_The Immanent Word_ establishes that the philosophical study of language inaugurated in the 1759 works of Hamann and Lessing marks a paradigm shift in modern philosophy; it analyzes the transformation of that shift in works of Herder, Kant, Fichte, Novalis and Schlegel. It contends that recent studies of early linguistic philosophy obscure the most relevant commission of its thinkers, arguing against the theological appropriation of Hamann by John Milbank; against the "expressive" appropriation of Hamann and Herder by Christina Lafont (...) and Charles Taylor; and against Philippe Lacoue-Labarthe and Jean-Luc Nancy’s uncritical championing of Schlegel’s ideological position. (shrink)

This paper explores the status of language and suffering in recovery from psychosis from a transcendentally-informed phenomenological perspective. We suggest that each of these concepts can apply both to the illness itself and to the person with the illness. The relationship between the two will be one focus of this discussion. The other focus will be on the various ways in which phenomenological approaches to psychopathology have understood the nature of this relationship; a relationship characterized by different meanings of (...) the term "immanence." Drawing inspiration from a Borges poem and from Husserl's debate with Heidegger over the content of his "Phenomenology" article for the Encyclopedia Britannica, we argue that it is misleading, as well as unhelpful, to continue to focus on deficits and dysfunction while ignoring the person's hopes, strengths, assets, and agency. As long as there remains no cure for psychosis, we conclude that it is more effective to promote recovery among people with psychosis than to remain focused on reducing, minimizing, or eliminating their disorder. (shrink)

This essay seeks to articulate the many implications which Giorgio Agamben's work holds for theology. It aims, therefore, to examine his conceptualizations of language in light of particular historical glosses on the “name of God” and the nature of the “mystical,” as well as to highlight the political task of profanation, one of his most central concepts, in relation to the logos said to embody humanity's “religious” quest to find its Voice. As such, we see how he challenges those (...) standard notions of transcendence which have been consistently aligned with various historical forms of sovereignty. In addition, I intend to present his redefinition of revelation as solely the unveiling of the “name of God” as the fact of our linguistic being, a movement from the transcendent divine realm to the merely human world before us. By proceeding in this manner, this essay tries to close in on one of the largest theological implications contained within Agamben's work: the establishment of an ontology that could only be described as a form of “absolute” immanence, an espousal of some form of pantheism yet to be more fully pronounced within his writings. (shrink)

When we criticize social institutions and practices, what kinds of reasons can we offer for such criticism? Political philosophers often assume that we must rely on universal moral principles that are not necessarily connected to the particular social practices of our communities. Traditionally,continental critical theory has rejected this claim through its endorsement of the method of immanent critique. Immanent critique is a critique of social practices that draws on norms already present within these practices to demand social change, rather than (...) merely conservatively reproducing them. This book defends the claim that such a critique is not only possible, but also has politically powerful potential. Taking up recent developments in analytic collective intentionality theory and in the philosophy of language, the book argues that all social practices rest on structures of mutual recognition between persons that allow social theorists to reconstruct hidden norms present within these practices. Starting from a comprehensive critique of contemporary critical theory, the book also spells out the consequences of this line of thought for the practice of social critique, for the social sciences and for political philosophy. (shrink)

This chapter casts into sharp relief Theodor W. Adorno's concept of history as a form of historical immanence of language. Here, as, to one degree or another throughout Adorno's corpus, the “untruth” of the “whole” can only be eluded through constant exertions to wrestle the latter into virtually every lexical predication. That Adorno's thinking at any given point in its development and formal presentation forms a coherent, exquisitely reflective, and mediated whole, supple and adaptive, is in no way (...) contradicted by this. However, the movement of thought through language is at the same time an inward, condensing movement of language within itself, a movement toward what is, for the logical organization of Adornean critical prose, a fusion of dialectics and style at the level of such language's smallest moving part: the sentence or short, aphoristic sequence of sentences. (shrink)

A theory of truth is language-transcendent if it ascribes truth conditions to truth-bearers that are not expressible in our natural language; a theory is language-immanent if it is not language-transcendent. In this paper, I argue for the following theses. Whether the correct theory of truth is language-transcendent or language-immanent will have significant consequences for general philosophy. Prima facie, a language-transcendent theory is preferable. However, language-transcendent theories tend to require substantive metaphysical commitments concerning (...) truth. Deflationist theories are particularly interesting in this context. I argue that, if deflationism is to remain consistent with its motivations, then it must opt for a language-immanent conception of truth. (shrink)

SummaryMetatheory may be pursued immanently, i.e., within the object language, or transcendently in metalanguages. Immanently, the hierarchy of metalanguages gives way to a hierarchy of predicates. The immanent approach accentuates the symmetry between Russell's paradox and Cantor's theorem: class shortage versus predicate shortage. Appeal to metatheoretic models, in defining logical truth, gives way to appeal to substitutions of expressions of the object language. Can this be said also of set‐theoretic truth, despite predicate shortage? Equivalently: is substitutional quantification unscathed (...) by predicate shortage? Anyway substitutional quantification balks at impredicative cases. (shrink)

This is the introduction of the book, The Immanent Word: The Turn to Language in German Philosophy, 1759-1801.

This text proposes to defend the concept of immanence of L. Hjelmslev. I indicate an epistemological crossroads where the European semiotic theory is, requiring him a clear choice: it must remain in its linguistic tradition in the immanent order of language, or it will eventually embrace phenomenological philosophy, or it will lean toward the naturalistic and materialistic research that characterizes neurocognitiviste science. I support the hypothesis that it must remain in their field of immanence of language, (...) especially because Saussure opens a real discursive epistemology witch can and should compete with transcendental reflection of phenomenological philosophy, as well as with scientific epistemology of the hard sciences. The origin of this discursive epistemology is the Semiology of Saussure, which leads me to propose the concept of sémioception. I present it as a rival and competitor of the concept of. (shrink)

People's desire not to limit the meaning of Hancang driving force, continuous development and self-transcendence, which is people from within and beyond the root driving force. The so-called "inner beyond" is not a process of idealism, which began with the desire, from the bottom of the body, and go up on the layer by layer through the heart of the development process裡and mental flexibility, and would therefore have to enhance and transform. We regard the body as I desire the presence (...) of mode. Significance by the driving force in the body and thus close to the appearance, at first non-verbal, and then eventually completed in the language of representation. Through a variety of different non-linguistic representation, the meaning of the body of the driving force to obtain specific and differentiation, as music, art, dance, drama art form ... ... and so on. These different forms of art of common origins, is made ​​to understand the forms of physical exercise, as they are each other's differences, then is made ​​to understand the form of different, such as voice, image, attitude ... ... and so the nature and rules lawyers, and the rise because of their differences on the artistic and cultural expressions of different, and even the formation of the various arts precinct. In order to film art integrated voice, image and body movement, presented at the time of the current moving image, to the above description of the story. Different types of art is "the desire of the induced mover", which provides clear instructions and guidance In order to man the desire for meaning. The meaning of desire is the driving force of development of art in different fields to cross-border basic driving force. Story has entered into a description of the classification of the appearance of language, its basic features is metaphorical. Cross-disciplinary domain of the past will pin their hopes on the concepts and logical reasoning and arguments permit. Today, the language of metaphor for understanding the nature, making metaphor and narrative clues as cross-domain, and in the humanities, social sciences, natural sciences and even among. The reason why life events, actions and circumstances can be constructed to the story, because there I am with the interaction between multiple otherness, its impetus came from one continuous extrapolation, and extrapolation of each other. And diversity of his stories were always the people the story, and always coming to the multivariate description of those who hear him. Through stories, we witness In order to the meaning of life, but always to witness the way metaphor and description of each story to each other through mutual enrichment. Description of the future, after all, the story, no matter real or imagined, there is established based on the relationship regardless of which I was with him who have the freedom in the relationship, a relationship in freedom. It is also across the world who can not break the fundamental driving force and field-based. This paper assumes that there is an undetermined dynamic energy for meaningfulness in human desire, which develops and transcends any particular realization. This is the original energy by which human beings could attain transcendence by way of immanence, which is not an idealist process, but rather originated from a body-based desire that develops upwards and fuller to integrate the mental and the spiritual. Representability, first non-linguistic and then linguistic, is the access to meaning for our desire that takes body as its mode of existence. Through different forms of representation, such as sounds, pictures and gestures ... etc., the project of meaning is specified. The movement of body in intelligible forms is the common origin of music, dancing and performative arts. Cultural difference and artistic boundaries are based upon differences in the nature and rule of these intelligible forms. The art of filming, which synthesizes image, music and body movement in presenting images moving in time so as to tell stories of various kinds. All forms of art are "inducers of desire" by articulating, determining and guiding our desire for meaning. This dynamic development of our desire for meaning is the common basic energy by which we can cross the borders of different arts. Story-telling presupposes linguistic representation accessible to our meaning dynamism. In the past, concepts and logical reasoning and argumentation were taken to be the hope for interdisciplinary research. But now, with the better understanding we have of the metaphoric nature of language, metaphors and narratives are taken to be the clue for a cross-bordering effort in different sciences, human , social and natural. If there are events, actions and plots in human existence to be constructed as stories, it is because there is always interaction with multiple others, the dynamism of it consisting in our incessant act of strangification and mutual strangification. Stories are always stories about one self with multiple others and told to multiple others. By telling stories, we witness a particular way of meaningful life, always metaphorically interpreted. We achieve mutual enrichment by telling stories to each other. The ultimate foundation of cross-bordering in arts and scientific disciplines consists in the ontology of dynamic relation, in which there is relatedness in freedom and freedom in being related, and this is the ground on which all our life stories, both real and imaginative, are based. (shrink)

There are two approaches to the understanding of the experiences and uses of language of others. One emphasizes translation. The other restricts itself to an objective description of use and function. Each approach by itself must leave something out. We need both approaches.

This paper argues that the Husserl—Heidegger relationship is systematically misunderstood when framed in terms of a distinction between internalism and externalism. Both philosophers, it is argued, employ the phenomenological reduction to immanence as a fundamental methodological instrument. After first outlining the assumptions regarding inner and outer and the individual and the social from which recent epistemological interpretations of phenomenology begin, I turn to the question of Husserl's internalism. I argue that Husserl can only be understood as an internalist on (...) the assumption that immanence equates with internal. This, however, is not the case as can be seen once the reduction is understood not as setting aside the existence of the world, but rather a reflection on its meaning. Turning to Heidegger, I argue that his commitment to a form of the phenomenological reduction precludes him from being either a semantic or a social externalist. The place of authenticity and the first person perspective in his work derive from his phenomenological commitments, which can be seen in his accounts of discourse and language and of falling (Verfallen). I then go on to briefly outline a more plausible basis for understanding the difference between Husserl's and Heidegger's phenomenologies in terms of their respective emphases on logic and on poetics. (shrink)

The conversations generated by the chapters in Music's Immanent Future grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its (...) starting point in noise; that in order to justify our creative compositional works as research, we need to find critical languages and theoretical frameworks with which to discuss them; or that despite being an auditory system, we are compelled to resort to the visual metaphor as a way of thinking about musical sounds. Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. The chapters in this volume investigate and ask fundamental questions about how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Gilles Deleuze and Felix Guattari, and secondarily of Michel Foucault, Julia Kristeva and Jean-Luc Nancy. The chapters cover a wide range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis, music's ontology, the noise/music dichotomy, intertextuality and music, listening, ethnography and the current state of music studies. The authors discuss their philosophical perspectives and methodologies of practice-led research, including their own creative work as a form of research. Music's Immanent Future brings together empirical, cultural, philosophical and creative approaches that will be of interest to musicologists, composers, music analysts and music philosophers. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Transcendence, Immanence, and Ultimacy: The Theological Adequacy of Religious NaturalismJeffrey B. Speaks (bio)I. IntroductionIn the Introduction of Volume II of his Systematic Theology, Paul Tillich positions his “self-transcendent” and “ecstatic” conception of God as a via media that moves beyond the conflict of supranaturalism and naturalism.1 While Tillich’s rejection of Supranaturalism (i.e., God as a being, or the highest being) and more aggressively reductive forms of naturalism (i.e., (...) eliminative materialism) is not surprising, ST:II has remained a challenging piece for the religious naturalist due to Tillich’s rejection of non-reductive, religious forms of naturalism (as well as pantheism) as theologically insufficient. For Tillich, even a religious naturalism that claims God is “identical with natura naturans, the creative nature, the creative ground of all natural objects” is objectionable because it “denies the infinite distance between the whole of finite things and their infinite ground, with the consequence that the term ‘God’ becomes interchangeable with the term ‘universe’ and therefore is semantically superfluous.”2 For the religious naturalist who has taken seriously Tillich’s claim that the object of religious concern should be something ultimate (i.e., the religious ultimate should also be metaphysically ultimate), this critique has the potential to be devastating by leaving the religious naturalist open to the charge of idolatry. Clearly, the challenge that Tillich raises to religious naturalism must be explored, wrestled with, and answered.The central problem that Tillich raises is that of transcendence—namely, that to qualify as metaphysically and religiously ultimate the referent of the word “God” must infinitely transcend the finite creature. How is it possible for a religious naturalism to register infinite transcendence (whether it uses the language of God or not) in what is often considered to be a radically immanentist theology? To establish the theological adequacy of religious naturalism, it is necessary to clarify what are religiously significant conceptions of transcendence and establish a metric by which varieties of religious naturalism can be evaluated. [End Page 44]The first section of this article will unpack Tillich’s conceptions of supra-naturalism, naturalism, and ecstatic/self-transcendent theism to clarify his critique of religious naturalism and explain why Tillich thinks infinite self-transcendence is necessary for a theologically satisfactory religious ultimate. The second section of this article will develop a conceptual framework for evaluating dimensions of transcendence within a religious naturalist metaphysical system. It will establish immanent transcendence as a vague comparative category, within which are three dimensions of transcendence at play: axiological self-transcendence, conceptual transcendence, and ontological transcendence. The three dimensions provide a framework for evaluating a religious naturalist philosophical theology: high scores in all three dimensions show that metaphysics registers a greater degree of transcendence. The third section of the article will test the evaluative framework on a test-subject, by examining the role of transcendence in Donald A. Crosby’s Religion of Nature.3 It will be shown that Crosby’s metaphysics show a great deal of promise in the dimensions of axiological self-transcendence and conceptual transcendence, but cannot register the degree of ontological self-transcendence that Tillich thinks an adequate religious ultimate requires.II. Paul Tillich’s Self-Transcendent TheismIn between the publication of the first and second volumes of his Systematic Theology, Tillich faced substantial criticism over the doctrine of God developed in the first volume: namely, that God is to be identified as being-itself, and beyond this statement “nothing else can be said about God as God which is not symbolic.”4 In the second volume, Tillich hoped to shed new light on his conception by reframing his God as being “beyond naturalism and supranaturalism,” or as “[overcoming] the conflict of naturalism and supranaturalism.”5 As Tillich’s terminology is somewhat idiosyncratic (e.g., supranaturalism), it behooves the reader to carefully determine what Tillich means by these terms in order to properly identify why his ecstatic conception of God overcomes this conflict.Tillich defines supranaturalism as the belief that God is the highest being. “In this position [God] has brought the universe into being at a certain moment... governs it according to his plan, directs it toward an end, interferes... (shrink)

This dissertation considers two thinkers who share the conviction that a basis for communal action can be realized immanently through the natural and historical elements of the human condition. The idea of a meaningful community arising from sources immanent to the activity of individuals is a provocative one, which challenges the often dualistic ontology at work in modernity. Charles Taylor presents this challenge by articulating an ontological ideal of communal progress towards "authenticity." He supports his ideal by developing arguments based (...) on a model of language which depicts human intercourse as a process which expresses transcendent---though subjectively realized---meanings. This model is borrowed from the German romantic Johann Gottfried Herder, who asserted that human languages reflect aesthetic impressions of history and nature which convey divine truths. Herder believed these truths could be inculcated into the moral and political reasoning which a people were capable of, assuming an awareness of their roots in the language of the Volk. Hence Herder saw all human communities as potentially working out reflections of divine purpose; reflected in both the immanent holism and the real particularism of the human condition. But while Taylor's "expressivism" is indeed indebted to Herder's hermeneutic vision, Taylor also alters Herder's vision in light of what he accepts as necessary aspects of the modern liberal order. The results make the romantic ideal of immanent communal expression much more applicable to moral and political concerns than Herder's philosophy ever did, but are also, to a degree, shorn of the religious metaphysics which made this ontological vision believable in the first place. (shrink)

Abstract:Taking up the question of style, I argue that this term provides a generative framework for reassessing the historical challenges of feminist writing and politics. To develop my argument, I read Judith Butler's philosophy alongside Denise Riley's poems, historical criticism, and philosophical prose, proposing that both writers are inventive participants in the tradition of immanent critique. I demonstrate how feminist questioning of linguistic conventions and social norms is enfolded in Butler's paratextual reflections on philosophical grammar and in Riley's poetic and (...) theoretical efforts to acknowledge her uneasy relationship to lyric. Any dialogue between philosophy and poetry returns us to the longstanding debate about the value of these respective disciplines. I conclude by proposing that Riley and Butler encourage us to consider that each demands the other as a supplement—a necessity that emerges from the need to account for the collective life in which language is embedded. (shrink)

Starting from Flusser’s most explicit statements about irony, self-irony, and the Devil, I try to make some sense of the relations, in Flusser’s thought, between language, reality and scepticism. And, perhaps most importantly, I try to clarify Flusser’s notion of the role of philosophy proper. This analysis will bring us to a puzzling spectrum I see hovering over Flusser’s ideas: the eradication of boundaries between the ontological and the ethical. That is what I call Flusser’s radical immanent monism.

The Aristotelian view of universals, according to which each universal generically depends for its existence on its instantiations, has recently come under attack by a series of ground-theoretic arguments. The last such arguments, presented by Raven, promises to offer several significant improvements over its predecessors, such as avoiding commitment to the transitivity of ground and offering new reasons for the metaphysical priority of universals over their instantiations. In this paper, we argue that Raven's argument does not effectively avoid said commitment (...) and that Raven's new reasons fail. Moreover, we present a novel ground-theoretic interpretation of the Aristotelian view, referred to as strong immanence, and introduce a new argument against the Aristotelian view, intended to sidestep any commitment to the transitivity of ground. (shrink)

Kwasi Wiredu, arguably the most influential African philosopher, has proposed a democracy by consensus as an alternative to the majoritarian democracy African countries inherited from their colonial masters. His proposal has generated a lot of debates, and these debates have spanned several aspects of his proposal. In this paper, I focus on the debate regarding his attribution of immanence to the practice of consensus in traditional African social relations. Bernard Matolino has recently written an article defending Wiredu's employment of (...) the word immanence in describing the traditional African attitude to social relations. In this article, I find Matolino's defense to be unsustainable. (shrink)

Machine generated contents note: -- List of IllustrationsAcknowledgementsIntroductionImmanent authorship: From the Living Theatre to Cage and Goat IslandDisorganizing language, voicing minority: From Artaud to Carmelo Bene, Robert Wilson & Georges LavaudantImmanent imitations, animal affects: From Hijikata Tatsumi to Marcus CoatesPaying attention, participating in the whole: Allan Kaprow alongside Lygia ClarkEthical durations, opening to other times: Returning to Goat Island with WilsonIn-Conclusion: What 'good' is immanent theatre? Immanence as an ethico-aesthetic valueCodaBibliographyIndex.

The book Maupassant (1976), which is devoted to an analysis of Maupassant’s short story “Two friends”, is one of A. J. Greimas’ most important works. In it he tried out the semiotic tools he had developed up to that point, tested models for narrative analysis, and anticipated future perspectives in the development of semiotic theory. We discuss how the book puts forward the principle of immanent analysis, and how the “closed” text – the object of semiotic analysis – is constructed. (...) Th e article reveals that while Greimas declares, in the book’s Foreword, that he is distancing from context – the literary sociocultural universe – within the analysis itself he is forced to recognize certain contextual elements. Greimas recognizes the importance of acknowledging contextual facts such as the French concept of patrie and does not attempt to hide certain subjective interpretive elements. Yet at the same time Greimas attempts to suppress context’s invasion of his interpretation. He recognizes the semantic isotopies generated by context to the extent to which they suit the coherence of his analysis, considering them auxiliary in terms of the syntactic and discursive structures of the text. Nevertheless, a contextual isotopy – based on intertextual ties to a Biblical parable – becomes the main one. We come to the conclusion that the principle of immanence in Maupassant is not a negation, but a problematization that demonstrates how relevant contextual material can be integrated into a semiotic analysis.Книга ≪Мопассан≫ (1976), посвященная анализу новеллы ≪Два друга≫ французского писателя XIX века, – один из главных трудов Альгирдаса Юлиуса Греймаса, в котором используются ранее созданные им инструменты семиотического анализа, проверяются и дальше создаются модели нарративного анализа, намечаются будущие перспективы развития семиотической теории. Автор статьи обсуждает, каким образом в книге постулируется принцип имманентного анализа и конструируется ≪закрытый≫ текст – объект семиотического анализа. В статье показывается, что несмотря на то, что в предисловии к работе Греймас декларировал отстранение от контекста – социолектического универсума литературы, в самом анализе Греймас вынужден принимать во внимание определенные элементы контекста, а некоторые из них интегрировать в интерпретацию новеллы. С одной стороны, Греймас признает необходимость считаться с данными контекста, такими как французское понятие родины, и не скрывает некоторых субъективных элементов интерпретации (опираясь на биографические данные, автор статьи обсуждает возможный генезис некоторых из этих элементов). С другой стороны, в то же самое время автор ≪Мопассана≫ старается совладать с ворвавшимся в интерпретацию контекстом. Генерируемые контекстом семантические изотопии он признает настолько, насколько они вписываются в когерентный анализ, и считает их вспомогательными по отношению к синтаксическим и дискурсивным текстовым структурам. Однако в кульминации анализа такая контекстуальная изотопия возвращается интертекстуальной связью с библейской параболой (притчей) и становится главной. Автор статьи делает вывод, что принцип имманентности в ≪Мопассане≫ не отрицается, но становится проблемным, показывая, как релевантные данные контекста могут быть интегрированы в семиотическую интерпретацию. Raamat “Maupassant”, mis on puhendatud 19. sajandi prantsuse kirjaniku novelli “Kaks sopra” analuusile, on uks Algirdas Julius Greimase tahtsamaid toid. Selles katsetas ta semiootilisi tooriistu, mille oli selleks ajaks valja tootanud, pani proovile narratiivianaluusi mudeleid ning jatkas nende loomist ja ennetas tulevikuperspektiive semiootikateooria arengus. Artikli autor vaatleb, kuidas selles teoses esitatakse immanentse analuusi printsiipi ja kuidas konstrueeritakse “suletud” teksti – semiootilise analuusi objekti. Artiklist ilmneb, et kui Greimas kuulutas raamatu eessonas, et ta distantseerub kontekstist – kirjanduslikust sotsiaalmajanduslikust universumist, on ta analuusis eneses sunnitud tunnistama teatavaid kontekstuaalseid elemente ning isegi loimima moningaid neist tolgendusse, mille ta loole annab. Uhest kuljest tunnistab “Maupassant’i” autor selliste kontekstuaalsete faktidega, nagu seda on naiteks Prantsuse moiste ‘patrie’, arvestamise tahtsust ega urita peita teatavaid subjektiivseid interpreteerivaid elemente (artikli autor kasutab nende voimaliku geneesi vaatlemisel biograafi list materjali). Ent samal ajal uritab Greimas alla suruda konteksti pealetungi oma tolgendusele. Konteksti loodud semantilisi isotoope tunnustab ta maaral, mil need sobivad tema analuusi sidususega, pidades neid teksti suntaktilisi ja diskursiivseid struktuure silmas pidades korvalisteks. Siiski saab peamiseks uks kontekstuaalne isotoopia, mis pohineb intertekstuaalsetel sidemetel Piibli vordumiga. Artikli autor jouab jareldusele, et immanentsuse printsiip “Maupassant’is” ei ole eitus, vaid problematiseering, mis toestab, kuidas on voimalik olulist kontekstuaalset materjali semiootilisse analuusi loimida. (shrink)

Language, through the discrete nature of linguistic names and strictly determined grammatical rules, creates absolute, “quantized”, sharply separated “facts” within the external world that is continuous, “fuzzy” and relational in its essence. Therefore, it is similar, in some important sense, to magic, which attributes causal and creative power to magical words and formulas. On the one hand, language increases greatly the effectiveness of the processes of thinking and interpersonal communication, yet, on the other hand, it determines and distorts (...) to a large extent the picture of the world created within the mind. The relatively smallest (but still significant) magical admixture is present in science, because of its relatively reliable methodology, while the largest is found in religion and a large part of philosophy. The magical nature of language also manifests itself in logic and mathematics that refer to ill determined, fuzzy objects, sets and relations in the real world. The meaning of linguistic names is based on the conceptual network—an epiphenomenon (continuous in its essence) of the neural network—where interactions between particular concepts are based on the relation of connotation. The names and formulas of language correspond to these concepts which are best separated and determined. A direct relation of denotation between the elements of language and “facts” of the world is an illusion. While we cannot dispense with language because of its immense usefulness, we must remember about its “fact-creating” nature and influence on our thought and cognitive processes. The picture of the reality created as the result of them is to a large extent formed and deformed by the nature of language, and not by the “immanent” properties of the world in itself. (shrink)

In a critical scene deeply troubled by questions of justice and responsibility, and beset by political and moral scandals, no issue in recent years has been more urgent or more unsettled than the question of ethics. Geoffrey Galt Harpham, whose previous book, The Ascetic Imperative in Culture and Criticism, was one of the first to announce the critical renewal of ethics, attempts in this new book to explain why ethical questions resist settlement. He urges a new account of ethics not (...) as a stable set of principles, values, or prescriptions, but as a variable factor of "imperativity" immanent in language, analysis, narrative, and creation. (shrink)

Though I am not a linguist by trade, writing “of” (rather than “about”) literary philosophy in Maltese with the intent of exploring the interrelationship between the experience of the contingent self, displacement, and the pain of beauty, becomes a linguistic affair. In this paper I explore how doing philosophy in Maltese brings one to engage with disciplines in which one was entirely educated in other languages (in this case, primarily in English and Italian), and how this opens new opportunities that (...) move inwards as well as outwards. This aspect of directional thinking, as it were, also enters those immanent and external spheres by which phenomenology and aesthetics are put in play. This refers to how the “musk” of one’s language (a term whose linguistic use I first encountered in Seamus Heaney’s take on poetry’s indigeneity), is bound to carry one’s aesthetic imaginary onto a wide horizon whose boundaries could only be likened to the porousness of rubble walls. Such rubble walls – these ħitan tas-sejjieħ (in Maltese) – tend to mark territories while facilitating a high degree of fluency between them, to the extent that we could speak of the pattern of bocage as a contingency of meaning just as the pattern of bricolage implies an act of an intentional weaving. This paper reflects on the process of writing in Maltese as a means by which contingency as an approach to living and thinking, remains core to the understanding of how the self is immersed in what we broadly identify with the poetics (and therefore, the making) of the Mediterranean imaginary. (shrink)

Kant’s criticism is based on the idea that all possible knowledge of facts is determined by the immanent structure of our apparatus of cognition, and that therefore we have no access to reality as it is per se (“Ding an sich”). In modern analytical philosophy some elements of this view survived, namely, the distinction between framework construction and actual data of experience, supposition or voluntary setting. The conditio humana is characterised by our capacity of acting. Acting is defined as behaviour (...) determined and controlled by information processes. The structure of these processes defines the semantics and logical principles of practical philosophy. From this view follows the conception of value judgments, the logic of preferences, formal teleology, the analysis of utility and norm logic. The framework theories should be open in order to be able to express all possible theoretical views, namely, subjectivism as well as objectivism. The paper gives a concise account of the systems of practical thought (formal axiology, formal teleology, preference logic and norm logic) and their gnoseological problems. (shrink)

In this paper, I will reflect on the place of language within Michel Henry’s phenomenology. I will claim that Michel Henry’s position provokes an architectonic problem in his conception of phenomenology and I will discuss how he tried to solve it. At the end of the essay, I will try to clarify what I believe to be the ultimate root of that problem involving language.

Given its use of religious concepts and language, it is tempting to class Fichte’s rarely discussed Staatslehre as a political theology. I argue that the Staatslehre can be classed as a political theology because of the way in which it can be understood in terms of the concepts of immanence and transcendence. The concept of immanence applies to Fichte’s account of history in particular. Fichte himself allows for a moment of transcendence at the very beginning of history. (...) I argue that the concept of transcendence is also implicit in the Staatslehre in relation to some problems faced by Fichte’s own account of the role of the Zwingherr in the historical development and actualization of right and moral freedom, despite his attempt to avoid introducing theologically based explanations of political concepts at this stage of his Staatslehre. (shrink)

This article deals with the concept of “great questions” in Hans Blumenberg’s philosophy. The “great questions” are fundamental elements of the German philosophy due to their role in explaining the core of the modern paradigm. Great questions are posed as resorts, and create references to them. They can be seen as atoms on the bottom of the modernity foundation, while some phenomena that could make them functional emerge as related to them. The law that enforces the atoms bond and the (...) possibility of combinations resides in the so-called reoccupation theory that gains a good sight of what happens in immanent history. The way this work intends to clarify the great questions issue is by observing three assets of Blumenberg’s philosophy: a) the dialectical orientation of history ; b) the rule of historical change; c) Blumenberg’s holistic tendencies. This article aims to demonstrate that Blumenberg’s vision not only allows freedom to be explicit in modernity, but freedom is the main asset of this epoch. (shrink)

especially Aristotle, and contented that philosophy proceeds in cycles of advance and decline. He is best known for reintroducing the scholastic concept of intentionality into philosophy and proclaiming it as the characteristic mark of the mental. His teachings, especially those on what he called descriptive psychology, influenced the phenomenological movement in the twentieth century, but because of his concern for precise statement and his sensitivity to the dangers of the undisciplined use of philosophical language, his work also bears affinities (...) to analytic philosophy.". (shrink)

This essay engages ways in which the manifestation of ‘world’ occurs in poetry specifically through images, and how we can conceive of the imagination in this regard without reducing the imagination to a mimetic faculty of consciousness subordinate to cognition. Continental thought in the last century offers rich resources for this study. The notion of a ‘world’ is related to the poetic image in ways fundamental to the Heidegger’s theory of language, and may be seen in Continental poetics following (...) Heidegger, including Blanchot’s examination of poetry in his account of the space of literature. By means of images, I shall demonstrate, poetic language is exemplary in relation to ‘world’ in two ways. (1) Images, poetically arranged, generate and open up a sense or experience of a world, specific to that poem, for its reader. Poetic images then, exhibit a generative evocation of world. (2) Through images, a poem may evoke the way in which space and time are inhabited as a world of human dwelling in an ontologically or existentially meaningful way. The relation of images to world is, then, an illumination or a disclosure of world. The first of these relations remains, to a large extent, immanent to the poem, but may be seen as an analogue of the essentially human experience of inhabiting a world. The second relation transcends the poem and relates the poem immediately to the existential framework of human dwelling. (shrink)

Both perspective and leverage are needed in order to arrive at a place where it is possible to do the philosophical work required in order to adequately account for our present sociotechnical landscape. One of the key characteristics of this landscape is the collapse of scale, as things become more like fluid assemblages and the economic incentives of surveillance capitalism turn ordinary things into surveillance devices tuned for others’ profit. In this context we need a language not only of (...) imagination and humility in the face of countless gaps between things, but also one of entanglement, care, and response-ability. (shrink)

For Clarice Lispector, language is a sacrament on dazzling display in her work, where the celebration of writing and the emergence of a creative consciousness through the act of writing about writing access an immanent experience of grace beyond any historical religious sensibility. In this, she simultaneously accesses the “great potency of potentiality” that is an experience of freedom undoing anything bound up by language. She embraces the failure of language as the “glory of falling,” the useless (...) experience of grace, and of experiencing the gift of having a body beyond whatever words we can place upon it. In the struggle to behold the “it” underneath language, she strives for an impersonal love – a joy – that respects the inviolability of nature, the “Force of what Exists and that is sometimes called God.” If “the absence of the God is an act of religion,” as she claims, the inviolability of nature is that which preserves an experience of immanent grace in our world. Rather than describe the limitless potential of the self, one’s immersion in the joyful failure of language points toward the self in unique and profound ways without offering definitions, instead allowing internal contradictions to condition one’s selfhood. In Lispector’s fiction we thus confront the pure paradox of the self: an internal, singular individual who yet maintains within themselves (hence, its immanence) a plurivocal affirmation of existence itself and a redefining of God. (shrink)

Academic legal production, when it focuses on the study of law, generally grasps this concept on the basis of a reference to positive law and its practice. This book differs clearly from these analyses and integrates the legal approach into the philosophy of normative language, philosophical realism and pragmatism. The aim is not only to place the examination of law in the immanence of its practice, but also to take note of the fact that legal enunciation must be (...) taken seriously. In order to arrive at this analysis, it is necessary to go beyond traditional perspectives and to base reflection on an investigation of the conditions for enunciating law in our democracies. This analysis thus offers a renewal of the ethics inherent in the action of jurists and an original reflection on the role of certain legal tools such as concepts, categories, or "provisions". In this sense, the work nourishes its originality not only by the transversality of its approach, but also by the will to situate legal thought in concrete forms of its implementation. The book will be essential reading for academics working in the areas of legal theory, legal philosophy and constitutional theory. (shrink)

Reacting against the turn to transcendence that heavily characterized the medieval worldview, the modern worldview is fundamentally exemplified by a threefold turn to immanence, consisting of a subjective turn, a linguistic turn and an experiential turn. Language plays a pivotal role here since it mediates between the subjective and the experiential. Ricoeur’s treatment of metaphor, significantly laid out in his The Rule of Metaphor, is crucial in bringing about this linguistic turn that mediates the subject and its experience (...) of the world. Through an analysis of “seeing as” as a poietic reconfiguration of reality in the subject’s experience, language transforms and founds the world as a “being as.” What is disclosed in this interpretative transformation of reality is not simply an hermeneutical ontology but possibly—also through language—an hermeneutical axiology. (shrink)

The main task of the paper is to show Bachtin's rendering the "external" and the "internal" problematic in his Marxism and the Philosophy of Language, by which he meant the pertaining limits between ourselves and the world, between the individual - psychological and the social. The author argues, that these are not two distinctive contradictory spheres: according to Bachtin the "internal" is always organized by the "external" i. e. the independence of the former is denied. He supposes that the (...) consciousness is determined by its embodiment in a sign. The consciousness is not constitutive of being, it is rather an immanent part of it, one of its powers. (shrink)

The purpose of this text is to examine the nodal points of the interpretation of Bergson presented in “Bergson: Intuição e discurso filosófico”, by Franklin Leopoldo e Silva, in order to make explicit the originality of his circumscription of the problem of language in this philosophy that claims to be intuitive. We argue that the notions of limit and tension are mobilized by the author to demonstrate the inseparable relationship between the critique of discursivity and intuitive access to the (...) absolute that is duration. We will also try to show how this approach offers us a new look at the particular way in which Bergson links philosophy and the history of philosophy in his first work. (shrink)

Thus consciousness belief and belief are one and the same being, the characteristic of which is absolute immanence. But as soon as we wish to grasp this being, it slips between our fingers, and we find ourselves faced with a pattern of duality, with a game of reflections. For consciousness is a reflection, but qua reflection it is exactly the one reflecting, and if we attempt to grasp it as reflecting, it vanishes and we fall back on the reflection.

This essay raises a philosophical question concerning the language of Life Theory. It aims to prove the assumption that in contrast to Life Science, which today is connected to neuroscience and biotechnology, a theory that comprehends “life itself” must exceed the computerized mathematics of modern materialistic positivism. For this purpose, the conceptual possibility of such a theory is analysed from the perspective of 20th century philosophy of life. Beginning with Henri Bergson, who developed an immanent concept of life“from within (...) itself” in L’évolution créatrice, the analysis turns to Alain Badiou, whose fundamental onto-phenomenology of being is summed up in Logiques des mondes by answering the question “what is it to live”. The comparison between the two philosophies exposes the conditions of a Life Theory that encompasses, beyond the results of the digitalizable language translated from the neurons of the human brain, the uncountable and unpredictable aspects of living and being alive. These conditions are: an ethics of universality, a differential philosophy of time, and a concept of independent novelty enforced by the aesthetics of subjective creation. (shrink)

This book focuses on dialog from a varied combination of fields: Linguistics, Philosophy of Language and Computation. It builds on the hypothesis that meaning in human communication arises at the discourse level rather than at the word level. The book offers a complex analytical framework and integration of the central areas of research around human communication. The content revolves around meaning but it also gives evidence of the connection among different points of view. Besides discussing issues of general interest (...) to the field, the book triggers theoretical argumentation that is currently under scientific discussion. It examines such topics as immanent reasoning joined with Recanati's lekta and free enrichment, challenges of internet conversation, inner dialogs, cognition and language, and the relation between assertion and denial. It proposes a dialogical framework for intra-negotiation and gives a geolinguistic perspective on spoken discourse. Finally, it examines dialog and abduction and sheds light on a generation of dialog contexts by means of multimodal logic applied to speech acts. (shrink)

Resumen Ante el dilema de si la Lógica de Hegel debe entenderse como una ontología o como una continuación del proyecto kantiano de la lógica trascendental, el artículo sostiene que no es propiamente una ontología, ni un análisis de conceptos y categorías subjetivas. Su vocación metafísica se basa en el postulado según el cual la reflexión del pensamiento sobre sí mismo tiene consecuencias para la comprensión del ser de lo que no es pensamiento, de modo que resulta ser un proyecto (...) novedoso de ontología mediada por la autorreflexión del pensar.This text faces the dilemma whether Hegel’s Logic must be understood as ontology or as continuation of the Kantian project of transcendental logics. It upholds the thesis that Hegel’s Logic is not properly an Ontology -a direct and immediate description of object’s immanent way of being- nor an analysis of merely subjective concepts and categories. The metaphysical vocation of Hegel’s Logic draws rather on the claim that thought’s self-reflection has necessarily consequences for the comprehension of the being of all that is not thought. Hence, we are facing a groundbreaking project of an ontology that is mediated by thought’s self-reflection. (shrink)

Habermas' view that contemporary philosophy and social theory can learn from religious traditions calls for closer consideration. He is correct to hold that religious traditions constitute a reservoir of potentially important meanings that can be critically appropriated without emptying them of their motivating and inspirational power. However, contrary to what he implies, his theory allows for learning from religion only to a very limited degree. This is due to two core elements of his conceptual framework, both of which are key (...) features of his account of postmetaphysical thinking. The first is the requirement of ethical agnosticism; this requires philosophy and social theory to refrain from offering guidance on questions of the good life. The second is his language-immanent conception of truth in the domain of practical reason; this follows from his rejection of any source of validity beyond human communication in this domain. I make the case for a more robust account of learning from religious traditions and metaphysical worldviews, arguing that for this purpose Habermas must modify his requirement of ethical agnosticism and relinquish his language-immanent conception of truth. (shrink)

This ambitious study presents Baruch Spinoza (1632-1677) as the most outstanding and influential thinker of modernity--and examines the question of whether he was the "first secular Jew." A number-one bestseller in Israel, Spinoza and Other Heretics is made up of two volumes--The Marrano of Reason and The Adventures of Immanence offered as a set and also separately. Yirmiyahu Yovel, Professor of Philosophy at the Hebrew University of Jerusalem, shows how Spinoza grounded a philosophical revolution in a radically new principle--the (...) philosophy of immanence, or the idea that this world is all there is--and how he thereby anticipated secularization, the Enlightenment, the disintegration of ghetto life, and the rise of natural science and the liberal-democratic state. The Marrano of Reason The Marrano of Reason finds the origins of the idea of immanence in the culture of Spinoza's Marrano ancestors, Jews in Spain and Portugal who had been forcibly converted to Christianity. Yovel uses their fascinating story to show how the crypto-Jewish life they maintained in the face of the Inquisition mixed Judaism and Christianity in ways that undermined both religions and led to rational skepticism and secularism. He identifies Marrano patterns that recur in Spinoza in a secularized context: a "this-worldly" disposition, a split religious identity, an opposition between inner and outer life, a quest for salvation outside official doctrines, and a gift for dual language and equivocation. This same background explains the drama of the young Spinoza's excommunication from the Jewish community in his native Amsterdam. Convention portrays the Amsterdam Jews as narrow-minded and fanatical, but in Yovel's vivid account they emerge as highly civilized former Marranos with cosmopolitan leanings, struggling to renew their Jewish identity and to build a "new Jerusalem" in the Netherlands. (shrink)

Confronting the Liar Paradox is commonly viewed as a prerequisite for developing a theory of truth. In this paper I turn the tables on this traditional conception of the relation between the two. The theorist of truth need not constrain his search for a “material” theory of truth, i.e., a theory of the philosophical nature of truth, by committing himself to one solution or another to the Liar Paradox. If he focuses on the nature of truth (leaving issues of formal (...) consistency for a later stage), he can arrive at material principles that prevent the Liar Paradox from arising in the first place. I argue for this point both on general methodological grounds and by example. The example is based on a substantivist theory of truth that emphasizes the role of truth in human cognition. The key point is that truth requires a certain complementarity of “immanence” and “transcendence”, and this means that some hierarchical structure is inherent in truth. Approaching the Liar Paradox from this perspective throws new light on its existent solutions: their differences and commonalities, their purported ad-hocness, and the relevance of natural language and bivalence to truth and the Liar. (shrink)