The author of the article addresses sadism as an ontological problem and analyses the primordial way of solving the problem of human existence in the works of the Marquis de Sade, citing similarities and differences. To substantiate his thesis, the author analyses the correlation between corporeality and the ontological place of libertines and victims, proving that the ontological status is located in the body. Through the consideration of sadism and masochism, the author shows the transition of sadism into (...) masochism, the transfusion of energy flows of pain and pleasure, which are constituted by the will to power. This transfusion became the basis for the formation of the superbody. The superbody is formed as a result of the union of true and semi-real bodies. Accordingly, the author compares the World Female with the sadistic macrocosm, primordial man with the character of the Marquis de Sade, to demonstrate the coincidences in primordial and sadistic types of thinking. The author concludes that it is important for the Sade's character to transcend any corporeality, and his cosmos is completely subordinated to Thanatos. (shrink)

Resumé : Présentation des approches théoriques qui permettent de repenser sous un nouveau jour l’extrême singularité de l´oeuvre sadienne qui nous défie. Consideration que l’oeuvre littéraire-philosophique du Marquis de Sade a été essentiellement soutenu par des thèses conçus par J. O. de La Mettrie et E. Condillac. Plus encore, que Sade produit une sorte de mélange des deux matérialistes du XVIII e siècle, desquelles, comme nous le verrons, il diffère aussi. Que Sade illustre, particulièrement à travers (...) de l’orgie, la pleine réalisation de leurs thèses, ce qui les conduit à un matérialisme plus que radical, en effet, à des conséquences ultimes. Pour le démontrer, je réfléchis aux notions suivantes : Nature ; Nature humaine ; Matière ; Raison ; Plaisir ; Pédagogie –comme education libertine ; et enfin, sur le concept d’Entropie. C´est-à-dire, une situation de chaos, de désordre maximal, une situation d'écoulement. Elle reconnaît la tendance universelle de tous les systèmes de passer d’un état d’ordre à un état de désordre croissant qui conduit dans un second temps à l’impossibilité même de garder une certaine forme de vie. Bien, toutes réunies ici pour justifier le concept, que j´ose construire, d’« Orgie ». Utilisant lettre majuscule pour le distinguer. Enfin, cette aventure a pour but de souligner les influences de Sade, ainsi que l’originalité de son oeuvre et sa contribution à l’histoire de la philosophie moderne et contemporaine. Mots-clés : Siécle XVIII ; Matérialisme ; Sade ; Orgie ; Entropie.: Presentation of the theoretical approaches that allow rethinking in a new light the extreme uniqueness of Sade's work that challenges us. Consideration that the literary and philosophical work of the Marquis de Sade was mainly supported by the materialistic theses by J.O. La Mettrie and E. Condillac. Sade produces a kind of mixture of both materialists from the eighteenth century, which, as we shall see, also differs from theirs. Sade shows, especially through the orgy, the full realization of his theses, professing a more than radical materialism, in fact, to the ultimate consequences. To demonstrate this, I will reflect on the following concepts: Nature, Human nature, Matter, Reason, Pleasure, Libertine Education and, finally, the concept of Entropy, understood as a situation of chaos, of maximum disorder, of flow of energy flow. It recognizes the universal tendency of all physical systems to lead to a state of increasing disorder, resulting in the inability to maintain any form of life. Well, all these concepts are gathered here to justify the "Orgy", distinguished by the upper-case letter. Finally, this adventure intends to highlight the influences of Sade and the originality of his work, as well as his contribution to the history of modern and contemporary philosophy. Keywords : Eighteenth century; Materialism; Sade; Orgy; Entropy. (shrink)

In this essay, the author joins a conversation started by Martin regarding gender and education seeking to extend the conversation to address sexuality. To do so, the author brings a reading of the Marquis de Sade to challenge the emphasis on reproduction in education as it relates to gendered and sexual norms. The author, following Martin’s approach in Reclaiming the Conversation, reads one particular text of Sade’s—Philosophy in the Bedroom—to argue for queer possibilities that Sade brings (...) to the conversation around gender and sexuality within twenty-first century education. The Marquis de Sade may viscerally seem an inappropriate choice to return to and use to join the conversation, but his novelic imagination incites complications in the conversation. Following in the footsteps of Martin’s re-reading of historic philosophical texts the author offers not only another layer of thinking about “female education,” but also opens up space for engaging gender and sexuality in the history and philosophy of education. As issues around gender and sexed bodies become ever more present and contested in educational discourses, does Sade continue the conversation in ways that corrupt the reproductive aims of education? (shrink)

In 1795 the Marquis de Sade published his La Philosophic dans le boudoir, in which he proposed the use of induced abortion for social reasons and as a means of population control. It is from this time that medical and social acceptance of abortion can be dated, although previously the subject had not been discussed in public in modern times. It is suggested that it was largely due to de Sade's writing that induced abortion received the impetus (...) which resulted in its subsequent spread in western society. (shrink)

This Very Short Introduction aims to disentangle the 'real' Marquis de Sade from his mythical and demonic reputation of the past two hundred years. Phillips examines Sade's life and work: his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy.

The Marquis de Sade is famous for his forbidden novels like _Justine, Juliette_, and the _120 Days of Sodom_. Yet, despite Sade's immense influence on philosophy and literature, his work remains relatively unknown. His novels are too long, repetitive, and violent. At last in _The Philosophy of the Marquis de Sade_, a distinguished philosopher provides a theoretical reading of Sade. Airaksinen examines Sade's claim that in order to be happy and free we must do (...) evil things. He discusses the motivations of the typical Sadean hero, who leads a life filled with perverted and extreme pleasures, such as stealing, murder, rape, and blasphemy. Secondary sources on Sade, such as Hobbes, Erasmusm, and Brillat-Savarin are analyzed, and modern studies are evaluated. _The Philosophy of the Marquis de Sade_ greatly enhances our understanding of Sade and his philosophy of pain and perversion. (shrink)

Feminist philosophers of religion have drawn attention to desire as a neglected category for approaching the sources and concerns of religion. This paper extends this discussion by engaging with one particularly disturbing aspect of the writings of the Marquis de Sade. In a world where ultimate sexual pleasure is derived from destruction of the Other, Sade glories in describing the suffering of mothers, often at the hands of their own children. This paper offers one possible reading of (...) these dark desires through employing aspects of psychoanalytic theory to suggest that, rather than isolate him from the majority of humanity, we might consider possible connections between the desires he details and our own. This involves considering the ambivalence of the mother, and thus challenging the idealization of the all-caring, all-nurturing mother. (shrink)

The review identifies the components of H. M. Lloyd’s contextual intellectual reconstruction of Marquis de Sade’s philosophical system in the context of the Enlightenment. The fundamental importance of the Enlightenment discourse of sensibility, its influence on the theory of natural law and moral philosophy of the eighteenth century is established. The main stages of reconstruction of Sade’s “system” are demonstrated, namely: 1) philosophical context (ontology and epistemology) as a discourse of sensibility; 2) particularities of the “roman philosophique” (...) as a genre; 3) the moral philosophy of the era and the Sade's response to it; 4) Sade’s theories of corporeal sensibility and affective self-cultivation, that isits philosophical askesis; 5) understanding of Sade in the context of the development of contemporary philosophy. It is noted that such reconstruction problematizes of the formal and substantive components of philosophical discourse in the academic environment. (shrink)

Without the idea of God, and the moral values and law that derive from divine authority, how does Man determine the limits of his actions? Are moral values and principles of justice simply human constructs created to protect society that do not realistically reflect the truth about human nature? Without the concept of the sacred, where does authority reside and what constitutes the boundaries that humans must not transgress? In Caligula, Albert Camus confronts these questions and takes them to their (...) ultimate logical conclusions. The character he creates in order to do this, as I will seek to show, is the figurative equivalent of a system of thought most eminently articulated by the Marquis de Sade in his .. (shrink)

Without rejecting Simone de Beauvoir's often cited feminist agenda, this paper takes up her less frequently noted insight – that woman's existence as the inessential other is more than a consequence of material dependency, and political inequality. This insight traces women's subordinated status to the effect of a patriarchal desire that produces and is sustained by a political imaginary that is not economically grounded and is not undermined by women's economic or political progress. Taking up this insight, this paper reads (...) Beauvoir, Freud and Sade through each other, to critique the myths of femininity. It argues that unless feminists of the 21st century follow Beauvoir's logic of ambiguity to challenge the ways in which sexed and gendered subjectivity is currently structured, the place of the inessential other will be preserved, and the feminist vision will be betrayed. (shrink)

Met de verlichting en de Franse revolutie komt het moderniseringsproces in een stroomversnelling terecht.

The pornography debate occupies a prominent site of apparent contradiction in contemporary culture: a site where the interests of cultural feminism merge with those of the far Right, where an underground enterprise becomes a major growth industry, and where forms of speculation turn alarmingly practical. Another more problematic confluence occurs as a result of this debate. That is, by juxtaposing the 1986 Final Report of the Attorney General’s Commission on Pornography and the Marquis de Sade’s 120 Days of (...) Sodom, we will see how pornography and the public discourse on pornography share the same comparative logic. An examination of such a logic shows how the pleasures of comparison—its gestures toward control, limit, and transcendence—are always balanced by its failures, even tragedies: the realization of the situated nature of all measurement, juxtaposition, subordination, and hierarchization. Thus this essay is designed to both discuss and illustrate a series of issues implicit in pornography’s predicament: the impossibility of describing desire without generating desire; the impossibility of separating form and content within the process of sublimation; and, most important, the impossibility of constructing a metadiscourse on pornography once we recognize the interested nature of all discursive practices. We cannot transcend the pornography debate, for we are in it. But by writing through it, by examining its assumptions, we can learn a great deal about the problems of representing desire and the concomitant problems of a cultural desire for unmediated forms of representation. Susan Stewart, whose most recent contribution to Critical Inquiry was “Shouts on the Street: Bakhtin’s Anti-linguistics” , is the author of two books of literary theory, Nonsense: Aspects of Intertextuality in Folklore and Literature and On Longing: Narrative of the Miniature, the Gigantic, the Souvenir, the Collection , and two books of poetry, Yellow Stars and Ice and The Hive . She is finishing a book on “crimes of writing,” of which this essay is a part, and a study of the five senses. (shrink)

This study takes up the discussion held by Philippe Sabot in Foucault, Sade and the Enlightenment when it came the Marquis de Sade's work uses in studies conducted by Michel Foucault from Madness and Civilization to The Will to Knowledge. What interests us know of this relationship? This is the main question that guided our study.

Dans une lettre à son épouse, Sade fait l'éloge de la bizarrerie et l’élève au rang de catégorie esthétique sous le nom de « principe de délicatesse ». Cela peut sembler paradoxal, comme l'a bien remarqué Michel Delon, que celui qui énonce le devoir de délicatesse est celui-là même dont le nom est devenu synonyme de brutalité. Le terme est en effet ambigu et possède dans l'oeuvre du marquis plusieurs sens: de l'échange de soins entre Juliette et sa (...) maîtresse préférée La Durand, en passant par une simple manie sexuelle, jusqu'à la fantaisie « la plus bizarre et la plus singulière de toutes », celle qui dépend d'une richesse fastueuse et qui ne s'achève que sur un tas de corps baignés de sang. Il s'agit d'abord d'examiner les différents sens du terme chez Sade ; puis d'analyser les interprétations que Roland Barthes, Annie Le Brun et Michel Delon donnent de la délicatesse scélérate ; enfin de mettre en évidence sa spécificité par rapport à la prodigalité luxurieuse. (shrink)

This paper argues that Marquis de Sade is a more original and relevant Enlightenment philosopher than it is commonly thought. We argue that de Sade is a notable author and a noteworthy naturalist thinker in contemporary times as well, concerning modern science, organized religion, (homo)sexuality, political violence and prevalent sociocultural norms. In order to demonstrate these claims, we thoroughly analyse de Sadeʼs philosophies of naturalism and materialism, i.e., his metaphysics and his radical ethics of “immorality”, based on (...) viewing (human) Nature as a sole organizing, creative and destructive principle. Furthermore, we detail his atheist and anti-theistic arguments, which he consistently uses to reject the possibility of a God and all supernatural beings, coupled with his social and political criticism of a faith-based society. Thus, we outline the philosophical arguments that made him a controversial, infamous and denounced thinker, and which socially distanced him from the prevailing philosophical milieu. We also argue for the possibility that he deserves a more prominent place in the history of philosophy which is not congruent with the various “rehabilitative” and “revisionist” narratives regarding de Sade as an early champion of the Counter-Enlightenment, anti-science and postmodernism. (shrink)

Theodor Adorno and Max Horkheimer, in Dialectic of Enlightenment [Dialektik der Aufklärung, first published in 1944], argue that Donatien-Alphonse-François, the Marquis de Sade (1740–1814), and Friedrich Nietzsche have brought the Enlightenment project of grounding morality in reason to an end. For Adorno and Horkheimer, Sade has revealed philosophy’s moral impotency, in particular “the impossibility of deriving from reason any fundamental argument against murder [...].”1 Marcel Hénaff, Susan Neiman, and Annie Le Brun have similarly suggested that Sade (...) has demonstrated that morality is no more philosophically justified than immorality.2 There is no doubt that there is much discussion of moral philosophy in Sade’s surviving works. But are these extraordinary claims of Sade’s sceptical powers justified? To answer this question, this paper sets out to identify the moral and meta- ethical claims made in Sade’s works, and to assess his arguments for those claims. (shrink)

The Marquis de Sade’s work can be considered as one of the inaugural instances of a technique that, within both the philosophical and literary realm, is typical of the nineteenth century: emotional restraint. His disapproval of the rhetoric of empathy and moral sentimentalism assumes particular relevance in that it is an “internal” critique. Availing himself of certain characteristic premises of the sentimentalist philosophy—which are primarily attributable to the works of Jean-Jacques Rousseau—Sade completely changes their conclusions, to the (...) point of reaching a conscious form of immoralism. This immoralism can be interpreted as a systematic overturning of the morale larmoyante, exalted in late eighteenth-century... (shrink)

Reading Beauvoir's “Must We Burn Sade?” alongside the chapter called “Sexual Initiation” in The Second Sex, I argue that the problem with Sade is not his perversity, but his perpetual virginity. In The Second Sex, Beauvoir advances a new understanding of sexual initiation as a physical and spiritual movement toward the other, disqualifying any purely physical machination as sufficient to initiate one into “authentic erotic reality.” Sade's refusal of Eros as described in “Must We Burn Sade?” (...) demonstrates that the Marquis's commitment to his characteristic Sadism in fact condemned him to a barren promiscuity, a trenchant and joyless virginity that he elected to perpetuate. Finally, I argue that we should reread Sadism not as a perversion but as based on the Greek model of the “virgin ailment.” As such, Sadism may turn out to be a more genuine and widespread threat than we ordinarily acknowledge. (shrink)

New translations tracing decades of Beauvoir's leftist political engagement during the turbulent era of decolonization, from articles exposing conditions in fascist Spain and Portugal in 1945 and hard hitting attacks on right-wing intellectuals in the 1950s, to a 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article calling for the 'two state solution' in Israel. The texts range from a surprising 1952 defense of the misogynistic 18th c. pornographer, the Marquis de Sade, to the (...) transcription of a co-written 1974 documentary film on the aged in France. (shrink)

Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy. The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist (...) political engagement, from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel. Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization. (shrink)

The Marquis de Sade has been labeled everything from a sadomasochistic pornographer to the fiction writer responsible for the ideas that led to the Nazi death camps. Must We Burn Sade? peels away the negative legacy that has shrouded Sade for too long. Deepak Narang Sawhney points out that "Sade's legacy has been neglected, recreated, fictionalized, and venerated by medical guilds, literary hacks, religious detractors, and intellectual movements. In the past two centuries, Sade has (...) come to represent many things for many people.... It is unclear whether we know Sade the writer or the apparatus which has been set up to either condemn or to sanctify his life and work." By contrast, this intriguing collection of essays seeks to examine Sade for what he was—a writer of novels and letters, a creator of plays and stories, and an author of essays and political manifestos. The contributors examine the literary, theatrical, political, social, and philosophical aspects of Sade's work, acquitting him of the false accusations and trials that have plagued his name by revealing his influences and motivations, and by providing an understanding of society's fear of Sade. What is so alarming about Sade's books that civilized society has felt compelled to disassociate itself from his works? This volume forces us to rethink Sade. Included are essays by Kathy Acker, David Allison, Georges Bataille, Catherine Cusset, Lucienne Frappier-Mazur, Annie Le Brun, Alphonso Lingis, Stephen Pfohl, Deepak Narang Sawhney, Philippe Sollers, and Alistair Welchman. (shrink)

Enlightenment ideals of a society rooted in liberationist reason and morality were trampled in the wake of the savagery of the Second World War. That era's union of cold technology and ancient hatreds gave rise to a dark, alternative reason--an ethic that was value-free and indifferent with regard to virtue and vice, freedom, and slavery. In a world where "the unthinkable" had become reality, it is small wonder that theorists would turn to the writings of a man whose eighteenth-century imagination (...) preceded twentieth-century history in its unbridled exploration of viciousness, perversion, and monstrosity: the Marquis de Sade. Klossowski was one of the first philosophers in postwar Europe to ask whether Sade's reason, although aberrant and perverted to evil passions, could be taken seriously. Klossowski's seminal work inspired virtually all subsequent study of Sadean thought, including that of de Beauvoir, Deleuze, Derrida, Bataille, Blanchot, Paulhan, and Lacan. (shrink)

Résumé Le problème complexe de la réception tardive de tout l’œuvre du marquis de Sade doit être considéré dans le contexte de l’histoire de la censure en Hongrie au cours de plusieurs siècles. Mon article se nourrit de mon expérience de traductrice, en particulier de ma traduction de La Philosophie dans le boudoir (1989). L’aperçu historique sur l’absence de réception de ses textes avant 1989 puis sur la période suivante qui a commencé avec le changement de régime et (...) une grande liberté dans le domaine éditorial, illustre bien les limites et les avatars de la censure en Europe Centrale et Orientale. (shrink)

In this paper, I set out to consider the extent to which Horkheimer and Adorno's account of the transition from Kant's philosophy to key features of the novels of the Marquis de Sade in the Second Excursus of their Dialectic of Enlightenment can be viewed as a fragment of the ‘history of philosophy’ and to explain this account in a way that allows us to ask whether it succeeds in establishing a necessary connection between Kant's philosophy and (...) class='Hi'>Sade's novels. In connection with, a particular problem emerges. This problem concerns the role played by a non-instrumental form of reason in Horkheimer and Adorno's attempt to establish an essential connection between Kant's theoretical philosophy and Sade's novels, in which the practical implications of the theoretical employment of reason allegedly become explicit. It will be shown that, despite appearances to the contrary, an employment of reason of the relevant type is not identified by Kant in the Critique of Pure Reason. (shrink)

ABSTRACT The Marquis de Sade’s Juliette—well-known as an outrageously murderous, hedonistic anti-heroine—captured the attention of some of the most influential philosophers of the twentieth century. Most of these engagements with Sade have received some critical attention. However, Foucault’s distinctive remarks on Juliette in The Order of Things have gone overlooked. I situate Foucault’s interpretation of Juliette alongside and against Adorno’s and Lacan’s: exploring his positioning of her as a liminal figure, situated in the Classical age on the (...) cusp of modernity, and his allusion to the way in which her “solitary—and endless” “prosperities” exceed our grasp. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.2 (2002) 397-404 [Access article in PDF] The Sexist Sublime in Sade and Lyotard Caroline Weber In this case the masculine returns to haunt the place of the feminine like a ghost...., bloody and inhuman, in order to manifest and to root unforgettably in us the idea of a perpetual conflict and a spasm in which life is constantly being cut short. Antonin Artaud, The (...) Theater and Its Double"VIOLENCE," JEAN-FRANÇOIS LYOTARD ASSERTS in a recent article on Kantian aesthetics, "is necessary to the sublime." 1 More precisely, the sublime, held to transport an individual beyond his or her "ordinary" register of aesthetic responses, may do violence to a person's faculty of imagination, by shattering the accepted limits of sensory experience. Lyotard explains: In the sublime, the imagination must be subjected to violence, because it is by way of its suffering, the mediation of its violation, that the joy of seeing—or almost seeing—the law can be obtained.... This "joy" [here Lyotard cites The Critique of Judgment] "is only possible by the mediation of pain." 2Indeed, students of Kant's work have long been familiar with the exclusion of sentiment, pathos, and personal interest that he posits as a requirement for exalted status in the aesthetic and the moral sphere. For Kant, the law is precisely about the painful suppression of pleasure-seeking impulses for the sake of a disinterested, higher good. To achieve the transcendental perfection of the law, typically understood to be the domain of God alone, one must, godlike, overcome the [End Page 397] limitations of human nature and human feeling. And this effort—of which the Passion is just one vivid example—can be extraordinarily painful. In this context, Lyotard's formulation of the problem may not strike us as particularly startling. In contending that the Kantian experience of the sublime requires the mediation of pain, the French poststructuralist appears simply to be reminding us that the law, whether aesthetic or moral in nature, always demands some sort of discomfort, some kind of sacrifice.We might be more inclined to accept this last statement if Lyotard's own work hadn't already taught us to think otherwise. For as he demonstrates admirably in The Differend, his 1983 meditation on testimony and the Holocaust, there is always a winner and a loser under the law; its attendant pains are always selectively applied. From a discursive point of view, this asymmetrical relationship manifests itself in a differend, a situation where two parties find themselves in dispute, and "the 'regulation' of the conflict that opposes them is done in the idiom of one of the parties, while the wrong suffered by the other is not signified in that idiom." 3 According to Lyotard, the suffering of the Jews at the hands of the Nazis exemplifies this pattern. In a strict juridical sense, any attempted protests by concentration camp prisoners had no meaning, and no right to mean anything, in Third Reich Germany: In the differend, something "asks" to be put into phrases, and suffers from the wrong (tort) of not being able to be put into phrases right away. This is when the human beings who thought they could use language as an instrument of communication learn through the feeling of pain... to recognize that what remains to be phrased exceeds what they can presently phrase.... 4Here Lyotard reveals that an encounter with the law, mediated by pain, inevitably creates injustices and wronged parties. In this paper, I will draw on this insight from The Differend to point up the ethical deficiencies or torts inherent in his own ruminations on the Kantian sublime—and in those of another philosopher whose thinking closely resembles Lyotard's on the subject, the notorious Marquis de Sade. To limit the scope of my inquiry, I shall focus in this brief essay on the differend to which each thinker's writings subject the figure of the mother.For Lyotard and Sade alike, the mother represents first and foremost the capacity to reproduce. With this capacity... (shrink)

In this study I suggest ways of thinking through issues of intimacy that have emerged in the late twentieth and early twenty-first centuries in the USA. I propose a state of intimaphobia in education. However, I move beyond exposing this state of intimaphobia to offer particular readings of two philosophers of intimacy: Michel Foucault and the Marquis de Sade. I argue that these two philosophers provide alternative models of thinking through the problems and potentials of and for intimacy. (...) While Foucault has been taken up within education in any number of ways, his concept of the ‘homosexual’ is utilized to offer insights into intimacy. Sade, while the stranger philosopher to engage, offers challenges to contemporary educational practices through the lessons of the libertine. Foucault and Sade offer, to put it simply, promises for pedagogical pleasures that challenge the current fears around intimacy in education. (shrink)

The decades immediately following the Second World War saw extensive interest in the literary novels of Sade. Compared with the Sade studies of Maurice Blanchot, Jacques Lacan, and Gilles Deleuze, Simone de Beauvoir offers a unique perspective in her essay Must We Burn De Sade?. Indeed, unlike her contemporaries, Beauvoir focuses not only on Sade's prose but also on Sade's life and the relationship between Sade's life and literature. The latter is interpreted in two (...) different ways. Thus, Beauvoir uses at least three different perspectives to understand the Marquis de Sade. In our essay, each of these three approaches, not clearly distinguished by Beauvoir's interpreters, will be discussed separately. This discussion will be linked to the important point that Beauvoir mentions three different notions of sadistic enjoyment. It will be argued that the distinction between these different notions coincides with the distinction between the three perspectives Beauvoir uses in her reading of Sade. We will evaluate both how Beauvoir's study on Sade is related to her existentialist philosophy, and the relationship between Must We Burn De Sade? and the studies of Beauvoir's contemporaries, a relationship which is neglected by most scholars in continental philosophy. (shrink)

In this article I revisit the relationship between Immanuel Kant and the Marquis De Sade, following not Jacques Lacan but Pierre Klossowski. In the process I suggest that Sade's work is marred by a series of antinomies that prevent him from stating a pure practical libertine reason and leave his view purely theoretical.

Beginning with the question of the usefulness of Rousseau's Émile for contemporary education, this article explores the fantasy held by educational thinkers and practitioners regarding Rousseau's concept of Natural Education. Using French psychoanalyst Jacques Lacan's theory of fantasy, which is based on a relationship between the subject and the object of their desire, Nicholas Stock breaks down Natural Education in a number of ways. Initially, he explores the signifier of nature as an object of desire for both Rousseau and the (...) contemporary educationalist. Next, he examines how Rousseau deploys the signifier in Émile and how this creates an ontology of the child that claims to understand their nature while designating them as Other. This point opens up discussion of desires in light of Lacan's examination of Marquis de Sade and sadism. Equally, in exploring Rousseau's dialectical relationship with Sade, Stock goes on to discuss how the fantasy of nature in Rousseau opens up possibilities of sadistic desire. Finally, he concludes the article by deconstructing the binary upheld between nature and culture through an exploration of pastoral literature. It is this pastoralism that gives a desirable quality to nature, thus sustaining its fantasy in educational circles. (shrink)

RESUMO: O presente artigo tem por objetivo investigar a recepção do Tratado Teológico-Político de Espinosa, bem como sua crítica da religião pelo Marquês de Sade, numa obra bastante peculiar e que desafia todas as tentativas de classificação: La Philosophie dans le Boudoir. Em seu "Quinto Diálogo", Sade insere um texto intitulado "Franceses, mais um esforço se quereis ser Republicanos". Através do emprego desse artifício metalinguístico - um livro dentro de um livro - a política é agora introduzida na (...) alcova e o leitor se dá conta de que a instrução de Eugénie não é meramente sexual, mas também uma educação filosófica e política. Por meio de sua crítica ao Cristianismo, na primeira seção do texto, Sade argumenta que a tirania e a superstição religiosa são âmbitos intimamente relacionados, e a teologia é um dos principais alicerces do poder político. ABSTRACT: This article aims to investigate the interpretation by the Marquis de Sade of Spinoza's Theological-Political Treatise. Sade's interpretation appears in a very peculiar work which defies all rigid attempts of classification: La Philosophie dans le Boudoir. In the "Fifth Dialogue", Sade inserts a pamphlet entitled "Yet another effort, Frenchmen, if you would become Republicans". Through the employment of a metalinguistic device - a book inside a book - politics is now introduced into the boudoir, and the reader becomes aware that Eugénie's education is not merely sexual, but also philosophical and political. Through his critique of Christianity in the first section of the pamphlet, Sade argues that tyranny and religious superstition are closely related and that theology is one of the main foundations of political power. (shrink)

In this article the author discusses Pierre Klossowski’s first and second interpretation of the novels of Marquis de Sade. It is often stressed that there is a big difference between these interpretations: the first interprets Sade from a theological perspective; the second puts that Sade is an exponent of modernity. One can however argue that also Klossowski’s first theological reading interprets Sade as a product of modern thinking.

This paper examines Simone de Beauvoir’s reading of the 18th century writer and libertine Marquis de Sade, in her essay “Must we Burn Sade?”; a difficult and bewildering text, both in pure linguistic terms and philosophically. In particular, Beauvoir’s insistence on Sade as a “great moralist” seems hard to reconcile with her emphasis, in The Ethics of Ambiguity, on the interdependency of human beings and her exhortation to us to promote other people’s freedom, as well as (...) the aspiration of The Second Sex to equal relations between the genders. While earlier scholars addressed the ethico-political implications of Beauvoir’s essay, they insisted that the ambiguity so fundamental in her philosophy is denied by the Sadean hero, and that the Other can never be attained in his system. In this essay, I argue that Sade paradoxically emerges as an ethical model in Beauvoir’s text: as a writer, he assumes the ambiguity of the human condition in the extreme. Further, Sade reveals the potential of sexuality if it is explored in a form of eroticism that largely transgresses behavior constructed as normal: his writings open up new forms of existence, where, contrary to prevailing ideas, woman’s sexual freedom is claimed as equal to man’s, where genders are unstable and heterosexuality no longer the standard. Beauvoir’s fascination with Sade in this essay can be linked with the seemingly unresolvable asymmetry in the relation between men and women in The Second Sex: in his writings is revealed sexuality’s potential to subvert patriarchal norms and mystifications, and perhaps, in the end, even gender itself. (shrink)

Georges Bataille is one of the most influential thinkers to have seriously considered the work of Donatien Alphonse François, the Marquis de Sade. What is undeniable is that the two thinkers share a number of thematic and theoretical commonalities, in particular on the subject of human nature and sexuality. However, there are serious theoretical divergences between the two, a fact generally overlooked in the secondary literature. Rather than being a mere precursor to Bataille, as himself implies, I suggest (...) that Sade is a very different thinker, a fact that Bataille does not fully acknowledge. (shrink)

Through a close reading of the works of the Ancient Greek Cynics , the Marquis de Sade , and Friedrich Nietzsche , this dissertation explores "ethics of destruction" that undermine set goals and determinate approaches to the world and that confront dominant social-historical institutions while privileging an approach to philosophy as a way of living and of relating to the world. Ethics of destruction affirm difference and irreducible singularities and undermine inherited beliefs and traditions; they reject prescribed social (...) values set on universality, transcendence, and fixity, and embrace singularity, indeterminacy, and transformation. ;The ethics of destruction described in this dissertation involve practices that oppose any domination and that attempt to do justice to what is "hidden and forbidden" and "ex-communicated" in the name of what has been constructed as life. The Cynics, Sade, and Nietzsche engaged in different ethics of destruction that led them towards transforming themselves and towards "becoming tyche," "becoming chaos," or "becoming fatum" respectively. These ethics privilege the multiple, unlimited, and indeterminate at the basis of something that can no longer be called "ontology" but that can be designated as "ways of living." They also accentuate the permeation and stratification of an unlimited, or rather an ungraspable, multiplicity of sensations, feelings, emotions, events, interpretations, etc., at the basis of what can no longer be called "epistemology" but that can be designated as "ways of relating to the world." The particular ways of living and of relating to the world associated with ethics of destruction are shown to privilege practices that open pathways towards "multiplicity.". (shrink)

This article reveals three aspects of victimhood in Bataille’s reading of Sade (of the other, of the self, and Sade’s language) and relates them to some of Bataille’s metaphysical and political notions: the impossible, the general and the restricted economy, sovereignty, and transgression. Doing so shows a progressive simplification of possibilities for transgression from the pre-Christian world to that of popular sovereignty, i.e., the sovereignty of the crowd, the latter leaving open one avenue for transgression: Sadean victimhood. The (...) article then applies these aspects to the pamphlet in Sade’s Philosophy in the Boudoir, “Frenchmen, Some More Effort If You Wish to Become Republicans,” in relation to a contemporaneous document of popular sovereignty, the preamble to the Constitution of the Year III, titled “Declaration of the Rights and Duties of Man and Citizen.” Attending to the aspects of Sadean victimhood in “Effort” shows that its system’s very impossibility makes it the Declaration’s logical completion. Finally, that impossibility is revealed as the sovereignty of the masses, distinct from that of the crowd. (shrink)

By comparing Pierre Klossowski’s works on Nietzsche and the Marquis de Sade, the paper attempts to clarify his understanding of the part played by the ‘bodily remainder’ in recruiting a following of readers to their texts. Klossowski’s designation of the ‘simulacrum’ of eternal return in Nietzsche’s philosophy is compared with his account of the role played by sodomy in Sade’s writings. Klossowski contends that, through these figures, a bodily contagion, is communicated to the reader, but esoterically: that (...) is, only to a select few, whose bodies can replicate the impulses that the text conceals. Ultimately, what Klossowski’s interpretations of Nietzsche and Sade achieve, however, is the dissimulation of identity, as well as of a decisive difference between the reader and the philosopher whom she reads. (shrink)