sensitized countries, for which the gap between firms’ environmental standards and investors’ environmental targets is potentially larger, and in less international firms. Firms with a higher level of voluntary greenhouse gas emissions disclosure also exhibit higher valuations. (shrink)