Članek prinaša štiri poglede na hermenevtiko glasbe, ki so osredotočeni na 1) vzpostavljanje hermenevtičnega obzorja, 2) zgodovinske umestitve hermenevtike glasbe, 3) teoretsko razmejitev glasbene povednosti v muzikologiji in 4) spoznavoslovne razmejitve glasbene povednosti. Osrednja pozornost pri vseh štirih pogledih je naravnana k vprašanju: katere epistemološke ravni kaže upoštevati, ko govorimo o hermenevtiki glasbe kot muzikološkem pojmu v najširšem smislu?Različne fasete, ki tvorijo hermenevtiko glasbe, zato narekujejo za glavni cilj prispevka: očrtati meje med hermenevtiko kot teoretskim sistemom, ki temelji na metodah (...) vzporejanja glasbenega stavka z "zunajglasbenimi" pojavi, in hermenevtiko kot "kulturno institucijo" ali pragmatičnim pristopom, ki poleg spoznavoslovnih prednosti prinaša tudi vrsto pasti.Four different sketches of musical hermeneutics are given, focused respectively on 1) the formation of the hermeneutical horizon, 2) historical framings of the musical hermeneutics, 3) theoretical division of the musical meaning within musicology, and 4) epistemological layering of the musical narrativity. The main focus of the four sketches is to discuss single issues arising from the following question: which levels of epistemology should be considered to define hermeneutics of music as a musicological term.Because of the various facets involved, the main aim of this article is to sketch the boundaries between hermeneutics as a theoretical system founded on comparative methods and hermeneutics as the "cultural institution", or a pragmatic approach, bringing about not only epistemological advantages but also a number of issues. (shrink)

The Wigner distribution has proven to be a useful tool in many quantum problems requiring a joint distribution of position and momentum. In the present paper we develop a joint distribution for spin components within the spirit of the Wigner distribution. This distribution provides an insight into the quantum theory of measurement. We also discuss how one may write joint distributions for two arbitrary noncommuting operators.

En la investigación se pretende mostrar, apoyado sobre todo en Gadamer, que entre arte y religión se da un vínculo indisoluble, que dicha relación va más allá del encuentro coyuntural de ciertas épocas, y que para acceder a dicho vínculo es necesario replantear la manera como, desde una óptica fundamentalmente disyuntiva, se autocomprenden dichos conceptos. Esto supone, metodológicamente. el señalamiento de la imposibilidad de abordar dicho vínculo si se parte de la delimitación precisa de los conceptos, por lo que se (...) hace necesario más bien partir de la relación misma. Y tematicamente, implica demostrar la artificialidad de los límites en los que se debate la cultura occidental. (shrink)

The generation and use of 3D images and visualizations through remote sensing, Building Information Modeling, and Augmented Reality technologies, have come to play a significant role in construction engineering practice. Although these technologies are promising, their potential can be misjudged when potential end-users are unaware of key assumptions that were made by developers. Realistic expectations require insights into the ways in which these technologies transform input collected into 3D visualizations and how these visualizations are possibly used on construction sites. This (...) study’s objective is hence to explore the form of technological mediation that the generation and use of 3D images and visualizations provide between a human and objects, or aspects of these objects, that would otherwise be largely imperceptible to professionals in construction practice. We show that algorithms pre- and post-process data through their technological selectivities, which function as mediators. Double mediations of augmented and engaged relationships play a dominant role in the use of 3D images and visualizations and enhance the situational awareness of professionals in construction practice. This is the first study that applies this perspective to increase the understanding of the mediating role of 3D images and visualizations in construction practice. (shrink)

El presenta trabajo describe y caracteriza de manera breve y concisa lo que podría ser una ontología del arte. En la primera sección se presentan las dificultades actuales, así como las nociones y preguntas principales de la ontología. En la sección segunda, se bosquejan las definiciones y caracterizaciones actuales de la ontología, se hace especial hincapié, en la ontología aplicada. En la tercera, cuarta y quinta sección se caracteriza y configura lo que podría ser una ontología del arte, se evidencian (...) sus limitaciones así́ como sus perspectivas y trazabilidad para hacer viable dicha ontología; adicionalmente se abordan los aportes del realismo anglosajón a la cuestión. El propósito de esta caracterización es hacer evidente que es plausible dar un tratamiento integral al problema de la realidad y su configuración y desarrollo en los mundos regionales, como, el mundo del arte. (shrink)

We propose that observables in quantum theory are properly understood as representatives of symmetry-invariant quantities relating one system to another, the latter to be called a reference system. We provide a rigorous mathematical language to introduce and study quantum reference systems, showing that the orthodox “absolute” quantities are good representatives of observable relative quantities if the reference state is suitably localised. We use this relational formalism to critique the literature on the relationship between reference frames and superselection rules, settling a (...) long-standing debate on the subject. (shrink)

This note is a critical response to Kentaro Fujimoto’s new conservativeness argument about truth, which centres on the notion of finite conjunction. We argue that Fujimoto’s arguments turn on a specific way of formalizing the notions of finite collection and finite conjunction in first-order logic. In particular, by instead formalizing these concepts in a natural way in set theory or in second-order logic, Fujimoto’s new conservativeness argument can be resisted.

Every word signifies multiple senses. Many studies using comprehension-based measures suggest that polysemes’ senses share lexical representations, whereas homophones’ meanings correspond to distinct lexical representations. Less is known about the lexical representations of polysemes compared to homophones in language production. In this study, speakers named pictures after reading sentence fragments that primed polysemes and homophones either as direct competitors to pictures, or as indirect-competitors to pictures. Polysemes elicited equal numbers of intrusions to picture names compared to in control conditions whether (...) primed as direct competitors or as indirect-competitors. This contrasted with the finding that homophones elicited more intrusions to picture names compared to in control conditions when primed as direct competitors than when primed as indirect-competitors. These results suggest that polysemes, unlike homophones, are stored and retrieved as unified lexical representations. (shrink)

El artículo muestra las relaciones de amistad que se van tornando en reflexiones filosóficas entre Cioran y el escritor italiano Mario Andrea Rigoni, a partir de su obra: Cioran dans mes souvenirs. Nuestro interés está en dar a conocer las reflexiones que hace Rigoni sobre la obra y el carácter humano de Cioran.

CAN actions be right irrespective of the motives from which they come? Can an action be right though coming from a bad or an ‘indifferent’ motive?

In previous work the author was able to derive the Schrödinger equation by an analytical approach built around a physical model that featured a special diffusion process in an ensemble of particles. In the present work, this approach is extended to include the derivation of the Dirac equation. To do this, the physical model has to be modified to make provision for intrinsic electric and magnetic dipoles to be associated with each ensemble particle.

This contribution takes into focus elements as scenes of thought in order to contest our colonial, anthropocentric and extractivist mo-dernity: fires of burning fossil fuels, waves of the open sea, shores as the landscape of islands, clouds in the sky and beyond. We sug-gest that these motifs bear the possibility to examine the problems of our present as well as to develop other, differing and new rela-tionalities.

The apparatus theory is used to challenge the interpretation of religion and also to determine whether religion is a factor to contend with in modern society. Religion could be the element that keeps the city intact or could be the one element that is busy ruining our understanding of reality and the way this interacts with society in the urban environment. Paradigms determine our relationships. In this case, the apparatus theory would be a more precise way of describing not only (...) our relationship towards the city but also the way in which we try to perceive our relationship with religion and the urban conditions we live in. This article gives theoretical background to the interpretation and understanding of the relationship between various entities within the city. The apparatus of the city creates space for religion to function as a binding form. Religion could bind different cultures, diverse backgrounds and create space for growth. (shrink)

This paper proposes to give a brief overview of the state of contemporary Ecuadorian art. The first section defines the concept and practice of contemporary art in relation to ethics and truth. The second section deals with "problems" that beset the creators, curators and art critics, art market, and consumers, makes a brief allusion to the state of higher education in arts. In this section, although it emphasizes the fragility of Ecuadorian contemporary art, also noted that each of the states (...) mentioned as an opportunity to improve and advance, not only in development and positioning of Ecuadorian art, but above all, a world of art. At the conclusion emphasizes the necesariety to reduce the deformations presented in order to recover a primary and fundamental concept of art: "Art exists because there are works of art, and because these are artists, and because there is such a world of art.". (shrink)

[ES]Una historia de la ontología que pretenda dar cuenta de su acontecer de manera integral y equilibrada, ha de considerar tanto los aspectos historiográficos y filosóficos de sus fuentes así como los relativos a su contexto socio-cultural y necesariamente en relación con los de la metafísica, pues sus historias están indisolublemente ligadas, aunque ello no significa que necesariamente sean las mismas. En este trabajo, se intenta de manera elemental y mínima bosquejar dichas consideraciones, a través de una breve revisión historiográfica (...) de distintas nociones y hechos que puedan configurar una base sólida para la constitución de la historia de la ontología e interpretación de su significado y naturaleza. [EN] A history of ontology that pretends to be an integral and well-balanced account of its development, must considerer the historiographical and philosophical aspects of its sources, as well as the relation with its socio-cultural context, and necessarily, the relation with the same aspects of Metaphysics, as both histories are inextricably related, without necessarily being the same. In this work, it is intended, in a minimal way, to outline such considerations, trough a brief historiographic revision of the distinctive facts and notions that can configure a solid ground for the constitution of the history of ontology and the interpretation of its significance and nature. (shrink)

Inner Experience and Neuroscience: Merging Both Perspectives. . ???aop.label???. doi: 10.1080/09515089.2013.811575.

This paper gives an account of Colin McGinn's essay: "Can We Solve the Mind-Body Problem?". McGinn's answer to his own essay title is that the problem is forever beyond us due to the particular nature of our cognitive abilities.The present author offers a number of criticisms of the arguments which support this conclusion.

Human life is infused with different kinds of normativity (e.g. instrumental, epistemic, conventional, moral). Different theorists have proposed vastly differing views on how to conceptualize the different kinds of normativity. Whereas social domain theorists have asserted that moral, conventional, and personal kinds of normativity constitute distinct thematic domains and are viewed as such even by young children, other theorists have denied that moral and nonmoral kinds of normativity are thematically distinguishable. The current paper proposes a third approach that may show (...) a way out of the controversy. Instead of viewing normative issues as belonging to one or more distinct thematic domains, it would be more accurate, both philosophically and psychologically speaking, to recognize that any given action may be grounded in multiple, non-exclusive reasons for action. Moral, conventional, and personal reasons for action may be defined in terms of what one believes one can respectively justify to all rational interlocutors, particular social partners, and oneself. The three kinds of reasons for action may accordingly be visualized as dimensions of normativity that together comprise a three-dimensional coordinate “space of reasons.” To illustrate the dimensions approach, 16 examples are given of actions whose values vary independently on each of the three dimensions. (shrink)

The Development and Meaning of Twentieth-Century Existentialism This volume recaptures, through the writings of figures already well-known in the mid-1940s, the coming-to-consciousness of the existentialist movement, along with early disagreements concerning its significance. The articles present various critics' shifting views of that significance and the movement's standing over subsequent decades. Despite the centrality of Sartre's thought to existentialism, these selections offer interestingly diverse perceptions of his place within the existentialist pantheon, along with varied interpretations of both the historical origins and (...) the future importance of existential philosophy. (shrink)