In Consciousness and Persons: Unity and Identity, Michael Tye takes on the thorny issue of the unity of consciousness and answers these important questions: What exactly is the unity of consciousness? Can a single person have a divided consciousness? What is a single person? Tye argues that unity is a fundamental part of human consciousness -- something so basic to everyday experience that it is easy to overlook. For example, when we hear the sound of waves crashing on a (...) beach and at the same time see a red warning flag, there is an overall unity to our experience; the sound and the red shape are presented together in our consciousness. Similarly, when we undergo a succession of thoughts as we think something through, there is an experience of succession that unifies the thoughts into a conscious whole. But, Tye shows, consciousness is not always unified. Split-brain subjects, whose corpus callosum has been severed, are usually taken to have a divided or disunified consciousness. Their behavior in certain situations implies that they have lost the unity normal human subjects take for granted; it is sometimes even supposed that a split-brain subject is really two persons.Tye begins his account by proposing an account of the unity of experience at a single time; this account is extended over the succeeding chapters to cover bodily sensations at a single time and perceptual experience, bodily sensations, conscious thoughts, and felt moods at a single time. Tye follows these chapters with a discussion of the unity of experience through time. Turning to the split-brain phenomenon, he proposes an account of the mental life of split-brain subjects and argues that certain facts about these subjects offer support for his theory of unity. Finally, addressing the topic of the nature of persons and personal identity, Tye finds the two great historical accounts -- the ego theory and the bundle theory -- lacking and he makes an alternative proposal. He includes an appendix on the general representational approach to consciousness and its many varieties, because of the relevance of representationalism to the theory of unity being adanced. (shrink)

Preface to the second edition -- Preface to the first edition -- Psycho-mythology : meschugge? -- Dreams and fantasies : manifestations 0f the mythological unconscious -- African-American dreaming and the "lion in the path" : racism and the cultural unconscious -- "Hapless" the Centaur : an archetypal image, amplification, and active imagination -- Pegasus and visionary experience : from the white winged horse to the "flying red horse" -- The bull, the labyrinth, and the Minotaur : from archaeology to "archetypology" (...) (with an apology to Ariadne) -- Griffins, gold, and dinosaurs : mythology and "fantastic paleontology" -- Dreaming of a unicorn : a comparison of Lacanian and Jungian interpretation -- "Destiny" and the call to heroism : a dream of vocation and individuation -- List of publications by Michael Vannoy Adams. (shrink)

Editorial - Dossier: IMAGERY AND INTERRELIGIOUS DIALOGUE Imaginary and Inter-Faith Dialogue - Michael Amaladoss Horizonte, Vol. 15, No. 45, Jan./Mar. 2017.

In lieu of an abstract, here is a brief excerpt of the content:Two Poems MICHAEL TROCCHIA SEE FOR YOURSELF The gods, in effect, have given Euenius the gift of inner vision…because he has lost his outer vision. —Michael Attyah Flower, The Seer in Ancient Greece Come to a field of stones baking in the late sun. Drop your knee to the groundup earth and feel the warmth climb your thigh. Run your finger across a palm-sized stone, as if (...) inspecting the liver of the shegoat, the white one who follows you everywhere, always. Follow that old vision of yourself, its light dying in your eye as you look and look for one last rock one last time, its edge weathered into a fine and deadly thing. Hold the stone high—a red sun sinking behind you— and count down to the day’s complete darkness and in that completion between you and what will be arion 28.1 spring/summer 2020 64 two poems a darker endlessness, carve out the gift of sight, hearing only shivers of your own body, hooves running off. YOUNG CALCHAS SLEEPS And down he sat again as Calchas rose among them, Thestor’s son, the clearest by far of all the seers. —Homer, The Iliad Calchas, you dream of children dreaming of the sparrow’s head, of the bird’s eye deadened into view, of flutter and firelight, of the nest shredded at your feet and then spring again, berry, and leaf-meal and petalwind and whole glossaries of bone and egg bloodied in the hollow of your hand. But never a sure sign, no second sight clear and bright within the first order of things. No opening widening out of wing or song. Just the nearness of living, a feather suspended by a string, the halfmeaning of seeing the whole world suffer and sway— youth divined and past and forecast into the fray and saying this ruin and sacrifice again, this blueness sailing back in with the breeze. The world circles outside our window and light gives way to more light and you sleep soundly in a bed of down. Rise, Calchas, rise and walk out of the god’s mouth and see image after image fall away. See this life lifting out of one dream and into no other. Michael Trocchia 65... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MONADOLOGY OF 7HE BROTHERS KARAMAZOV by Michael Wreen THE WORLD AND THOUGHT of Dostoyevsky's The Brothers Karamazov are not easily entered into. There is something, some barrier, which seems to hinder, if not prevent, a feeling of belonging, a feeling of ease, citizenship, and camaraderie. What is it diat holds die reader back, what makes him feel particularly Ul-at-ease in the world of The Brothers Karamazov, and especially (...) in die presence of the Karamazovs? The answer is that the world of the novel resembles the world of Leibniz's Monadology, a world so different from the world of our everyday conceptions, and so different from the world of most novels, that the reader is left "freefloating," so to speak, until he, as a spirit, has been accommodated and then assimilated by it. To begin with, there is the matter of setting. There are practically no landscapes in The Brothers Karamazov and no extended descriptions of nature. Secondly, buildings, both their interiors and exteriors, are barely sketched, and when described at all, it is usually the psychological state that the human design excites ("It was an odd arrangement ofrooms") that is important, and not the design or structure itself. Objects existing in their own right and "pure surfaces" are not to be found. The one building (with grounds) that is described at length is the monastery, but even here description is used symbolically, as a reflection ofthe spiritual states ofthe monks and The Elder. Similarly, clothing exists only as a clue to the psychological or spiritual state of its wearer. Dmitri's rag with the 1,500 roubles is the analogue of his condition, just as Smerdyakov's hoped-for foppish apparel is of his. 318 Michael Wreen319 Still more unusual is the infrequent mention of two of the biological necessities of life, food and sleep. Food seems to be something that the characters can take or leave, but more often than not, simply forget about; the stomach does not seem to exist for any except one of them. Once or twice the characters do eat, but eating seems to be an accidental side-effect of spending time with, a spiritual infection caught from, the thoroughly carnal Fyodor. The monks, it must be admitted, are concerned with food — though it would be more accurate to say diat they are concerned with die lack of it, or even more strongly, widi maintaining the lack of it. As for sleep, collapse from complete exhaustion (from sustained physical exertion and/or emotional excitement, or from orgiastic debauchery), sickness, and brain fever seem to be preferred to normal sleep. Days are long— so long, in fact, that night is more like an extension of day dian night. Another descriptive element which warrants notice is the physical appearances and personal histories of die dramatic personae. The truth, as far as physical appearances are concerned, is clear and simple: everyone, with the exception ofIvan, is described once and briefly. In the first thirtyfive pages or so, most of the major personages are introduced, "outfitted" with noses, eyes, ears, bearings, statures, mannerisms, traits, etc., and — here we come to the second aspect noted above — then given summary histories. After that, diey are set in dramatic motion. The opening chapters are descriptive and expository, a report of what was and is the case as far as mise en scene and physical equipage are concerned; and except for brief moments when the never-named narrator indulges in short "sermons" about man or God, the mode of narration never returns to descriptive exposition, but remains dramatic and focused on the interplay and clash of personality. Characters do act and think for themselves, and we see diem directly in the acting out of dieir lives. A bit of background information having been provided, we don't have to be told anydiing more; we can observe for ourselves, from the inside. The catalogue offacts is discarded, and in its place is put the experience of events and feelings. The objective, external perspective yields to the internal, subjective perspective, and the reader crosses over from the familiar and cozy world of Dickensian externality to the strange and disconcerting world ofDostoyevskian intemality... (shrink)

This original and provocative study tells the story of American literary history from the perspective of its environmental context. Weaving together close readings of early American texts with ecological histories of tobacco, potatoes, apples and honey bees, Michael Ziser presents a method for literary criticism that explodes the conceptual distinction between the civilized and natural world. Beginning with the English exploration of Virginia in the sixteenth century, Ziser argues that the settlement of the 'New World' - and the cultivation (...) and exploitation of its bounty - dramatically altered how writers used language to describe the phenomena they encountered on the frontier. Examining the work of Harriot, Grainger, Cooper, Thoreau and others, Ziser reveals how these authors, whether consciously or not, transcribed the vibrant ecology of North America, and the ways that the environment helped codify a uniquely American literary aesthetic of lasting importance. (shrink)

El objeto de este estudio es analizar un nuevo potencial fragmento de Quaestiones in Exodum en las recientemente descubiertas Homiliae in Psalmos de Orígenes. Para esto, primero sopesaré la evidencia a favor y en contra de una procedencia filónica de latradición citada por Orígenes. A continuación, ofreceré algunas consideraciones léxicas, temáticas y críticas, que sugieren que Orígenes está citando una interpretación filónica de las Quaestiones en lugar de parafrasear el Comentario alegórico.

Michael Kelly is the author of 68 entries altogether. The New Oxford Companion to Literature in French is far more than a simple revision of the original Oxford Companion to French Literature, published in 1959, and described by The Listener as the `standard work of reference for English-speaking enquirers into French literature'. As the change in title implies, this completely new work presents an authoritative guide not only to ten centuries of literature produced in the territory now called France, (...) but also to the rich literary output of other French-speaking countries around the world. The scope of the Companion is deliberately open and inclusive, challenging and extending the traditional canon. Literature is understood in a broad sense, ranging from strip cartoon and pamphlet to tragedy and epic, and particular attention is devoted to francophone writing from outside France. Written by an international team of specialists, entries cover individual authors and works - over 3,000 of them - from the troubadours to Césaire, and from La Princesse de Clèves to La Vie mode d'emploi. Each is discussed in detail within their historical, cultural, and intellectual context. Among the new features of the Companion are the substantial essay-entries, reflecting up-to-date scholarship and theoretical debates on topics such as: - literary movements and genres - historical subjects such as chivalry, or Occupation and Resistance in wartime France - movements of thought from Scholasticism to feminism - linguistic topics - the sciences - the arts and media, including opera, cinema, and press. (shrink)

This is Michael Picard's translation of Gerd Achenbach’s Vom Richtigen im Falsche. This book by the pioneer of Philosophical Praxis deals with themes from the philosophy of life, such as impermanence, the contradictions in life, trust, happiness, solace and old age. It represents a profound engagement with today but no less with the long tradition of Western philosophy and culture, and offers livable insights in a rare style. The over-arching question is how a philosophically-inspired artisanal approach to life can (...) prove itself equal to life. The book presents a cheerful wisdom that does not blink at reality, but cleaves to right in a wrong world. (shrink)

DNA samples on the England and Wales national database matching those found at scenes of serious violent or sexual crimes were identified. The earlier offence leading the sample to appear on the database was noted. The bulk involved theft, drug or other offending. The result, indicating offender versatility, is consistent with most research on criminal careers. Its importance for operational police lies in identifying the contribution made by DNA samples taken after less serious offences in clearing subsequent serious crime, and (...) the importance of taking such samples from as wide a list of apparently ‘trivial’ crime types as possible. Examining specific relationships between early and later offences revealed a significant link between providing a DNA sample following a drug offence and subsequently committing murder. (shrink)

This article describes libertarian and communitarian ways of bringing individuals together in a political community, argues that social democracy successfully mediates between these and then asks how to improve upon the unimaginative and compromised versions of social democracy that exist in the world today.

Arguing that a psychological basis for ethics can be found in human motivation, Rethinking Goodness proposes a naturalistic ethics that transcends the conflict between liberalism and authoritarianism --the conflict between freedom at the price of narcissism and morality at the price of coercion. A third option is offered, an ethic broader than liberalism's pursuit of the personal, that avoids jeopardizing, as do authoritarian positions, the centrality of individual autonomy.

Durchsuchbare elektronische Faksimileausgabe als PDF. Digitalisiert im Rahmen des DFG-Projektes Digi20 in Kooperation mit der BSB München. OCR-Bearbeitung durch den Verlag Otto Sagner.

This collection of papers aims to increase our understanding of a) what meaning in life is: how it is to be understood, what its constituents are, and how it can be properly distinguished from other features that are commonly thought to be required for a good life, such as happiness, b) in what way, if any, mortality can be said to be detrimental to a life's meaningfulness and what follows from this for the desirability of radical life extension and other (...) (limit-removing) alterations of the present human condition, and c) in what way, if any, death and mortality can be said to be requisites or at least constituents of a meaningful life. (shrink)

This two-volume collection brings together Michael C. Rea's most substantial work in analytic theology. The first volume considers the nature of God and our ability to talk and discover truths about God, whereas Volume II focuses on theological questions about humanity and the human condition. -/- The chapters in the first part of Volume I explore issues pertaining to discourse about God and the authority of scripture. Part two focuses on divine attributes, while part three discusses doctrine of the (...) trinity and related issues. Part one of Volume II considers the doctrines of the incarnation, original sin, and atonement. Part two examines the problem of evil, the problem of divine hiddenness, and a theological problem that arises in connection with the idea God not only tolerates but validates a response of angry protest in the face of these problems. (shrink)