Abstract:Although Angelina Weld Grimké's 1916 play, Rachel, has historically been read as a sentimental, anti-lynching drama, such classifications might limit the play's anarchic potential. Instead of viewing the characters as responding to anti-Black violence, this paper proposes reframing the play's discussion within a context of Black maternity and its necessary engagement with the Afro-pessimist concept of social death. Such reorientation suggests that Rachel works within the theater's very materiality in order to explore the effects of anti-Blackness on Black life. Specifically, (...) this paper argues that the play's performances of abiological Black maternity—and, particularly, the titular character's performances—fugitively evade the natal alienation of social death. Furthermore, such performances link past, present, and future stage productions as well as character representations, recreating kinship formations within Black social life to stage spatio-temporal disruptions on the equation of Blackness as social death. In this way, Rachel offers modern scholars an understanding of how older works might yet be read in light of the more recent theoretical work of radical Black feminist and Afro-pessimist scholars. (shrink)

“To consent to love or be loved,” said Merleau-Ponty, “is to consent also to influence someone else, to decide to a certain extent on behalf of the other.” This essay explicates that idea through a meditation on intimacy. I propose, first, that, on Merleau-Ponty’s account, we are always transgressing into each other’s experience, whether we are strangers or familiars; I call this “ontological intimacy.” Concrete experiences of intimacy are based upon this ontological intimacy, and can take place at two levels: (...) (1) at-this-moment (such that we can experience intimacy even with strangers, by sharing a momentary but extra-ordinary mutual recognition) and (2) in shared interpersonal institutions, or habitual, enduring, and co-enacted visions of who we are, how to live, and what matters. Through particular examples of dynamics within these layers of intimacy (drawing upon work by Berne and by Russon), I claim that we are always, inevitably, imposing an “unfreedom” upon our intimate others. Freedom, then, can only develop from within and by virtue of this “unfreedom.” Thus, what distinguishes empowering or emancipating relationships from oppressive ones is not the removal of transgressive normative social forces; it is rather the particular character of those transgressive forces. Some transgressions upon others’ experience—some forms of “unfreedom”—will tend to promote freedom; others will tend to hinder it. This amounts to a call for promoting agency and freedom not only through critical analysis of public institutions, practices and discourses, but also through critical insight into and transformation of our most private and intimate relationships. (shrink)

In this essay, I propose that human development is the emergence of something significantly new out of a past situation that does not hold that novel achievement as a determinate potential except retrospectively. Development, in other words, might best be understood as a “realization” in the sense of a making-real of some new form of being that had no prior place in reality, that was not programmed in advance, but that once realized can have its roots traced back to determinate (...) conditions and potentials in its own past. This amounts to a rethinking of the nature of developmental potential as retrospectively determined. But it also involves a reconception of the locus of such potential: I argue that developmental potential must be understood as located in the human-organism-in-its-situation, rather than simply in the human organism. I take my bearings from phenomenologist Maurice Merleau-Ponty, and I make my case by elucidating three different forms of human development described by Merleau-Ponty: intellectual realizations of insight; the realization of a new perceptual-motor skill; and a child’s realization of a new lived way of making sense of the interpersonal world. (shrink)

This paper argues for an understanding of emotion based upon Merleau-Ponty's conceptions of embodiment and passivity. Through a critical assessment of cognitive theories of emotion, and in particular Solomon's theory, it argues (1) that there is a sense in which emotions may be judgments, so long as we understand such judgments as bodily enactments of meaning, but (2) that even understood in this way, the notion of judgment (or construal) can only account for a subset of emotions which I call (...) "emotional clichés," and not for authentic passions. In contrast with Solomon's account which conceives the subject as constituting, this account of emotion requires us to understand subjectivity as moved by meanings in the world, and as sometimes, in an authentic passion, dispossessed by those meanings. (shrink)

This book proposes a new, rationally-justified, evidence-based theory concerning values. It discusses practical applications of these universally-applicable values, especially to morality, society, education and upbringing. In doing so, it discusses sexism, sexuality, racism, freedom, politics, law, animal rights, environmental ethics, health-care, war, economics, psychology, science, literature, religion, and much more.

This is a French abstract for an English-language article, published as "Life is Inherently Expressive: A Merleau-Pontian response to Darwin's _The Expression of the Emotions in Man and Animals_".

This study identified a range of pedagogies developed to promote global citizenship within a university Latin American dance unit. It implemented changes to teaching and learning approaches in the...

Against recent claims that infants begin with a sense of themselves as distinct selves, I propose that the infant's initial sense of self is still indeterminate and ambiguous, and is only progressively consolidated, beginning with embodied perceptions of others. Drawing upon Merleau-Ponty's phenomenology of perception and Hegel's notion of mutual recognition, and with reference to empirical studies in developmental psychology, I argue that perceiving other persons is significantly different from perceiving inanimate things. Until sufficient motor capacities have developed for exploring (...) and perceptually disambiguating inanimate things, it is only in perceiving others who recognize her that the infant is able to realize herself as a self. As the physiological and behavioural evidence suggests, whereas inanimate things initially captivate and dispossess the young infant, other people return her to herself. This paper lends support to the ideas that humans are ontologically social beings, and that selfhood is socially conditioned rather than given with consciousness. (shrink)

The Heart of What Matters shows that literature has a powerful and unique role to play in understanding life's deepest ethical problems. Anthony Cunningham provides a rigorous critique of Kantian ethics, which has enjoyed a preeminent place in moral philosophy in the United States, arguing that it does not do justice to the reality of our lives. He demonstrates how fine literature can play an important role in honing our capacity to see clearly and choose wisely as he develops (...) a moral philosophy that engages with our intimate emotional concerns. Written in an accessible style and drawing from a provocative body of contemporary literature, this book shows how moral philosophy can reach a far wider audience than it has. -/- In part one of this book, Cunningham sketches out the theoretical basis for a redefined conception of moral philosophy. In part two, he engages in extended analyses of novels that address significant life and character issues, specifically Kazuo Ishiguro's The Remains of the Day, Toni Morrison's Beloved, and Zora Neale Hurston's Their Eyes Were Watching God and Seraph on the Suwanee. Cunningham shows exactly how works like these can inform moral philosophy. Drawing from film, history, psychology, and other social sciences in addition to literature, this book adds to the growing number of works that use literature for ethical analysis and to the growing controversy over Kantian ethics. (shrink)

Monique Wittig's The Lesbian Body subverts the authority of the anatomy teaching text, and challenges its claim to objectivity, by writing to the texts of Andreas Vesalius. Vesalius, working in the late 15th century, is recognized as having set the precedent for how the anatomy of the human body is taught even today. By writing a ‘lesbian body’ in disarray, Wittig metaphorically topples the authority and order of the standard Vesalian anatomy. By writing that body as a desiring subject, she (...) also invites us to question the desire for knowledge and ownership of that knowledge, and the illusion of scientific objectivity. Indeed, she offers us a celebration of the subjectivity of the production of texts and identities. But in her rewriting, she must also adopt a particular subject position and guard that position from the ‘wrong’ interpretations. The Lesbian Body is then, despite its literary and political force, a text which fears the interpretive role of its reader. (shrink)

Like it or not, a big picture of the history of science is something which we cannot avoid. Big pictures are, of course, thoroughly out of fashion at the moment; those committed to specialist research find them simplistic and insufficiently complex and nuanced, while postmodernists regard them as simply impossible. But however specialist we may be in our research, however scornful of the immaturity of grand narratives, it is not so easy to escape from dependence – acknowledged or not – (...) on a big picture. When we define our research as part of the history of science, we implicitly invoke a big picture of that history to give identity and meaning to our specialism. When we teach the history of science, even if we do not present a big picture explicitly, our students already have a big picture of that history which they bring to our classes and into which they fit whatever we say, no matter how many complications and refinements and contradictions we put before them – unless we offer them an alternative big picture. (shrink)

Emotion is usually conceived as playing a relatively external role in education: either it is raw material reshaped by rational practices, or it merely motivates intellectual reasoning. Drawing upon the philosophy of Hegel and Plato’s Socrates, I argue, however, that education is a process of existential transformation and that emotion plays an essential, internal role therein. Through an analysis of Hegel’s master and slave dialectic, I argue that emotions have their own logic and that an individual can be propelled to (...) increasingly rational emotional stances by the demands of the emotional situationitself, even in the absence of any intellectual reasoning or rational training. Appealing also to the structure and content of Socrates’ conversations, I argue that intellectual reasoning can lead to self-overcoming only insofar as it involves a particular emotional orientation towards the emotional challenges of genuine learning, that is, insofar as it is “conscientious reasoning.”. (shrink)

The core insight of Dr. Angelica Tratter’s essay, as I see it, is that we can approach the question of a person’s ways of being in the world in an ‘ontological’ rather than ‘ontical’ manner. Tratter communicates this insight primarily through a rehabilitation of Ludwig Binswanger’s notion of ‘world-design.’ In what follows, I wish both to affirm Tratter’s insight, and also, through my own elaboration of it, to propose some possible divergences of thought. As Tratter notes, Heidegger was unhappy with (...) Binswanger’s appropriation of his thought. Binswanger, Heidegger claims, mistakenly begins with the subject–object divide, and understands “being in the world” as bridging this divide ;.. (shrink)

This is a French abstract, published in _Chiasmi_, describing an English-language article entitled "Intercorporeality, Intersubjectivity and the Problem of “Letting Others Be” .".

An important function of the self is to identify external objects that are potentially personally relevant. We suggest that such objects may be identified through mere ownership. Extant research suggests that encoding information in a self-relevant context enhances memory , thus an experiment was designed to test the impact of ownership on memory performance. Participants either moved or observed the movement of picture cards into two baskets; one of which belonged to self and one which belonged to another participant. A (...) subsequent recognition test revealed that there was a significant memory advantage for objects that were owned by self. Acting on items had no impact on memory. Results are discussed with reference to the importance of self-object associations in cognition. (shrink)

Though singularity of the self can be understood in different ways, this essay argues that it ought ultimately to be understood temporally, in terms of becoming and the establishment of what Merleau-Ponty calls «personal institutions». Anorexia is used as a case study: anorexics can oscillate between feeling themselves expressed in their anorexic desires, and feeling themselves expressed in their opposition to anorexic desires. I argue, drawing upon Laing’s understanding of psychopathology, that neither is their «true singular self» but that singularity (...) ultimately realizes itself in the process of this oscillation. Guided by Merleau-Ponty’s concept of «institution», I propose that oscillations result from lived efforts to resolve indeterminately felt existential problems; that the repetitions and «binary rhythm» involved in such oscillations are endemic to personal becoming; and that what enables success rather than failure in such becoming singular are relations with others who act in recognition of this process. (shrink)

This is an Italian abstract, published in _Chiasmi, describing an English-language article published under the title "Intercorporeality, Intersubjectivity and the Problem of “Letting Others Be”.".

This is a book review of a collection of articles on political philosophy.

This symposium provides five case studies of the ways that John Dewey's philosophy and practice were influenced by women or "weirdoes" (our choices include F. M. Alexander, Albert Barnes, Helen Bradford Thompson, Elsie Ripley Clapp, and Jane Addams) and presents some conclusions about the value of dialoging across difference for philosophers and other scholars.