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Theatres of immanence: Deleuze and the ethics of performance
New York: Palgrave-Macmillan (2012)
Abstract
Machine generated contents note: -- List of IllustrationsAcknowledgementsIntroductionImmanent authorship: From the Living Theatre to Cage and Goat IslandDisorganizing language, voicing minority: From Artaud to Carmelo Bene, Robert Wilson & Georges LavaudantImmanent imitations, animal affects: From Hijikata Tatsumi to Marcus CoatesPaying attention, participating in the whole: Allan Kaprow alongside Lygia ClarkEthical durations, opening to other times: Returning to Goat Island with WilsonIn-Conclusion: What 'good' is immanent theatre? Immanence as an ethico-aesthetic valueCodaBibliographyIndex.Other Versions
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Citations of this work
Get Messed Up: Intentionality, Butoh and Freedom in Plasma.Sondra Fraleigh - 2019 - Performance Philosophy 4 (2):374-392.
An Argument for Investigation into Collaborative, Choreomusical Relationships within Contemporary Performance: A Practical and Theoretical Enquiry into the Distinct Contributions of a Collaborative, Co-creative Approach.Jess Rymer - 2017 - Avant: Trends in Interdisciplinary Studies 8 (T):181-191.
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