This paper focuses on one aspect of Weil's philosophy of labor, which has not been studied until now: the problem of boredom. In a 1938 article, she defines boredom as the main source of suffering for factory-workers. But shouldn't boredom rather occur during leisure-time, when one has nothing to do? In fact, factory work can lead to boredom, despite its frenetic rhythm and the deep concentration it implies. According Weil, boredom in factory has two main causes: monotony, and the fact (...) that, while working, the workers lose the control over their own time. This correlation of boredom with certain conditions of work is nowadays still relevant, and it concerns modern life not only in the working sphere. It implies a critical approach to the conditions of production in the capitalist era. But it also helps to describe the paradoxical state in which, while being active, one suffers from weariness. At last, it shows the relevance of an exploration of the various aspects of modern alienation through the problematic of time. The interest in the problem of boredom therefore allows to explore two complementary sides of Weil's thought: materialism and religious inspiration. (shrink)

Toute oeuvre veut tenir l'attention, la diriger et produire de l'effet. Mais l'attention et l'effet ne sont pas les memes selon que l'oeuvre en dit plus ou en dit moins c'est-a-dire selon sa densite. Le developpe ou le concis, l'emphatique ou l'elude, le riche ou l'austere ne produisent pas les memes intensites. En explorant les variations de la densite litteraire, on retrouve directement des enjeux essentiels. Que vise l'ideal du complet face a l'ideal du pur? Comment la litterature se rapporte-t-elle (...) au langage ordinaire? Quel peut etre le minimum artistique qui subsiste au bord du silence? Comment comprendre l'echec de la lecture, l'interet perdu et l'ennui? (shrink)

Prolongement d’une séquence de cours donnée au sein du lycée suisse, cet article explore les liens entre philosophie et cinéma dans le cadre de l’enseignement d’une pratique de la philosophie. Confrontés à deux approches différenciées d’un même thème, celui du féminisme, les élèves sont encouragés à les mettre à l’épreuve d’un objet culturel, ici le film. En confrontant des extraits de Trouble dans le genre de Judith Butler et d’ Une voix différente de Carol Gilligan à des scènes tirées (...) de The Hours (Stephen Daldry, 2001), il apparaît que faire de la philosophie ne se réduit pas, pour les élèves, à répéter les idées développées par d’autres. Pas plus qu’enseigner la philosophie ne se réduit, pour les enseignants, à expliquer des textes sélectionnés par d’autres. La pratique de la philosophie s’apparente plutôt à une réappropriation du geste philosophique d’un auteur, de sa manière de faire, afin de l’utiliser face à d’autres textes, d’autres contextes culturels. (shrink)

One of the most talked-about scholarly works of the past fifty years, Judith Butler’s _Gender Trouble_ is as celebrated as it is controversial. Arguing that traditional feminism is wrong to look to a natural, 'essential' notion of the female, or indeed of sex or gender, Butler starts by questioning the category 'woman' and continues in this vein with examinations of 'the masculine' and 'the feminine'. Best known however, but also most often misinterpreted, is Butler's concept of gender as a (...) reiterated social _performance _rather than the expression of a prior reality. Thrilling and provocative, few other academic works have roused passions to the same extent. (shrink)

Offers an outline for a new ethical practice - one responsive to the need for critical autonomy and grounded in a new sense of the human subject. The author demonstrates how difficult it is to give an account of oneself, and how this lack of self-transparency and narratibility is crucial to an ethical understanding of the human.

Introduction : low theory -- Animating revolt and revolting animation -- Dude, where's my phallus? forgetting, losing, looping -- The queer art of failure -- Shadow feminisms : queer negativity and radical passivity -- "The killer in me is the killer in you" : homosexuality and fascism -- Animating failure: ending, fleeing, surviving.

Résumé Considéré comme l’action individuelle par excellence, le dribble renvoie le plus souvent à l’exercice d’une maîtrise technique que seuls quelques protagonistes d’exceptions sont à même d’exécuter. Cette image purement descriptive, centrée sur le seul pratiquant, n’entretient qu’un lointain rapport avec la réalité de ce qui constitue la raison d’être profonde de cette action motrice. Le dribble, entendue comme un acte qui consiste à conduire un objet, – une balle, un palet –, en alternant des temps de contact et de (...) non contact, est avant tout à envisager dans sa dimension collective. Là est le point aveugle des analyses menées à son propos. Dans cette étude, on considérera le dribble comme un type de conduite motrice porteur d’intentions auxquelles sont attachées des significations de nature essentiellement sociale. Fondamentalement le dribble est relation, c’est-à-dire interaction. Il doit être envisagé sous l’angle de la sémiotricité, autrement dit des significations que les pratiquants lui accordent. Sa fonction est essentiellement d’annoncer les actions futures. À ce titre, il renvoie à une classe de comportements tactiques dont les significations relèvent d’une interprétation en situation sous la dépendance directe des règles du jeu sportif considéré. Loin d’être univoque, le dribble doit être envisagé comme un « signe » qui doit être décodé par les pratiquants en fonction de la grammaire du jeu considéré selon un double axe ; syntagmatique et sémantique. Ce travail à pour objectif de repérer les différentes significations possibles du « signe-dribble », considéré comme un praxème. (shrink)

The author draws on the policy analysis literature to delineate the linkage between conceptualization of risk and the formulation and proposed solution of risk-related policy problems. Two concepts of risk are identified: a concept of risk as a physically given attribute of hazardous technologies and a concept of risk as a socially constructed attribute. The argument is advanced that the social construction of risk provides a firm, theoretical basis for the design of policy. The discussion links the perception, manage ment, (...) and communication of risk to the more fundamental issue of the nature and role of science and technology. (shrink)

A variety of mechanisms contribute to word learning. Learners can track co-occurring words and referents across situations in a bottom-up manner. Equally, they can exploit sentential contexts, relying on top–down information such as verb–argument relations and world knowledge, offering immediate constraints on meaning. When combined, CSWL and SLCL potentially modulate each other's influence, revealing how word learners deal with multiple mechanisms simultaneously: Do they use all mechanisms? Prefer one? Is their strategy context dependent? Three experiments conducted with adult learners reveal (...) that learners prioritize SLCL over CSWL. CSWL is applied in addition to SLCL only if SLCL is not perfectly disambiguating, thereby complementing or competing with it. These studies demonstrate the importance of investigating word-learning mechanisms simultaneously, revealing important characteristics of their interaction in more naturalistic learning environments. (shrink)

This article examines three terms associated with the take-up of Foucault’s analysis of the biopolitical, namely identity, nature and life. It argues that Foucault opposes their reduction respectively to sameness, to origin, or to some primordial force. These reductions not only fall into species of metaphysics, they fail to recognize the integration of difference and of constitutive relationality in Foucault’s conceptualization of the process of subjectivation and becoming as historically dynamic and mobile. The article emphasizes the importance of historicization and (...) of a constructive genealogy in Foucault’s approach, running counter to metaphysics, and opening new avenues for political action based on the recognition of the interiority of resistance to dispositifs of power and of the creative force in individuation. (shrink)

Employability is one of the leading challenges of the contemporary organizational environment. While much is known about the positive effects of job crafting on employees’ employability in general, little is known about its effects when employment contacts are different. Differentiating between temporary and permanent workers, in this article we investigate how in the environment of psychological safety, these two types of employees engage in job crafting, and how job crafting is related to their perceived employability. Data were collected among two (...) samples, consisting of temporary agency workers ( N = 527), and permanent employees ( N = 796). Structural equation modeling (SEM) analyses indicated a different pattern of results for the two groups: for permanent employees, increasing challenging job demands was positively, and decreasing hindering job demands was negatively related to perceived employability. Moreover, psychological safety was related to all job crafting dimensions. For agency workers, only increasing structural job resources was related to employability, while psychological safety was negatively associated with crafting hindrances. These findings suggest that a climate of psychological safety is particularly effective for permanent employees in fostering job crafting and employability. (shrink)

This article posits that in Foucault’s later work we find not a forgetting of literature, but a reformulation of the role that literature had come to occupy in his work, and that, in this later work, there is a trace of the texts on literary thought that he wrote from the 1960s to the mid-1970s. Drawing upon Foucault’s later work, I reconsider the key question: What relationship does literature, as literature, have with the political dimension of discourses? This necessarily goes (...) hand-in-hand with the classic question concerning the truth of literature: How does literature tell the truth? (shrink)

In this paper, I examine the textual evidence for the thesis that the so-called “aesthetic sphere” of existence as depicted in Either/Or, Part I, is best described as a certain mode of relation to the social: a relation of distrust and despite. Throughout that work, themes of distrust, misunderstanding, offense, and deliberate deception recur in different profiles; I offer a social diagnosis of the “aesthetic” and support the analysis through interpretation of the text.

The human body is both religious subject and scientific object, the manifest locus of both religious gnosis and secular cognition. Embodiment provides the basis for a rich cross–fertilization between cognitive science and comparative religion, but cognitive studies must return to their empiricist scientific roots by reembodying subjectivity, thus spanning the natural bridge between the two fields. Referencing the ritual centrality and cognitive content of the body, I suggest a materialist but nonreductionist construct of the self as a substantial cognitive embodiment (...) that embraces not just perception and cognition, mind and spirit, but the forceful physicality of the moving body. Proprioception of the body's moving mass constitutes a mode of knowing that resonates strongly with the experience of self, not only across religious traditions but also within the physical sciences. By way of illustration, two directions are suggested in which a construct of the self as a substantial cognitive embodiment might lead us: first, a body–based interpretation of the Islamic myth of Adam and Iblis that reveals an internal substantiality as constitutive of the divinely imaged Self, and second, a new, religious direction for human evolutionary theory based on the implications of an embodied intentionality. (shrink)

Moving from the analogy with Spinoza, the essay defines the figure and the work of Foucault as a unique and particular event and as the effect of some specific historical and intellectual processes. The heresy of Foucault is thus unexpectedly preceded by George Lukács' History and Class Consciousness, while at the same time it must be linked with the philosophy of Maurice Merleau-Ponty: in both cases there are at stake an “open” history and a dialectics without a possible synthesis. These (...) same elements return in the way Foucault shows the radical historicity of political subjects and of power itself. This story, which is dispelled in the multiplicity of its processes and events, becomes a space for Foucault's political ontology and allows defining him a political philosopher of history. (shrink)

Feminist critics have charged that Aristotle's mistaken and harmful remarks about women and slaves show inconsistency or bias-driven arbitrariness. However, this analysis shows that these remarks function within a consistent and coherent theoretical corpus. Thus, both Aristotle's hierarchical and dualistic first principles and the methodology on which his entire corpus is based must be unreliable. Moreover, consistency and coherence must be insufficient warrants of theoretical insightfulness. Aristotle's mistakes suggest caveats for feminist philosophical reconstruction.