Lezama, and later Deleuze, discovered that the baroque does not refer to an essence, but to an operative function. That operative function is the fold, which "curls and multiplies", as Lezama writes, and proliferates to infinity. We all know the examples with which Lezama placed his concept of the American baroque: the poems of Domínguez Camargo, those of Sor Juana, the architectures of the Kondori Indian, the baptismal fonts of Aleijadinho, "ornamented like accordions, with spiraloid leaves that (...) ascend"; the chapel of the Rosary, in Puebla, omamentada "without truce or free spatial parenthesis". This is how the fold operates, it is like a leprosy or a lichen -in the past, certain lichens were called leprosy-: it infests by enveloping and developing, it proliferates by setting in motion the fold-unfold pair. Lezama does not seek to reconfigure the sequences of history, but to superimpose other cycles on them, create gaps and vanishing points in chronological and causal narratives, divert the emphasis placed on cultures and redirect it to imaginary eras, until the meaning comes from a series of scales established in the historical. The eras would be ordered according to their potentiality to create images; thus it would be possible to establish the points where the image was imposed as history. The Carolingian imaginary era, for example, forged a link between the prodigies, the marvelous islands, the battles against the Saracens and theocratic reason. How are these scales established and how do they operate? How do counterpoint, images and links work? (shrink)

Este artículo se propone revisar el papel de la imaginación literaria (y su investigación) como una vía para acceder a nuevas formas de realidad y nuevos conocimientos. Se toma como caso de estudio al escritor cubano José Lezama Lima quien, en su intento por ampliar y contradecir el causalismo aristotélico, enunció conceptos que el discurso científico solo alcanzaría a desarrollar décadas más tarde a través de las Ciencias de la Complejidad, la Teoría General de Sistemas y la hermenéutica (...) de Paul Ricoeur. La búsqueda bibliográfica y la comparación con teorías científicas correspondientes a la época en que Lezama vivió (o un poco posterior) revelan en el escritor cubano una comprensión de la realidad en muchos casos visionaria con respecto a la ciencia de su tiempo. Palabras clave: José Lezama Lima, metáfora, mito, no causalidad, epistemología de la ciencia. (shrink)

Within the critical humanities there has been a recent return to Marxist and communist thought, which has meant a reckoning with post-structuralism. Thinkers, such as José Muñoz and Jodi Dean, who have been critical of parts of the post-structural legacy, have also held onto certain aspects of that tradition, in particular non-coincidence as a stay against identity, administration, and/or determination. However, they have done so in ways that have left unquestioned a contemporary commonsense around teleology. In this essay I argue (...) this has led to an inability to think or maintain connections between the subject and representation – crucial categories for any materialism. Through a discussion of the work of Cuban poet José Lezama Lima, I cultivate a critical vocabulary for building and sustaining non-coincident relations between the subject and representation, ones which neither collapse these two planes nor render them abyssal. (shrink)

Jaime Rodríguez Matos, Writing of the Formless. José Lezama Lima and the End of Time, New York, Fordham University Press, 2017. Djurdja Trajković.

Este trabajo indaga las resemantizaciones del mito de Venus en tres poetas latinoamericanos: Julián del Casal, Rubén Darío y José Lezama Lima teniendo en cuenta la intertextualidad y las poéticas correspondientes. This paper analyses the Venus myth appropiation into the poetry of Julián del Casal, Rubén Darío and José Lezama Lima considering their poetry and intertextuality.

Este artículo analiza Aventuras sigilosas (1945), poemario de José Lezama Lima, a través del concepto de deseo como principio estructural y dinámico en el proceso de transformación al que es sometido el sujeto protagónico; en dicho tránsito, la compleja red de imágenes en sucesión, con distintos valores simbólicos en los poemas, tiene una función central. Para estudiar este fenómeno, se retoman tres composiciones: “Llamado del deseoso”, “El fuego por la aldea” y “El guardián inicia el combate circular”, pues (...) constituyen puntos nodales en el itinerario de transformaciones que articula este poemario. Tras el análisis textual, se señala la naturaleza heterogénea e integral del deseo no sólo como principio propio de la esfera sexual, sino como una voluntad dinámica de cambio, vinculada con imágenes naturales y míticas como el fuego. Palabras clave: deseo, imagen, transformación, fuego, poesía. (shrink)

En este artículo se recogen los principales momentos de la estadía de María Zambrano en América, muy especialmente, su permanencia en la isla de Cuba, donde entra en contacto con pensadores y escritores de la talla de José Lezama Lima y los vinculados al grupo Orígenes. Se hace un recorrido por algunas de sus obras queriendo reconocer las influencias recibidas durante este período de su pensamiento.

This article addresses the notion of Latin American baroque, linking its aesthetic and interpretive dimension with the cognitive, to develop a located epistemology in Latin America, consistent with its tradition and cultural history. This exercise requires a transdisciplinary effort, therefore this article takes the form of notes, in the context of a broader research program focusing on the contribution of the sociologist Pedro Morandé and writers Pablo Rokha and José Lezama Lima, in a transdisciplinary perspective that assumes theories (...) of knowledge grounded in the identification of Baroque and Latin American appropriations as core of our cultural substrate and therefore epicenter of reflection on identity; developing emerging forms of writing grounded in a metalanguage that appeals to the neo-baroque as a foundation. En este artículo se aborda la noción de barroco latinoamericano, vinculando su dimensión estética e interpretativa con la cognoscitiva, para dar pistas en el desarrollo transdisciplinario de una forma de epistemología situada en Latinoamérica, coherente con su tradición e historia cultural. El ejercicio requiere un esfuerzo transdisciplinario, por ello el artículo toma la forma de apuntes, en el contexto de un programa de investigación más amplio, centrándose en un somero examen del aporte del sociólogo Pedro Morandé y de los escritores Pablo de Rokha y José Lezama Lima, ello en una perspectiva transdisciplinaria que asume teorías del conocimiento fundamentadas en la identificación del barroco y sus apropiaciones latinoamericanas, como médula de nuestro substrato cultural y por tanto, epicentro de la reflexión sobre la identidad, surgiendo un modo de desarrollar formas de escritura cimentadas en una metalengua que apela al neobarroco como fundamento. (shrink)

El artículo estudia, por una parte, la génesis del concepto de lo barroco en Eugenio D’Ors en relación con sus referentes intelectuales inmediatos. Desde la perspectiva europea se analiza el influjo de la oposición establecida por Worringer (1908) entre Abstraktion y Einfühlung, así como la impronta del concepto de romanticismo político de Carl Schmitt (1919). Por otra parte, se analiza la historia del concepto de lo barroco en dos momentos. De un lado en el denominado neobarroco americano, impulsado por autores (...) como Lezama Lima, Alejo Carpentier y Severo Sarduy. En este ámbito se muestra el modo en que el concepto sirvió para dar cuenta de lo que desde las posiciones colonialistas de D’Ors representaba la crisis de la cultura clásica europea y que, desde la perspectiva americana, definía en sentido positivo la identidad cultural hispanoamericana. Para estudiar una segunda deriva del concepto, se examinan las similitudes y diferencias entre el sentido que la categoría tiene en D’Ors y su reinterpretación en el pensamiento posmoderno de la década de los ochenta, de la mano de Calabrese, Jenks y Deleuze. Finalmente, se recurre a metáforas musicales para esclarecer las diferencias entre el barroco histórico de los siglos XVII y XVIII y el barroco posmoderno. (shrink)

CONTENIDO: Pensar temáticamente la filosofía - Nosotros y la filosofía - El método en la construcción del discurso filosófico - El mundo circundante: estudio sobre la conciencia, la toma de conciencia y la realización de la conciencia - El puesto de la estética en la filosofía - Sobre el concepto de naturaleza en empédocles - La pregunta por la técnica en serenidad de M. Heidegger - Cuatro paradojas en el proyecto de la filosofía latinoamericana - La secularización de la cultura: (...) una exigencia para la modernidad - El concepto de imagen y de política en paradiso de José Lezama Lima. (shrink)

El presente libro no solo realiza un eficiente estudio de la recepción hispánica de la obra estética y crítica croceana, objeto sobre todo de su segunda parte, sino que además examina con perspicacia y erudición la presencia de España, su cultura y literatura, en la obra y en la formación del pensamiento del gran autor napolitano, esto es, a fin de cuentas, el nacimiento del moderno hispanismo italiano. La figura de Benedetto Croce, su obra teórica, es un lugar clave de (...) la cultura italiana contemporánea pero también de la española e hispánica; su singularidad y penetración exigen un estudio de recepción y de comparatística ampliamente orientado, pues no ha sido asumido hasta ahora con la amplitud requerida. Ello es imprescindible para la comprensión de una cultura contemporánea demasiado a menudo sepultada por formalismos y marxismos. Al igual que casos especialísimos como el de Menéndez Pelayo o el de Alfonso Reyes, la inmensidad de la opera omnia croceana, tanto por extensión como por alcance, configura una especie de género literario personal y una suerte de constelación como ideal heurístico. Es parte irrenunciable de una gran tradición hispano-italiana y europea, románica e hispánica que es preciso reconstruir al margen del burdo ideologismo que ha inundado la cultura contemporánea y que en España desgraciadamente ha alcanzado una de sus caras más lamentables. La selección de relaciones individuales entre Croce y autores del mundo hispánico ha sido determinada desde varios criterios, pero manteniendo la primacía, como no podía ser de otro modo, de la relevancia de los relacionados: Unamuno, Ortega, Zambrano, D’Ors, Dámaso Alonso, Amado Alonso, Alfonso Reyes, Korn, Lezama Lima, Antonio Caso…, sin excluir la impronta de las publicaciones periódicas. (shrink)

El que en el presente libro se confronten "lenguaje" e "historia" pretende indicar que una parte especial de los que hemos sido se hace presente como "lenguaje"; pero, además, según se analiza en sus páginas, la función del historiador tuvo, en principio, algo elemental y simple. La misma etimología de la palabra significa alguien a quien se le pide consejo sobre un hecho porque "él vio lo que pasó". Al decir lo que ve, lo que interpreta, el historiador compromete la (...) veracidad de su propio ser. Colección Clásicos - Dykinson (títulos publicados)?Serie estudios?? - Sobre la democracia ateniense. Luis Gil Fernández. - Derecho natural y dignidad humana. Ernst Bloch. - Alejo Carpentier. Poética del Mediterráneo Caribe. Inmaculada López Calahorro. - P. Szondi. Teoría del drama moderno. Ensayo sobre lo trágico. - El concepto poíesis en la filosofía griega. Emilio Lledó. - Lenguaje e historia. Emilio Lledó.?Serie textos? - Heródoto. Historia. Libro I. Ed. bilingüe de J. M. Floristán. - Sófocles. Electra. Ed. bilingüe de Luis Gil Fernández. - Platón. Fedro. Ed. bilingüe de Luis Gil Fernández. - Aristóteles. Poética. Ed. bilingüe de Paloma Ortiz García. - Horacio. Arte poética. Ed. bilingüe de Luis Gil Fernández. - Boileau. El arte poética y otras sátiras. Ed. bilingüe de Alberto Torrego Salcedo. - Lezama Lima. Escritos de Estética. Ed. de Pedro Aullón de Haro. - República poética. Textos programáticos de la literatura española (siglos XVIII y XIX). Ed. de Germán Garrido Miñambres. (shrink)

Selección de textos. El primer volumen esta dedicado a la filosofía en general y contiene escritos de varios filósofos europeos y, entre los latinoamericanos, Francisco Romero. El segundo contiene textos sobre la interpretación de América Latina. Sus autores: César Fernández Moreno, Augusto Tamayo Vargas, José Lezama Lima, Roberto Fernández Retamar, Lourdes Arizpe y Benjamín Carrión. En función de las tres preguntas del título, se supone que habría un tercer volumen, dedicado a la filosofía latinoamericana"--Handbook of Latin American Studies, (...) v. 58. (shrink)

Este trabajo indaga las resemantizaciones del mito de Venus en tres poetas latinoamericanos: Julián del Casal, Rubén Darío y José Lezama Lima teniendo en cuenta la intertextualidad y las poéticas correspondientes. This paper analyses the Venus myth appropiation into the poetry of Julián del Casal, Rubén Darío and José Lezama Lima considering their poetry and intertextuality.

Este trabajo indaga las resemantizaciones del mito de Venus en tres poetas latinoamericanos: Julián del Casal, Rubén Darío y José Lezama Lima teniendo en cuenta la intertextualidad y las poéticas correspondientes. This paper analyses the Venus myth appropiation into the poetry of Julián del Casal, Rubén Darío and José Lezama Lima considering their poetry and intertextuality.

Este trabajo indaga las resemantizaciones del mito de Venus en tres poetas latinoamericanos: Julián del Casal, Rubén Darío y José Lezama Lima teniendo en cuenta la intertextualidad y las poéticas correspondientes. This paper analyses the Venus myth appropiation into the poetry of Julián del Casal, Rubén Darío and José Lezama Lima considering their poetry and intertextuality.

Este trabajo indaga las resemantizaciones del mito de Venus en tres poetas latinoamericanos: Julián del Casal, Rubén Darío y José Lezama Lima teniendo en cuenta la intertextualidad y las poéticas correspondientes. This paper analyses the Venus myth appropiation into the poetry of Julián del Casal, Rubén Darío and José Lezama Lima considering their poetry and intertextuality.

Este trabajo indaga las resemantizaciones del mito de Venus en tres poetas latinoamericanos: Julián del Casal, Rubén Darío y José Lezama Lima teniendo en cuenta la intertextualidad y las poéticas correspondientes. This paper analyses the Venus myth appropiation into the poetry of Julián del Casal, Rubén Darío and José Lezama Lima considering their poetry and intertextuality.

Este trabajo indaga las resemantizaciones del mito de Venus en tres poetas latinoamericanos: Julián del Casal, Rubén Darío y José Lezama Lima teniendo en cuenta la intertextualidad y las poéticas correspondientes. This paper analyses the Venus myth appropiation into the poetry of Julián del Casal, Rubén Darío and José Lezama Lima considering their poetry and intertextuality.

O objetivo deste trabalho é traduzir e apresentar os fragmentos 19 e 20 dos Esboços de Sistema de Jena, escritos por Hegel entre 1803 e 1804. Primeiramente, farei uma rápida consideração do significado filosófico desses fragmentos, os quais tratam, desde a peculiar concepção hegeliana da consciência como espírito, da razão teórica e da razão prática como equivalentes, respectivamente, à linguagem e ao trabalho. Procuro sublinhar essa relevância filosófica a partir da interpretação habermasiana dos fragmentos, a qual lhes conferiu notoriedade como (...) tentativa de reconstrução do materialismo histórico. A partir desta breve contextualização, apresenta-se, a seguir, uma tradução para o português dos mencionados fragmentos. (shrink)

In this paper we explore the interpretation of quantity expressions in Yudja, an indigenous language spoken in the Amazonian basin, showing that while the language allows reference to exact cardinalities, it does not generally allow reference to exact measure values. It does, however, allow non-exact comparison along continuous dimensions. We use this data to argue that the grammar of exact measurement is distinct from a grammar allowing the expression of exact cardinalities, and that the grammar of counting and the grammar (...) of measurement may use numerals with different, though related interpretations. As Yudja shows, the language of measurement is not automatically acquired along with the knowledge of exact numeral expressions. We show that the ‘gap’ between prelinguistic intuitions about quantity in terms of numerosity and counting, which is bridged by the learning of language expressing exact cardinality, is paralleled by a similar gap between prelinguistic intuitions about quantity on a continuous dimension and measuring: this gap too must be bridged by language which expresses exact measure values. Our results suggest that the enculturation process by which we develop skills to perform abstract operations in the domain of measurement is (1) language dependent and (2) distinct from the process by which we learn to perform abstract calculations in the cardinal domain. (shrink)

Resumo: o artigo apresenta de forma seminal a noção de cartossonografia, um modo de considerar a música por suas regiões sonoras. Para tanto, tenta estabelecer uma relação de proximidade entre Nietzsche e Debussy. Do filósofo, procura compreender a ideia de um Sul da música, enquanto do compositor se investiga as formas pelas quais ele estabeleceu um novo caminho para a música numa busca por sonoridades francesas. Além disso, ambos têm em comum um percurso que vai da adesão ao rompimento com (...) Wagner.: The article presents, in a seminal way, the notion of a cartsonography, amannerof considering music by its sonorous regions. For this purpose, it intends to establish a relationship of proximity between Nietzsche and Debussy. Regarding the philosopher, it seeks to comprehend the idea of a South in music, and regarding the composer, in turn, it investigates the ways in which he laid down a new direction for music in a search for French sonorities. Furthermore, both have in common a route that leads from adherence to rupture with Wagner. (shrink)

Se trata de un libro en el que el autor, cura y conocido propietario de los restaurantes La Taberna del Alabardero, invita a reflexionar sobre Dios a partir de su experiencia personal. La obra está prologada por el periodista Vicente Verdú. El epílogo es del arzobispo de Sevilla, Mons. Carlos Amigo.

A distinguishing characteristic of the biomedical model is its compartmentalized view of man. This way of seeing human beings has its origin in Greek thought; it was stated by Descartes and to this day it still considers humans as beings composed of distinct entities combined into a certain form. Because of this observation, one began to believe that the focus of a health treatment could be exclusively on the affected area of the body, without the need to pay attention to (...) patient’s subjectivity. By seeing pain as a merely sensory response, this model was not capable of encompassing chronic pain, since the latter is a complex process that can occur independently of tissue damage. As of the second half of the twentieth century, when it became impossible to deny the relationship between psyche and soma, the current understanding of chronic pain emerges: that of chronic pain as an individual experience, the result of a sum of physical, psychological, and social factors that, for this reason, cannot be approached separately from the individual who expresses pain. This understanding has allowed a significant improvement in perspective, emphasizing the characteristic of pain as an individual experience. However, the understanding of chronic pain as a sum of factors corresponds to the current way of seeing the process of falling ill, for its conception holds a Cartesian duality and the positivist premise of a single reality. For phenomenology, on the other hand, the individual in his/her unity is more than a simple sum of parts. Phenomenology sees a human being as an intending entity, in which body, mind, and the world are intertwined and constitute each other mutually, thus establishing the human being’s integral functioning. Therefore, a real understanding of the chronic pain process would only be possible from a phenomenological point of view at the experience lived by the individual who expresses and communicates pain. (shrink)

In the last few decades, assisted reproduction has introduced new challenges to the way people conceive and build their families. While the numbers of donor-conceived individuals have increased worldwide, there are still many controversies concerning access to donor information. Is there a fundamental moral right to know one’s genetic background? What does identity in DC families mean? Is there any relationship between identity formation and disclosure of genetic origins? These questions are addressed by analysing core regulatory discourse. This analysis shows (...) that the notion of narrative identity is suitable for defining and answering these questions. This review analyses the meaning of resemblance in DC families and the way donors are selected following affinity-ties and discusses disclosure strategies and agreements. As a preliminary conclusion, it could be said that, in the field of third-party reproduction, knowing about the donor conception significantly contributes towards the development of a narrative identity and also serves as a moral basis for the child’s right to know. (shrink)

This Work aims at reflecting on mystics, within the Western tradition, departing Lima Vaz’ thought, in order to try identifying the function that rested reserved to Mystic Experience, in the Modern Society, Society that, as It purposes Itself destroying the Sacred one up the World, has put aside Religion as a factor of legitimation regarding to public sphere. Its purpose is recovering some historical-philosophical aspects regarding to Christian Tradition in order to understanding better the level regarding to crisis of (...) meaning of this Society can be linked to the progressive lack concerning the originary relation of the Human Being with the Transcendence Itself since that this lacking subverted the constitutive nucleus of its own identity as an open. We may assume that this Reflection of ours will be turned on contributing for reflecting of the Christian Mystics et its contribution for the dialogue with the plurality of the actual ways of spiritualities, in front of crisis concerning the contemporaneity. (shrink)

Resenha: LEITE, Maria Jorge dos Santos. Movimento Social Quilombola: processos educativos. 1ed. Curitiba: Appris, 2016, 271 p.

Ce texte a déjà paru dans Telondefondo. Revista de Teoria y Critica Teatral, n° 9, julio, 2009. Nous remercions Perla Zayas de Lima de nous avoir autorisé à le reproduire sur RHUTHMOS.: This article proposes a methodological approach to the problematic generated by the concept of rhythm in dance and in other arts because of their strong connections. We reproduce and comment some of the more interesting opinions about this subject. Key words : Rhythm, dance, art, research Este - (...) Danse, théâtre et spectacle vivant – GALERIE – Nouvel article. (shrink)

The present paper will discuss three points: (a) the question on if the fundamental mistakes that led Hegel’s system to collapse can be understood and formulated in the horizon that is given to us by the tradition from Plato to Schelling; (b) if it is posible to outline the project of a system in the tradition of Plato and Hegel in a way that the mistakes mentioned before can be avoided; (c) in being posible such a project, what role would (...) play in it contemporary scientific theories, as the Theory of Evolution by Darwin, The theory of systems by Bertalanffy, the Theories about Deterministic Chaos, the Theory of Prigogine about Dynamic Systems and the Fractals Theory? In answer to this question the paper will defend the proposal of a project of universal philosophical system, in which these theories must be considered as its integer parts, such as mechanisms that, at least in part, determine the passage from the One to the Multiple. Key words: philosophical system; dialectic; scientific theories; neoplatonism; one; multiple. (shrink)

With the increasing adoption of artificial intelligence (AI) technologies in the news industry, media organizations have begun publishing guidelines that aim to promote the responsible, ethical, and unbiased implementation of AI-based technologies. These guidelines are expected to serve journalists and media workers by establishing best practices and a framework that helps them navigate ever-evolving AI tools. Drawing on institutional theory and digital inequality concepts, this study analyzes 37 AI guidelines for media purposes in 17 countries. Our analysis reveals key thematic (...) areas, such as transparency, accountability, fairness, privacy, and the preservation of journalistic values. Results highlight shared principles and best practices that emerge from these guidelines, including the importance of human oversight, explainability of AI systems, disclosure of automated content, and protection of user data. However, the geographical distribution of these guidelines, highlighting the dominance of Western nations, particularly North America and Europe, can further ongoing concerns about power asymmetries in AI adoption and consequently isomorphism outside these regions. Our results may serve as a resource for news organizations, policymakers, and stakeholders looking to navigate the complex AI development toward creating a more inclusive and equitable digital future for the media industry worldwide. (shrink)